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Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796
Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 By Thomas Lucius Lowish A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria Frede-Montemayor, Chair Professor Jonathan Sheehan Professor Kinch Hoekstra Spring 2021 Abstract Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 by Thomas Lucius Lowish Doctor of Philosophy in History University of California, Berkeley Professor Victoria Frede-Montemayor, Chair Historians of Russian monarchy have avoided the concept of sovereignty, choosing instead to describe how monarchs sought power, authority, or legitimacy. This dissertation, which centers on Catherine the Great, the empress of Russia between 1762 and 1796, takes on the concept of sovereignty as the exercise of supreme and untrammeled power, considered legitimate, and shows why sovereignty was itself the major desideratum. Sovereignty expressed parity with Western rulers, but it would allow Russian monarchs to bring order to their vast domain and to meaningfully govern the lives of their multitudinous subjects. This dissertation argues that Catherine the Great was a crucial figure in this process. Perceiving the confusion and disorder in how her predecessors exercised power, she recognized that sovereignty required both strong and consistent procedures as well as substantial collaboration with the broadest possible number of stakeholders. This was a modern conception of sovereignty, designed to regulate the swelling mechanisms of the Russian state. Catherine established her system through careful management of both her own activities and the institutions and servitors that she saw as integral to the system. -
St. Petersburg Case Study
250 i\R(HITE<TLIKE: MATERIAL AND IMAGINED Re-forming Architecture and Planning through Urban Design: St. Petersburg Case Study MATTHEW J. BELL University of Maryland INTRODUCTION the city. The program was also designed to appeal to upper- level graduate architecture and planning students and to Political changes in the former Soviet Union have had a sornehow synthesize the traditional concerns of each of those concurrent effect upon the physical landscape of the cities of disciplines: the physical fonn of the city in the case of the that country. Some cities have seen the invasion, for lack of architects; and the problems and in a sense 'fonn' of the city a better way to describe conditions, of capitalism and the from a social and econolnic view in the case of the planning subsequent frenzy of speculative building activity in the st~dents.~ fonn of new office buildings and the explosion of retail centers. Most of this building activity has been confined to HISTORY OF THE SITE Moscow which, because of differences in regional laws and statutes, has been the most aggressive place in seeking new St. Petersburg was founded on the banks of the Neva River development. by Peter the Great in 1703 on one of the most unlikely of In contrast to the exploding development scene in Mos- places, a low lying, swampy area, many miles north of the cow, the czarist capital of St. Petersburg has seen relatively centers of Russian population. Peter established the city in little new construction and a dearth of almost any building order to counter the claims of the Swedish crown to the Gulf activity in its central district. -
Olympic Flame in St. Petersburg Monday, 21 October 2013 19:35
Olympic Flame in St. Petersburg Monday, 21 October 2013 19:35 {joomplu:2610 left} Olympic Flame in St. Petersburg The Olympic flame will visit 125 cities in Russia, 14,000 athletes and 30,000 volunteers will take part in the relay. The torch will travel 65,000 kilometers, and will visit Lake Baikal under the night sky. The Olympic torch journey will end at the opening of the Winter Olympics in Sochi on February 7th, 2014 at the Fisht stadium. In the end of October, St. Petersburg will welcome the Olympic flame. We will explain to you the details and route the flame will take in St. Petersburg, so you can have the unique experience of seeing it in person. The Olympic flame will visit several areas of the city and will begin its journey from Victory Square (Ploshad Pobedy) and finish at Palace Square . In total, the city government will spend more than 36 million rubles for this celebration. Petersburg will be 33rd city which will hold the Olympic torch relay. The flame is a symbol of the Olympics and, will arrive in the northern capital on October 26th after a visit to Gatchina. St. Petersburg will turn into a big sport and music festival. The relay will start on Moskovsky Prospect to the Fontanka River. Next, the Olympic flame will go along the following path: Goroxovaya - Malaya Morskaya - St. Isaac's Square. Then go to Dekabristov – English embankment (Angliyskaya naberezhnaya) – Blagoveshensky Bridge- Lieutenant Schmidt Embankment - 18 and 19 line of Vasileostrovksaya – Bolshoi Prospect. 6th and 7th lines of Vasileostrovskaya - University Embankment – Strelka on Vasileostrovskaya - 1 / 3 Olympic Flame in St. -
