Announcing the 16Th Annual New Yorker Festival, October 2-4 in New York City

Total Page:16

File Type:pdf, Size:1020Kb

Announcing the 16Th Annual New Yorker Festival, October 2-4 in New York City Announcing the 16th Annual New Yorker Festival, October 2-4 in New York City Featuring Adam Driver, Ilana Glazer and Abbi Jacobson, Zaha Hadid, Joi Ito, Billy Joel, JR, Norman Lear, Congressman John Lewis, Lin-Manuel Miranda, Toni Morrison, Mark Ronson, Sleater-Kinney, Patti Smith, and More Than 125 Others And Introducing Tech@Fest, a Special Series of Events Exploring Technology’s Place in Society (New York, N.Y. – September 8, 2015)—On October 2, 3, and 4, 2015, The New Yorker will present its sixteenth annual Festival, a three-day celebration that brings to life the magazine’s rich reporting and incisive cultural coverage, plus live performances, film previews, and one-of-a-kind excursions throughout New York City. Drawing together an acclaimed and exciting group of writers, artists, and thinkers from a range of fields—including film, music, television, politics, architecture, science, food, and literature—the Festival is New York City’s foremost cultural event of the season. This year, the New Yorker Festival will introduce Tech@Fest, a slate of programs on Friday, October 2nd, and Saturday, October 3rd, featuring innovators, engineers, artists, entrepreneurs, and disruptors discussing the radical implications of technological advancements and their potential to transform our world. Tech@Fest will take place in the Condé Nast photography studios at One World Trade Center, home of The New Yorker. Since the Festival’s inception, events have sold out quickly, drawing nearly twenty thousand people from around the world every year. The full program guide is available at newyorker.com/festival and on the New Yorker Festival app, available for iPhone and Android devices. The September 14, 2015, issue of the magazine, on newsstands now, also features the Festival schedule. Below is the program lineup, in brief. To request press credentials, email Adrea Piazza at [email protected]. Please specify which event(s) you are interested in covering. This year’s one-on-one interviews with luminaries in a variety of fields include: • The actor Adam Driver in conversation with The New Yorker’s Lizzie Widdicombe • The creators and stars of “Broad City,” Ilana Glazer and Abbi Jacobson, in conversation with The New Yorker’s Emily Nussbaum • The actor Jason Segel in conversation with The New Yorker’s Michael Schulman • The writer, performer, and visual artist Patti Smith in conversation with The New Yorker’s David Remnick, in advance of the publication of her forthcoming book • The author Toni Morrison in conversation with The New Yorker’s Hilton Als • The actor Jesse Eisenberg in conversation with The New Yorker’s Susan Morrison • The rock band Sleater-Kinney in conversation with The New Yorker’s Dana Goodyear • The composer, lyricist, and actor Lin-Manuel Miranda, whose musical “Hamilton” is now on Broadway, in conversation with The New Yorker’s Rebecca Mead • The actress Julianna Margulies in conversation with The New Yorker’s Joshua Rothman • Congressman John Lewis, the only surviving member of the Big Six, the leaders of six prominent organizations at the center of the civil-rights movement, in conversation with The New Yorker’s David Remnick • The writer and comedian Marc Maron in conversation with The New Yorker’s Kelefa Sanneh • The actor Jeffrey Tambor in conversation with The New Yorker’s Ariel Levy • The actress Sigourney Weaver in conversation with The New Yorker’s Anthony Lane • The author Don DeLillo in conversation with The New Yorker’s Deborah Treisman • The television writer and producer Norman Lear in conversation with The New Yorker’s Emily Nussbaum • The architect Zaha Hadid in conversation with The New Yorker’s John Seabrook • The comedian, writer, producer, and television host Larry Wilmore in conversation with The New Yorker’s David Remnick • The actor Damian Lewis in conversation with The New Yorker’s