Download the Pharos Autumn 2009 Edition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Overview of Production & Supply Chain Management in Agro Processing Industry
ZENITH International Journal of Business Economics & Management Research Vol.2 Issue 2, February 2012, ISSN 2249 8826 Online available at http://zenithresearch.org.in/ OVERVIEW OF PRODUCTION & SUPPLY CHAIN MANAGEMENT IN AGRO PROCESSING INDUSTRY (WINE INDUSTRY) J S KADAM*; JAYSHRI J KADAM** *Assistant Professor, I B M R D Ahmednagar, Maharashtra. **Assistant Professor, I B M R D Ahmednagar, Maharashtra. ABSTRACT This paper reviews the recent Indian wine industry in terms of the area, production and marketing of wines in the country. Approximately 38 wineries are presently operating in the country with a total production of 6.2 million liters annually. Maharashtra is leading among the states with 36 wineries and 5.4 million liter production. Apart from this, 72,000 wine cases are imported mainly by ITDC, Sansula, Brindco, E & J Gallo and other private companies. At present 7,62,000 wine cases are sold every year, which includes 46,000 cases of sparkling wines Agro processing is a large sector that covers activities such as agriculture, horticulture, and plantation. It also includes other industries that use agriculture inputs for manufacturing of edible products. Agro processing Industry is one such major player in Agro processing sector. Greater delegation and competitiveness in agro based industries require new forms of co-ordination between farmers and other agencies to increase quantity within catchment area. [2,3]. KEYWORDS: Agro, Agro processing, supply chain Management, production, Wine Grapes. ______________________________________________________________________________ INTRODUCTION Historically, grapevine is grown mostly for wine making in the world over. In India on the contrary remarkable success has been achieved in table grape production and yield levels of fresh grapes are among the highest in the world. -
Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms. -
The Poverty Tour: Life in the Slums of Mumbai and Manila As Seen in Danny Boyle’S Slumdog Millionaire and Merlinda Bobis’S the Solemn Lantern Maker
ATLANTIS Journal of the Spanish Association of Anglo-American Studies 37.1 (June 2015): 101-119 issn 0210-6124 The Poverty Tour: Life in the Slums of Mumbai and Manila as Seen in Danny Boyle’s Slumdog Millionaire and Merlinda Bobis’s The Solemn Lantern Maker Feidhlim Hanrahan Universidade de Vigo [email protected] In the twenty-first century Mumbai and Manila, lingering postcolonial issues have merged with contemporary issues of globalisation and neo-imperialism as both India and the Philippines are faced with the realities of Western hegemony. This article will examine how the creators of the film Slumdog Millionaire and the novel The Solemn Lantern Maker, both from 2008, have chosen to portray these similar realities in different ways. Two major questions could be asked about these texts. Has British director Danny Boyle fallen into the trap of Orientalism, as outlined by Said in 1978, glamorising the abject poverty of the Mumbai slums, making them look appealingly exotic under a Western gaze? Is the Philippine-Australian author Merlinda Bobis’s representation of the penury of Manila’s street children, from their huts to shopping malls, passing through an underworld of sex tourism, a more authentic representation than Boyle’s? Or is it merely a native informant’s appeal for global readership? These postcolonial texts have become commodities in a global market, where their marketing in the Western world by global media corporations affects their reception and interpretation. Keywords: Danny Boyle; Merlinda Bobis; postcolonial exotic; neo-imperialism; globalisation; poverty . Un tour por la pobreza: la vida en las barriadas de Mumbai y Manila según Slumdog Millionaire de Danny Boyle y The Solemn Lantern Maker de Merlinda Bobis En el siglo veintiuno, en Mumbai y Manila, algunas cuestiones poscoloniales, que aún están sin resolver, dejan paso a temas contemporáneos de globalización y neo-imperialismo. -
Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others. -
Cultures of Food and Gastronomy in Mughal and Post-Mughal India
Cultures of Food and Gastronomy in Mughal and post-Mughal India Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg vorgelegt von: Divya Narayanan Erstgutachterin: Prof. Dr. Gita Dharampal-Frick Zweitgutachter: Prof. Dr. Hans Harder Heidelberg, Januar 2015 Contents Acknowledgements............................................................................................... iii Abbreviations…………………………………………………………………… v Note on Transliteration………………………………………………………… vi List of Figures, Maps, Illustrations and Tables……………………………….. vii Introduction........................................................................................................... 2 Historiography: guiding lights and gaping holes………………………………… 3 Sources and methodologies………………………………………………………. 6 General background: geography, agriculture and diet…………………………… 11 Food in a cross-cultural and transcultural context………………………………...16 Themes and questions in this dissertation: chapter-wise exposition………………19 Chapter 1: The Emperor’s Table: Food, Culture and Power………………... 21 Introduction………………………………………………………………………. 21 Food, gender and space: articulations of imperial power………………………... 22 Food and the Mughal cityscape………………………………………………...... 35 Gift-giving and the political symbolism of food………………………………… 46 Food, ideology and the state: the Mughal Empire in cross-cultural context……...53 Conclusion………………………………………………………………………...57 Chapter 2: A Culture of Connoisseurship……………………………………...61 Introduction………………………………………………………………………. -