Paper to the Early Plans of Petersburg
Building space and myth at the edge of empire: Space Syntax analysis of St. Petersburg, 1703-19131 2 Kenneth J. Knoespel 17 Georgia Institute of Technology, USA Abstract: Keywords The foundation of St Petersburg in 1703 involves a tension between Scandinavian Constructing the “view” 17.1 of St. Petersburg, and Slavic identity. By reviewing grid maps over a period of time, it is possible to phenomenolog of men- create connections of authorial structures and show how they not only come into tal space, Space Syn- tension with mythologies being associated with the city but how they also continue tax and the Tartu School, narrative to generate a mythos for the city. Drawing on space syntax analysis of five stage of space, Dostoevsky and the evolution of the city, I show how the ongoing building of the city cannot be urban development separated from the construction of an evolving mental model of the city. The mythic [email protected] associations attributed to the city at her foundation stand in stark contrast to the ongoing problems of not only creating an idealized plan but in building a city that was rapidly becoming the major architectural and civil engineering project taking place in the north Introduction Approaches to the imperial city founded by Peter the Great on the Gulf of Finland in 1703 have often split the study of the urban plan between the highly developed mythos associated with the city and its actual construction. The repeated reference to the psychological force of the city so evident in work by Pushkin, Gogal, Dostoevsky, to mention only a few, stand in harsh contrast to the technical accounts of canal and bridge building, the city’s extension toward the Gulf of Finland, the building of the world’s deepest metro system, the industrialization of the city during the Soviet period, and the rebuilding of the city after its destruction in the Second World War. -
Dead Souls Online
HI6qS (Online library) Dead Souls Online [HI6qS.ebook] Dead Souls Pdf Free Nikolai Gogol ebooks | Download PDF | *ePub | DOC | audiobook Gogol Nikolai 2016-06-21Original language:English 9.00 x .69 x 6.00l, .91 #File Name: 1534806385306 pagesDead Souls | File size: 73.Mb Nikolai Gogol : Dead Souls before purchasing it in order to gage whether or not it would be worth my time, and all praised Dead Souls: 3 of 3 people found the following review helpful. one of the best examples of Russian literatureBy snoozerClassic story, one of the best examples of Russian literature, multilayered, funny, smart.4 of 4 people found the following review helpful. Greatly doneBy N. YablonkoGreat classic book. Actually, finally managed to read it till the end, mostly because of how it's easy to read and navigate. Definitely recommend this Kindle Edition and publisher. Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol's wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. Dead Souls is unanimously considered one of the greatest novels in the Russian language for its characterizations, satiric humor, and style. -
Olga Zaitseva: Every Woman Is a Witch…
We have only fresh and savory news! December 2013 | № 12 (123) DO NOT MISS: December 8 – Korchma on Borovskoye Highway December 22 — Korchma in Sadovo-Samotochnaya Street December 29 — Korchma in Pyatnitskaya Street December 29 — Korchma in Bochkova Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m OLGA ZAITSEVA: EVERY WOMAN IS A WITCH… VIY: RETURNING PREMIERE 30 january in 3D INCREDIBLE ASIA: Blood, sacrifices and cremation in Nepal THE NEW YEAR: tar barrels, flower offerings and mass spam DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | GUEST SHE BROUGHT TOGETHER THE OPPOSITE FEATURES OF A BEAUTY AND A WICKED WITCH IN THE ROLE OF GOGOL’S PANNOCHKA FROM THE HORROR STORY VIY, IN SEARCH OF THE BEST ANGLE SHE COULD LIE IN A COFFIN FOR HOURS … SHE WAS CHOSEN FOR THE PART FROM AMONG THOUSANDS OF CANDIDATES AND THE RESULT SURPASSED ALL EXPECTATIONS… THE NEW 3D VERSION OF VIY COMES TO THEATERS ON JANUARY 30; MEANWHILE BULBA NEWS TALKED TO OLGA ZAYTSEVA WHO PORTRAYED THE LEGENDARY PANNOCHKA IN THE MOVIE. OLGA ZAITSEVA: “EVERY WOMAN IS A WITCH…” – Olga, how did you start your work with the film creators? What is your secret? – It’s not a secret, really. We have been working together for long time, and working well. It all started at casting, like with all actors. I came in, and what followed next was ridiculous. -
Guaranteed Departures New Year in Saint-Petersburg Number of People: 2-30 PAX Dates: 29.12-02.01
