DOCSLIB.ORG

Spain and Portugal Customized Tours | Eatour Specialist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spain and Portugal Customized Tours | Eatour Specialist Madrid Artistic Walking Tour of the Prado and Reina Sofia Museums ★ ★ ★ ★ ★ Half Day Madrid On Request 1 User Review (Duration: Best Rate 4hrs. approx.) On this private half day walking tour our guide will show you the different Art Masterpieces in the Prado and Reina Sophia Musuems Highlights • English speaking local guide • Explore the Prado Museum, considered one of the greatest art museums in the world. • Discover the Reina Sofia Museum, Spain's national museum of 20th-century art. General Overview Country: Spain Type: Half Day Tour Private Region: Madrid Theme: City and Village Walks City: Madrid Group Size: 1 - 12 People Duration: Half Day (Duration: 4hrs. approx.) Price from: € Introduction The Prado Museum is the main Spanish national art museum, located in Madrid. It is widely considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. El Prado is one of the most visited sites in the world, and it is considered one of the greatest art museums in the world. Represented here are three of its greatest masters Goya, Velazquez, and El Greco, but you`ll also find the great works of Rubens and Titian. The Prado first opened in 1819 to display the Spanish royal art collection. With the anticlerical laws of 1836, many churches, monasteries, and convents were forced to hand over their collections. Now the museum holds some seven thousand pieces of art. After visiting the Prado, we make our way to the Palacio de Oriente usually called the Palacio Real (Royal Palace) it was constructed on the site of a Moorish fortress, destroyed by a fire in 1734. The first stone was placed in 1737 and the Italian architects Juan Bautista Sacchetti and Francisco Sabatini were commissioned for its construction. The Museo Nacional Centro de Arte Reina Sofía is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the Museo del Prado and the Museo Thyssen-Bornemisza). The museum is mainly dedicated to Spanish art. Highlights of the museum include excellent collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. Certainly, the most famous masterpiece in the museum is Picasso's painting Guernica, a protest against the horrors of war, an undeniable pictorial masterpiece, summing up all the artistic trends of the time. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. Day by day itinerary DAY 1: MADRID • Upon arrival meet your private English-Speaking Official Local Guide in front of the Prado Museum Ticket booth (NOTE: Hotel meeting point available for hotels within walking distance of the Prado) • Enjoy a detailed visit of two of the most important museums in the art triangle: The Prado and Reina Sofia. • We have reserved a table for your lunch at a recommended restaurant either before or after the tour. LR END OF TOUR SERVICES Included • English Speaking Official Guide for Prado and Reina Sofia museums tour • Entrance fees included when with guide • (LR) *Lunch Table Reservation in a recommended restaurant with fine cuisine (*Meal not included must order directly at the restaurant) • Local Taxes Excluded • Meals not specified in itinerary • Beverages not specified in selected meals • Personal & Travel Insurance • Transportation • Tip and Gratuities to Local guide Cancellation policy • Up to 48 hrs before: Fully Refundable • Under 48 hrs : 100% Non-Refundable Map Reviews ★ ★ ★ ★ ★ Charlotte Van Mil (2 May 2017) Lovely town, guided tour with a guide more than correct. Very nice tour, I recommend it. .
