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To read ail the news as it happens each day, log on to musicweekcom 7 News News edited by Paul Williams Pan-industry lobby group forces Government to make key concessions on controversial new radio proposais New-look Music Week Forum claims victory toreflectyourviews by Ajax Scott, Editor in Chief newWelcome Music to Week. the first issue of the in Comms Bill debate noticedYou willthat liave it looks immediately différent, but RI under it is not just the masthead that fireover havelias the become changed, larger the and pictures the white that playlists o we'respace alsothat changinghas opened the up. way No, we magazine'sapproach everything covers. within the C à ■ i.:, . www-rm.

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THE MUSIC WEEK PLAYLIST S®, P M B ! n 53 m\Q fi ThoLiMnds (V2) S1"030- Medeckie dZ' (white label) (Data) Sugamian Atlantic) Soaring mélodies creativeElbow spread wings their on fromExtraordinaty the UK's stuff Amajorleap(Deltasonic) toFrom bonafide studio artist, walla West)Intense A catchy siice of Shaping up to be (BAmp) oftheyearsAlready the story ' trom a Norwegian;■ fromstrong these pop threehook summer.dancehitof this the is collectiveMercury, thefunk album is and lap steel. Rockers sign US deal with Atlantic and land tour slots Labels lose with The Darkness ready too few web acts for global tahe-off weekOD2's highlightedCharles Grimsdale concrète évi-last onlinedence thatsales labels by withholding are losing ont rights on for digitalSpeaking distribution. at the MPA's AGM althoughlast Ibesday, OD2 Grimsdale had deals said in placethat,

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January 25-29, 2004 Reed Exhibitions S 1 Rivais line up Peter Jamieson cails for action now on burning issues at BRI AGM for Glasgow BRI boss lays down y.—net licence Mds Rock is aiming to blast out the qui- beyond for control of Glasgows during gntsy AGM speech ne table", adding that the Chrysalis,Proposed GWR rock and services Virgin Radiofrom rt-fèlt and wide-rai „ ording industry and publishers ing speech, Jamieson laid down the an{î jt needs 3 hUtJG which will senc more than 1.6"m by Joanna Joncs gauntlet to the BPI s ovvn members effortrr . to. change- our At the meeting, Universal cants 'which are835 ail 1looking040 to iotype r^nhdof'Capitdis aiming toroll-outiis' '^ rôle, he urged members to "do that andy Records Chrvsalis Group Music CEO

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Sanctuary snares top Lossesspark Mean Fiddler acts for management asset sales Sanctuary Group's artist management division has struck a bookîng with Sanctuary's weîght Aunable successful to mask Glastonbury a disappointing was includingdeal to bring the MartinManie StreetHall's rester, behindHall, us." whose roster also now financial year for the Mean Fiddler Preacliers and Groove Armada, includes Ed Harcourt, Klnesis and stakeMusic in Group, the festival, which holds a major intoThe the new fold. deal will see Hall Futureshock, adds that Despite a largely trouble-free moving his Solio opération to willSanctuary's also help connections him and his inteam the US Eavisevent, iswhich describing founder as 'theMichael best lieadquarters.Sanctuary's west The move follows a willbreak be acts able Stateside. to network He with says the he ever", Mean Fiddler last week succession of high-profile rest of the team of managers tionreported of goodwill losses beforeand exceptional amortisa- additionsmanagement to the team Sanctuary in London, New cornesaffiliated to spottingto Sanctuary new talent.when it items of £4.4m (£1.0m in 2001) York and Los Angeles, including Sanctuary artist management berfor the2002. year to the end of Decem- Trinifoldthe acquisition Management of Bill Curbishley's at the end chairmanHall will play Rod a Smallwood key rôle in saysthe The losses, on the back of of last year. development of the artist (£3.7m),increased were turnover largely blamedof £39m on Sanctuary'sThe deals strategy have formed to build part bulk of management division and that his the poor performing bar and and provide its managers with the thearrivai group's will alsoWorldwide help to artistexpand beenrestaurant sold fordivision, £2.3m whichto Lynnet has necessaryéconomies toof arrangescaie and and resources organise roster. "He is one of the most Leisure. huge world tours. businessrespected and managers looks after in the some weekThe that group it is also announced selling its AMlast managementHall, who startedcompany his in 1989 highly-successful bands, as well radio station to Sunrise for £l.5m, with the Manies, says it has been newas showing talent," a Smallwoodflair for developing adds. forthcomïng album■(fhëaGilmorea^ Avalancfiefout TVpackaging, advertising promo costs production ffom their oi duringa deal whichthe third [will quarter be completed of this currenttough working climate. on "It his is own the rightin the has® In signed a separate one-time move, BMG Sanctuary act on a newIl) label is to collaboration be lire fù winningroyalties. press Tlic album, support which will beis year. Both deals, according to acquirething to newdo now," acts whenhe says. 1 am "I canpart withSpiritualized a first album, to a Worldwide Amazing deal headbetween Jan FlyingBrown Sparks and Vital Records CKeeppreviewed That byin theMind), single which Juliet is groupate £3.8m to the in black.cash and It alsoroturn leaves the andof a businessbigger team. affairs ITI peoplehave lawyers on SeptemberGrâce, lined-up 8 through for release the band's on offersDistribution. a new businessHtingry Dog model Records to its will be the fifth album issued by trate on its three remaining prof- hand to help out and, when it own Spaceman Records. signings by not deducting tire Anglo-Irish musicîan. itablenational businesses touring and- festivals, live venues. inter- quicklyPower to thesays, diffieuît "We have trading reacled con- HMV chief shrugs off Bank ditionsrestaurant by disposing division ofand the agreeing bar and tionterms at for a good the saleprofit. of I the believe radio there sta- of England slump warning itableis tremendous growth in potentiel our three for remain- prof- year, ended June 21 2003, HMV DVD drives growth 1.7%,Europe although sales have Giles risen saysa modest that beenof tire forecast consumer by new boom, Bank which Of Eng- has landCales govemor voiced Mervyn " tions.through further festival acquisi- lastdiction Tuesday after group showed figur GlastonburyMeanwhile, Festival, the founder Michael of profitsand sales surging rising 3.2%12.1% to to £l.7bn £nS.4m for to tire year," he adds. callsEavis, from says bands he was wanting fielding to phonehead- althoughthe year tomusic's April overall26 2003. share And, of of £88.6m compared with £74m. Giles says the 21 ofline the next dose year's of the event 2003 within festival. days He withthe sales DVD cake growing, shrank he stressesto jusl 51%that govemorAgainst of prédictions the Bank of by England the new of tingadds, bigger. "I don't It wanthas reached it to keep capaci- get- whatHMVdoes.music remains at the centre of believe businesses like new stores are planned for the new Fiddlerly." However, receives he notesa proportion that Mean of growth in DVD at HMV %Europe sales canbe hit. draw "Wilhin some these comfoi in financialSales year.at HMV Asia Pacific rose inthe the net festival profit, capacity.so it has an interest madeand, for up the 51% year of as our a whole, sales musiccom- American0.5% to £277m, sales while fell HMV 16.1% North to © See Quickfire, pl9 sayspared Giles. with 55%"Video the - previous that is year,"DVD £lS7m.HMV Asia Total Pacificlike-for-like deelined sales forby 36%and VHS compared combined with - has26% grown of the to setting0.1%, with a small growth décliné in Australia in Japan, off- bedrockofwhatsales mix. But musicHMVdoes." is slill the We can draw comfort cuit in Hong Kong and Singapore. Unveiling its first full-ycar from the fact that Group'sresults as biggesla quoted dicompany, , HMV [music is] important hadHMVs suffered North difficull American trading, division with Europe, showed a to consumers sales falling 16,1% to £l57m while year,sales asto the,£Sfi7.+m. division on postcd the previous a profit Alan Giles, HMV like-for- 4%. Musicsats wirisi^MUSic? 4''a51, ^

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YourB 10ËEI£ir Retl Hot Chili Peppers Carrt Stop^ Can the UK's biggest musical export conquer the world again? Dido unveils her new album to James Roberts songwriterMuch lias changed Dido Armstrongin the world since of UK she singer- last recordedFor any an artist, album. following up a massive, break- throughâtes its own début difficulties. album after But, a significantthree-year gapchanges cré- m furtherat her record challenges. companies have, potentially, added agementsNot that Peter Dido Leak,or her appear manager, to beNettwerk at ail ruffled. Man- plans,""We can'tsays Leak.let these things get in the way of our stancesThat saysDido volumes and Leak about brush their off ability such tocircum- make albuma success Life of For the Rent.artist's follow-up, the new studio WorldwideDido's rise superstar to famé -(with ffom a Faithless little help extra from to sinceEminem) Music - hasWeek already published been her well first documented UK inter- viewdébut in success 2000, butseem the ail passing the more of timeincredible. makes Ini-her tially(first areleased slow bumer, in 1999 Dido's in the2000 US début only) No became Angel also200l's now biggest-selling the biggest seller album by Worldwide.a British female It is soloBut artist now in the music dust industryhas settled history. on the first chap- terof her of her remarkable career, is story? it easier for Dido make sense reclining"I have on been a bean ridiculously bag in the lucky," music roomshe muses, of her beennew homecircumstances in Islington, falling north in the London. right place"It has at theOne right circumstance time. I have been Dido very, is veryreferring lucky." to is sampledEminem's six international fines of her songhit single Thank Stan, You. whichWliile f ^ inthe raising record Dido'sundoubtedly international played profile,a huge "thatpart s ample""Eminem is only was one a huge part thing,"of a much says bigger Dido. jigsaw. "I just thoughtUnes of my it was song incredible people were that going from out hearing and buy- six ing"Maybe my album. if people had come up to me in the streetEminem and and said, it's Tshit' heard then your l'd be,album like, becauseT'm sorry'. of thatBut no-onethey got ever into didsomething that. People they wouldn'tsay it's great nor- mallylistento." Relurnof haveIn beenaddition a handfiil to assistance of other ffom key individuals Eminem, there who haveearly publishingplayed critical deal rôlesstruck in with Dido's Mike career. Sault An at Warner/ChappellLeak's arrivai as manager in November in 1998 1996 were and also Peter cru- outcial thera,"moments she for says. her. "I would be nothing with- Dido'sThe careerstability contrasts provided starkly by these with constantsthe changes in tte angel inof the1999. four In yearsthat time,since herNo AngelUK label was Cheeky, completed co- ownedBMG forby her£5m. brother BMG Rollo,UK has has subsequentlybeen sold to lowingmoved onRichard to its third Griffitlis chairraan and Hasse - Tint BreitholzBowen fol- - Bedfordand the internationalHouse has been marketing taken opérationapart. More at alsorecently, left the Cheeky major. label manager Morgan Nelson disguise CAST LIST International TV: Jaclde Quàifee înbel-Manager:L Cheeky/BMG Peter marketing:Shack. BMC Dave BMGRadio: Alex Cn.c,- Leak, . ' Neltwerk. tel,» WollprAgent: SMlPr Paul Bolton, TonyaR^^r Govonder

