DOCSLIB.ORG

ROBERT JONES WORKSHOP 2005 General Knowledge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ROBERT JONES WORKSHOP 2005 General Knowledge ROBERT JONES WORKSHOP 2005 Robert Jones’ website: www.beautemadesimple.com 1-800-8BEAUTE General Knowledge 1. RJ has worked with Sheryl Crow, Dixie Chicks, Leanne Rimes, MK NSD’s, MK Top Directors, and Corporate Staff. 2. MK Cosmetics is the first cosmetic brand company to apply make-up artist approaches to its entire existing product line. Our closest competitor, Estee Lauder, is seeing the market trend toward artist-driven lines. such as Bobbi Brown, and M.A.C. They purchased such lines as Bobbi Brown and MAC rather than applying the philosophy to their existing products. Estee Lauder also owns Stila, Aveda, Prescriptives, Clinique, and Jane. 3. First and most importantly every woman needs to remember she is beautiful. 4. Purpose of wearing makeup is to use it to artfully sculpt and accentuate your best features. 5. You sell skin care by selling the benefits, what the products will do for your customer and how it will meet their needs. You sell color cosmetics by tempting and sampling. 6. Beautiful makeup is all about the colors you use, the tools you use and where you place the actual color cosmetics---never about how much you put on. 7. The concept that “less is more” definitely holds true for makeup. Color Cosmetics are to enhance the features God gave you not change them. 8. Whatever the season or the events, beautiful makeup will boost your self-confidence, which in turn will make you, feel good about yourself, which will translate into true beauty inside and out. 9. Simple and natural means your makeup palette should be suited to your complexion and should change with each season to compliment the change in your skin’s natural tone. 10. Makeup is an emotion buy, but there is a technical side. It takes 18 – 24 months to develop a product. 11. AHA was replaced by Peptides (3 molecules joined together). More gentle on skin. 12. Forget everything you ever heard about cool vs. warm skin tone. 85% of all women are warm-tones, but 100% of women can wear warm shades. Cool shades look harsh and add age to the face. We all have yellow undertone. 13. Color Cosmetics does not have to match your clothing. You can wear warm shades of makeup with cool clothing. As you can wear cool color cosmetics with warm clothing. 14. The only true cool tones women are those who cannot tan and have the blackest of black hair. These are the only women who need pink undertone foundation shade. Ivory 105 & Black hair. To find a customer’s true undertone, look at the inside of her arm. 1 Face Conditions • Facial Masking – when a person has a lighter area in the center of the face and darker areas at edges due to a higher build up of dermis in the outer perimeter of the face. Primarily found in bronze and ebony skin tones. • Two 2 shades of foundation will be required. • Dark areas will need a golden orange undertone to lighten (xx7) • Lighter areas will need warm brown undertone to deepen (xx8) Dark under eye circles • Apply concealer just to the area of demarcation and blend up. • If severely dark, use yellow concealer • Do this before foundation / stipple foundation and powder so you don’t rub off your work. • For bronze, use concealer blend with 507 or 607. Hypo-pigmentation/ pregnancy masking/ port-wine areas/melasma • Age spots or brown spots can be caused by too much sun or by a shift in hormones during pregnancy. • This can happen to women with any skin tone. • Apply concealer only to the areas that are discolored. • Stipple on foundation over concealer • Ivory/Beige tones should use yellow concealer • Bronze skin tones should use a golden-orange concealer Covering Acne • Match concealer to foundation. Dap on blemish only. • Red Zit = use a Q-tip and Visine to take the red out • If she has lots of acne, send her to the Dr. so she does not scar. • The darker the skin, the easier to scar (scar lasts 2 years+) Scar • A scar is a raised area of skin tat has no pores, which makes it difficult to conceal because pores are what makeup clings to on the skin. • First, apply moisturizer to area, then loose powder, and then apply concealer with a brush. The concealer and the powder mix together to form a drier texture that will stick better to the scar. Broken Capillaries and Veins • Must use a tiny brush and apply carefully only to tiny line. Stipple to blend Bumps and valleys • Make foundation as matte as possible. No shine! Large Pores • Use Timewise Products • The majority of people with large pores have combination and oily skin • Oil Mattifer and Beauty Blotters are their favorite products Under eye puffiness: • Highlight shadowy dark area • Stipple on foundation • Apply another coat of concealer Rosacea: • Use yellow concealer or Ivory 200 to counteract the red. Do not over blend. 