Load more

Recommended publications
  • Viaje a Los Valles De La Quina: Una Pequeña Historia De Farmacia Y Botánica
    Dr. Antonio Galán de Mera (Cádiz 1961). Es Profesor Titular de Botánica de la Facultad de Farmacia de la Universidad CEU San Pablo. Doctor en Farmacia por la Universidad Complutense de Madrid con Premio Extraordinario (1993). Cooperante de la Agencia Española de Cooperación Internacional y Desarrollo (AECID)(1987- 1988), Asesor del Consejo Nacional de Ciencia y Tecnología de Perú (1987-1988). Ha impartido docencia de Botánica en la Universidad Complutense de Madrid, y desde 1990 en la Fundación Universitaria San Pablo CEU, además de Farmacognosia (1995-2004) y Geobotánica (2002-2011); profesor del Máster en Gestión y Conservación de la Biodiversidad en los Trópicos y del Máster en Arquitectura del Paisaje. Director de la Sección de Biología Vegetal (1997-2001) y del Departamento de Ciencias Ambientales y Recursos Naturales (2001-2004); en la actualidad es responsable del Área de Conocimiento de Facultad de Farmacia Botánica. Es profesor de los doctorados de Botánica Tropical en la Universidad de San Marcos (Lima, Perú) y de Geografía en la Universidad de San Agustín (Arequipa, Perú). Ha dirigido numerosos trabajos de investigación a alumnos de las Universidades CEU San Pablo, Frankfurt (Alemania), Freiburg (Alemania), Gerona, Salta (Argentina), y San Marcos (Perú). Fue becado en 1996 por la Deutscher Akademischer Austauschdienst en la Universidad de Bayreuth (Alemania). Aparte de algunos libros y capítulos de libros, ha publicado más de 150 artículos en revistas internacionales sobre la flora y vegetación de diferentes territorios (Argentina, Azores, Bolivia, Viaje a los valles de la quina: una pequeña Canarias, Chile, Colombia, Marruecos, Paraguay, Península Ibérica, Perú y Venezuela). También es coautor de algunos trabajos sobre plantas con interés farmacológico de los Andes y la Amazonía.
    [Show full text]
  • Madrid Museums: the Obvious and Not-So-Obvious (And How to Get in for Free)
    Madrid Museums: The Obvious and Not-so-obvious (and how to get in for free) Here’s a long list of Madrid museums worth visiting while you’re here. And to make things easier, we’re breaking it down into two parts: the obvious (like the Prado) and the not-so- obvious (like Cerralbo). We’ll also tell you how to get in for free! If you’ve already read up on the famous Madrid museums, then scroll down… The Obvious: All of these Madrid museums are classified as “obvious” because they’re situated along the two great boulevards – Paseo del Prado and Paseo de Recoletos – where you’ll find the city’s finest arts institutions, including the Golden Triangle of Art which refers to the first three institutions on this list. Only one place is not situated here – the Royal Palace. 1. Prado Museum Spain’s national art museum houses a wide collection of European art from the 12th to the early 19th centuries, and its most notable works are by Spanish painters, Diego Velázquez, Francisco de Goya and El Greco. Considered one of the best museums in the world, the Prado’s most famous piece is Las Meninas by Velazquez. Do give yourself a few hours to walk around – the Prado is gigantic! Website When is it free? Always for under-18-year-olds and students ages 18-25 (with valid ID); Sundays and holidays from 5pm-7pm; and Mon-Sat from 6pm-8pm. Prices & Hours: General admission 14€. Open Mon-Sat from 10am–8pm. Sundays and holidays from 10am-7pm.
    [Show full text]
  • World Language Guidance
    The following list is a compilation of resources for world language teachers and parents. This list was curated by the Department’s World Languages team in collaboration with the Nebraska Department of Education. If you would like to add to the list, please email your suggestions to [email protected]. For additional information please see the Department’s World Language webpage. ​ ​ ​ ​ The Louisiana Department of Education takes student privacy and security seriously. Both are important considerations when using any online service, including those provided in this document. School systems should take this into consideration and parents should use discretion when selecting resources. School systems should refer to the Privacy and Security Guide when making decisions regarding distance learning. ​ ​ Table of Contents ONLINE COURSES THEMATIC UNITS ONLINE ACTIVITIES ONLINE MUSEUM TOURS ONLINE TEXTBOOKS SUPPLEMENTARY MATERIALS AND AUTHENTIC TEXTS WL CHOICE BOARD *Some resources may require temporary subscriptions. **More commonly taught languages in Louisiana are color-coded as follows for ease in locating: Chinese, French, German, Latin, Spanish ​ ​ ​ ​ ​ ​ ​ ​ ​ ONLINE COURSES Resource Level Language BBC Languages (archived page with some Novice Chinese, French, German, Spanish, and over ​ ​ ​ ​ ​ ​ ​ ​ apps that may require older browsers with 30 more Javascript) Find below in supplementary materials various videos that were moved to YouTube . Deutsch im Blick Novice German Digital Literacy Courses from Microsoft Basic to advanced
    [Show full text]
  • Carmel Middle School: Citation Style Sheet 2011 (MLA 7 Ed.)