enteringremained the true music to herbusiness. original inspiration for Life Fer Rent: heartfelt "It was a joy to make this second album; ifs whatanyway. I do," We shehaven't says. madeTd be any writing concessions the songs to Mghfigbts of the album arecommercialism just produced or in radio the way in the we production;think they sound they Music Week is the firet magazine Life For Rent best. That is what we did on the first album so toFor hear Rent, Dido's due onsecond Septembei- album, 29. Life wrote"This is last one year of the when first I songswent awayI mostlyno-one accidentai experts any and différent that's just on the this way one. it is," Ifs theDido key talks tracte for the on thefirst album. time about tohad write. ever triedIt was to the write first a songtime I diosDido to visit and MikeRollo Hedges did venture in his out Highbury of Church studio stu- White Flag thanwith a veryslightly small grander moment theme It is where Hedges co-produced two of Life For te an emotional song. It's about how I see my life and how SeeRent's The standout Sun. Additional tracks, Don't collaborators Leave Home included and ngyou about can't unrequited be with it'sI want saying my islife that to be.if I Reallydon't live what former Faithless engineer turned artist P»Nut, someone but you still love theni, my life to the full and engage in whoFeel andco-wrote produced and theproduced beats for Who White Makes Flag Youand youbut youknow can't it will tell ruîn them their because life. So theneverything, l'm not and really push living. myself, The tougher.song l'Il makeBut this the one production is pretty famCtlic'-nKFo DWo with In" the album's title track. ayou song keep about it to it" yourself and wrlte isalbum a reminder being called to me Life to keep For Rent Don'tmuch Leaveont and Home ont nasty." brother Rollo thatLife represents For Rent a is leap a strikingly forward personalin Dido's albumconfi- "IStoned love the production on tliis. the song."principle that I meant in Angel"1 wrote but this didn't at theplay time it to of anyone No Tracksdence as such a songwriter, as Stoned performercombine production and producer. élé- Mondes1 wrote tlieon the song Wurlitzer with Lester and I "It'sSee You guite When dark. You're People 40 are already atlive first for tlireeBut I years.bave been It's aplaying song it ments from Dido's dance roots with her charac- came into the studio one day and getting guite obsessed by this about addiction, from the point of teristicorchestrated haunting See The mélodies. Sun offers Elsewhere, perhaps Dido's the overRollo it.had It putis one tins of stonking my favourite beat track.song l've It's ever probably written. the Whenmeanest I toview the of person. the drink This or is drug one ofsinging the most accomplished work to date, while See You styles of production, a really finished it in the studio, people tracte produced by Mike Hedges." inspirationWhen You're for 40 the shows album the (see darker breakout). side of her love.slow, Theredeep-house is something bass, which about I it therenever wereto cross saying you'. 'remind Everything me I "ASand ridiculously In My Shoes simple song about Although Dido didn't have any particular thebecause beats it make is guite me a guite sad song, excited." but on.do hasIf l've a bittersweet written a really thing sweetgoing fromthat feeling holiday." when you get home A&Ralbum, person towards overseeing the end theof theproduction recording of shethe tocalled the material.on her US A&R man, Peter Edge to listen In tum, the Arista structure which underlies Dido and feature around the "Dido démographie", market- "When you have been in the studio for a year mentorsher massive Peter 5m Edge US sales and success Clive Davis has shifted; at her herUS Coldplay are ing speak for the album-buying, car-driving, it's nice bouncing stuff off someone you can label Arista quit to set up J Records. both makingmiddle-class No Angel génération the biggest-selling largely responsible album for of old-styletrust," says good Dido. A&R." "He was amazing - a proper "We have managed to ride the storm of change examples of 2001. Of the 25 albums identified as those likely It was only when Dido started playing the new theso far," campaign." says Leak. "It's about staying focused on the kind of to be owned by someone in the "Dido démo- songs to friends that it dawned on her that she It is a problem few artists, particularly UK music graphie"Chapman, - includingColdplay andsets Thefrom Strokes acts such - Dido as Tracy has hadrealised. made a more personal record than she followingones, have up yet a to début deal with: album how that do hasyou soldset about 12m people love 23"1 in am her my collection. démographie," she proudly déclarés. "It's slightly horrifying at the moment as I had copies Worldwide? to buy but "1 have always made music that I like. With the "Thatforgotten sounds that bizarre, people butwould when hear l'm it,"writing she says.with beFollowing a daunting up task,such abut huge Leak sales is successconfident must of don't often tenfirst to album, in the ail car." 1 wanted And that was is a precisely record I couldwhat shelis- Rollo and it's ail our mates playing in the same matching, or even bettering, the count with Life get to hear has aimed to do second time around. studio,pick your it's life easy apart." to forget people will hear it and For Rent. Pelerabout Leak, When the time came to call a hait to the Regardless of how it was achieved, the success match"Everyone the sales assumes of No Angel,that we but won't we didn't be able really to manager sprawlingDido chose three-year to "lock herself campaign away in for the No middle Angel, of of No Angel certainly highlights just how few exhaust ail the areas of promotion on it, so I nowhere" with a piano to begin writing. buyingartists public.appeal Didoto the believes mass-market, her success album- high- thinkplaces," there he says.is potential 'In Japan, to grow No Angel in a number only sold of there,Although being she forcedonly ended to return up spending home after 10 days her lights the industry's poor record at realising the 200,000 to 300,000 copies because father fell ill, during that initial writing session potential"The artists of such are acts. out there, but it's bloody hard tratedAnd on the the promotional US and Europe." campaign is already sheFlag, wrote Sand aIn number My Shoes, of songs,Life For including Rent and White Who to get to hear them," she says. "It is worrying underway. The first single from her second Makes You Feel, songs that would go on to form because,oped as a ifproper I was artist?starting Or now, would would I release I be devel-a cou- beingalbum servicedLife For globallyRent - titledtoday White (July Flag7), eight - is theproductive basis for 10 the days," second she giggles. album. "It was quite a ple of singles and be told "You've only got to weeks ahead of commercial release. That date Wamer/ChappeU's Mike Sault observes that numberWhile 17,it isso obvious that's if?" that Dido truly adores lier radioties in format with the gaine US -market's an indication need to that, play twothe thmgsDido works herself. best "She when has shea very is left strong to get work on ethicwith songwriting craft, she also enjoys the machina- years after the active prorao work on No Angel and knows exactly what she wants," he says. tionser of Music of the musicWeek. industry and is a regular read- rebuild.ended, Dido To further has some underline important the foundations singer's com- to RolloTins gettingalbum onwas with very it." much a case of her and l've never been one of those artists that does- onmitment promotion to the in US,the sheUS duringwill spend August. three weeks beganFollowing writmg that and initialproducing writing tracks session, with RolloDido career,"n t have she a due says. about "I know what's people going in onthe in record their But Dido herself is certainly not phased by We worked pretty closely on No Angel, but tlfis8 company and I enjoy the business side of it "Youwhat justsome approach might view it asby an making unachieveable a record goal. you oneThe vvestaried sessions and took finished place intogether'she the familiar slys ' itI wouldn't into my business, want to spend but 1 ammy fascinatedwhole time by making it and think is brilliant and that you hope other people U StUdi0S in Lo I do enjoy it." thinkHer is manager, brilliant," Peter she says. Leak, dcscribes the singer Nom Angea i andîwW with, P nFaithless ldoa Ptevtously prier to worked thatncloi "W on cessDido has is brought clearly enjoyingtheher in every freedomaspect of that her suc-life bothas "a examplesgenre of her of theown". kind 'Dido of music and Coldplay people love are had absolute freedom and it was amazin!-'" ^ particuiariy in créative ternis. 11 to buy but dont often get to hear about," he says. whethersays. "On I thefinished first italbum or nm no-one and nobody „ ta'to1 andI ithave is the pushed best I eaumyself make ftirther right onnow" this she albi» says. "The type of people that buy these records may fered because no-one knew I was doWg Iv Weiv " «ut m time to corne 1 will be a better producer littleonly buyfor them two or to three tap into." CDs a year as there is very wanted to recreate that vibe." ' and a better player and it's lovely to be in a world11 In February last year, built a 1 where you can aspire to something more witho round p^rhap^refiTcts'the^fact^îmt^he'h^s r—lëiPhappy wll,ll; vou've ^t," —_ Features are edited by Atlam Woods Two years ago, every major label needed to have a rock band shouldIf early go indications down in the are history anything books to go as by,a fantas- 2003 on its roster. Now, it would appear that some of them have little ticyearNot only for rockhave and Mercury's métal music Metallica, in the Polydor's(JK. confidence in anything else to sell records. By Daniel Lane releasedMarilyn Mansonfan-pleasing, and WEA'shigh-charting Linkin Parkalbums, ail butweights there as areEMI's still Iron releases Maiden, from Polydor's such heavy- Limp backBizkit, to Sony's follow Kornin the and final Roadrunner's quarter of the Nickel- year. ativeEven haveséminal released gloom-rock an album recluses in 2003 Type-O - their Nég- first Spotligbt in more than four years. bands,Throw such into as Sony'sthat mixUS goth-metallers previously unknown Evanes- rocketedcence, whose to the début top ofsingle, the chants Bring a Memonth To Life,ago, whoEast debutedWest's British at number cock-rockers 11 with theirThe Darkness,third sin- gle,Finnish Growing outfit OnHIM, Me, who and scored BMG's their avant-garde first UK shines on Topseems 30 that hit rock with is Buriedonce again Alive king By ofLove, the castle. and it DJ"The lan rockCamfield, scene whois great hosts at thethe moment,"rock show says on standLondon-based the success radio of station a band Xftn. like "IEvanescence can under- because,has a tendency regardless to focus of musical on what's style, coming everyone over Nickelback,from the US," people he says. really "And, want since buy the adventinto that of rockscene slick,"But streamlined it's really The brand Darkness of American who are radio the rock. sur- thingprise successagainst storythem: of they're the year. English, They hadthey every- were ÉBKjy me JH previewenjoy sneak of the jodepeadeat splrits 1 g oJ ÊtBÊL of his band's third studiQ9album, "Ilieme-wise, it's a 9 iis

