Various Jive New Release Sampler Mp3, Flac, Wma
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
12Th Mar ID Artist Title Price Vinyl Sleeve Comment
12th Mar ID Artist Title Price Vinyl Sleeve Comment New in D08G305 10cc HOW DARE YOU! £8.00 1976, gatefold cover, original liner sleeve and press release. New in D08G304 10cc THE ORIGINAL SOUNDTRACK £10.00 VG+ Near mint 1975, gatefold cover and lyric insert. D08H49 ABBA GREATEST HITS £12.00 Near mint Near mint Fabulous copy, looks unplayed D08H52 ABBA SUPER TROUPER £10.00 Near mint Near mint Great copy, looks unplayed D08H46 ABBA THANK YOU FOR THE MUSIC £8.00 Near mint Near mint Great copy, looks unplayed D08H203 ABBA THE SINGLES £10.00 VG++ VG+ Great double D08H48 ABBA VOULEZ-VOUS £8.00 Near mint Near mint Great copy, looks unplayed D08G74 ABBA ARRIVAL £8.00 VG++ VG 1976, great copy! D08H318 ABC THE LEXICON OF LOVE £8.00 VG+ VG+ Nice copy D08H382 ABC THE LEXICON OF LOVE £10.00 Near mint VG+ Great copy D08H319 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £10.00 VG+ VG 1980 D08H320 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £12.00 VG+ VG+ Includes catalog insert D08H174 AGNETHA FALTSKOG WRAP YOUR ARMS AROUND ME £6.00 Near mint VG+ 1983 copy, looks unplayed D08G117 AL JARREAU WE GOT BY £8.00 VG++ VG+ 1975, original photo and press release repros. D08G145 ALICE COOPER FOUR TRACKS FROM £6.00 Near mint Near mint Four-track 12" single, 1977. D08G143 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, originl liner sleeve. Appears unplayed! D08H306 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, great copy D08H145 ALICE COOPER GREATEST HITS £15.00 VG+ Near mint 1974 compilation. -
University of Florida Thesis Or Dissertation Formatting
MARIANISM: THE VOICE OF THE SOUTHERN MINEIRAN CATHOLIC IDENTITY IN BRAZIL By SCOTT RONALD SMOLENSKI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 Scott Ronald Smolenski “To my wife Filomena” ACKNOWLEDGMENTS First, I would like to acknowledge my beautiful wife, Filomena for her love and unselfish support of this research. Because of her, I was able to do my fieldwork in Brazil, and complete this document. I also want to thank our children Luis, Gabby, and Suelen for their patience and understanding when Filomena and I traveled to Brazil for three summers in a row. I want to thank my parents Maryann and Ronald, and family members for their love and support throughout this experience. Special thanks go to Larissa Rissatti for her helping arrange my interviews, assist in recording performances, and for creating files of my research on flash drives. To her mother Marcia Rigatti and grandparents, the late Luis and Mar Zé Rigatti, for putting my wife and me up in their home in Pouso Alegre while conducting research. I would especially like to acknowledge my sister-in-law Patricia Ventura-Zelnicker for her tireless encouragement, numerous readings of my rough drafts, and editorial help. Thank you also to my sister-in-laws Angela and Silvana for taking care of our kids while we were in Brazil. Of course, a big thank you goes to my committee chair, Dr. Welson Tremura, and co-chair Dr. Larry Crook whose guidance and encouragement over the years has been a source of inspiration. -
The Riddles of Rock and Roll
The riddles of rock and roll | home | authors | calendar | colophon | links | newsgroups | volume 6 april 2003 The riddles of rock and roll soundscapes Contents Soundscapes — online by Leo D'Anjou journal on media culture » ISSN 1567-7745 « Rock and roll has often been equated with rebellion. The genre, though, is just a form of popular music and many of the important volumes players in the game of promoting it were, like the saying goes, only Volume 6 / 2003-2004 in it for the money. As a rule, music like that will be supportive of Volume 5 / 2002-2003 the social order rather than inciting resistance against it. So, how Volume 4 / 2001-2002 did rock and roll acquire its rebellious image? Investigating this question from a sociological perspective, Leo D'Anjou here retells Volume 3 / 2000-2001 the story of the early beginnings of rock music. Volume 2 / 1999-2000 Volume 1 / 1998-1999 databases 1. The social construction of rock and roll. The rise of rock and roll in the 1950s coincides Alan W. Pollack's Notes On ... with the manifestation of youth as a new social category: the teenagers. At that time, this style Markus Heuger's Beabliography of popular music certainly did offer an appropriate articulation of their needs. This, however, Rare Pictures from Radio's Past does not explain why rock and roll did become identified with rebellion, or why young people Zeezender Discografie had to wait such a long time for their own music to arise. Talking about construction and signification, Leo D'Anjou here clears the ground to solve these riddles of rock and roll. -