    Carmel Middle School: Citation Style Sheet 2011 (MLA 7 th ed.) When creating your “Works Cited” page, remember to: • Alphabetize each entry by first letter (ignore A, An, The). • Indent the 2 nd and 3 rd lines of each citation. • Italicize all titles of books, magazines, films, etc. • Double-space all entries. (The following are single-spaced to save space only) • The basic order of a citation is A.T.P.…author, title, publisher information (city: publisher, date) • For teachers who require the use of URLs, MLA suggests that the URL appear in angle brackets after the date of access. Break URLs only after slashes. • For additional examples, please take a look at the Owl Purdue Writing website: http://owl.english.purdue.edu/owl/section/2/11/ Griest, Ken. It’s the Principle of the Matter. New York: Penguin, 2008. Print. Book (One author) Pennington, Ann, and Susan Kendall. Zombie Librarians: True Tales from the Stacks . Laguna Book (Two authors) Beach: Allyn, 2000. Print. Glennon, Shelly, et al. The Joys of Collaboration . Seattle: Insight, 2004. Print. Book (Three or more authors) Stadille, Patrick, ed. Ten Plays about Spiders and Bats . Los Angeles: Nowell Book Co., 1982. Book (One editor) Print. Woodward, Steven, and Kevin Buran, eds. Adventures in Science. New York: Bonanza Books, Book (Two editors) 1992. Print. Wells, Elizabeth, et. al., eds. Encyclopedia of Everything Important . Boston: Houghton Mifflin Book (Three or Co., 1985. Print. more editors) Martinez, Mariano. "Kick It." 100 Best-Loved Soccer Poems . Ed. Philip Smith. New York: Dover, Book (Single work 1995. 26. Print. from an anthology) 1996.
    [Show full text]
  • The Pennsylvania State University the Graduate School College Of
    The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture.
    [Show full text]
  • Jornada De Filosofía Y Arte Alemán En El Hay Festival Segovia 2011
    JORNADA DE FILOSOFÍA Y ARTE ALEMÁN EN EL HAY FESTIVAL SEGOVIA 2011 La Fundación AXA coorganiza por segundo año las actividades del evento El influyente pensador Rüdiger Safranski conversará con el escritor, periodista y académico Juan Luis Cebrián el 17 de septiembre en el encuentro Dos voces libres El Museo Esteban Vicente acoge desde ese día La obra invitada, del artista Anselm Kiefer Tren charter especial de Alta Velocidad de Renfe Madrid-Segovia-Madrid para asistir a los dos eventos Madrid, 1 de julio de 2011.- Hay Festival, la Fundación AXA, el Goethe-Institut Madrid, IE University y el Museo Esteban Vicente de Segovia han presentado hoy el convenio firmado por estas entidades para la organización de las siguientes actividades en la sexta edición del Hay Festival Segovia: el encuentro Dos voces libres, conversación de Rüdiger Safranski y Juan Luis Cebrián; y la inauguración de La obra invitada, del artista Anselm Kiefer. “Ante el éxito alcanzado el año pasado con el ciclo Dos voces libres, con Bernard Henri Levy y Juan Luis Cebrián, volvemos a poner en marcha este viaje filosófico, artístico y literario, co- organizado con la Fundación AXA y la colaboración de las instituciones que nos acompañan”, señala Maria Sheila Cremaschi, Directora de Hay Festival Segovia. María Teresa Ortiz-Bau, directora de la Fundación AXA, que por segundo año consecutivo patrocina las actividades del Hay Festival, resaltó “el firme compromiso que comparten la Fundación AXA y Hay Festival por la difusión de la cultura, tanto nacional como internacional”. “Rüdiger Safranski acerca la filosofía al público y hace más comprensible las ideas y el modo de pensar de filósofos importantes alemanes sobre todo del siglo XIX”, recalcó Margareta Hauschild, Directora del Goethe-Institut Madrid.