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COMIMC3 SOOÏM B : JESSE JAMES. MISSION ' BUT NO IDEA k-»cnead.com ONESTOWATCH ceturn to the fray August18}hiatus (single. liveglgsi on a small indie label, they look like Seventies throwbacksproud of that and fact. sound So like image-wise, Def Leppard culturally, and are almostmusically have and a Topideologically 10 hit in thosethey don't circumstances fit. But to showsWith it its can intégration be done and of isMushroom a big achievement." and Infec- tious,in breakthrough East West isUK in rock,the vanguard having won of the the boom bid- tippedding war Welsh for thenewcomers Darkness, Funeral and taken For onA Friendhotly- and perennial success stories Ash and Muse (see u breakout,can newcomers. p.ll) as Poison well asThe one Well. of thePolydor big Ameri- boasts managera raft of US Jim heavyweights Chancellor to and develop has hired and Athleteacquire anEMI equally is aiming impressive for a roster number of UK one talent. album with duethe newon September Iron Maiden 8, Such album, a feat Dance would Of provide Death, theDark band's in 1992, first andchart-topper Val Janes, sinee vice-president, Fear Of The managedinternational the bandmarketing since theat Sanctuary, start, says which the aim has is becoraea realistic simply one aowing héritage to act.the band's refusai to credibility"The main through thing is ailthat the they musical have kept fashion their that,swings too," and says they Janes. have gathered "They have a lot gone of respect through for radiothose times- which when is stillthere mostly has been the nocase. rock The on lastthe studioseven in album, 2000, whichBrave isNew pretty World, good hitconsidering number theOver climate the pastat the two time." years, things could scarcely Lostprophets ride in Def Leppard's wake have changed more. "Increasingly, the rock and Twenty years ago, a young, then-tiny indie label Visible Noise. ago, certainly agréés. "They are mainstream,"métal influence says has Andy become King, more marketing and more direc- the working-class band from With an average âge of 19, they taking an intelligent direction. The tor of dedicated rock radio station, Total Rock. SheffîeldDef Leppard's took Pyromaniathe US by storm.album Thefakesoundofprogress,recorded their début album, for songs are dynamic, but have not mainstream,Rock has now in fact, become that even so much those a major part oflabels the Americanstruck a huge audiences power-chord thanks withto its copies£3,000. in It the soid UK more and Sonythan 150,000was Theintegrity band theyhas retained established the from whichin the permanentlycould be forgiven sunny for fields making of pop ail have their been hay fusionpop choruses. of Seventies With rockMercury's licks and tliemsufficiently up for impressedthe rest of to the pick world. theirIntegrity hardcore and roots." credibility are flexing their métal muscles. abacking, household the nameband rapidlyliere and became we "Wewere didn't doing," really says know singer what lan ethosat the -core although of the Watkins Lostprophets' jokes this"For day a andmajor âge not would to bother be like with GlaxoSmithKline in abroad - a feat no British rock Watkins. "1 clearly couldn't sing. that the band have "already lost giving up making headache pills," says BMG bandTwenty has replicated years on since.and a young, up."It was The a bandfluke arethat in Sony a LA pïcked studio usin industry perception is that it inmarketing the company's manager rock David and Gulvin, alternative a key depart- player working-class band from with producer Eric Valentine would be a shame if the band were ment, whose roster includes the Foo Fighters, DefPontypridd Leppard's are success. poised toHaving repeat Stone(Good Age)Charlotte/Queens working on their Of The next tobecame become to tothe nu-metal grunge movement what Bush Soil"The and différence Adema. now at BMG is twofold; Pop inked an international deal with release, tentatively titled Start Valentine is keen not to exploit Idol made us a household name for pure pop, clout,Sony, theyan exhilarating too have major-label fusion of October.Something, Watkins and due says for it release is, "the in theup. "Everythingréputation the on thisband album have built tobut focus the genre and give structure more attentionof the company to development allows us theirrock distilledteenage fromyears the and sounds a knack of best"You album have Tve to everbelieve lieard". that when westems have from is working the band. under The theproblem becauseacts to ensurethey're notthat a theyso-called don't 'priority'." get overlooked forperhaps writing the catchy real key songs. to it Andail is "Weyou'rc will recording," probably addsbelieve Valentine. it for majorburden have that - ail the bands need signed to write to aa independentBut, on the rockother labels side of are the not fence, having dedicated quite thatLeppard's they havemanagement, the backing Q-Pnme. of Def the rest of our lives. It's going to tadio hit But we're trying to work suchZoraba a bumperby BMG time has of deliveredit. The acquisition Music For of the Lostprophetsscene in 2000, emerged signing ontoto the size,Nations, into theone handsof the oflast the remaining major. Only indies a hardcore of any of independents remain, including Nottingham- Sanctuary and EMI are touring the tbrthcom- For a major youth do not have the same passion and dedica- based Earache Records, Dutch-owned Roadrun- ing Iron Maiden album, Dance Of Death, not to bother tion to music that eristed 20 years ago. We ail ner Records - in which Universal holds a 49% canaround hear Europe the record with thein aband comfortable so that journalists environ- with rock thathave excitementa duty, as record again labels, by finding to try andnew engender ways of isstake pinning - and its west hopes London's on the LostprophetsVisible Noise, album, which ment that is completely pirate-proof. music would marketing and promoting our artists." which is now in production (see above). "The only way we felt we could keep it secure be like As part of its own self-prescribed cure, Road- The indies have been hit just as hard as their road,"was to says put Val a Janes.mobile The listening album wasfacility locked on intothe GlaxoSmith Therunner Vault, has which launched will itsdébut own here download later this service, year. seekingmajor counterparts new waj'S to prevent by online their piracy products and ffom are Discmans, which were chained to the bus itself. Kline giving BMG has opted for Bedroom Fest, an being leaked onto the web by a very online-liter- Although Janes says a couple of individuels were up making off-the-wall retail and advertising campaign ate fanbase. Earache recently issued promotion- caught trying to break the padlocks, not one headache thatBedroom spoofs Fest popular seemed festival like a good posters. way of"Initially, putting al CDs of the new Linea 77 album, Numb, to track"There has soare far loads found of itsreasons way onto why the business internet. has pills my bands together on a page, but this year we journalists,into 99 segments with the to record'shamper 11bootleggers' tracks divided efforts up been tough so far this year," says Mark Palmer, David Gulvin, BMG are considering taking it a few steps further," to casily upload the album, while Roadrunner CD-burningRoadrunner UKand label parallel manager. importing "Downloading, have ail saysmajor's Gulvin. attitude The to thesame rock could scene, be as said yesterday's of the uallyhas taken on every to audio-stamping promo CD it issues. each track individ- played a part, but the problem is that today's fad becomes today's default setting. The importance of live performance in keep- A tranche of reissues from the likes of Môtley Crue rocking the is one market of the alive few cannotgenres thatbe overstated. can expect andnot and AC/DC are the latest big news in the ever-vibrant only live support but new material from its best- rock catalogue market By Adam Webb includesloved acts. albums Eagle from Rock's Therapy? release andschedule Zakk TedWylde, Nugent, and DVDs ail offrom whom rock are stalwarts touring Dio soon and theAnother Guildford Eagle Festival signing, and Alice gigs Cooper, in Liverpool will planday gets WolverhamptonNew bands such during as The the summer.Darkness and The mentDatsuns and suggest showmanship a sense is of returningto old-style entertain- rock. For Tomreissued Duncombe the likes ofof Snapper,WjV.S.R, whométal have is benefiting recently a second wind from the Pop Idol effect, although it is hard to betweenimagine themuch two inaudiences. the way of direct overlap reality"These pop bands stars] have and lots no moreA&R personality guy telling [thanthem amazingwhat to do.- I Asaw band them like playing The Darkness recently toare about just playing 50 people and they made it seera like Queen recently to playing a stadium." about 50 hasPerhaps been a thecreeping true sea-changerespect for thein recentmusic itself.years people and The 16 AC/DC and 11 Môtley Criie remasters they made it corne with assorted extra tracks and enhanced seem iiue content and the Môtley programme was closely Queen supervised"Nikki has by always bassist been Nikki really Sixx. keen for there to playing a be a reissue process where the original LP art- stadium work was reinstated and where the albums straightembraced black-and-white the CD format ratherLP conversions," than just being says atGiancarlo Universal. Sciama, "[The originalcatalogue CD product reissues] manager were so tionsdated about that theyhow tostill use have a CD." the original instruc- bySuch Sanctuary's respect five-CDfor rock Motôrheadcatalogue is boxexemplified set, due aspectin September. of it," says "Lemmy Steve Hammonds. is involved "We in selected every thewho tracklisting runs the Motôrheadbangers with him and Mick [fan Stevenson, club] and Following the release of Smells Like Teen Spirit attractive," he says "If you want to buy records by raritiesit's just thatgoing have to benever a fantastic been on boxCD, set;a booklet loads byof lyin becameSeptember redundant 1991, the overnight. LA rock scene Teased supposed- hair and arebands plenty who ofare them accountants out there. with Personally, guitars there l'd Mick Wall and a free badge and poster." spandex were replaced by tousled hair and plaid rather listen to Môtley Crue." heavyIn many rock hasrespects, become even an beyondindustry the of music, icons. implodedas the likes and of theGuns world "N' Roseswent grunge.and Môtley Nu-metal Criie hasThe always traditionally offered a committedstrong market métal for backaudience cat- "Lemmy is a cultural icon," says Steve Ham- put ftirther nails into the coffin of a genre that alogue in territories such as the UK, Germany, peoplemonds. know "He's whateffectively he does. a household In the saine name. way Most that almostseemed out to of have existence. been derided and spoofed longevityJapan, Italy of manyand the hard US. rock Combined bands andwith their the Ozzyis a cultural icon. The year before last we Yet, in the light of the unprecedented success propensity for touring, this has ensured cata- Ofdid Sabbath the Best on Of TV Motôrhead and they stillon TV sell and massively." The Best Osbournes,of the recent Môtley live Led Criie's Zeppelin staggering bonanza, autobiog- The loguealways releases been steady,"stay active says for muchSteve longer.Hammonds, "It has For Dante Bonutto, already looking forward raphy, The Dirt, and the emergence of a new Sanctuary Records' senior label manager. "The tationto the potentialof The Dirt, of the fortheoraingacquisition of movie a catalogue adap- générationDatsuns to The of hard-rockingDarkness, it seems bands, the fromobituaries The Motôrheadmajor métal and acts things always like sell. Uriah We have Heep, Sabbath whosé such as that of Môtley Crue is of almost histori- were unfounded. Traditional hard rock has its Best Of has just shipped almost 40,000 in orcal Hendrix,importance which - a brandshould as be worthy revered as andZeppelin cele- sériéshighest of profile recent inre-issue years -and a faetremastering reflected cara-by a LikeEurope. with It's Venom the classically - we've loyalhad amétal massive audience. resuit brated, and certainly not overlooked. "I mean, loguepaigns. reissue Universal programmes and Sony forhave Môtley rolled Criieout cata- and with[each] them sold 20,000-plusand the first in ayear.three albumsI think once have a can'twhat finda story," a band he whogasps. worked "What their characters! way through You AC/DC,companies which, such along as Sanctuary,with the ongoing Snapper work and of rock fan, always a rock fan." likeBaywatch that. There like Môtley was never Criie a did.dull Wemoment." need people ofthisEagle Rock, maligned have music.resulted in atimely revaluation marketingAccording and to A&R Dante manager Bonutto, at Universal,international the Ninetiesdeath notices were writtenmisconceived. for hard Indeed, rock in for the Bonut- early- to,in 1985,who wrote the very the elhos first biographyof that band of -Môtley "They Cruetook probablyhaving a goodbased time a career very seriouslyon it" - ensuredindeed; they dohave find always the hadrock an 'n' inhérent roll lifestyle popularity. perennially "People MOTL]