2 Lip Outliner • Keeps lip color from bleeding and feathering. • Best time to apply is after foundation and powder, before lipstick. • It DOES NOT go on the lip. It goes outside the natural lip line. • An added benefit of this product – that will not be touted by MK simply because the company has not put it through a focus group – is that you can apply the lip outliner beneath your eyes to prevent watering to fill the creases. It is perfectly safe for such use, it just hasn’t been focus-group tested so the company will not claim it in print. Eye Primer • Contains no AHA. • Apply Primer, Concealer and Powder on Eye lid to provide a smooth canvas. • NEVER apply Full Coverage Timewise Foundation, CTP or Cream DR to Eye Lid. • Medium Coverage Foundation can be used on eye lid. Concealer • Tube concealer generally has a creamier texture that’s lighter and less likely to collect in the fine lines, therefore making it great for mature skin. It provides terrific coverage and is useful because it can be further thinned by mixing it with foundation. It’s perfect to use under the eyes because it’s one the easiest on the market to blend. • Our formula has pigments that counteract skin discolorations. • Only use concealer on areas of discolored skin. • For severe brown, purple, or red spots use yellow concealer. Dual Coverage Powder Foundation • TWDC – Dual means it can be used as a foundation or pressed powder. It may be applied dry or with a damp clean sponge. Use a damp sponge for a more matte finish. TWDC is low in oil and does not clog the pores. • Use sponge application for more coverage, the brush for less coverage. • TWDC Powder Foundation may change to a darker color once it mixes with the skin’s oils. You may need to go a shade lighter if this happens. Cream To Powder Foundations • Cream to Powder Foundations were designed for the oily skin. • You do not need to powder after using TWDC. • IF you do NEED to use powder you should be using TW Medium Coverage Foundation 3 Timewise Medium and Full Coverage Foundation • The shades are numbered and can be used globally. Makeup artists think in numbers. • Each digit means something. The undertone numbers (last digit) are as follows: • 0 – Yellow – Burns then tans • 2 – Olive (Tans easily) • 4 – Pink (neutral and has both yellow & pink) Never tans, only burns • 5 – More pink • 7 – Golden orange • 8 – Warm brown • The 1st 2 numbers are the lightness and darkness color intensities. The higher the number, the darker the shade. Always start with a 0 undertone and work from there. • The ultramarine pigments in MK products create a fresher, younger, and brighter look. Not an ashy whitening effect. • The transfer resistant formula takes 30-seconds to 2 minutes to dry so that the undertone disappears into the skin. It is transfer resistant, not transfer proof. • Timewise Full-coverage is for normal to dry skin. Full is moisturizing • Timewise Medium-coverage is for combination or oily skin. It contains oil absorbers. Oil absorbers dilute coverage. People with oily skin may desire to apply a second layer. If applying a 2nd coat for more coverage, make sure the 1st coat has dried. • A damp sponge gives the best application and is more ideal if you have large pores. • MK has an ideal sponge because of its foam rubber content. You must wash your sponge with soap and water after EVERY application of foundation. Replace your sponge once a week or use a new fresh one for each application. • If finger application is preferred, make sure you wash your hands of any other products before you apply your foundation. The ingredients from another product can change the composition of the foundation, and thus, its effect. Stripe-testing: • Stripe test yourself and your customers EVERY 6 MONTHS. You may not be the same shade each season, or even each year. • Ivory-Beige skin: stripe test from jaw to neck. Match the neck, not the face. If there is red in the neck you may need to use a foundation with a pink undertone. • Bronze-Ebony: stripe test cheek to jaw. 4 Face Shapes, • Everything about your face is unique, including its shape. So why would you want to put on your makeup the same way as everyone else? • Your goal in highlighting and contouring is to create an Oval. Highlight inside the oval, and contour outside the oval. • Remember that the proper hairstyle can go a long way in balancing any face shape. Oval • An Oval-shaped face is considered by most to be the perfect facial shape because of its beautiful symmetry.