    [Show full text]
  • Villa Maria College Academic Success Center
    Villa Maria College Academic Success Center Quick Guide to MLA Documentation The Works Cited page is double-spaced and the title Works Cited should appear centered at the top of the page. The first line of any individual citation should be 1 inch from the left edge of the paper; subsequent lines should be indented further by 1/2 inch. All entries are alphabetized by the author’s last name. Titles are now italicized as opposed to underlined. Entries should appear in alphabetical order by the author’s last name (or the name of the article if no author is listed). Books One Author Mecca, Mark. To Know Cars Is to Love Cars. New York: Oxford UP, 2008. Print. Second Book by ---. The Most Magnificent Mechanic on Mars: An Same Author (Alphb. by Title) Autobiography. New York: Knopf, 2007. Print. No Author Preparing for the ACT Assessment. Iowa City: ACT Publications, 2008. Print. 1-3 Authors Sullivan, Arlene, Mark V. Mecca, and Chaleo Smith. Most Common Neuropsychological Disorders among Urban Youth. London: Longman, 2000. Print. 4+ Authors Ruh, JoAnn, et al. Effective Procedures in Office Administration. Norwood, NJ: Ablex, 2003. Print. An edition King, Mike. Across America on Two Wheels 4th ed. Boston: St. Martin’s, 2007. Print. Anthology Chapter Askew, Mike. “Early Jazz Styles.” The History of Jazz in America. Ed. Edward Heitzman. Toronto: Penguin, 2005. 7-69. Print. Online Resources MLA recommends that you exclude the URL unless the reader cannot locate the source without it or when your instructor requires it. If you present a URL, give it immediately following the date of access, a period, and a space.
    [Show full text]
  • El Filósofo Y Las Palabras. Julián Marías En La Real Academia Española
    EL FILÓSOFO Y LAS PALABRAS. JULIÁN MARÍAS EN LA REAL ACADEMIA ESPAÑOLA brae · tomo xcv· cuaderno cccxii· julio-diciembre de 2015 Resumen: Este artículo pone de manifiesto la contribución del filósofo español Julián Marías (1914-2005), discípulo de Ortega y Gasset, a la Real Academia Española, la cual ha cumplido 300 años de historia en 2013. Con una trayectoria intelectual muy intensa en España y América, Marías ha enriquecido extraordinariamente el español filosófico. Especialmente interesantes al analizar su pertenencia y aportación a la RAE son los textos de su conferencia de ingreso y los de sus respuestas a la entrada en la misma de Antonio Colino, Miguel Delibes, Salvador de Madariaga, Manuel de Terán y José Luis Pinillos y los homenajes ofrecidos a Ramón Menéndez Pidal y Gregorio Marañón. Palabras clave: Julián Marías; Ortega y Gasset; Real Academia Española; español filosófico; persona. THE PHILOSOPHER AND THE WORDS. JULIÁN MARÍAS IN THE REAL ACADEMIA ESPAÑOLA Abstract: This article explains the contribution of Spanish Philosopher Ju- lián Marías (1914-2005), Ortega and Gasset’s disciple, to the Real Academia Españo- la, which has a long history since Foundation, 300 years ago. Marías was an outstan- ding intellectual in Spain and America and because of that, he was able to improve philosophical Spanish. Especially interesting is when we analyze his ownership to the Royal Academy, his Lecture for the admission act and his Answers for Antonio Co- lino, Miguel Delibes, Salvador de Madariaga, Manuel de Terán and José Luis Pinillos’ admissions and the homages that he paid to Ramón Menéndez Pidal and Gregorio Marañón.