Lauren Collins • The filmmaker Andrew Jarecki in conversation with The New Yorker’s Patrick Radden Keefe • The comedian Jim Gaffigan in conversation with The New Yorker’s Andy Borowitz • The writers and New Yorker contributors Jonathan Safran Foer and George Saunders in conversation • The actress Ellie Kemper in conversation with The New Yorker’s Lauren Collins • The writer, screenwriter, and political activist Larry Kramer in conversation with The New Yorker’s Calvin Trillin • The writers and New Yorker contributors Junot Díaz and Aleksandar Hemon in conversation • Tech@Fest: Joi Ito, the director of the M.I.T. Media Lab, in Cambridge, Massachusetts, in conversation with the newyorker.com editor Nicholas Thompson • Tech@Fest: Sean Murray, the architect of the hotly anticipated video game No Man’s Sky, in conversation with The New Yorker’s Raffi Khatchadourian. Murray will also give a sneak preview of the game. There will be conversations accompanied by musical performances, featuring: • The singer, songwriter, and composer Billy Joel in conversation with The New Yorker’s Nick Paumgarten • The recording artist Mark Ronson in conversation with The New Yorker’s John Seabrook • The musician and composer Trey Anastasio, of Phish, in conversation with The New Yorker’s Alec Wilkinson • The pop-rock group HAIM in conversation with The New Yorker’s Kelefa Sanneh • The New R. & B.: Azekel, Bilal, James Fauntleroy, and Kelela in conversation, moderated by The New Yorker’s Andrew Marantz • The sounds of Cuba: the journalist Elaine Díaz Rodríguez, the musician Pedrito Martinez, and the writer Yoss will engage in a conversation, accompanied by performances from Descemer Bueno and the Pedrito Martinez Group. Moderated by The New Yorker’s Jon Lee Anderson. • Tech@Fest: SoundCloud Lounge: the SoundCloud founder and C.E.O. Alexander Ljung in conversation with The New Yorker’s John Seabrook. Musical performances from prominent SoundCloud artists to be announced. • Tech@Fest: the comedian, actor, writer, and musician Reggie Watts, who is known for creating improvised sets with his voice, keyboard, and a looping machine, in conversation with The New Yorker’s Emma Allen. And sneak previews: • A preview screening of the HBO documentary “Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists.” The screening will be accompanied by a conversation with the New Yorker cartoonists Liana Finck, Emily Flake, Mort Gerberg, and the cartoon editor, Robert Mankoff. Moderated by the New Yorker cartoonist Roz Chast. • A preview screening of the feature film “The Lady in the Van,” which is adapted from a play by Alan Bennett, followed by a conversation between The New Yorker’s Judith Thurman and the director, Nicholas Hytner. • A preview screening of the short film “Ellis,” starring Robert De Niro, followed by a conversation between The New Yorker’s Françoise Mouly and the artist JR, who directed the film. • A reading of the forthcoming play “Cleo,” written by The New Yorker’s Lawrence Wright, which details the fraught production of the 1963 Hollywood film “Cleopatra” and the scandalous love affair between Elizabeth Taylor and Richard Burton, which brought condemnation from the Vatican. Directed by Bob Balaban, with Damian Lewis as Richard Burton and other cast members to be announced. Panel discussions on a wide array of subjects will include: • “The Fire This Time: Black in America,” a panel about black identity and conditional citizenship, featuring the writer Ta-Nehisi Coates; the actor and activist Jesse Williams; the journalist, screenwriter, and producer David Simon; the author Claudia Rankine; and the actress, playwright, and activist Danai Gurira. Moderated by The New Yorker’s Jelani Cobb. • “The Really Big One,” a panel about the earthquake that threatens to devastate the Pacific Northwest, as detailed in Kathryn Schulz’s New Yorker piece of the same name, featuring Chris Goldfinger, a professor of geology and geophysics at Oregon State University and one of the leading experts on the Pacific Northwest earthquake