Reading Reader Authentic Materials Scanning Information Transfer Dictionary Reading Aloud
Regional Institute of English, South India Jnanabharathi Campus, Bengaluru – 560 056 (PGDELT – COURSE 16 – FINAL EXAM] MAY– 2014 R EADING Time: 2½ hrs Max. Marks: 70 P A R T - ‘ A ’ I. Explain ANY FIVE of the following in 2 – 3 sentences each [5 X 1 = 5 M] Readability Task based reading Reader Authentic Materials Scanning Information transfer Dictionary Reading Aloud II. Read the text given below and frame questions as instructed below. You may choose question words given in bracket. [5 M] (What / Where / When / Why / Which / How / How much / How long / How far / How many) “My name is Rubina Ali. I don't know when my birthday is, and nor does my father, but I do know that I am nine years old.” Rubina came from one of the slums of Mumbai, living in the Garib Nagar slum near Bandra station. She lives with her father Rafiq, her sister Sana, her brother Abbas and her stepmother Munni. Rubina's biological mother, Khurshid (alias Khushi), after divorcing Rafiq, married Monish, a Hindu. Her father married Munni and Rubina was raised by her father and stepmother. Munni has four children from her past marriage - Suraiya, Sanjida, Babu and Irfan. Following the success of Slumdog Millionaire at the 2009 Academy Awards, the Maharashtra Housing Area Development Authority recommended the children be rehoused, with an official saying the children had "brought laurels to the country" and deserved to be rewarded. On 25 February 2009, the Maharashtra Housing and Development Authority announced that Azharuddin as well as Rubina would be given "free houses" so that they would no longer have to live in the Mumbai slum of Garib Nagar. -
Slumdog Millionaire: the Film, the Reception, the Book, the Global
Wright State University CORE Scholar English Language and Literatures Faculty Publications English Language and Literatures 2012 Slumdog Millionaire: The Film, the Reception, the Book, the Global Alpana Sharma Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/english Part of the English Language and Literature Commons, and the Film and Media Studies Commons Repository Citation Sharma, A. (2012). Slumdog Millionaire: The Film, the Reception, the Book, the Global. Literature/Film Quarterly, 40 (3), 197-215. https://corescholar.libraries.wright.edu/english/230 This Article is brought to you for free and open access by the English Language and Literatures at CORE Scholar. It has been accepted for inclusion in English Language and Literatures Faculty Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. S1mtido5 l11Dlio11~: ~lte FD11:1., -Cite ~ecop"Cio11., -Cite Book., -Cite 61obel1 Danny Boyle's S/11n1dog Millionaire was the runaway commercial hit of 2009 in the United States, nominated for ten Oscars and bagging eight of these, including Best Picture and Best Director. Also included in its trophy bag arc seven British Academy Film awards, all four of the Golden Globe awards for which it was nominated, and five Critics' Choice awards. Viewers and critics alike attribute the film's unexpected popularity at the box office to its universal underdog theme: A kid from the slums of Mumbai makes it to the game show ll"ho lfa11ts to Be a Mil/io11aire and wins not only the money but also the girl. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
From Soul Syndicate to Super Scholar: Portia K. Maultsby
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 18 / 2013-2014 From Soul Syndicate to Super Scholar: Portia K. Maultsby aaamc liner notes 18 0214.indd 1 2/24/14 2:58 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and study of African American music and culture. www.indiana.edu/~aaamc Table of Contents From the Desk of the Director .....................2 In the Vault: Recent Donations .................3 Portia Maultsby and Mellonee Burnim. Photo by Chris Meyer, courtesy of Indiana University. Featured Collection: Black Gospel Music in the Today I write my last director’s column Advisory Board, who have donated Netherlands .........................4 for Liner Notes as I prepare to retire materials and promoted the work of after a forty-two-year career at Indiana the archives, assisted in identifying and IU Embarks on 5-Year University. One of my most rewarding acquiring collections, offered ideas for Media Digitization and activities during this long residency has programs and development projects, Preservation Initiative ...........6 been my work as founding director of and provided general counsel. I take this the Archives of African American Music opportunity to publicly thank them for From Soul Syndicate and Culture. From the outset, my goal their unwavering support over the years. to Super Scholar: was to establish an archives with a focus I also acknowledge the archives’ Portia K. Maultsby ................7 on black musical and cultural traditions, superb and dedicated full-time and including popular and religious music, student staff, who offered many creative The AAAMC Welcomes personality radio of the post-World War II ideas for collection development, public Incoming Director era, and the musical legacy of Indiana, that Mellonee Burnim ................15 programs, and marketing activities largely had been excluded (jazz being the over the past twenty-two years. -
