Live Nation 2016 National Concert Day Hartford Press Release (FINAL)
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Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
LIVE NATION ENTERTAINMENT, INC. (Exact Name of Registrant As Specified in Its Charter) ______Delaware 20-3247759 (State of Incorporation) (I.R.S
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ____________________________________ Form 10-Q ____________________________________ x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended September 30, 2018 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 ____________________________________ LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) ____________________________________ Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) ____________________________________ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. x Yes ¨ No Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, a smaller reporting company, or an emerging growth company. -
Septiembre Septiembre 2014
EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com Listado de Conciertos en Nueva York. A celebrar en: Septiembre 2012014444.... Estos son los conciertos a celebrar en la ciudad de Nueva York en Septiembre del 2014. Una buena lista. Y además, van en un documento pdf, por si lo queréis consultar o imprimirlo y llevarlo con vosotros.: Estos son todos; que los disfrutéis: SEP 1 MON A Decade of Soul 8:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 2 TUE Coco Montoya 8:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** 1 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 3 WED Heffron Drive 6:00 PM at Irving Plaza (Formerly The Fillmore), New York, NY ***** SEP 3 WED Renee Manning 7:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 3 WED Amateur Night At The Apollo 7:30 PM at Apollo Theater - New York, New York, NY ***** SEP 3 WED Paul Thorn 8:00 PM at New York City Winery, New York, NY ***** 2 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 3 WED Renee Manning 9:15 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 4 THU DJ Shadow 7:00 PM at Irving Plaza (Formerly The Fillmore), New York, NY ***** SEP 4 THU Mary Mary 7:30 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 4 THU Bleachers 8:00 PM at Webster Hall, New York, NY ***** 3 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 4 THU Mary Mary 10:00 PM at B.B. -
BTS Blasts Onto Hot 100 at No. 1 with 'Permission To
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 19, 2021 Page 1 of 31 INSIDE BTS Blasts Onto Hot 100 • Olivia Rodrigo’s at No. 1 With ‘Permission to Dance,’ ‘Sour’ Spends Fourth Week at No. The Kid LAROI & Justin Bieber 1 on Billboard 200 Albums Chart Bow at No. 3 With ‘Stay’ • Billboard’s U.S. Money Makers: BY GARY TRUST The Top Paid Musicians of 2020 TS bounds onto the Billboard Hot top. Here’s a deeper look at its entrance. 100 songs chart at No. 1 with its new Streams, airplay & sales: Following its July 9 • Billboard’s 2020 Global Money single “Permission to Dance.” The South release, “Dance” drew 15.9 million U.S. streams and Makers: The 5 Korean septet supplants itself at the top 1.1 million radio airplay audience impressions and sold Top Highest Bspot, as the group’s own “Butter” falls to No. 7 after 140,100 downloads (via its original and instrumental Paid Musicians seven weeks at No. 1. “Dance” launches as the group’s digital versions, each on sale for 69 cents) in the week • Bill Ackman SPAC fifth Hot 100 leader. ending July 15, according to MRC Data. Drops Plan to Buy Plus, The Kid LAROI and Justin Bieber debut on The track debuts atop the Digital Song Sales chart, 10% UMG Stake the Hot 100 at No. 3 with “Stay.” The song marks the where it’s BTS’ eighth No. 1, extending the act’s record former’s second top 10, and a new career high, and the for the most among groups. -
Copyrighted Material