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ïsrmcRoom Our publîcly-owned national pop station should do more to support UK artistsat peak time RI gives domestic acts a raw deal Way back when Radio One claimed audiences up to paying lip service to its commitment to British music. EDITORIAL 14m and 15m, when it was still the première national But plenty of executives who have spoken to Music MARTIN TALBOT pop station, it was regularly vilified for its naff presen- Week believe j ust that. ters, its safe programming and the fact that it could Alex Jones-Donelly is rightly proud of Radio Ones finish an act by refusing to support them. Back then, it track record, including its B-listing of the past three was the only place a plugger could go. Athlete singles, to take one example. But the justifica- Today, despite the fact that there are other places tion for not A-listing any of them because the band where labels and artists can secure national broadcast are yet to make the big leap commercially is missing exposure, and it is no longer the UK's highest-rated the point. Maybe, if they had been A-listed - giving music station, it still matters as much as ever. them twice as many plays - they would have been able No-one disputes the continuing work that Radio to make the leap. One does, off-peak, in picking up artists at an early This is where Radio One's publicly-fimded status stage. But the fact is - and the statistics clearly bear makes it fundamentally différent to its rivais in the this out - that when it cornes to daytime, high rota- commercial sector. And, if that isn't enshrined within tion, UK acts are getting a raw deal. And this at a time the BBC charter, perhaps it should be. when most in the business recognise the signs of a The fact that the Radio One furore has arisen in a revival in the development of quality domestic music. week when the industry has achieved a key advance Local acts should not go on to the A-list just with the Communications Bill is intriguing. The Bill because of their nationality, but there are surely plen- will now insist that local commercial stations reflect ty of new artists who deserve better than the 12 plays the musical make-up of their locality. a week or less that the B- and C-lists often offer. And if "local music" is important to the ILR Martin Talbotexi It is harsh to suggest that the station's playlist poli- commercial network, perhaps "UK talent" should Music Week. CMP Informatioa 8th Floo cy - along with the specialist shows, the live music, be reflected more fully by our publicly-owned Ludgate House, 245 Blackfriars Road, the sessions - demonstrates that Radio One is just national station. Change the playlist process Gan The Darkness manage to conquer the US market? to support new UK talent I fimily believe it is the BBC's duly, "plot". This is because the décision Music Week has singled out Must champion,responsibility and and probably remit to at least toniece playlist nf amusic record - is andnot aboutif radio the theDestroy's UK's hottest The Darkness new acts. as oneNow of „ .o play a track, the whole they have struck a deal with Steve Gallant, HMV product BPIHowever, tell me that over tire past five ...uoic/band.„e surrounding is effectively that piece con- of Atlantic for the US director years, UK shares of most-played signed to the bin. Paul Lester, Uncut deputy editor start"The albumin the UKwill thisget week,off to soa cracking there 60%tracks to on 30% Radio and, have looking declined at from the This is not an efficient way to "1 dont think Americars like humour will be a real story to tell. And, Radio One A List (easily the most run a business, nor is it good for aboutin rock. the They likes like of it Limp straiglit. Bizkit, The Papa thing hopefully, Atlantic will put the influential place to break a record money upfront to compete for air- Roach and Linkin Park is they're donecessary well. The effort only behindthing Is, it you and are it will twoin the out UK), of 20 a actsweek are or British. so ago, only play, which in 95% of cases does deadly serions ard their records are always seeing bands being talked It is easier for Radio One's pro- from their labels on économie executed.brilliantly Whenplayed you'reand brilliantly a B- to 19- about in the NME as being the best grammers to play proven US hits grounds. year-old, you're at your most thingand then ever, they they disappear. are around But one The week rather than gamble on a new UK ableA toprogrammer make a playlist ought décision to be philosophical and angst-ridden and Darkness have got more legs than Looking at Radio One's based on his own criteria, purcly smgmgyou dont Love wanttohearsomeone On the Rocks With most The Americans won't get the playlist, only two out of aboutby hearing the band that trackwithout and the knowing enor- No Ice," irony, but they will understand 20 acts are British mously expensive whistles and executiveMick Meadows, producer Hit 40 UK ja Tune managing track, but is this in the best inter- bells,there whichas an insuranceyou could policyargue arefor How many UK rock bands have done ests of the British public, the radio the programmer. areIt recently? the obvious Coldplay answers, and Radioheadbut therein industiy or ultimately the BBC in localOther talent, countries the most protectnotable beingtheir hes the rub. TheyVe succeeded AmericansDarkness are enjoy almost nostalgia. identical The to Van The record industry is globally the French quota System. If that Withbecause a Style they of provide alternative/indie the US market rock Halen, ergo The Darkness will be under threat from dedining sales. becomes the only option, then a lot not produced in the States But massive in America" — toThe combat multi-nationals these probleras, have been but able the lobbyingof the UK for music a similar business System will to be combined with the support of a m ' Andylabel managerInglis, Recordstore.co.uk UK indie sector, traditionally the introduced in this country. somethinglabel, and since you'd they expect dont to soundlike""corne out "They could do if they want to go and doesbreeding not have ground this opportiinily.for UK talent, The biggest danger to the UK Furthermore, when presenting net era, is the lack of a shop win- âjHDLgoodof America, l'dsayTIie chance nf Darkness have if Atlantic supports them and if arecord record that to gets radio, presented, it is not it is the Seandow 0for tinen ils istalent chairman of Telstar A&R^o^^^^'ï'^wfffSound manager collège radio likes them, 1 think they I think it is the first moment in a shouldbetter thando well. 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a s m vA< plf^n l m o w T s m ■ï Miciiael Eavis says this year's , DOOLEY'S DIARY which he bas hosted on his Pilton Farm since 1970, was one of the best in the event's 33-year history the past year - chicf executive Sarah TuesdayFaulder notedthat its at tiny its AGMhandful last of staff on board and I really wereMeanwhiie, responsible the organisation's for four births... Did you enjoy youi-self at Years ago, I had to go up to l'vegot; atmoirthpiece a certain Paul organisation Brindley hadwhich a dig WellGlastonbury it was a bitthis of year? a classic, wasn't nowLondon bands and love ask us.bands l've to had corne, phone but leftin me. But Idon't think ITIbe pulled out of an AGM debate on it? The wliole thing came together calls already from bands wanting to hiringHas Glastonbury, a lot of old people as some in the have future. digitalnames musicwere mentioned,at the last momentbut a plate No of and, after 33 years, I think we have Anyheadline last next minute year. hitches? suggested, been hijacked by the R2 debate draws apples filled the debating table's finallyMean Fiddlergot it absolutely are really righLgood Theat The people doing the flags said they WhatChardonnay - the Kate set? Moss stuff? We've industry shakers emptyPublishing's seat.. Eddie