fault; Stephen Mahin, the director of the Pacific Earthquake Engineering Research Center and a professor of structural engineering at the University of California, Berkeley; and Carmen Merlo, the director of the Portland Bureau of Emergency Management. Moderated by The New Yorker’s Kathryn Schulz. • “The Writing Process,” a panel about putting words to paper, featuring the authors Jeffrey Eugenides, Sheila Heti, and Ben Lerner. Moderated by The New Yorker’s Cressida Leyshon. • “The Hillary Question,” a panel about Hillary Clinton’s career, campaign, and quest to become America’s first female President, featuring the writer Roxane Gay; Frances Townsend, the former assistant to President George W. Bush for Homeland Security and Counterterrorism; Geraldo Cadava, an immigration professor at Northwestern University; and The New Yorker’s Amy Davidson. Moderated by The New Yorker’s Jill Lepore. • “Justice Delayed: Guilty Until Proven Innocent,” a panel on wrongful convictions, featuring Tyrone Hood, the subject of a New Yorker Profile by Nicholas Schmidle detailing the more than twenty years he spent in prison for a crime he didn’t commit; the former Governor of Illinois Patrick Quinn, who acted on nearly five thousand clemency petitions while in office; Brooklyn District Attorney Ken Thompson; and Shawn Armbrust, the executive director of the Mid-Atlantic Innocence Project. Moderated by The New Yorker’s Nicholas Schmidle. • “Nouveau Science Fiction,” a panel about reinventing the genre, featuring the author Emily St. John Mandel; the screenwriter, producer, and actress Brit Marling; and the television producer and screenwriter Jonathan Nolan. Moderated by The New Yorker’s Daniel Zalewski. • “Misfits,” a panel about complicated characters in literature, featuring the writers Joshua Ferris, Yiyun Li, and Lionel Shriver. Moderated by The New Yorker’s Willing Davidson. • Tech@Fest: “CRISPR,” a panel about cutting-edge gene technology, featuring the biochemist Jennifer Doudna, who is credited with the discovery of a streamlined technique for altering an organism’s DNA; Kevin Esvelt, a technology-development fellow at the Wyss Institute at Harvard University; Feng Zhang, a member of the Broad Institute of M.I.T.
Recommended publications
  • Oktoberfest’ Comes Across the Pond
    Friday, October 5, 2012 | he Torch [culture] 13 ‘Oktoberfest’ comes across the pond Kaesespaetzle and Brezeln as they Traditional German listened to traditional German celebration attended music. A presentation with a slideshow was also given presenting by international, facts about German history and culture. American students One of the facts mentioned in the presentation was that Germans Thomas Dixon who are learning English read Torch Staff Writer Shakespeare because Shakespearian English is very close to German. On Friday, Sept. 28, Valparaiso Sophomore David Rojas Martinez University students enjoyed expressed incredulity at this an American edition of a famous particular fact, adding that this was German festival when the Valparaiso something he hadn’t known before. International Student Association “I learned new things I didn’t and the German know about Club put on German and Oktoberfest. I thought it was English,” Rojas he event great. Good food, Martinez said. was based on the good people, great “And I enjoyed annual German German culture. the food – the c e l e b r a t i o n food was great.” O k t o b e r f e s t , Other facts Ian Roseen Matthew Libersky / The Torch the largest beer about Germany Students from the VU German Club present a slideshow at Friday’s Oktoberfest celebration in the Gandhi-King Center. festival in the Senior mentioned in world. he largest the presentation event, which takes place in included the existence of the Munich, Germany, coincided with Weisswurstaequator, a line dividing to get into the German culture. We c u ltu re .” to have that mix and actual cultural VU’s own festival and will Germany into separate linguistic try to do things that have to do with Finegan also expressed exchange,” Finegan said.