Load more

Recommended publications
  • Bone, Antler, Ivory and Teeth (PDF)
    Bone, Antler, Ivory, and Teeth Found in such items as tools, jewelry, and decorations Identification and General Information Items derived from skeletal materials are both versatile and durable. Bone, antler, ivory, and teeth have been used for various tools and for ornamentation. Because ivory is easily carved yet durable, it has also long been used by many cultures as a medium for recorded information. Bones and teeth from many different animals, including mammals, birds, and fish, may be found in items in all shapes and sizes. Each culture uses the indigenous animals in its region. Identifying bones and teeth used in an item can be easy or difficult, depending on how they were processed and used. Frequently, bones and teeth were minimally processed, and the surfaces are still visible, allowing identification by color (off-white to pale yellow), shape, and composition. Bird, fish, and reptile bones are usually lighter in mass and color than mammal bones. Bone and antler can be used in their natural form, or polished with sand and other abrasives to a very smooth and glossy surface. Bone is sometimes confused with ivory, which is also yellowish and compact. Sea mammal ivory, which is the prevalent source used by American Indians, is distinct in structure. Walrus ivory, the most common sea mammal ivory, has a dense outer layer and a mottled inner core. Bone and antler in archaeological collections are often burnt and can be blue black to whitish gray. Charred bone or antler can be mistaken for wood. Magnification helps to distinguish bone from similar materials, as it has a thin solid layer surrounding a porous interior structure with a hollow core where the marrow is contained.
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • A Short History of 18-19Th Century
    A SHORT HISTORY OF 18-19TH CENTURY BRITISH HAND-COLOURED PRINTS; WITH A FOCUS ON GAMBOGE, CHROME YELLOW AND QUERCITRON; THEIR SENSITIVITIES AND THEIR IMPACT ON AQUEOUS CONSERVATION TREATMENTS Stacey Mei Kelly (13030862) A Dissertation presented at Northumbria University for the degree of MA in Conservation of Fine Art, 2015 VA0742 Page 1 of 72 Table of Contents List of figures……………………………………………………………………………………...…2 List of tables……………………………………………………………………………………….....2 Abstract………………………………………………………………………………………………3 Introduction……………………………………………………………………………..………...…3 Research aims, methodology and resources………………………………………………….…....4 1. Aims……………………………………………………………………………………..…...4 2. Research Questions…………………………………………………………………..…...….4 3. Literature review……………………………………………………………………….....….5 4. Case Study Survey………………………………………………………………………..….5 5. Empirical Work……………………………………………………………………………....6 Chapter 1: A Brief History of Hand-coloured Prints in Britain………………………………....6 1.1 The popularity of hand-coloured prints…………………………………………………….....6 1.2 The people behind hand-colouring……………………………………………………..….….9 1.3 Materials and Methods……………………………………………………………………....14 Chapter 2: Yellow Pigments: A focus on Gamboge, Chrome Yellow, and Quercitron……….19 2.1 Why Gamboge, Chrome Yellow, and Quercitron……………………………………….…..19 2.2 Gamboge……………………………………………………………………………….....….20 2.2.1 History…………………………………………………………………………….…....20 2.2.2 Working properties…………………………………………………………………..…21 2.2.3 Physical and chemical properties…………………………………………………..…..21 2.2.4 Methods of
    [Show full text]
  • Table Linen- Polyester