Chelsea Levy Music is never one leavingtalkmg tome the to licensingput on the people, show and ofwere this short local ofguy materiai. who had so goneI got to hold gotpeople a lot with of salt-of-the-earth ordinary jobs, running people, Remember where you heard it; footballto miss ateam's trick. StamfordFollowing his Bridge beloved organisefrees me theup a entertainment lot and 1 was reallyThat turnedHolland up with with 250 them of hisail flagsand they and he nottrains ail andKate that Moss sort types. of thing. But They're Andysdue to beRecords in final administratorstalks during last were takeoverAbramovich, by Russian Levy says Roman he is now able to enjoy myself. Now I can be a probablywere in ail wouldn't the photographs. have had the1 time andeverybody can afford is earning to buy a the proper tickets wage weekend,ready to take with over two the potentlal music retailerschain. nameconsidering to Chelski changlng Music... his BRI company's year and what are your favourite towith sort Mendip that out [District if I had Council been invoivedover backquickly, 20,000 so next or year 30,000 we aretickets keeping for week...WhoA final décision said is Radio expected Two's this debate AGM speech borrowed the langoage EverylhingGlastonbury was memories? a bit better. The You've been doing the festival students who completely missed out didlast notWednesday throw up on any the staggering music industry favouriteof the Iraq film war, Field football of Dreams and, er, (Dooley his stage was probably better than How much longer will you technologypeople. A lot to of get old the hippies tickets, have they the Tonyrévélations? Wadsworth For starters, revealed panellist to the Costnerknew there about was PJ) a touch citing of the Kevin line. "If Primaibefore, Scream.with REM, It's Radiohead fantastic now, and arethe justchef not from up the to speed.Ritz cooking But we and had Dooleynation, "1is waitingdance pretly to see well, the aclually." webuildit-theyindustry is suffering will from coma" "torture If the by seeyou Richardcan go to Thompson the acoustic or The field and everyone dressed in Oxfam shop evidence.. Fellow panellist Rob a thousand cuts",' PJe to later being pondered, shot atmosphèreWaterboys, it'sin everya différent area. talkinglenient sideabout after how hearing they nick some music kids efn't UK helpchairmen but notice of beating,Radiohead They did in 1997very welltakes this some year Saturday night? childrenfrom the now!" internet he blasted."Arrest thoseAnd there r m the audience, doubtless to too, but 1997 was their first time watchingOh, walking the around, theatre. wandering We really and get recordedwas Paul summaryWeller s generous,of record industrypre- insiders speculate a formai joint big.it was Oasis just in when 1995 they was were also reallygetting «a, a buzz from that. We checked out ail suits: "They're ail scum really," venture is just weeks away from good.Smiths But, in 1984.[ think That it was was having absolutely The theby people circus suchthings, as which the Mutoid were putWaste on the Commercial Radio conclusion...CongratsBemian's Mesmerizing to MusicHoward on his terrifiebecause and I finally was a realised big turning we were point outCompany. stuff for They next are year. already working winsmost thehonesty: night's "l'm prize a pen-pushingfor showing the signingfirst Top Josh Five, Thompson with his 18-year-old claiming a fashionable.like Hawkwind Previously and The weChieftans, had bands Jeremybureaucrat"...The Vine is preparing debate's hostto unleash Weco-write Just onBe theDreamin'.. Blazin' And Squad finally, smgle, fromhe used the on molhballs Newsnight the to camper tour the van UK farewellmarked histo BMI'sretum Philto New Graham, York with who a believe, is a fundamental error wood group of record companies, during the 2001 General Election, bar.part Guestslast week induded at London's Don Black, Ayoush sincepoint theof buyingconfusion the will record, arise notat the at butcould l'm have not sure survived that their in oldtoday's man firstOnly tripthis totime, Glastonbury it is going next to be year. for his Jeremy Marsh and Michael Kamen, the point of listening to it later. ultra-competitive market Vine,replacement Sir Jimmy at the Young's station, has corne bellyalthough dancer... the star attraction was the over judge's case,In thelight issue of the that recent should Liberty have X Midhurst, WestSussex décision theexercised estent the of mindpublic of réputation the judge was (or We need a new FromMany Nickestablished Kanaar, bands lawyer must be timegoodwill) of the oflaunch the oldof the Blue new. at the pricîng polîcy singingprising theevents blues in following the High the Court sur- ing Thisthe currentlapse is worryingphilosophy consider- is both FromJon Webster, consultant last week, when an original band to involve judges in very active case ences,As an talkingindustry, shops, we AGMshaye confér- and so withdrawcalled "Blue" an action was forpersuaded passing off. to management and to discourage lit- The currently successful Blue ingnitty is gritty one of of those. many issues and pric- Stageand their that thelabel original knew Blue at an wanted early Before we even begin talking toprotect their name. Collyer-Bristow Solieitors, buyabout a whethersingle track consumera in the want future to is accurate,If what is an report experienced ed in the Highpress London rather than an album and whether Court judge expressed an opinion Seîwôodrecans- tracksthere can that be would differential normally pricing appear for veryas to early the stagemerits in of the the proceedings; claim at a on the same album, l'd like to know an opinion which Aies in the face of industry heyday why The Streets and Bruce Spring- forteMulti-CD of direct release marketing packages spccialist are the Robinson (BMG International,)ight, are Paul the actual and common sense posi- From Clive Selwood £5.99steen's inGreatest the HMV Hits sale albums and what are Time-Life International. So, when Joanna Reynolds (Time-Life), Thank you for your kind review of signal this sends to the consumer?mmpanies awardsit cornes to to the handing record ont companies, sales (Sanctuary,)Lorraine Jones Judith and JoReineck Horsemann and my Itbook was AU written TheMoves. to capture what r or the which have filled its albums, it only Carmen Jones (BMG Gennany), iar,there products are two competing,in the marketplace and simi- it was like to be a player during the ue? If it's seems nntural to follow suit with a AlanKatie Erown Bailey (Sony),(BMG International), Patrizia and concera that the public will be best period of our industry in the£l6.99 retail price?: bother with sériésIn total, of 42shiny gokl dise and présentations. platimim Caniselii (Warner), Chris Harding confusedThe judge which in one last is which.week's case immediately.We need a new pricing model atdises london's were handed City Hall. out Heading at an event the Blombei-g(The Partnership (Time-Life), Company), Tony Kajsa jumped to anolher position, indi- got Happily.it exactly right.two of my family Clancy Webster Partnership, pack were Universal and Warner, Stanilaml (Universal), Mêlante anycating confusion that there couldsince nothe longer bands bc (Chet and Bee) appear to beenjoy- Elstree, Middlesex platinumwhich walked and gold away dises with each. nine Georgiouand Guido (Sony), Waberski Helen (Time-Life). O'Bricn sounded so diflerent. This, I their Beech- [email protected] 12.07.03 MUSKWEEK 19 Booking deadline. Thinsday lOam for JobsRates & (per Courses: single columii£40 (min. an) 4cm x 2 cols) publication tire followmg Monday (space Business to Business; £22 (min. 4an x 1 col Wednesdaypermitting). priorCancellation to publication deadline: (for lOam sériés NoticeSpot colour Board: ndd £18 10% (min. 4cin x 1 col) bookings: 17 days prior to publication). AilFullcolour;add20% rates subject to standard VAT JOBS AND COURSES