    [Show full text]
  • SYNOPSESFOR Thu 24 to Wed 30 JUNE Corner of Ocean View Rd & Schnapper Rd Info Line: 4342 4666
    SYNOPSESFOR Thu 24 to Wed 30 JUNE Corner of ocean View Rd & Schnapper Rd Info Line: 4342 4666 www.cienamparadiso.com.au NOW SHOWING NOW SHOWING NOW SHOWING Julianne Moore Jake Gyllen- Bill Nigh Victoria Hill Julia Billing- haal Walton Goggins When Peter sets out on a ton Kelton Pell Lucky Prescott’s life is magical journey to rescue his A fish-out-of-water story of a young changed forever when she little sister Anne, he needs to boy Ridley who becomes lost in move from her home in the travel to mysterious territory: the harsh Australian outback with city to a small frontier town the Moon! nothing but his camcorder and new and befriends a wild mustang friend, a wayward Dingo. named Spirit. NOW SHOWING NOW SHOWING Lin-Manuel Miranda Stephanie Beatriz Jimmy Ryan Reynolds Antonio Banderas Morgan Freeman Smits The world’s most lethal odd couple – bodyguard In the Heights centers on a community of char- Michael Bryce (Ryan Reynolds) and hitman Darius acters living in the neighborhood of Washington NOW SHOWING STARTS JUNE 17 NOW SHOWING Kincaid (Samuel L. Jackson) – are back on another Heights, NYC. At the center of the story is Usnavi, a bodega owner. Toni Collette Damian Lewis Vin Diesel, Michelle Rodriguez, Joe Pantoliano Wendy Crew- life-threatening mission. Owen Teale Michael Rooker son With little money/no experi- Dom Toretto is leading a quiet life A downtrodden man experi- ence, Jan (Toni Collette)con- off the grid with Letty and his son, ences an ethical crisis and SPECIAL vinces her neighbors to chip in little Brian, but they know that MON, TUE & WED TICKET DISCOUNTS their meager earnings to raise travels back to his hometown PRICES! danger always lurks just over their (Excluding Dream Alliance & compete with in rural Italy to recalibrate his ALL TICKETS, ALL DAY Special Events peaceful horizon.
    [Show full text]
  • “I'm Rare As Affordable Health Care...Or Going to Wealth
    Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content.
    [Show full text]
  • Postfeminism and Urban Space Oddities in Broad City." Space Oddities: Difference and Identity in the American City
    Lahm, Sarah. "'Yas Queen': Postfeminism and Urban Space Oddities in Broad City." Space Oddities: Difference and Identity in the American City. Ed. Stefan L. Brandt and Michael Fuchs. Vienna: LIT Verlag, 2018. 161-177. ISBN 978-3-643-50797-6 (pb). "VAS QUEEN": POSTFEMINISM AND URBAN SPACE ODDITIES IN BROAD CITY SARAH LAHM Broad City's (Comedy Central, since 2014) season one episode "Working Girls" opens with one of the show's most iconic scenes: In the show's typical fashion, the main characters' daily routines are displayed in a split screen, as the scene underline the differ­ ences between the characters of Abbi and Ilana and the differ­ ent ways in which they interact with their urban environment. Abbi first bonds with an older man on the subway because they are reading the same book. However, when he tries to make ad­ vances, she rejects them and gets flipped off. In clear contrast to Abbi's experience during her commute to work, Ilana intrudes on someone else's personal space, as she has fallen asleep on the subway and is leaning (and drooling) on a woman sitting next to her (who does not seem to care). Later in the day, Abbi ends up giving her lunch to a homeless person who sits down next to her on a park bench, thus fitting into her role as the less assertive, more passive of the two main characters. Meanwhile, Ilana does not have lunch at all, but chooses to continue sleeping in the of­ ficebathroom, in which she smoked a joint earlier in the day.