16_587764 bindex.qxp 5/1/07 10:05 PM Page 832 832 Index A Albuquerque International A1A Aleworks (St. Augustine, AAA (American Automobile Balloon Fiesta (NM), 788 FL), 280 Association), 9–10, 25 Albuquerque Museum of Art Apartment rentals, New traveler’s checks, 14 and History (NM), 794 York City, 61 Abbey Lounge (Boston, MA), Alcoholic beverages, 20 Aquarius (San Francisco, 157–158 Alibates Flint Quarries CA), 651 Abbott Farms (Cowpens, SC), National Monument Aquatennial (Minneapolis, 380 (TX), 780 MN), 399 INDEX Abercorn Antique Village Allergens, 21–22 Arabia Steamboat Museum (Savannah, GA), 288 All Good Music Festival (Kansas City, MO), 421 Abiel Smith School (Boston, (Masontown, WV), The Arboretum at Flagstaff MA), 159 43, 99–102 (AZ), 520–521 Abode Apartment Rentals All-terrain vehicle tours, Arcata, CA, 660 (New York City), 61 Palms Springs, CA, 585 Arches National Park (UT), Absolutli Goosed (St. Louis, Amarillo, TX, 768–781 494–497 MO), 745 Amarillo Museum of Art Area 51 (NV), 573–575 Access-Able Travel Source, 36 (TX), 779 Area 51 Research Center (NV), Accessible Journeys, 36 Amarillo Zoo (TX), 779 574–575 Accidents, 24–25 The American Dime Museum Arizona Snowbowl, 523 Accommodations, 10, 11, 64 (Baltimore, MD), 83 The Ark (Point Pleasant tips on, 28–33 American Express traveler’s Beach, NJ), 206 Ace of Clubs House checks, 13 Arrow Bar (San Francisco, (Texarkana, AR), 342 American Foundation for the CA), 655 Acorn Attic (Wilmington, Blind (AFB), 36 The Arts and Antiques Show NC), 309 American Indian Festival (Wilmington, NC), -
ZZ Ward Debuts New Song “Marry Well” Via Marie Claire Love and War EP out August 28
FOR IMMEDIATE RELEASE: ZZ Ward Debuts New Song “Marry Well” via Marie Claire th Love And War EP Out August 28 nd North American Tour To Kick Off August 22 at The Inaugural ‘Billboard Hot 100 Music Festival’ “Ward infuses ‘LOVE 3X’ with shimmering bubblegum pop beats. Don't be surprised if you find yourself muttering it under your breath all day—it's as infectious and catchy as anything. Do you love love love it?” – NYLON “…her songs are bluesy and sultry, allowing the underlying rap beats and rhythms to bolster her powerhouse vocals.” – BILLBOARD “Her music clearly reflects her love of the craft and her interest in combining hip-hop and the blues.” – SHE KNOWS ZZ Ward has premiered her latest song, “Marry Well” exclusively via Marie Claire. CLICK HERE to check it out! The track is off her upcoming EP, entitled Love And War, which was produced by S1 (Kanye, Madonna, Eminem, Beyonce) and ZZ herself – set for release on August 28th. ZZ’s highly-anticipated sophomore album, This Means War, will be released March, 4 2016 via Hollywood Records. In support of her upcoming EP, ZZ will also be embarking on a North American Tour, which is set to kick off on August 22nd at Billboard’s first annual Hot 100 Music Festival in Wantagh, NY (Please see full tour routing below). Marc Scibilia and The Young Wild will be joining ZZ as support acts on most dates. CLICK HERE for ticketing information. TOUR DATES: August 22 Wantagh, NY Nikon Theater at Jones Beach August 28 Dallas, TX Granada Theater August 29 Houston, TX House of Blues August 30 Austin, TX -
LIVE NATION, INC. (Exact Name of Registrant As Specified in Its Charter) Delaware 20-3247759 (State of Incorporation) (I.R.S
20072007 ANNUALANNUAL REPORTREPORREPO T TO OUR SHAREHOLDERS We continued to demonstrate success in 2007 in executing our strategic plan. We took multiple steps to transform Live Nation into a vertically integrated live music company that directly unites artists, fans and sponsors across all revenue generating products. We are moving ahead to capitalize on our global concert platform as artists look for expanded and new business partners. Reaching an agreement in principle with U2 for a 12-year exclusive partnership is another signifi cant validation that Live Nation is the most attractive option for the biggest artists in the world. Madonna, and now U2, believe in Live Nation and our promising future as a highly innovative music company that is responding quickly to changes in the music business landscape. As a result, we believe Live Nation is a signifi cantly stronger organization, strategically and fi nancially, than only one year ago. Over the next year, we will continue to build on our three core strategies: • Grow our global concert platform internally • Prepare to launch our global ticketing, online business in 2009 • Continue to enter relationships with touring artists for longer and wider product lines centered around our core concert business When we launched Live Nation in December 2005, the company had been declining in overall profi tability for the previous few years. We set out to stop the decline and turn Live Nation into a growth company by running our core business better and by expanding into new revenue streams. In 2007, we set out to do four main things, all of which we achieved – to improve our North American Music operations, grow our International Music platform, launch the Live Nation Artist division and defi ne our Ticketing/ Online future. -