    Table Linen- Polyester White Black Blue Navy Blue Royal Blue Sunflower Neon Yellow Gold Plum Red Neon Green Hunter Green Fuchsia Red Brick Table Linen- Lamours / Satins White Black Charcoal Hot Pink Fuchsia Citron ! Moss Green Kelly Green Champagne Gold Blue Bengaline Navy Royal Satin Light Blue Satin Light Pink Yellow Burgundy Burgundy Wine Lavender Purple Ivory Deep Purple Purple Eggplant Rust Table Linen- Lamours / Satins Teal Light Teal Navy Gatsby Lamour Red Lamour Satin Silver Lamour Satin Table Linen- Pintuck Fuchsia Raspberry Ivory Chocolate Eggplant Bright Green Apple Lime Bright Yellow Orange Turquoise French Blue Royal Blue Navy Aqua Red Table Linen- Crushed / Iridescent Off-White White Black Silver Pink/Blue Royal Blue Dark Turquoise Navy Green/Purple Blue/Gold French Blue Emerald Moss Copper Red Gold Butter Purple Table Linen- Damasks / Brocade/ Stripes Ivory Cotton Damask Peach Damask Taupe Brocade Gold Swirl Brocade Celadon Green Swirl Light Green Celadon Damask White Imperial Stripe Red Damask Ivory Damask Leaf Green Damask Blue Leaf Brocade Beige & Rose Brocade Ivory Damask Swirl Brown/Gold Damask Black White Damask Black Imperial Stripes Black Stripe Ivory Imperial Stripe Gold Imperial Stripe Gray and White Velour Damask Burgundy Brocade Burgundy Imperial Stripe Purple Stripe Table Linen- Appliqués Specialty Linens Gold/Silver Woven Gold/Silver Circle Silver Crinkle Champagne Crinkle Black/Swirl Gold Sequins Silver Sequins Red Sequins Orange Sequins Orange Fetti Garnett/Gold Sequin Silver Sequin Circle Ivory Sequin Circle
    [Show full text]
  • Textures of Williamsburg Handmade Oil Colors
    Textures of Williamsburg Handmade Oil Colors VERY FINE FINE MEDIUM COARSE Alizarin Orange Permanent Red-Orange Brown Umber Alizarin Crimson Brown Pink Bismuth Vanadate Yellow Permanent Yellow Deep Burnt Sienna Alizarin Yellow Dutch Brown (Transparent) Brilliant Yellow Extra Pale Permanent Yellow Light Burnt Umber Bohemian Green Earth Italian Pink Brilliant Yellow Pale Permanent Yellow Medium Cadmium Green Brown Ochre Olive Green Carl’s Crimson Persian Rose Cadmium Green Light Cyprus Orange Stil De Grain Cerulean Blue French Phthalo Blue Cadmium Lemon Earth Green Chromium Oxide Green Phthalo Green Cadmium Orange French Ardoise Grey Cinnabar Green Light Phthalo Green-Yellowish Cadmium Purple French Brown Ochre Cobalt Blue Phthalo Turquoise Cadmium Red Deep French Burnt Ochre Cobalt Blue Deep Provence Violet Bluish Cadmium Red Light French Burnt Umber Cobalt Green Provence Violet Reddish Cadmium Red Medium French Light Sienna Cobalt Teal Bluish Prussian Blue Cadmium Red Purple French Ochre Havane Cobalt Teal Greenish Pyrrole Orange Cadmium Red Vermilion French Raw Sienna Cobalt Turquoise Bluish Pyrrole Red Cadmium Yellow Deep French Raw Umber Cobalt Turquoise Greenish Quinacridone Magenta Cadmium Yellow Extra Deep French Rouge Indien Cobalt Violet Deep Quinacridone Red Cadmium Yellow Light French Terre Verte Cobalt Violet Light Quinacridone Violet Cadmium Yellow Medium French Yellow Ochre Deep Courbet Green Sevres Blue Canton Rose German Earth Dianthus Pink SF Cerulean Blue French Cerulean Blue (Genuine) Graphite Grey Egyptian Violet SF
    [Show full text]
  • Williamsburg Handmade Oil Colors Dry Time Chart