    [Show full text]
  • The Diving Bell and the Butterfly June 2016
    PROGRAMME THE DIVING BELL AND THE BUTTERFLY JUNE 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 JUNE 2016 • ISSUE 135 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN JUNE CONTENTS Films At A Glance 16-17 Rants and Pants 26-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 The Diving Bell and The Butterfly Sun 4.30-5.30 Remains one of our most powerful, beautiful films. (2008) Don’t miss. Page 18 SEAT PRICES Circle £9.00 FILMS OF THE MONTH Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through SEE more. DO more. the gate on High Street (right of apartments) Truman Mustang 50% OFF YOUR SECOND PAIR A fabulous South American tragi- They’re saying this is the must-film Terms and conditions apply Director: James Hannaway comedy embracing all the worth in to see… so come and see. 01442 877999 life and death. Page 10 Page 13 Also available with Advertising: Chloe Butler 01442 877999 (From Space) Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Troublemakers: Race The Story Of Land Art The timely story of Jesse Owens. “ Unhesitatingly The Rex Miss this and you might as well Hitler should have taken more 24 Bridge Street, Hemel Hempstead 25 Stoneycroft, Hemel Hempstead is the best cinema I have stop breathing… Breathtaking care of his skin.
    [Show full text]
  • Marlon Riggs Papers, 1957-1994 M1759
    http://oac.cdlib.org/findaid/ark:/13030/kt8v19s4ch No online items Marlon Riggs Papers, 1957-1994 M1759 Finding aid prepared by Lydia Pappas Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, California, 94305-6064 [email protected] 2011-12-05 Marlon Riggs Papers, 1957-1994 M1759 1 M1759 Title: Marlon Riggs Papers Identifier/Call Number: M1759 Contributing Institution: Department of Special Collections and University Archives Language of Material: English Physical Description: 112.0 Linear feet(37 manuscript boxes, 5 half-boxes, 3 card boxes, 34 flat boxes, 28 cartons, 1 oversize box) Date (inclusive): 1957-1994 Abstract: This collection documents the life and career of the documentary director, Marlon Troy Riggs, 1957-1994. The majority of the materials in the Collection are from the period between 1984 and Riggs' death in 1994, the decade of his concentrated film-making activity, as well as some more personal materials from the late 1970s onwards. The papers include correspondence, manuscripts, subject files, teaching files, project files, research, photographs, audiovisual materials, personal and biographical materials created and compiled by Riggs. General Physical Description note: Audio/Visual material housed in 90 cartons containing: 16 Film reels, 149 VHS videotapes, 437 Umatic videotapes, 602 Betacam videotapes, 50 Digibeta videotapes, I Betamax videotape, 1 D8 tape, 6 micro cassette tapes, 2 DARS tapes, 14 Hi-8 tapes, 10 DAT tapes, 8 reels 2inch video, 27 reels 1inch video, 49 DVDs, 108 audio cassettes, 48 audio reels, 2 compact discs; Computer Media: 1 floppy disc 8inch, 171 floppy discs 5.25inch, 190 3.5-inch floppy discs, and papers housed in 77 boxes, 62 flat boxes, and 11 half boxes.