Sf Best Cal Fall 2019
SHORE FIRE MEDIA’S 2019/2020 BEST CALENDAR SEPTEMBER 2019 2 - Labor Day, SHORE FIRE MEDIA offices closed 3 - AIM Independent Music Awards - London, UK 3 - 6 - BIGSOUND Conference - Brisbane, Australia 4 - 7 - Arts Midwest Conference - Minneapolis, MN 5 - NFL Season Kickoff Game - Chicago, IL 5 - Variety’s EntertainMent & Technology SumMit - Los Angeles, CA 5 - 7 - Hopscotch Music Festival - Raleigh, NC 5 - 8 - Big Blues Bender - Las Vegas, NV 5 - 13 - New York Fashion Week (Spring/Summer 2020) - New York, NY 5 - 15 - Toronto International Film Festival - Toronto, Canada 6 - Basketball Hall of Fame Class of 2019 EnshrineMent Ceremony - Springfield, MA 7 - 8 - Moon River Music Festival - Chattanooga, TN 10 - 15 - AMericana Music Festival and Conference - Nashville, TN 11 - AMericana Honors & Awards - Nashville, TN 11 - 13 - Future Music Forum - Barcelona, Spain 12 - Intelligence Squared U.S. Fall Season NYC Opening Debate - New York, NY 12 - 15 - Tribeca TV Festival - New York, NY 13 - 14 - Huichica Music Festival - Walla Walla, WA 13 - 15 - KAABOO Del Mar - Del Mar, CA 13 - 15 - Riot Fest - Chicago, IL 13 - 17 - London Fashion Week - London, UK 13 - 18 - Music Matters - Singapore 14 - 15 - Creative Arts EmMy Awards - Los Angeles, CA 14 - 15 - West Coast Songwriters Conference - San Francisco, CA 14 - 15 - Music Midtown - Atlanta, GA 15 - 19 - IFP Conference: Screen Forward - Brooklyn, NY 16 - Polaris Music Prize Gala - Toronto, ON 16 - ASCAP Christian Music Awards - Nashville, TN 16 - 23 - Brooklyn Book Festival - Brooklyn, NY 17 - 23 -
Off-Beats and Cross Streets: a Collection of Writing About Music, Relationships, and New York City
University of Southern Maine USM Digital Commons Stonecoast MFA Student Scholarship 2020 Off-Beats and Cross Streets: A Collection of Writing about Music, Relationships, and New York City Tyler Scott Margid University of Southern Maine, [email protected] Follow this and additional works at: https://digitalcommons.usm.maine.edu/stonecoast Recommended Citation Margid, Tyler Scott, "Off-Beats and Cross Streets: A Collection of Writing about Music, Relationships, and New York City" (2020). Stonecoast MFA. 135. https://digitalcommons.usm.maine.edu/stonecoast/135 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in Stonecoast MFA by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Off-Beats and Cross-Streets: A Collection of Writing about Music, Relationships, and New York City A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUTREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS, UNIVERSITY OF SOUTHERN MAINE, STONECOAST MFA IN CREATIVE WRITINC BY Tyler Scott Margid 20t9 THE UNIVERSITY OF SOUTHERN MAINE STONECOAST MFA IN CREATIVE WRITING November 20,2019 We hereby recommend that the thesis of Tyler Margid entitled OffÙeats and Cross- Streets be accepted as partial fulfillment of the requirements for the Degree of Master of Fine Arts Advisor Florio -'1 4rl:ri'{" ¡ 'l¡ ¡-tÁ+ -- Reader Debra Marquart Director J Accepted ¿/k Dean, College of Arts, Humanities, and Social Sciences Adam-Max Tuchinsky At¡stract Through a series of concert reviews, album reviews, and personal essays, this thesis tracks a musical memoir about the transition from a childhood growing up in a sheltered Connecticut suburb to young adulthood working in New York City, discovering relationships and music scenes that shape the narrator's senss of identity as well the larger culture he f,rnds himself in. -
Still on the Road Venue Index 1956 – 2016