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PR&PLUGGERS Editorial will discuss the increasing closeness of relationship between PRs/Pluggers and label marketing professionals and will also publish and analyse: • Trackofthequarter • PRcampaignofthequarter • Top 25 Airplay Chart To advertise in tins feature contact William Fahey on 020 79218314 now! Britain's most comprehensive charts service 1 atafile Week 27 albums SINGLES Charts go BEYONCÉ CRAZY IN LOVE Columbia crazy for IndependenceBeyoncé keeps Day.the USThe flag last flying US treble past

only the third time thîs year.

hikeismostly a resuit of the HIGHESTCUMBER DiscountedTHE CORAL to THE £6.99 CORAL in Woolworths, Deltasonic ihe of 2,636 Liverpudlian group'sll-month-old début placingalbum jumps since January65-37 to achieve its highesl COMPILATIONS

BACKHIGHESTNEWENTRY TO THE OLD SKOOL - IBIZA ANTHEMSIbiza MinistryOf is the subject Sound of nostalgie 'ives, including- 14300 thissetwhicli sales vvere treated to 20 of Universafs from Beyoncé, it daims a [RPLAY LOVE Columbia fouifhSecond number week at one number in 18 one,weeks only the Your Side (Polydor); Goldfrapp Strict HIGHESTNEWENTRY Machine (Mute); Kosheen AH In My BEAUT1FULR0BB1E WILLIAMS Chrysalis SOMETHING THE BIG NUMBER: 21 Joiningasthehighestnewentry Christina Aguilera's tothe Beautiful Craig David Spanish ( Top 50 this year, Robbie's latest track MaffiaSenior RhythmIn Love Bandits(Indeoendiente): (Mercury); Robbii Usa AUGUST 4 3» s»» CRAZY IN LOVE Columbia KelisBRMC Rnest Stop Dreams(Virgi,,, (Virgin), Kelly Fi Sits has and received Tlte Box 100 plays on Kiss "wland Train On Track (Columbia) IJULY2003 ALFOLLOWUPTOTHE THEN02SMASH"ALL0VER''TAKEN PHENOMENALILOVEff'TAKENFROM FOLLUW Uf i PRESS: FEATURES IN M CELEBS/THE MiRROR THE roRTHCOMINGING ALBUM "FIB"nRST (COVER), WOIWANTHE 1NDEPENDENT0N 2 WOMAN (CUVER), SUNDAY l-D, REVIEW J1T, LADY"RELEASED11THD11TH AUGUST 2003 BANG,OKLBUSS. BLACK SMASH HAIR HITS (COVER), ELLE, 8, FHM, PART 2 OF ANEXCLUSIVE 4 PART POSTER p Upfront

famous surfer, so he is bound to female vocal on top to give it be popular around here with the justanother come dimension. out and I don'tIt has think only it's Sky footie ads laidbacksurling community. kind of folk-rock He bas style a even been picked up for the UK, A sélection of UK manypeopleand with it being the summcr and but I predict it's going to be huge." lift Elton single tastemakers select bound to ) well." Steve Owen, dance theirfavourite lan De Whytell, Crash buyer, HMV upcoming releases Records, Leeds DIZZEE RflSCfll (XL) DJ Bigger, présenter, COLDER AGAIN (OUTRUT) Elton's rediscovered Soul City 107.5FM disco gem builds on LUTHER VANDROSS FEAT. BUSTA cuit status as the RHYMES LOVELY DAY (BMG) soundtrack to Sky Sports' new season Ashley Beedle, AreYbu ReadyFor

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TV Airplày Chart Beyoncé tops Music Week's first NUMBER ONE TV airpiay chart, with support HIGHESTCraig David Spanish from The Box, Kiss TV, MTV, CLIMBER MTV Base and Smash Hits. BEYONCE CRAZY IN LOVE 541 2 EVANEbLENCt BRINU Mt 10 LlhE wmmwic 363 mmiasm 3 JUSTIN TIMBERLAKE ROCK Y0UR B0DY — IvT 327 4 » LINKIN PARK PAINT 275 m 5 8 WAYNE WUNUtKNO LhlIlNGGO VDTAST V7EST .268 6 B BLAZ1N' SQUAU Wh JUS 1 BL DREEMIN' 234 singles, albums 7 9 XTM PRESENT ANNA FLY ON THE WINGS 0F LOVE sa»™™ 229 and radio airpiay, 8 5» BUSTED SLEEP1NG WITH THE LIGHT ON WITOSAIISIUND âr 9 16 AMY STUDT MISFIT POlVMfi 211 10 10 50 CENT FEAT. NATE DOGG 21 QUESTIONS miKcmmm» 200 Her single Crazy 11 U R KELLY IGNITI0N JIVE 197 ' was by far the h J: iVI 12 91 METALL1CA ST. ANGER ^ 181 mim 13 3 CHRISTINA AGUILERA FIGHTER RCA 177 Control panel 14 5 BUSTA RHYMES AND MARIAH CAREYIKN0W WHAT Y0U WANTJ 173 eaminglast week, 541 15 4 MIS-TEEQ GANT GETIT BACK lELSIAS 171 thanplays, the 178 ncarest more 16 15 RED H0T CHILI PEPPERS UNIVERSALLY SPEAKING «mmm 168 17 FAST FOOD ROCKERS FAST FOOD S0NG BETIERTHEDEVIL 167 18 53 CRAIG DAVID SPANISH w,™ 162 19 26 BENNY BENASSI PRESENTS THE BIZ SATISFACTIONOAT^MS^OFSMO 160- plays from Kiss 20 .25 MAD0NNA HOLLYWOOD mmcummim 157 20 21 JAVINE REAL THINGS ~ 157 22 0 G00D CHARLOTTE THE ANTHEM EP1C 149 mmmmm 23 17 ASHANTI ROCK WIT U (AWWW BABY) 137 24 23 BLU CANTRELL BREATHE 132 25 25 THE DARKNESS GR0WING ON ME »s. desthowic 128 26 14 G00D CHARLOnE GIRLS AND BOYS EP.C 124 27 II SEAN PAUL GET BUSY WAïuimc 122 28 20 ELECTRIC SIX GAY BAR Sl 112 29 23 R. KELLY SNAKE JIVE 111 30 32 THETHRILLSBIG SUR 103 30 125 THE ALL AMERICAN REJECTS SWING, SWING ««s,™Xl 103 32 « THE WHITESTRIPES 7 NATION ARMY 101 H 33 187 P.ÛPFTH RATFC ûMVflMF OF 1IS fSTUPID MISTAKE) 100 33 U CHRISTINA AGUILERA FEAT. REDMAN D1RRTY RCA 100 33 703 PHARRFI1 lfl/II 1TAMS FEAT. JAY-Z FRONTIN ARISTA 100 36 68 EMINEMS1NG FOR THE MOMENT IMERSCOfWOlVIXIS 98 37 34 KYM MARSH COME ON OVER UN1VERSAL ISLAf.O JL 38 M F00 FIGHTERS1OW RCA 93 39 , AVRIL LAVIGNE LOSING GRIP ARISIA 92 39 63 JASON NEVINS PRES. UKNY FM IN H h AVEN 0000 on Sut msmmm

, . tinw ro,nes with a free quarteriy DVD of great new videos Subscribingfor détails to IpromoI contact: David magazinenow Paqendam 020 t» dp [email protected] It is another week on top for Beyoncé, who lias the most-played track across ILR. The tlie Uk Radio Aii Emap Big City group's network's number one, she is number two at Capital and GWR. m . IBEYONCE CRAZY IN LOVE 2961 151 101.7 ,1Q 2 2 14 25 (JUSTIN TIMBERLAKE ROCK YOUR BODY ™ 2487 - 73.84 ■14 1 7 BENNY BENASSI PIS THE BIZ SATISFACTION dat/ il 6 5 » [MADONNA HOLLYWOOD mmmmmm* 1831 24 73.73 25 p 4 3 12 7 R KELLY IGNIT10N « 2787 1 71.87 •11 Î I REDHOTCH1UPEPPERS UxlVtRS/ULYS EA^Ci^ n 5 8 2 EVANESCENCE BRING ME TO LIFE 1667 25 63.65 4 6126141 7 | MIS-TEEQPINK FEAT. CANTWILLIAM CET 1TOR BACK teu 6 20 CHRISTINA AGUILERA FI6HTER 2441 62.93 -17 M ' 0 STEREOPHONICS MAYBE TOMORROW 1547 7 | WAYNE WONDER NO LETTING GO VP/E i o PINK FEAT. WILLIAM ORBIT FEEL GOOD TIMÉ cou™,a 1229 42 46.68 98 10 u 1 BUSTA RHYMES & MARIAH CAREY IKNOWWHAI.. 1449 •6 46.18 m 2 j TOMCRAFT LONELINESSoata/winistryofî 11 r3 is AMY STUDT MISFIT «n™ 1557 3 44.89 •7 Bj 183|THEC0RALPA$S1T0Ndei; ) BUSTA RHYMES& MARIAH CAREY 1K 12 12 o | RED HOT CHILI PEPPERS UN IVERSALLYSPEAK1NG ^boos 645 0 38,86 -13 B| 211 LC ANDERSON VS PSYCHO RADIO Rl( 20 o THE CORAL PASS IT ON «wmc 228 : 58 38.57 22 13j 6 j CHRISTINA AGUILERA FIGHTERRCA 14 10 il ASHANTI ROCK WIT U (AWWW BABY) 1322 0 38.14 ; .23 17) 14 | FOO FIGHTERS LOWRCA 15 13 o EMINEM BUSINESS 748 8 38,11 ■14 17 14 | JUSTINMADQNNA TIMBERLAKE HOLLYWOOD ROCK ma'. YOUR BODY JM o ROBBIE WILLIAMS SOMETHING BEAUTIFUL 940 119 37.43 224] !Oj 211 BLUR CRAZY BEAT hr[A. o (SIMPLY RED PAKE so.™™ 822 25 37.35 14 3 j SIOBHAN DONAGHY OV 26 o (JAVINE REALTHINGS ^ 1423 34 36.10 34 23| 4 | B2K GIRLFRIENOEPIC 33 o (BENNY BENASSI PTS THE BIZ SATISFACTION 484 53 33.82 67 24| 12 | 50 CENT FEAT. NATE DOGG 21 QUESTIONS WERSCO 20 os (ROOM 5 FEAT. OLIVER CHEATHAM MAKE LUV TOUIVA 1121 ■7 3124 -5 2624110 0| |R COLDPLAY KELLY IGNiTlONjM GOD PUT A SMILE UPON YOUR FACEw» 21 18 22 DJSAMMY SUNLIGHT DATA/UIHETRY<*SOUHO 1000 -7 32.84 ■1 26| 0| DEEPESTBLUE DEEPESTBLUEDATA/ministryofsounc 22 14 .3 TOMCRAFT LONELINESS 702 ■20 32.35 ■20 26| 201 THE THR1LLS BIG SUR virgin 23 15 n CRAIG DAVID FEAT. STING RISE AND FALL wkbs™ 1131 -12 3L57 -18 29)0129| 14 | A^ASHANT1 ROCKWITUQ hT 0 DANIEL BEDINGFIELD NEVER GONNA LEAVE YOUR SIDEW.OOR 886 IT 31.30 115 T | THE ALL AMERICAN REJECTS SWING. SW 25 a 50 CENT FEAT. NATE DOGG 21 QUESTIONS 718 21 30.46 7