LTD Tour operator «Nеva Seasons»191036, Saint Petersburg, 10, Ligovsky pr., office 212 +7(812)313-43-39 +7 (952) 399-93-64 [email protected] www.nevaseasons.com Guaranteed departures New Year in Saint-Petersburg Number of people: 2-30 PAX Dates: 29.12-02.01 St. Petersburg Day 1) Arrival at the airport Meeting with a guide Check in Overnight in the hotel Day 2) Breakfast in the hotel Meeting with a guide in the lobby. Countryside tour to Tsarskoe selo (Pushkin) - one of the most picturesque parks among the former residences of the Russian Emperors. Here you may feel the atmosphere of the Royal way of life in its entire magnificence. It is hard to believe that almost everything inside the palace is a result of a careful restoration, which has been finished just 8 years ago. Nowadays the legendary Amber Room, where this precious resin covered the walls in a magnificent and shining style, as well as the radiant interiors have finally regained their former splendor after they suffered from severe damages during World War II. Lunch in the local restaurant Nevskiy avenue walking tour Nevsky Prospekt (Nevsky Avenue) is the main artery of Saint-Petersburg, named after Alexander Nevsky, a prominent warlord and legendary figure in Russian history. The Avenue hosts a plethora of historic and cultural attractions, as well as shopping and entertainment venues. Follow this guide to the Nevsky most popular sights. Evening ice skating (optional) Being a winter sport, ice skating has always been a pretty popular activity in Russia, where pirouetting on the ice on a cold Sunday afternoon seems to be a quite common habit. -
Grand Hotel Europe ***** Conference Venue
Grand Hotel Europe ***** Contact details http://www.belmond.com/grand-hotel-europe-st-peters- burg/ 1/7 Nevsky Prospekt, Mikhailovskaya Ulitsa, Saint-Peters- burg, 191186 Tel.: +7 812 329 6000 3 min to metro station Gostinyy dvor Conference venue Belmond Grand Hotel Europe has always been rooted in the cultural landscape of St Petersburg. With influential guests such as Tchaikovsky and Pavarotti, its association with music, dance and literature has always remained strong. Located in the heart of the city on Nevsky Prospekt and Mikhailovskaya Ulitsa, Belmond Grand Hotel Europe is renowned as a luxury hotel and cultural landmark in St Petersburg. Italian architect Carlo Rossi used an impressive Neo-Baroque façade to combine neighbouring properties dating back to the 1820s to create one magnificent building for the Evropeyskaya Hotel Company. This opened as Hotel de l’Europe in 1875. The beautiful Art Nouveau designs still enjoyed today were introduced by Swedish-Russian architect Fyodor Lidval at the turn of the century. Room prices - room block is booked for conference participants, see registration form. Deluxe 23 000 RUB Deluxe Double 25 000 RUB Hotel View Restaurant Kryscha Ballroom Deluxe Corinthia Hotel Europe ***** Contact details http://www.corinthia.com/en/hotels/stpetersburg 57 Nevsky Prospekt, Saint-Petersburg, 191025 Tel.:+7 812 3802001 3 min to metro station Mayakovskaya Distance to Grand Hotel Europe: 5 min (1.6 km) by car (taxi - 200- 300 rub) 16 min (1.2 km) on foot The Corinthia St Petersburg features a grand façade and rooms with a classic design. All rooms include air conditioning, a flat-screen TV and a luxury bathroom. -
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly 1 AEC Pop and Jazz Platform! Lille 2012 1 With the support of: www.asimut.com The AEC would also like to express deep gratitude to the Rector of the St Petersburg State Conservatory Mikhail Gantvarg, and his team composed of Dmitry Chasovitin, Anna Opochinskaya , Regina Glazunova, Vladislav Norkin and Arina Shvarenok for their support in organizing the AEC Annual Congress and General Assembly 2012 in St Petersburg. The AEC team would also like to express special thanks to the members of the AEC Congress Committee: Hubert Eiholzer (Chair), John Wallace and Eirik Birkeland, for preparing and organising the Thematic Day of the Congress. 2 3 Table of Contents Programme ........................................................................................................................................ 6 Music Introductions ..................................................................................................................... 12 Concert Programme ..................................................................................................................... 12 AEC Thematic Day on Artistic Integrity ................................................................................. 14 Part I: Plenary Sessions .......................................................................................................................... 14 Part II: Parallel Breakout Sessions ................................................................................................... -
St. Petersburg Is Recognized As One of the Most Beautiful Cities in the World. This City of a Unique Fate Attracts Lots of Touri