    Williamsburg Handmade Oil Colors Dry Time Chart Fast Medium Slow Very Slow 1-2 2-7 5-14 10-21+ Bohemian Green Earth Bismuth Vanadate Yellow Persian Rose Alizarin Orange Alizarin Crimson Brown Ochre Brilliant Yellow Extra Pale Perylene Crimson Cadmium Orange Alizarin Yellow Brown Pink Brilliant Yellow Pale Provence Violet Reddish Cadmium Red Deep Carl's Crimson Brown Umber Cadmium Lemon Pyrrole Red Cadmium Red Purple Egyptian Violet Burnt Sienna Cadmium Red Light Quinacridone Goldish Brown Cadmium Red Vermilion Fanchon Red Burnt Umber Cadmium Red Medium Red Ochre Cobalt Teal Graphite Gray Cadmium Green Cadmium Yellow Deep SF Italian Terra Verte Iridescent Bronze Indanthrone Cadmium Green Light Cadmium Yellow Extra Deep SF Cerulean Blue French Iridescent Pale Gold Indian Yellow Cerulean Blue French Cadmium Yellow Light SF Cobalt Violet Light Iridescent Pewter Permanent Orange Cobalt Blue Deep Cadmium Yellow Medium SF Flake White Italian Pompeii Red Pyrrole Orange Cobalt Teal Deep Canton Rose SF French Ardoise Grey Lamp Black Zinc White Cobalt Turquoise Bluish Cerulean Blue SF Porcelain White Permanent Green Light Cobalt Turquoise Greenish Chromium Oxide SF Titanium White Permanent Yellow Deep Cobalt Yellow Cinnabar Green Light SF Ultramarine Blue Phthalo Blue Courbet Green Cobalt Blue SF Ultramarine Blue French Provence Violet Bluish Cyprus Orange Cobalt Violet Deep Sevres Blue Quinacridone Magenta Dutch Brown Cobalt Violet Light Titan Buff Quinacridone Red Earth Green Cold Black Titanium-Zinc White Quinacridone Violet French Burnt Umber
    [Show full text]
  • Ccl2016 Watercolor Supply List
    ! COMPOSITION, COLOR & LIGHT COURSE 2016 SUPPLY LIST FOR PAINTING IN WATERCOLORS Use one of the brands listed below to get the best results from the course. You cannot get good results with cheap paint. You really do get what you pay for with paint. The brands with ** beside them are my top choices. Please do not work with cheap student grade paints. You can work through the course using oils, acrylics or watercolors depending on your preference. You don’t need all. I have three separate supply lists for the three different media. This is the list for painting with watercolor. Best Professional Quality Watercolors: Sennelier Daniel Smith Extra Fine Winsor Newton Professional Holbein Golden Blockx Old Holland Classic Good Artists Grade Watercolors: Grumbacher M. Graham 5-15 ml tubes. Color names can vary slightly from brand to brand. I’ve used the Williamsburg color names here (Gamblin names are in parentheses when they are different), but if you have any questions feel free to email me ([email protected]). I’ve listed the suggested colors for two brands, DS Extra Fine and Winsor Newton. For different brands please check with me. Daniel Smith Extra Fine Basics: Ivory Black Phthalo Blue Green Shade Ultramarine Blue Yellow Ochre New Gamboge Structure & Surface Workshop 2015 ©2012-2015 Mary Bentz Gilkerson. ! COMPOSITION, COLOR & LIGHT COURSE 2016 Hansa Yellow Medium Cadmium Red Medium Hue (PY 53, PR 254) Quinacridone Red (PV19) Terre Verte or Deep Sap Green Some of my other favorites but not required: Raw Umber Carbazole Violet Green Gold Pyrrol Orange Winsor Newton Professional Ivory Black Winsor Blue Green Shade Ultramarine Blue Yellow Ochre New Gamboge Winsor Yellow Deep Winsor Red Permanent Carmine Terre Verte Some of my other favorites but not required: Raw Umber Winsor Violet Dioxazine Green Gold Winsor Orange Red Shade Brushes: a small round brush (#4,5 or 6), an angled flat and a big flat (2″ or more) for washes Watercolor palette For painting supports I’d suggest a watercolor block for the exercises for the class.