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□LJSUB TAHITI OSU) 80 RITES WAU. Of PAPER DUS FORGEUerhoise THE SOUL (CD Almospkiiouts GRCO 579) (LP 0671231) REISSUES □ AMM0N5,AMADOU &MARIAM CENE & JAMES VÏAII MOODY UA CHICAGO CONCERT OXICO| OiaO 10912) □ BARRON.B-MOVIE KENNYHEROES i ANTHEM BARRY HARRIS FOR THE CONFIRMATION UNDEROOG Spart Cjndid (CD SPANKCO (CD CCD 79819) 0051 I: ROCK □ BECKEORD,BARI2, CARY STANLEY D/E KNOWN PLAYS DIVERS MDIIO AND BaicMï OIHER Francs BOOlESPnslçe (CD 5898732) ICO PRCD 6M)012) I □ 228THDAY ION PREDATOR COMPLETE DEMON REC0R0II1GS DEALER Didiaid tanUls (CD (CDPCO 07017) 63) □ BERENICEBILL MAY S1MPERFECT HIS ORCHESTRA GIRL Uni/enul STUDIO France RECOROINGS19511953 (CD 383092) Jasmins (CO JASCOI I □3INCHES Of BLOÛO BATTLECRY USDEfi A WINTER SUN Denlh OCIotk/Muîl Dalray □ BUNKBLAKEY, JOHNSON ART KEÏSTONE BUNK AND 3 Conconl THE NEW (CD ORLEANS SACO1001641 REVIVAL Josmi* (CD JASCO 635) II UBEECHER BREAKIHG THE FOIRIH WALL Ca)ai!W Risl (CD DISK 001) □ BYRD,BUHNING CHARliE SPEAR BYRD FREEMAN SONG NOCTURNEOJC (CDOJCCD109221 (CO NICO143) l □ COiOORSOUHDBIC SAKDir ITS KAIEIOESINÎOTIME Itp Bœ (CD ME VEP Hiddcn 2046IP Ail (CD VEP RAYOOICO) 2(M6LP) □ COLOlilER,CRANE RIVER MICHEL JAZZ BAND, W1NGS THE Polydof VIMTAGE France CRANE (CD 3935032) RIVER JAZZ 8AND late ICO LACO182) I □CONRICT THERES HO POWER Y/ITHOUICONIROL MortditolE (CD MORTCO 200 „ , □ DANAEDACOSTIND PIOO Tuni LUIS (CD THE TUMI115) PLAY OF L1GHT 33 Jacc (CD 33JAZ2 085) I ™ □ DRDERVI5H OOOOM SP1RIT FIRST WEiiEnq COME FIRST Oses (CDSERVED VVHRL Copasert 007) (CD COPA 007C0I 1I QEARLE,□ EARLE. STACEY SIMPLEDANCIN CEARLEWITH THEMIHAT SoullilMd BRUNO (CD SB ME 259) Soulfetond (CD SB 2601 I □ FALETHEElY, JOE SÎREETS THE IDIOT OF JOY SIN SHOW Roundcr Aklany (CD ROUCD (CD PI 3181) LOT 173) I1 □GEIZ.SIANPUREŒTZFUCHTCRAHK BEVONOALLREASONABLEDOUBT Concod (CD SACO 10006) Copasc-Uk (CD CODA 02000) □ CORDON,CRAPPELLl, DEXTER STEPHANE (HE RAINBOW GRAPPELLIPLAYS PEOPLE SlecpWM GRAPPELU (COSleeflecluse SCCD 31521) (CO 5846532) □ HALL.HAOLEY, JIM TONY Ali DEBUTACROSS ABlaii» THE CITY (CD Conconl PILOT172) (CO SACO 10036) □ 1NTI-ILLMANILUCARESHAWES, HAMPIDN NORIHERN COMUNES WINDOWS Xen^it PiHlicjc (CD XENO (CD PRCD4056) 242782) nUOHIYEAR CHR1SS GENTLEMAHSIIA1R0RESSER AND RAJLWAY BOOXSHO □ KEUY,JONES, JOUET BILL TWO APHRODITES YEAR WINTER CHILD Brék 33 JaaWall (CD (CO 33JAZ2BRICK 0O5C0) 085) □ MAJISEIllE ROCK YOU T0N1GHI (CDCMDDD 719) □ UGACYTHELANCE, CYRIt THE SIRANGER LEGACY L1VESIN MY ON HOUSE 2 MacP Dcncfron Avcme |CD (CD DFGCD MAC 10051 85581

a Albums listedthis week: 270 Yearto date: 5,805 Singles listed this week: 125 Yearto date: 3,642

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Five new entries crash into the Top 10, but they cannot budge Beyoncé, whose profile Ilie Officiai UK keeps lier on top for a second week and adds to lier airplay and singles number ones. 1 ' BEYONCE DANGEROUSL/.IN LOVE® ; . [a| - APTISTIITIEQUEEN LIVE AT WEMBLEY STA01UM UMtdetréutor)P. . - ;^ MO DELTA GOODREM INNOCENT EYES ® 32\ ■ IRONLEO ZEPPEUN MAIDEN LEOVISIONS ZEPPELIN OF THE BEAST v.. .,,. VV -EMI® mi 3" THE THR1LLS SO MUCH FOR THE CITY ® V^c^B 4 1j -' S CLUB BEST - THE GREATEST HITS OF a- ~T 2po EVANESCENCEFALLEN® 5 j - EMINEME u--wrMivttca,' 5 ASHANTICHAPTERII 761 ■ VARIOUS THE LAST WALTZ MGMfflO "6" lyiORCHEEBA PARTS OF THE PROCESS 8 ' THELIVE BEATLES CAST RECOROING THE BEATLES LES ANTHOLOGYMISERABLES - IN BOX CONCERT SET v-i o ce m-, pmiiov. ID 9I ' PoWor(U) ~T~ ELECTRIC SIX PIRE 1:MolwwIHG 10|| -' U250 CENTRATTLE THE AND NEW HUM BREEO cicvkieonCH) GEORGE BENSON THE VERY BEST OF - THE GREATEST HITS OF® ^, nj - BEST OFBOWIE EMI® ur 2 Ï3 - BON JOVI THE CRUSH TOUR sh 20 50 CENT GET RICH OR DIE TRYIN'® 14131 J - QUEENABBA THE GREATEST DEFINITIVE VIDEO COLLECTION HITS -1 M**™ ai)(t) 10 h STEREOPHONICS YOU GOTTA GO THERE TO COME BACK ® 1615 -■ METALUCASNOOP DOGG CUNN1NG DOGGYSTYLE STUNTS 2 u^ivdoolU)Ent (P) mh 36 CHRISTINA AGUILERA STRIPPED ® 2 ®. 17 " NAS MADE YOU LOOK GOOD - GOD'S SON LIVE Ccto CTEH) 12 5 BEST - THE GREATEST HITS OF @ 1819 - R0BB1EDAVID GILMOUR WILLIAMS IN THECONCERT R0BB1E WILLIAMS SHOW EMI ©(0 13 ê THE OSMONDS ULTIMATE COLLECTION 20 j "- IRON MAIDEN SanctuaryfP) 14 Godrich/RadioiieadRADIOHEAD HAIL TO THE THIEF ® Parlophone 5848082® 15 * JUSTINT1MBERLAKE li S M.Oc mmMmm 13 10 Vmc-jsSEAN PAUL DUTTY ROCK© MrticTSâSiWtMl 1 | GEORGE BENSON THE VERY BEST 0F - THE GREATEST HITS 0F M 44 AVRIL LAVIGNE LET GO ® 4 ® 2 ||'3i2 j VAR10USNORAH JONES THE VERY COME BEST AWAY OF WITH LATIN ME JAZZ 18 16 < ANNIE LENNOX BARE i | TONY BENNETT & KO iAI 19 52 RED HOT CHILI PEPPERS BY THE WAY ® 4 ® 1 6 5 | VAR10US COOL SUMMER JAZZ 20 » 58 EMINEM THE EMINEM SHOW ® 4 ® 4 "tIOI8 j 6 | NINAFIEETWOOD SIMONE MAC BLUE THE FOR BESTOF YDU - THE PETER VERY GREEN BEST S OF 21 14 5 UB40LABOUR OF LOVE - VOL I, II & III ® 9|Qi MILES DAVIS KIHD OF BLUE ie 62 NORAH JONES COME AWAY WITH ME® 5® î 23 * BUSTED BUSTED ® 2 24 J r AMY STUDTFALSE SMILES The Complété Package | 21 nocredilsJIM REEVES GENTLEMAN JIM - DEFINITIVE COLLECTIONRCA 82876530372 (BMG1 U26 i THE DRIFTERS Tl" rririlTIVE 27 17 5 METALUCA ^ \r(Ll c, 28 2c: 14 THE WRITE STRIPES ELEPHANT® DANIEL BEDINGFIELD GOTTA GET THRU THIS ® ; i 36 i 45 COLDPLAY A RUSH OF BLOOD TO THE HEAD ® 5 © 2 Comprehensive range of outboard 31 23 32 SHANIA TWAIN UP! ® 2 ® > „1„<17oW2m processingElectronics includingM5000/MD2 TC in ail 28 6 NERD IN SEARCH OF ® £33 22 13 UNKIN PARK METEORA ® ® 1 37 14 Michtaq/Rcmi/Hunle/RicMIS-TEEQEYE h/Various CANDY© Te'iU' TC03304 (BMCJ 'ne Stop ^M^acturing i O 18 WILLYOUN! J 5,inMWB.7 i36 24 ,8 R KELLY CHOCOLATE FACTORY® £ 65 30 THE CORAL THE CORAL ® di\. O 14 GARETH GATES WHAT MY HEART WANTS TO SAY ® 4 S" FreephoneWeb www.soundrecordingtechnology.co.uk 0800 000441 Email [email protected]( UKÂLBUMS