    [Show full text]
  • SECOND GROUP of PRESENTERS ANNOUNCED for 70Th EMMY® AWARDS SEPTEMBER 17
    , FOR IMMEDIATE RELEASE SECOND GROUP OF PRESENTERS ANNOUNCED FOR 70th EMMY® AWARDS SEPTEMBER 17 Recent 70th Emmy Award Winner RuPaul Charles To Join Samantha Bee, Connie Britton, Benicio Del Toro and Television’s Top Talent To Present During Television Industry’s Most Celebrated Night (NoHo Arts District, Calif. – Sept. 12, 2018) — The Television Academy and Executive Producer Lorne Michaels today announced the second group of talent set to present the iconic Emmy statuette at the 70th Emmy® Awards on Monday, September 17. The presenters include: • Patricia Arquette (Escape at Dannemora) • Angela Bassett (9-1-1) • Eric Bana (Dirty John) • Samantha Bee (Full Frontal with Samantha Bee) – Outstanding Variety Talk Series, Outstanding Writing For A Variety Special • Connie Britton (Dirty John) • RuPaul Charles (RuPaul’s Drag Race) – 70th Emmy Award Winner for Outstanding Host For A Reality Or Reality-Competition Program • Benicio Del Toro (Escape at Dannemora) • Claire Foy (The Crown) – Outstanding Lead Actress In A Drama Series • Hannah Gadsby (Hannah Gadsby: Nanette) • Ilana Glazer (Broad City) • Abbi Jacobson (Broad City) • Jimmy Kimmel (Jimmy Kimmel Live!) – Outstanding Variety Talk Series • Elisabeth Moss (The Handmaid’s Tale) – Outstanding Lead Actress In A Drama Series, Outstanding Drama Series • Sarah Paulson (American Horror Story: Cult) – Outstanding Lead Actress In A Limited Series Or Movie • The Cast of Queer Eye, 70th Emmy Award Winner for Outstanding Structured Reality Program • Issa Rae (Insecure) – Outstanding Lead Actress In A Comedy Series • Andy Samberg (Brooklyn Nine-Nine, Saturday Night Live) • Matt Smith (The Crown) – Outstanding Supporting Actor In A Drama Series • Ben Stiller (Escape at Dannemora) The 70th Emmy Awards will telecast live from the Microsoft Theater in Los Angeles on Monday, September 17, (8:00-11:00 PM ET/5:00-8:00 PM PT) on NBC.
    [Show full text]
  • LACEA Alive Feb05 7.Qxd
    01-48_Alive_March_v6.qxd 2/25/11 5:12 PM Page 33 www.cityemployeesclub.com March 2011 33 Comes Alive! by Hynda Rudd Tales From the City Archives City Archivist (Retired) and Club Member Tom LaBonge and the Hollywood Sign n City Councilman and Club Member Tom LaBonge fought to keep the L.A. icon in public hands. At the ceremony where the Hollywood sign area was saved from developers. Hefner of Playboy Enterprises to close the What has not been known by many of the and largest donors to this effort were Los Photos courtesy the Trust for Public Land. $12.5 million deal to save the Hollywood sign. citizens of this City is that as far back as 1978, Angeles philanthropist Aileen Getty and the At the press conference, it was revealed that the Hollywood sign, as it looks today, came Tiffany & Co. Foundation. “I thank Hugh n advertising billboard on Mt. Lee, in the parcel of land would be preserved and about because Hugh Hefner was the one to Hefner and Aileen Getty for their critical con- “Athe hills overlooking the film capital, annexed to Griffith Park. raise money to rebuild it. As a big fan of the tributions, along with everyone whose gener- [was] erected in 1923. The sign is 50 feet high, Tom LaBonge stated his thanks to the sign, Hefner came forward again in 2010 with ous spirit moved them to join the campaign to 450 feet long, weighs 480,000 pounds, and TPL, the Hollywood Sign Trust and the his $900,000 that brought forth the closing of save one of America’s most famous urban cost $21,000 to construct.
    [Show full text]
  • The Norman Conquest: the Style and Legacy of All in the Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad.
