Country Update BILLBOARD.COM/NEWSLETTERS JULY 29, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE
[email protected] Maren Morris’ ‘Girl’ Power Justin Moore’s Late Nights Mines ’90s >page 4 Chesnutt For Its Throwback Theme History Repeated In Gilroy Thanks to such newer acts as Luke Combs, Midland and with my own money was Longnecks and Short Stories, Mark >page 9 Riley Green, much has been made in the last year about the Chesnutt,” notes Moore. “I still have it — now I have it on my resurgence of country music that owes a debt to the 1990s. phone, obviously — but it’s funny how it comes full circle like In the midst of that chatter, Justin Moore has quietly that sometimes.” assembled an album that leans as heavily on that era as With Late Nights, Moore’s own music cycles back to its ‘Dive Bar’ Becomes any of his previous releases, making starting point. With his last project, A Trend what arguably stands as his most 2016’s Kinda Don’t Care, he broadened >page 10 cohesive work to date. Late Nights his sound, incorporating more pop, and Longnecks, released July 26, has classic rock and light R&B influences. its share of Southern-rock sonics, It became his third straight title to but the bulk of it belongs in honky- hit No. 1 on Top Country Albums Ken Burns Goes tonks: steel-tinged tracks ladled with and yielded two singles that topped To Prison word play, Moore’s Arkansas-bred Country Airplay, “You Look Like I >page 10 enunciations and the classic country Need a Drink” and “Somebody Else themes of family, God and alcohol.