Recorded Music in American Life: the Phonograph and Popular Memory, 1890–1945
Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945 William Howland Kenney OXFORD UNIVERSITY PRESS recorded music in american life This page intentionally left blank RECORDED MUSIC IN AMERICAN LIFE The Phonograph and Popular Memory, 1890–1945 William Howland Kenney 1 New York Oxford Oxford University Press Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1999 by William Howland Kenney Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Kenney, William Howland. Recorded music in American life : the phonograph and popular memory, 1890–1945 / William Howland Kenney. p. cm. Includes bibliographical references and index. ISBN 0-19-510046-8; 0-19-517177-2 (pbk.) 1. Popular music—Social aspects—United States. 2. Phonograph— Social aspects—United States. 3. Sound recording industry—United States—History. 4. Popular culture—United States—History—20th century. I. Title. ML3477.K46 1999 306.4'84—dc21 98-8611 98765 43 21 Printed in the United States of America on acid-free paper iv introductionDisclaimer: Some images in the original version of this book are not available for inclusion in the eBook. -
LP-Schallplatten-Katalog Oldiesound Thun 01.06.2020 Seite 1 10 CC the Original Soundtrack (Inkl
LP-Schallplatten-Katalog Oldiesound Thun 01.06.2020 Seite 1 10 CC The Original Soundtrack (inkl. I'm not in Love) R UK 75 m--/m-- FC 19,00 1910 Fruitgum Company Goody goody Gum Drops Psych. R US 68 m-/v++ 35,00 1910 Fruitgum Company Indian Giver Psych. R US 69 m-/m-- 35,00 1988 Australian Rocks Midnight Oil, Party Boys, Noiseworks ua. Lim. Edition! R UK 88 m/m 10,00 20 Traditional Country Hits Dave Dudley,Tommy Cash,Mike Glenn,Bobby Bare ua. C CH 82 m-/m 9,00 24 Country & Western Favourites Rusty Draper,Dave Dudley,Rex Allen,Roy Drusky ua. C D 7? v++/v++ DLP 15,00 40 Miles of Bad Road Duanne Eddy,Red Sovine,Coleman Wilson ua. C US 79 m/m 16,00 44 Magnum Danger HM NL 84 m/m 19,00 5 th Dimension Soul & Inspiration S US 74 m/m Rar 25,00 52 nd Street Children of Night F US 85 m*/m* 10,00 A - Ha Hunting high and Low P D 85 m/m- 8,00 A - Ha Scoundrel Days P % D 86 m/m 8,00 A - Ha Stay on these Roads P % D 88 m-/m-- 8,00 A Certain Radio Live in America NW/J UK 86 m--/m- 8,00 A GRP Christmas Collection Ritenour,Grusin,Scott,Schuur,Corea ua. GRP Label!! J D/CH 88 m/m 15,00 Abba Abba (Same) UK First Print auf Yellow Epic P UK 75 m-/m- 18,00 Abba Arrival P % AT 76 m/v++ 10,00 Abba Greatest Hits NL First Print! Epic EPC 69218 P NL 76 v++/v++ FC 12,00 Abba The Visitors P % D 81 m/v++ 10,00 Abba Best of 25 Jahre Internationale Pop Musik P NL 88 m/m- 9,00 Abba Super Trouper P UK 97 m/m CD 8,00 ABC Beauty Stab PR % NL 83 m/m 10,00 ABC Alphabet City P NL 87 m/m- 7,00 Absolute Beginners Soundtrack m. -
Samantha Fox Samantha Fox Mp3, Flac, Wma
Samantha Fox Samantha Fox mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Samantha Fox Country: UK Released: 1987 Style: Pop Rock, Synth-pop MP3 version RAR size: 1451 mb FLAC version RAR size: 1277 mb WMA version RAR size: 1546 mb Rating: 4.3 Votes: 811 Other Formats: ASF ADX TTA AHX MP4 MPC WMA Tracklist Hide Credits (I Can't Get No) Satisfaction 1 5:36 Producer – Timmy AllenWritten-By – Mick Jagger, Keith Richards* I Surrender (To The Spirit Of The Night) 2 3:56 Producer – Jon AstropWritten-By – Jon Astrop, K. Moline*, Mark Shreeve I Promise You 3 3:54 Written-By – O. Van Geldern* Naughty Girls 4 5:10 Producer, Written-By – Full Force True Devotion 5 4:37 Written-By – Lol Mason, Mark Shreeve Nothing's Gonna Stop Me Now 6 3:43 Producer, Written-By – Stock, Aitken & Waterman If Music Be The Food Of Love 7 4:49 Producer – Jon AstropWritten-By – Jon Astrop That Sensation 8 4:19 Written-By – H. MacDonald*, Simon Bailey Dream City 9 4:55 Written-By – Lol Mason, Steve Barnacle The Best Is Yet To Come 10 4:50 Written-By – Andy McCoy Want You To Want Me 11 3:29 Written-By – Steve Byrd, Steve Lambert Rockin' In The City 12 3:29 Written-By – Brian Bonhomme, Jon Durno, Rod Nash Companies, etc. Recorded At – Battery Studios, London Mixed At – Battery Studios, London Recorded At – PWL Studios Mixed At – PWL Studios Recorded At – Sigma Sound Studios, New York Mixed At – Sigma Sound Studios, New York Credits Saxophone [Uncredited] – Gary Barnacle (tracks: 3) Notes All tracks recorded and mixed at Battery Studios, London except "Nothing's Gonna Stop Us Now", recorded and mixed at PWL The Borough & "Naughty Girls" recorded and mixed at Battery, Studios and Sigma Sound, New York. -
RENT-ON-FOX-FULL-LYRICS.Pdf