I love you, Peter’s great creation, St. Petersburg is recognized as one of the most I love your view of stern and grace, beautiful cities in the world. This city of a unique fate The Neva wave’s regal procession, The grayish granite – her bank’s dress, attracts lots of tourists every year. Founded in 1703 The airy iron-casting fences, by Peter the Great, St. Petersburg is today the cultural The gentle transparent twilight, capital of Russia and the second largest metropolis The moonless gleam of your of Russia. The architectural look of the city was nights restless, When I so easy read and write created while Petersburg was the capital of the Without a lamp in my room lone, Russian Empire. The greatest architects of their time And seen is each huge buildings’ stone worked at creating palaces and parks, cathedrals and Of the left streets, and is so bright The Admiralty spire’s flight… squares: Domenico Trezzini, Jean-Baptiste Le Blond, Georg Mattarnovi among many others. A. S. Pushkin, First named Saint Petersburg in honor of the a fragment from the poem Apostle Peter, the city on the Neva changed its name “The Bronze Horseman” three times in the XX century. During World War I, the city was renamed Petrograd, and after the death of the leader of the world revolution in 1924, Petrograd became Leningrad. The first mayor, Anatoly Sobchak, returned the city its historical name in 1991. It has been said that it is impossible to get acquainted with all the beauties of St. -
Horror Genre in National Cinemas of East Slavic Countries
Studia Filmoznawcze 35 Wroc³aw 2014 Volha Isakava University of Ottawa, Canada HORROR GENRE IN NATIONAL CINEMAS OF EAST SLAVIC COUNTRIES In this essay I would like to outline several tendencies one can observe in con- temporary horror fi lms from three former Soviet republics: Belarus, Russia and Ukraine. These observations are meant to chart the recent (2000-onwards) de- velopment of horror as a genre of mainstream cinema, and what cultural, social and political forces shape its development. Horror fi lm is of particular interest to me because it is a popular genre known for a long and interesting history in American cinema. In addition, horror is one of transnational genres that infuse Hollywood formula with particularities of national cinematic traditions (most no- table example is East Asian horror cinema, namely “J-horror,” Japanese horror). To understand the peculiarity of the newly emerged horror genre in the cinemas of East Slavic countries, I propose two venues of exploration, or two perspectives. The fi rst one could be called the global perspective: horror fi lm, as it exists today in post-Soviet space, is profoundly infl uenced by Hollywood. Domestic produc- tions compete with American fi lms at the box offi ce and strive to emulate genre structures of Hollywood to attract viewers, whose tastes are largely shaped by American fi lms. This is especially true for horror, which has almost no reference point in national cinematic traditions in question. The second vantage point is local: the local specifi city of these horror narratives, how the fi lms refl ect their own cultural condition, shaped by today’s globalized cinema market, Hollywood hegemony and local sensibilities of distinct cinematic and pop-culture traditions. -
GOGOLIAN SPATIAL MODELS and MANKIND's POTENTIAL for REDEMPTION: a COMPARISON of “THE CARRIAGE” and DEAD SOULS Maxwell O
GOGOLIAN SPATIAL MOD ELS AND MANKIND’S PO TENTIAL FOR REDEMPTION: A COMPARISON OF “THE CARRIAGE” AND DEAD SOULS Maxwell O. Mason A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the req uirements for the degree of Master of Arts in the Department of Slavic Languages and Literatures. Chapel Hill 2006 Approved by Advisor: Christopher Putney Reader: Beth Holmgren Reader: Ivana Vuletic ABSTRACT MAXWELL O. MASON: Gogolian Spatial Models and Mankind’s Potential for Redemption: A Comparison of “The Carriage” and Dead Souls (Under the direction of Christopher Putney) This analysis explores Nikolai Gogol’s utilization of spatial models in his short story “The Carr iage” and his epic novel Dead Souls in an attempt to deduce a connection between a character’s physical environment and his potential for redemption. These works are unique in that they reflect two distinct periods of a highly formative time in Gogol’s th eological development. “The Carriage,” the earlier published of the two, represents th is period’s point of departure, whereas Dead Souls conveys the output of Gogol’s complex journey. Employing the insight of Iurii Lotman, this study examines first the dominance of evil in the “static” environments of these two works and then its subordination to “boundless” space in Dead Souls . To replace his dominant model of evil even temporarily, though, Gogol was forced to extend his vision limitlessly, a task that w as ultimately more than he could bear. ii TABLE OF CONTENTS Page