    [Show full text]
  • Pdf La Anatomía De Vesalio Y El Arte Del Renacimiento / Por Pedro Laín
    LA ANATOMIA DE VESALIO Y EL ARTE DEL RENACIMIENTO^ POR PEDRO LAIN ENTRALGO Para entender adecuadamente la situación de la Fabrica en la historia, es preciso partir de una afirmación inicial : Vesalio, su autor, fué un hombre del Renacimiento; más aun, del Renacimiento italiano. Vesalio, renacentista italiano. Demucstranlo, en primer término, los fugaces testimonios de su conciencia histórica dispersos en su obra. No obstante su estirpe germánica (los Witing, de Wesel; de donde Wesalius y Vesalius), Vesalio juzga con el espíritu de un hombre de Roma la invasión del Imperio por los germanos: illuvies, devastatia Gatherum, la llama en el Prefacio de la Fabrica. “Tras la devastación de los godos, cuando las ciencias, antes pulquérrimamente floridas..., se vinieron a tierra...”, dice textualmente. No (*) (*) Este trabajo forma parte de una monografía acerca de la obra anatómica de Vesalio. La palabra Fabrica, con mayúscula y en cursiva, alude siempre al gran tratado de Vesalio: De humani cor- paris fabrica libri septem, Basilea, 1543. Yo he manejado la segun­ da edición (Basilea, 1555). Los problemas anatómicos y estéticos que plantean las láminas de St. von Kalkar son discutidos en otro capítu­ lo de dicha monografía. En éste me atengo tan sólo a la relación en­ tre las descripciones de Vesalio y la intuición renacentista de la Na­ turaleza visible. R] 4 menos propia de su situación renacentista es la desenfadada libertad con que discute las opiniones de los maestros me­ dievales. Si habla, por ejemplo, de las de San Alberto Mag­ no acerca del útero, no vacilará en llamar “indoctísimo” a íu libro De virorum mulierumque secretis (Fabrica, V, 15) ; y no es más reverente, aunque sea más contenida, su actitud frente a Santo Tomás y Escoto a propósito de los ventrícu­ los cerebrales y del proceso vermiforme del cerebelo (VII, I y 10).
    [Show full text]
  • Fundada Por Julián Marías En 1981 € AF LOPEZ-PELAEZ Precio: 8
    Cuenta y Razón Fundada por Julián Marías en 1981 € AF LOPEZ-PELAEZ Precio: 8 ENSAYOS Rafael Ansón, Miguel Carpintero, Nieves Gómez Álvarez, Santiago Grisolía, Luis Núñez Ladevéze y Pilar Canal Yubero, Ana María Preckler, Julia Rivera Flores CRÓNICAS Ciencia, Exposiciones, Gastronomía, Internet, Literatura, Teatro Segunda etapa ANÁLISIS DE LA OPINIÓN PÚBLICA Francisco Ansón DOCUMENTOS 18 Textos de Julián Marías seleccionados por Helio Carpintero enero - febrero 2011 particulares colectivos corporaciones empresas Hazte Amigo del Museo del Prado Contribuye a conservar y difundir una de las mejores colecciones de arte del mundo Carnet de Amigo Entrada gratuita al Museo del Prado Acceso reservado para los Amigos Invitaciones para visitar las exposiciones temporales Atención personalizada en el mostrador de Amigos del Museo Información sobre actividades Cursos y ciclos de conferencias Descuento en tiendas del Museo Desgravación fiscal Hazte Amigo llamando al teléfono 91 420 20 46 o a través de la página web www.amigosmuseoprado.org DIEGO VELÁZQUEZ. LAS MENINAS © MUSEO NACIONAL DEL PRADO OTROS ENSAYOS Fundación de Estudios Sociológicos Fundador Julián Marías Consejo de la Revista Gonzalo Anes s Blanca Berasatégui s Helio Carpintero s Antonio de Juan s Juan Díez Nicolás s Santiago Grisolía sMario Hernández-Sánchez Barba s Álvaro Muñoz s Stanley G. Payne s Alfonso Pérez Romo s José Luis Pinillos s Pietro Prini s Harold Raley s José Rafael Revenga s Françesc Sanuy s Carlos Seco s José Juan Toharia s Juan Torres Consejo de Dirección FUNDADOR Julián Marías PRESIDENTE Rafael Ansón EDITOR Gustavo Villapalos DIRECTOR Javier Fernández del Moral José María Amusátegui s Gonzalo Anes s Ignacio Bayón s Javier Blanco s Helio Carpintero s Rafael Carrasco s Rafael Cortés Elvira s Olga Cubillo s Leticia Escardó s Concha Guerra s Juan Iranzo s Manuel Muñiz Villa s José Antonio Sánchez s Bernabé Sarabia s Felipe Segovia F UNDACIÓN DE ESTUDIOS SOCIOLÓGICOS (FUNDES) Información y suscripciones Príncipe de Vergara, 33 -1º Izda.