MUSICAL NUMBERS 1. Tune Up #1 ................................. Mark, Roger 2. Voice Mail #1 ..............................Mrs. Cohen 3. Tune Up #2 ................................. Mark, Roger, Collins, Benny 4. Rent ............................................Mark, Roger, Collins, Joanne, Benny, Vocal Ensemble 5. You Okay Honey? ........................ Angel, Collins 6. Tune Up #3 ................................. Mark, Roger 7. One Song Glory ...........................Roger 8. Light My Candle ..........................Mimi, Roger 9. Today 4 U.................................... Angel, Mark, Roger, Collins 10. You’ll See ....................................Benny, Mark, Roger, Collins, Angel 11. Voice Mail #2 ..............................Mr. Jefferson, Mrs. Jefferson 12. Tango: Maureen ..........................Mark, Joanne 13. Life Support ................................Steve, Gordon, Ali, Sue, Angel, Collins, Cy, Mark, Vocal Ensemble MAIN CHARACTERS 14. Out Tonight ................................. Mimi VANESSA HUDGENS ....................................Maureen Johnson 15. Another Day ................................Roger, Mimi JORDAN FISHER ................................................. Mark Cohen 16. Will I? ......................................... Company TINASHE ..........................................................Mimi Márquez 17. On the Street .............................. The Man, Homeless Woman, Cops, Mark KIERSEY CLEMONS ......................................Joanne Jefferson 18. Santa Fe .................................... -
Music-Week-1986-06-1
«n ^ LJS\k . o i m jgeG&seimtV- tJ'i'iW" imi'ipifMiiiiiyi 5^ E'/zm TV advertising MUSIC WEEK campaign and more \ New Product 3 Another boost for indies 4 TV ban begins to hit video production companies 6 • 1 Indie chart 8 Wp. Opinion; The Emperor Strikes Back 9 Country: chart, news 12 Disco: chart, news and James Hamilton 13,14 |p Albums, singles charts 15,18 Indie news 16 : , New steps, new s^le M¥ L#J THIS IS the new look ol HMV, the that time. style that will eventually take over Says HMV managing director A&R: Stephen Duffy from the "fax 'n' frottage" format Ian Duffell: "Ultimately, we will (pictured) up to Something that was introduced at the begin- move away from wallpapering our Special, plus The Book Of ning of 1 985. shops but that could take some Love story and reviews, The company is spending £5m time. We cannot convert our 40 publishing, performance in the next 1 2 months on convert- shops to the new style overnight so and folk chart. Starts 17 ing its existing stores and plans to fax 'n' frottage will be around in Music On Video: chart, open a further six, 6,000 square some places for a while but will news and review 17 ISSN 0265-1548 feet shops around the UK during eventually be replaced." £1.5© U.S.$5 HMV opened the first of its new stores — its 42nd in total — in 4:->- Peterborough on Saturday. Desig- ner Richie Irvine comments; "We want to demonstrate HMV's under- standing of the product and the / Radio One/Two sale: customer. -
Jimmy Abegg (A.K.A
A Aaron Jeoffrey (also Aaron Benward ing what is possible through Christ (Philippians 4:13). He was and Jeoffrey Benward) perhaps affected by an event in 1999 in which he, his wife, and their children were unharmed by an accident that caused their Aaron Benward, voc.; Jeoffrey Benward, voc. By Aaron Jeoffrey: 1994— truck to flip over four times. Jeoffrey’s solo projects fit solidly Aaron Jeoffrey (StarSong); 1996—After the Rain; 1997—The Climb. By into the adult contemporary genre, setting tried-and-true no- Aaron Benward: 2000—Imagine (Sparrow). By Jeoffrey Benward: 1985— Jeoff Benward (Communication); 1988—The Redeemer (ForeFront); 1990— tions to familiar light pop sounds. Devotion to God, family, Set It into Motion; 2000—Jeoffrey Benward (Ministry). and country are all extolled in a confident baritone that is itself an inspiration. Both Benwards reside in Franklin, Tennessee. A father and son duo formed in 1992, Aaron Jeoffrey craft Christian radio hits: By Aaron Jeoffrey: “One Million Reasons” (# 25 in albums of pleasing pop music replete with traditional evangeli- 1994); “I Go to the Rock” (# 19 in 1995); “We All Need” (# 2 in 1996). cal themes. Jeoffrey is a classically trained musician who has By Aaron Benward: “Captured” (# 16 in 2000). worked in Christian music since the ’70s. He harmonizes with his adult son Aaron to create a sound that reminds some critics of the Proclaimers or the Rembrandts (or, in Christian music Jimmy Abegg (a.k.a. Jimmy A) circles, of Phillips, Craig, and Dean, for whom the elder 1991—Entertaining Angels (Sparrow); 1994—Secrets. Benward has written songs).