    [Show full text]
  • Qualatex Rainbow and Custom Colors
    Rainbow of Colors Diamond White Pearl Gray Silver Pearl Ivory Pearl Yellow Citrine Pearl Clear White Ivory Silk Lemon Chion Yellow Citrine Yellow Goldenrod Gold Blush Neon Mocha Chocolate Pearl Rose Coral Orange Mandarin Orange Brown Brown Peach Gold Orange Pearl Mandarin Pearl Pink Neon Neon Rose Wild Pearl Jewel Red Ruby Red Orange Pink Pink Magenta Berry Magenta Magenta Pearl Maroon Sparkling Pearl Pearl Neon Spring Purple Quartz Pearl Pearl Ruby Red Burgundy Burgundy Lavender Violet Lilac Violet Purple Quartz Purple Light Blue Pearl Pale Neon Robin’s Periwinkle Dark Sapphire Pearl Pearl Navy Caribbean Azure Blue Blue Egg Blue Blue Blue Sapphire Blue Midnight Blue Blue Tropical Jewel Pearl Pearl Neon Wintergreen Lime Jewel Pearl Lime Spring Green Teal Teal Teal Mint Green Green Green Lime Green Green C h r o m e B all o on s Emerald Pearl Pearl Pearl Onyx Black Chrome Chrome Chrome Chrome Chrome Chrome Green Emerald Green Forest Green Onyx Black Silver Gold Mauve Purple Blue Green S u p e r A g a t e Traditional Fashion Red & Black & Yellow Orange Pink Violet Red Orange Blue Green White White Rainbow Rainbow Rainbow Rainbow Rainbow LEGEND Custom Colors Outside Balloon ® Inside Balloon Use the extensive Qualatex Rainbow of Colors as a palette from which to create custom colors by “layering” p two different balloons. This “double-stuffing” technique yields an unlimited number of unique colors and finishes. Custom Balloon Pearl White White Pearl Citrine Yellow Pearl White Gold Pearl Ivory Pearl Peach Ivory Silk Pearl Peach Mandarin Orange
    [Show full text]
  • Ivory Identification: Introduction ______
    Ivory identification: Introduction _____________________________________________________________________________________________________ TABLE OF CONTENTS INTRODUCTION 2 WHAT IS IVORY? 3 THE IVORIES 9 Elephant and Mammoth 9 Walrus 13 Sperm Whale and Killer Whale 15 Narwhal 17 Hippopotamus 19 Wart Hog 21 IVORY SUBSTITUTES 23 NATURAL IVORY SUBSTITUTES 25 Bone 25 Shell 25 Helmeted Hornbill 26 Vegetable Ivory 27 MANUFACTURED IVORY SUBSTITUTES 29 APPENDIX 1 Procedure for the Preliminary Identification 31 of Ivory and Ivory Substitutes APPENDIX 2 List of Supplies and Equipment for Use in the 31 Preliminary Identification of Ivory and Ivory Substitutes GLOSSARY 33 SELECTED REFERENCES 35 COVER: An enhanced photocopy of the Schreger pattern in a cross-section of extant elephant ivory. A concave angle and a convex angle have been marked and the angle measurements are shown. For an explanation of the Schreger pattern and the method for measuring and interpreting Schreger angles, see pages 9 – 10. INTRODUCTION _____________________________________________________________________________________________________ Ivory identification: Introduction Reprinted: 1999 Ivory identification: Introduction 3 _____________________________________________________________________________________________________ The methods, data and background information on ivory identification compiled in this handbook are the result of forensic research conducted by the United States National Fish & Wildlife Forensics Laboratory, located in Ashland, Oregon. The goal of the research
    [Show full text]
  • Foundation Chart Ivory Skin Tone
    FOUNDATION CHART IVORY SKIN TONE PREVIOUS TimeWise Foundations Endless Performance Sheer Luminous- Medium- Mineral Mineral NEW! 2019 Wear Coverage Powder CC Cream Creme-to- Pressed Concealer (Luminous or Foundation Foundation Powder Powder TimeWise 3D Foundation Dewy Finish) (Satin Finish) Age-Fighting Foundations or (Matte Finish) (Matte Finish) (Matte (Satin Matte Finish) Matte-Wear Finish) (Satin Matte Finish) Ivory C 100 Ivory 1 No Match Ivory 0.5 Very Light No Match Ivory 1 Light Ivory No Match Ivory 2 No Match Ivory 0.5 Very Light Ivory 1 Ivory 1 Light Ivory Ivory W 120 Ivory 3 104 Ivory 0.5—Ivory Very Light Ivory 1 Ivory 1 Light Ivory 1 Ivory N 140 Ivory W 150 Ivory 4 100 Ivory 1 Very Light No Match Ivory 2 Light Ivory * Muted Tone Ivory W 130/ Ivory 5 200 Ivory 2 Very Light Ivory 2 Ivory 2 Deep Ivory Ivory W 150 Ivory N 160 Ivory 6 204 Ivory 1 Very Light Ivory 3 Ivory 2 Deep Ivory * Muted Tone Ivory N 160/ Ivory 7 No Match Ivory 0.5—Ivory Very Light Ivory 4 Ivory 2 Deep Ivory Beige C 110/ 2 Beige C 120 Key / = Or *NEW Shades w/no conversion: Ivory C 110 — = Between (can wear either color) & = Mix Two Shades together C = Cool = Pink/Warm Brown W = Warm = Yellow/Olive/Warm Yellow N = Neutral = Muted, Not noticeably Pink or Yellow FOUNDATION CHART BEIGE SKIN TONE PREVIOUS TimeWise Foundations Endless Performance Sheer Luminous- Medium- Mineral Mineral NEW! 2019 Wear Coverage Powder CC Cream Creme-to- Pressed (Luminous or Foundation Foundation Powder Powder Concealer TimeWise 3D Foundation Dewy Finish) (Satin Finish) Age-Fighting
    [Show full text]
  • Cookie Icing Color Mixing Chart Blog - Sweetsugarbelle.Blogspot.Com
    Cookie Icing Color Mixing Chart Blog - sweetsugarbelle.blogspot.com My Favorite Pink Burgundy Burnt Orange (UT Orange) My Favorite Green 2 parts Tulip Red + 1 part 5 parts Rose Pink + 1 part four parts Tulip Red + 3 parts Egg 3 parts Leaf Green + 1 part Soft Pink Violet Yolk Yellow + 2 parts Warm Brown Egg Yolk Yellow Dusty Rose Maroon Gold Teal 2 parts Red + 1 part Brown 4 parts Red Red + 2 parts 10 parts Lemon Yellow + 3 parts 9 parts Sky Blue + 1 part Burgundy Orange + 1 part Red Lemon Yellow Coral Apricot Old Gold Moss Green 3 parts Rose Pink + 2 parts orange + 1 part 5 parts Egg Yolk Yellow + 2 parts 2 parts Violet + 3 parts 2 parts Lemon Yellow Egg Yolk Yellow Violet + 1 - 2 parts Warm Brown Lemon Yellow Ruby Red Copper Chartreuse Avocado 1 part Red Red + 1 part Egg Yolk Yellow + 1 part 5 parts Lemon Yellow + 1 part 4 parts Lemon Yellow + 1 part touch of black Warm Brown + 1 part Christmas Red Leaf Green Leaf Green + touch of Black Raspberry Rust My Favorite Electric Green Hunter Green 3 parts Rose Pink + 1 part 8 parts Orange + 2 parts Red Red 5 parts Electric Green + 2 parts 5 parts Leaf Green + 1 part Royal Christmas Red + 1 part Warm Brown Electric Blue Blue + touch of Black Page 1 Cookie Icing Color Mixing Chart Blog - sweetsugarbelle.blogspot.com Notes & Tips -I primarily use AmeriColor brand food coloring Aqua Lavender Skin Tone 5 parts Sky Blue + 1 part 5 parts Pink + 1 part Violet touch of Warm Brown + -Color swatches shown may not Leaf Green touch of Ivory be the exact icing color but are a general idea Tiany Blue Mauve
    [Show full text]
  • Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC
    Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC. ALL RIGHTS RESERVED. Table of Contents Welcome! Our All-Purpose and DyeMore shades are only the 03 — Dye Tips beginning. This guide features 500+ formulas that we 07 — Yellow have developed so that you can mix our dyes to create 00 — Yellow Orange Peach so many more colors. 00 — Orange 00 — Warm Red The first few pages of this guide highlight how to use 00 — Cool Red and scale our formulas. Each page after that features a 00 — Purple complete palette of shades in each color group. 00 — Red Violet 00 — Pink 00 — Blue Violet 00 — Blue 00 — Blue Green 00 — Green 00 — Yellow Green 00 — Brown 00 — Neutral 00 — Fall Fashion 00 — Fall Home Decor TABLE OF Contents — 2 COLORIT FORMULA GUIDE Tips for Dyeing Dye Type Dye Method Use Rit All-Purpose Dye if you are working with cotton, linen, • Use the sink or bucket method for general projects. silk, wool, rayon, ramie or nylon. • Use the stovetop method if you are trying to achieve as Use Rit DyeMore Synthetic Fiber Dye if you are working with bold of a color as possible or working with Rit DyeMore fabric that contains more than 35% polyester, acrylic or acetate. Synthetic Fiber Dye. • Use the washing machine method if you are dyeing Color large items. The colors shown in this guide are based on the following standards: Tip: The sink or bucket and stovetop methods are the best for mixing colors, letting you easily tweak dye • Rit All-Purpose Dye: White 100% cotton dyed at 140° F for amounts to get just the right color.
    [Show full text]