    [Show full text]
  • A Global Strategy for Shaping the Post-COVID-19 World
    A Global Strategy for Shaping the Post-COVID-19 World Jeffrey Cimmino, Rebecca Katz, Matthew Kroenig, Josh Lipsky, and Barry Pavel A Global Strategy for Shaping the Post-COVID-19 World The Scowcroft Center for Strategy and Security works to develop sustainable, nonpartisan strategies to address the most important security challenges facing the United States and the world. The Center honors General Brent Scowcroft’s legacy of service and embodies his ethos of nonpartisan commitment to the cause of security, support for US leadership in cooperation with allies and partners, and dedication to the mentorship of the next generation of leaders. This report is written and published in accordance with the Atlantic Council Policy on Intellectual Independence. The authors are solely responsible for its analysis and recommendations. The Atlantic Council and its donors do not determine, nor do they necessarily endorse or advocate for, any of this report’s conclusions. © 2020 The Atlantic Council of the United States. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Atlantic Council, except in the case of brief quotations in news articles, critical articles, or reviews. Please direct inquiries to: Atlantic Council 1030 15th Street NW, 12th Floor Washington, DC 20005 For more information, please visit www.AtlanticCouncil.org. Cover credit: Museo del Prado Title: The Triumph of Death Artist: Pieter Bruegel the Elder Year: circa 1562 Location: Museo del Prado This painting by Pieter Brueghel the Elder is a moral work that shows the triumph of Death over worldly things, symbolized through a great army of skeletons devastating the Earth.
    [Show full text]
  • Fundada Por Julián Marías En 1981 % Fotografía - Miguel Fernández Precio: 8
    Cuenta y Razón Fundada por Julián Marías en 1981 % Fotografía - Miguel Fernández Precio: 8 ENSAYOS Maximiliano Fernández, Maite Flores, Nieves Gómez, Pablo A. Iglesias, César Pérez Gracia, Ana Maria Preckler, Carlos Segade, Íñigo Tellechea CRÓNICAS Ciencia, Cine, Exposiciones, Gastronomía, Internet, Literaria, Teatro ANÁLISIS DE LA OPINIÓN PÚBLICA Segunda etapa Francisco Ansón DOCUMENTOS Textos de Julián Marías seleccionados por Helio Carpintero CRÓNICA DE LA COMUNIDAD DE MADRID 13 enero - febrero 2010 OTROS ENSAYOS Fundación de Estudios Sociológicos Fundador Julián Marías Consejo de la Revista Gonzalo Anes s Blanca Berasatégui s Helio Carpintero s Antonio de Juan s Juan Díez Nicolás s Santiago Grisolía sMario Hernández-Sánchez Barba s Álvaro Muñoz s Stanley G. Payne s Alfonso Pérez Romo s José Luis Pinillos s Pietro Prini s Harold Raley s José Rafael Revenga s Françesc Sanuy s Carlos Seco s José Juan Toharia s Juan Torres Consejo de Dirección FUNDADOR Julián Marías PRESIDENTE Rafael Ansón EDITOR Gustavo Villapalos DIRECTOR Javier Fernández del Moral José María Amusátegui s Gonzalo Anes s Ignacio Bayón s Javier Blanco s Helio Carpintero s Rafael Carrasco s Rafael Cortés Elvira s Olga Cubillo s Leticia Escardó s Concha Guerra s Juan Iranzo s Manuel Muñiz Villa s José Antonio Sánchez s Bernabé Sarabia s Felipe Segovia F UNDACIÓN DE ESTUDIOS SOCIOLÓGICOS (FUNDES) Información y suscripciones Serrano, 17. 2º D. 28001. Madrid Tlf. 91 432 30 70 s Fax. 91 578 27 16 [email protected] www.cuentayrazon.org www.fundes.es ISSN. Versión impresa: 1889-1489 ISSN. Versión Internet: 1989-2705 Depósito legal M-42.035-1980 Imprime: Rumagraf, S.A.
    [Show full text]