    [Show full text]
  • The Top 10 TV Shows of 2012
    PAGE 6B PRESS & DAKOTAN n FRIDAY, DECEMBER 21, 2012 The Top 10 TV TelevisionWeek Local Listings For The Week Of December 22-28, 2012 Shows SATURDAY PRIMETIME/LATE NIGHT DECEMBER 22, 2012 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Cook’s The The Prairie Hometime Classic Gospel Memo- The Lawrence Welk Guy Lom- As Time Keeping Last of the New Red The Red No Cover, No Austin City Limits A Under- Sun Studio Globe Trekker The PBS Country Victory Yard & (N) Å ries of Christmas. Å Show Songs from the bardo Goes Up Summer Green Green Minimum “Vince Two 1979 performance by ground Sessions Rijksmuseum in Am- KUSD ^ 8 ^ Garden Garden 1970s. By Å Wine Show Eagles” Tom Waits. Å sterdam. (In Stereo) Of 2012 $ $ Å Å KTIV 4 Boxing Fight Night. From Bethlehem, Pa. Paid News News 4 Insider “Mr. Magoo” WWE Tribute Saturday Night Live News 4 Saturday Night Live Extra (N) 1st Look House Boxing Fight Night. From Bethlehem, Pa. (N) (In Johnny NBC KDLT The Big ›› “Mr. Magoo’s WWE Tribute to the Saturday Night Live KDLT Saturday Night Live Bruno Mars The Simp- According (Off Air) BY CHUCK BARNEY NBC Stereo Live) Å Cash Nightly News Bang Christmas Carol” Troops (N) (In Ste- Martin Short; Paul Mc- News hosts and performs. (In Stereo) Å sons Å to Jim Å KDLT % 5 % News (N) (N) Å Theory (1962, Fantasy) reo) Å Cartney performs.
    [Show full text]
  • Update to Comments of Internet Association
    Before the United States Copyright Office Washington, D.C. In re: Section 512 Study: May 9, 2019 Notice and Request for Public Comment Docket No. USCO-2015-7 UPDATE TO COMMENTS OF INTERNET ASSOCIATION Internet Association appreciates the opportunity to update its April 2016 comments1 on the Copyright Office’s study of Section 512 of the Copyright Act. The U.S. copyright system has a strong and innovation-oriented copyright framework that benefits consumers, protects creators’ rights, and enables innovation – including through the safe harbors and limitations and exceptions in the Digital Millennium Copyright Act (DMCA). Internet Association (IA) represents over 40 of the world’s leading internet companies.2 IA is the only trade association that exclusively represents leading global internet companies on matters of public policy. IA’s mission is to foster innovation, promote economic growth, and empower people through the free and open internet. IA member companies are leading licensees, distributors and creators of copyrighted works, as well as platforms that allow people to distribute and share the copyrighted works they have created. IA filed comments with the U.S. Copyright Office (the Office) in 2016 in response to its request for comments and participated in the public round tables held by the Office in the same year. IA has consistently held the position that Section 512 creates a balanced system that supports diverse stakeholders, providing rights holders, creators, internet companies, technology industries, and users the tools necessary to grow a robust online ecosystem. The DMCA safe harbors have achieved the goal3 established by stakeholders and policy makers: the internet has survived and thrived, benefiting creators, the public, and internet companies.
    [Show full text]
  • STG-Turnout-Case-Study.Pdf
    CASE STUDY: We took a bold approach to building our national turnout map and focused on reaching voters long before Election Day, when most GOTV campaigns begin. We targeted voters in the “blue wall” states that had previously favored Democrats (Michigan, Pennsylvania and Wisconsin), and the increasingly competitive sun-belt states (Arizona, Georgia and North Carolina), whose changing demographics made them newly competitive. This specific turnout program, separate from our registration + persuasion programs, began in July 2020. Driven by internal research that showed our facts-first advertising was most likely to resonate with voters with lower political knowledge, we targeted left-leaning, low political knowledge voters who were infrequent voters or who had never voted before. ✅ 1.8 million low political knowledge left-leaning voters across AZ, GA, MI, NC, PA, WI ✅ 95% infrequent or new voters, 57% had never voted before ✅ 73% Women, 59% POC, 62% Under 35 Research showed that young, low propensity voters were unenthusiastic about voting in 2020 due to a dislike of politics, logistical issues, and a lack of knowledge of or interest in the candidates. 樂 HOWEVER, they retain some optimism: a majority believe the government can be improved despite its flaws, and believe politics can affect their lives 樂 Unfortunately, they are unlikely to think their individual vote affects policy/politics and are likely to believe they’re stuck with the problems past generations or others created 樂 They also had an enthusiasm and knowledge gap when it came to Biden. Our young, diverse audience spent significantly more time on social media + streaming sites.
    [Show full text]