Il 1 Albums Chart I VARIOUS ClUBLAND 111 tMTvwi | 31 3 VARIOUS CLUBBERS GUIDE TO SUMMER 2003 «s«»i(3wmo 40 THE STREETS ORIGINAL PIRATE MATERIAL ® 5 VARIOUS THE BEST SUMMER HOUDAYEVER wwvtw® 53 65 hNKlUUt IGLESIAS ESCAPE ® j®? 7 . i VARIOUS PURE URBANESSENT1ALS Q 51 5 41 OeDE Li Sail/PmtpLA SOUL Paii8V,ifious THE BEST OF® T B» 8122736652 m j 3 VARIOUS ALWAYS&FOREVER s^M-kn» ■! 15 SIMPLY RED HOME® 1 VARIOUS THE QUIETSTORM uwvsivii,; 39 11 MADONNA AMERICAN LIFE®, , ^, 13 13 VARIOUS VERY BEST OFEUPHORICOANCEBREAKimN , 44 36 63 QUEEN GREATEST HITSj 111 & III ®, ® w&os )8)y2OT 38 25 GOOD CHARLOTTE THE YOUNG AND THE2 HOPELESS ® ^5298832® isc 3) VARIOUS THE VERY BEST OFLAnN JAZZ (tovmdtvi 46 30 8 DJ SAMMY HEAVEN® 17 1 6 VARIOUSKISSPRESENTSHIPHOPCLASSICS o^n/mi « 39 ROYKSOPP MELODYAM® 19 1 3 VARIOUS MAGIC-SUMMERFEEUNG2003 liwdrviui 79 STEREOPHONICS JUST ENOUGH EDUCATION TO PERFORMIO(Saml»«AU£D027(V/THB ® s ® 2 20 1 8 VARIOUS SMASH HITS CHART SUMMER 2003 EMi,v»99Atem4IB 67 40 OASIS HEATHEN CHEMISTRY ® i ® : Surprisingly, 50 29 73 EMINEM THE MARSHALL MATHERS LP ® „ ® 5 262,000Freedom's sales i Or l>e/Em«n/B3«/îhc 45 Kh) In'tnaoe/PûMJor 4906292 îU) D 0i ELECTRIC SIX PIRE xljvéM) 51 .0 43 BRUCE SPRINGSTEEN GREATEST HITS ® 7 W™te4735552(rai Jrtcrcheeba's 1 STEREOPHONICS YOU GOTTA 60 THERE TO COME BACK vz aw) 96 36 DAVID GRAY A NEW DAY AT MIDNIGHT® 1 biggest seller. 43 43 THEROYKSOPP WHITE MELODYAM STRIPES ELEPHANT SoundmtkoXL (WiHO 53 27 6 LED ZEPPELIN HOW THE WEST WAS WON ® 1959's.BigCalm, 5 6 EVA CASSIDY S0NGB1RD K« Street (HOTI 42 18 DARIUS 1. lil® bas sold 515,000 76 78 DRMOLOKO DRE THECHRONIC STATUES 55 35 2 NWA STRAIGHT OUTTA COMPTON 8 14 FEEDER COMFORT IN SOUND Eda(P) 47 3 WAYNEWONDER NO HOLDING BACK 109 1312 GRANDADDYSNOOP DOGGY SUMDAY DOGG OOGGYSTYLE Doaihv2GMV>?) Rov, (THB 57 32 20 BIG BROVAZ NU FLOW ® 11 19n KINKS2PAC ALL YOU EYEZ REALLY ON ME GOT ME - THE BEST OF oe.vh wect(m IPI 54 35 SVillz/nngaz/BJ/SoulFOOFK HTERS Epé 5099402 (TEN) B13 18 BOB MARLEY UVELY UP YOURSELF Eapor» m 59 2 14 9 50 CENT GUESSWHO'S BACK mopum 33 TONY BENNETT & KD LANG A WONDERFUL WORLD 1615 O10 STEREOPHONICSSTEVE W1NW00D JUST ABOUT ENOUGH TIME EDUCATION TO PERFORM sanct.^,vz omw (Pi M 55 102 DIDONOANGEL®8®5 17 O THE TRANSPLANTS THE TRANSPLANTS he j.vi in o 12 THE FLAMING LIPS YOSHIMIBATTLES THE PINK ROB OTS®^^ Snturday (July 5), 1918 o THEBRUISH WHITE SEA STRIPES POWER WHITETHE DECLINE BLOOD OF CELLS BRITISH SEA POWER xi^ w: mo (R 62 45 188 MICHAEL JACKSON THRILLER®.! also featiircd on a 20 © ME FIRST & GIMME GIMMES TAKE A BREAK F.,î WT.XL .PH) O 53 VsnousLIBERTY XTHINKING1T0VER® 2 V2 WR1017762 GMV'Fi brandnew double M o 20 CHRISTINA AGUILERA CHRISTINA AGUILERA © ® 1 Collection,dise Ultimate which i 56 80 LIONEL RICHIE BACK TO FRONT® . (W. 5300182(8) 13 ««s week. Tlie m66 50 32 JENNIFER LOPEZ THIS IS ME.JHEN ® mtm thanalbum 17.500 sold more 21 2 j ROYKSOPP ME 53 31 1 | VARIQUSCLUBLANDI11 67 19 LED ZEPPELIN VERY BEST OF - EARLY DAYS & LATTER DAYS®^^ 5 (| 75 |M0L0K0IVARIOUSCLUBBERS STATUES GUIDE 10 SUMMER 2003 5! 69 MEAT LOAF COULDNT HAVE SAIDIT BE11EK ® ifcwOWKTO 69 48 fir U2 THE BEST OF 1990-2000 & B-SIDES ® rjO] MICHAEL JACKSON BAO 70 Â r THE POLYPHONIC SPREE THE BE6INNING STAGES OF [ _ 10|9|0| 10 | VARIOUSDANIEL BEDINCF1ELD 2 MANY DJS GOTTA- AS HEARD CET THRU ON RADIO THIS SOULWAX u O ATHLETrVEHICLES& ANIMAIS 72 M THE WHO L1VE AT THE ROYAL ALBERT HALL ^ BKaduïB SPV093M882 (KO) y 66 156 GUNS N' ROSES APPETITE FOR DESTRUCTION ®. i(ta4ti^CEF824148(8, 74 4, 114 EMINEM THE SLIM SHADY LP® 7®. Lî |EVANESCENCERAOIOHEAD HAiL FALLEN TO THE THIEF 75 .2 B2K PANDEMONIUM® Esi Hffi5J!(1EK1 \ | RED HOT CHILI PEPPERS BY THE WAV □ ; . ■ H.Y -r'ï t-.r, ®Fnl-.UiiU-'«lûa.jl i 6 QUEEN GREATEST HITS 111 é ■ H4IW «mtoUPEPP£RS19 ® CcK 1100.000; ® IIPI Pu™, [ow (ta Emm» ifcl SHSl r[ 7 | L1NKIN PARK METEORA M0fiCHEf-BA6MKOv ^™ )3 |' FQOGUNS FIGHTERS N' ROSES ONEAiTHlTr BVONE FOr! DrSTRilCTIO.N1 ] 5>( | THEQUEENS MARS OFTHESTONE VOLTA DE-LOUSED AGE SONGSFOR IN THE COMATORIUM~ THE DEAF y 800 INTERNATIONAL DELEGATES 500 COMPANIES 100 SPEAKERS 30 SEMINARS

:29 OCTOBER 4- 01 NOVEMBER THE RADISSON SAS HOTEL GLASGOW, UK mm 1 www.musicworksUK.com

What is the future for record shops, albums and record companies? Is file sharing the future of the music business? What sort of business will it be? . : Everyone is a publisher these days. If you can exploit music rights, why not own them? : If piracy is here to stay - then is there a way to live with it?

Alan Morris, Executive Vice Président, Sharman Networks Ltd (Kazaa) Mike Miller, Finance Director, The Sanctuary Group Frances Royle, Head of TV, BBH, Director, Leap Music Andrew Yeates, Director General, BRI Alan Cronin, Anti-Piracy Investigator, MCPS THE CONVENTION MusicWorks, the 2nd International Cross Media Music Convention, is a unique opportunity for jsic industry to corne together to disçuss global issues and explore future developments associated converging sectdrs including film. TV, games and new média. 800 delegates are expected to converge on Glasgow for three days of seminars. exhibitions and live music. Programme highlights include "The Works' - two day-long themed sessions investigating File Sharing and the Future of Peer-to-Peer and Sélective SynchronisatiomMusic in Advertising. Masterclasses in.Music for Games and Films, and seminars in Format Analysis, Music and Télévision, Piracy and Organised Crime, Music and Media Business Models and Copyright Vs Public Access.

T: +44 (0)141 552 6027 I E: [email protected]