STILL ON THE ROAD VENUE INDEX 1956 – 2016 STILL ON THE ROAD VENUE INDEX 1956-2016 2 Top Ten Concert Venues 1. Fox Warfield Theatre, San Francisco, California 28 2. The Beacon Theatre, New York City, New York 24 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 Top Ten Studios 1. Studio A, Columbia Recording Studios, New York City, New York 27 2. Studio A, Power Station, New York City, New York 26 3. Rundown Studios, Santa Monica, California 25 4. Columbia Music Row Studios, Nashville, Tennessee 16 5. Studio E, Columbia Recording Studios, New York City, New York 14 6. Cherokee Studio, Hollywood, Los Angeles, California 13 Columbia Studio A, Nashville, Tennessee 13 7. Witmark Studio, New York City, New York 12 8. Muscle Shoals Sound Studio, Sheffield, Alabama 11 Skyline Recording Studios, Topanga Park, California 11 The Studio, New Orleans, Louisiana 11 Number of different names in this index: 2222 10 February 2017 STILL ON THE ROAD VENUE INDEX 1956-2016 3 1st Bank Center, Broomfield, Colorado 2012 (2) 34490 34500 30th Street Studio, Columbia Recording Studios, New York City, New York 1964 (1) 00775 40-acre North Forty Field, Fort Worth Stockyards, Fort Worth, Texas 2005 (1) 27470 75th Street, -
Fans, Travel to and from the Show Like Rockstars! Live Nation and Uber Kick Off Marketing Partnership with Venue and Festival Focused Ride Program
FANS, TRAVEL TO AND FROM THE SHOW LIKE ROCKSTARS! LIVE NATION AND UBER KICK OFF MARKETING PARTNERSHIP WITH VENUE AND FESTIVAL FOCUSED RIDE PROGRAM – Uber Begins Servicing Live Nation Amphitheaters, Clubs, Theaters and Festivals Memorial Day Weekend with Sasquatch! Music Festival and Electric Daisy Carnival New York! – LOS ANGELES (May 14, 2015) – Live Nation and Uber today announced a marketing partnership which will provide concert and festival goers an easy way to get to and from certain Live Nation events when riding with Uber. Uber services will be offered for 20 festivals throughout the year, 62 select Live Nation amphitheaters, clubs and theaters across the U.S. Festivals including the Electric Daisy Carnival, Faster Horses, Music Midtown, HARD Summer Music Festival, and more will be a part of this great program. [Full list is below]. “Fans want the journey to and from a concert to be as smooth as possible,” said Russell Wallach, President of Live Nation Media & Sponsorships. “Uber offers a convenient alternative to driving for riders to any event, and we are thrilled about the experience this brings for all of our fans.” This unique marketing partnership lets fans focus more on the music experience by having easy transportation methods and designated drop-off and pick-up locations, where available, and reduces the frustration associated with traffic and other driving concerns — just fun, friends and music. Building off of the existing integration of Uber's API on Live Nation's mobile application, announced earlier this year, this marketing partnership also simplifies the process of getting a ride to a venue with the inclusion of the automatic address feature, allowing concertgoers a quick, simple way to request an Uber when they want to head to a show with the destination already pre-loaded into the Uber app. -
DIAMONDS & MUSIC I
$6.99 (U.S.), $3.39 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw N W Z : -DIGIT 908 Illllllllllll llllllllllllllll lllllllllllllllllll I B1240804 APROE A04 E0101 MONTY GREENLY 3740 ELM AVE N A LONG BEACH CA 90807 -3402 THE INTERNAT ON4L AUTHORITY ON ML SIC, VIDEO AND DIGITAL ENTERTAINMENT AUGUST 21, 20C4 LUXU Q\Y" E É DIAMONDS & MUSIC i SPE(IAL REPORT INSIDE i www.americanradiohistory.com HOW ABOUT YOU BLINDING THE PAPARAZZI FOR A CHANGE A DIAMOND IS FOREVER ¡ THE FOREVERMPRK IS USED UNDER LICENSE. WWW.P DIA MIONDIS FOREVER.COM www.americanradiohistory.com $6.99 (U.S.), $8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw a `) zW Iong Specia eport Begins On Page 19 www.billboard.com THE INTERNATIONAL AUTHORITY ON MUSIC, VIDEO AND DIGITAL ENTERTAINMENT 110TH YEARra AUGUST 21, 2004 HOT SPOTS Battling To Save Archives At Risk BY BILL HOLLAND When it comes to recorded music archives, there ain't nothing like the real thing. As technology evolves, it is essential, archivists say, that re- issues on new audio platforms be based on original masters. Unfortunately, in an unexpected by- product of digital - era recording, many original masters are in danger of dete- riorating or becoming obsolete. 13 A Bright Remedy That's because the material was This is a first in a Meredith Brooks' 2002 single recorded on early digital equipment two -part series on the challenges `Shine' re- emerges as the that is no longer manufactured. In U.S. record new song `The Dr.