RW-1970-10-31.Pdf
Dedi-rated To Serving The Needs Of The Musi- & Record Industry October 31, 1910 15c In the opinion of the editors, this week the following records are the WHO SLVG11t /'/('KS OF THE 11 "/: /: K VAN IN THE MORRISON WORLD Ringo Starr's C&W warb- Neil Diamond has never "Domino" (V a n Jan/WB, According to Clarence Car- lings will not go unnoticed been hotter. His waxing of ASCAP) is a fantastically ter "It's All in Your Mind" in either the country or "He Ain't Heavy . He's intense hit offering from (Fame, BMI) which, come pop fields as he laments My Brother" (Harrison, incredible Van Morrison. to think of it, is probably "Beaucoups of Blues" ASCAP), t h e Hollies' h i t He just keeps coming up true. "Patches" follow-up (Window, BMI). Same guy should keep him just that with amazing songs time is certainly more than a sang "Act Naturally" and way (Uni 55264). after time (Warner Bros. sure bet (Atantic 2774). "Honey Don't" (Apple 7434). 2969). .S'LF'F:/'ER /'/('K.S' OF THE 1I'FFK Betty Everett's debut for "Ah Feel She Really "Back Home" (Dayglow/ There's nothing strange the label has got what it Doesn't Wanna Do It" (Dou- Popdraw, ASCAP) is Hol- about "Right On" (Doraflo- takes to take off both R & ble Diamond, BMI) claims land for the group called Greyhound, BMI) by the B and pop. She sounds bet- Grover Mitchell. He does it Golden Earring. That's Strange Bros. Show. The ter than ever singing "I with lots of drive and grit where this one has been former Strangeloves (with Got to Tell Somebody" to give this one a head number one for over six a little help from their (Wally Raker, BMI) (Fan- start to success (Vanguard weeks and they could do friends) create a great tasy 652). -
Production, Optimization and Characterization of Wine from Mango
Natural Product Radiance, Vol. 8(4), 2009, pp.426-435 Research Paper Production, optimization and characterization of wine from Mango (Mangifera indica Linn.) L Veeranjaneya Reddy1* and O Vijaya Sarathi Reddy2 1Department of Microbiology, Yogi Vemana University, Kadapa-516 003, Andhra Pradesh, India 2Department of Biochemistry , Sri Venkateswara University, Tirupati-517502, Andhra Pradesh *Correspondent author, E-mail: [email protected] Received 13 April 2009; Accepted 12 June 2009 Abstract fruit production was estimated at Ten mango cultivars which are commonly found in the region were selected for the 22 million metric tonnes. Global study. Optimization of fermentation conditions (like yeast strain, pectinase enzyme, pH and production of mangoes is concentrated temperature) and production of higher alcohols and other volatile compounds during wine mainly in Asia and more precisely in India fermentation were investigated. To prepare wine, the fruits were peeled and juice (must) was that produced 12 million metric tonnes extracted immediately after crushing (control) and also after 10h of pectinase treatment. The cv. ‘Raspuri’ gave the highest juice yield (600 ml/kg) followed by cv. ‘Banganpalli’ (570 ml/kg). The per annum. In India, mango is grown in sugar content of must ranged from 15 to 18% (w/v). The recovered juice was fermented at 15 and 10.85 million hectare and it occupied 20oC and the ethanol concentration of mango wine ranged from 6.3 to 8.5 per cent. Fermentation 39% of total fruit production. More than efficacy of three yeast strains, viz. Saccharomyces cerevisiae CFTRI 101, Palm Wine Isolate 25 cultivars of mango are cultivated and Baker’s Yeast was done and highest score was obtained for ‘Banganpalli’ wines with yeast strain commercially in various regions of India3-5. -
Wine from Neolithic Times to the 21St Century
WINE From Neolithic Times Wine / Viticulture / History WINE The story of wine, one of the foundations of Western Civilization, is the story of religion, medicine, science, war, discovery and dream. The essential historical background and the key developments in the From history of wine through the ages are outlined in this compact, engag- ing, easy-to-read and well-illustrated text, with lists of top vintages. For thousands of years wine mixed with water was the safe drink. It was a key ingredient of medications. The antiseptic properties of the N e o l i t h i c T i m e s alcohol it contains saved lives. Wine was associated with many reli- gious rituals, some of which survive today. The story of wine involves scientists like Hippocrates of Kos, to Zaccharia Razi, Isaac Newton (albeit indirectly), Louis Pasteur, and many others. It also involves colorful people such as Gregory of Tours and Eleanor of Aquitaine. to t h e 2 1 s t C e n t u r y Vines made their way to the Americas with the Conquistadores. the 21st Century Then wines almost disappeared in the late 1800s as Phylloxera spread throughout the world. This scourge was followed by World War I, the Great Depression, Prohibition, and World War II. Today, winemaking has enjoyed a renaissance and many excellent and affordable wines are produced throughout the world. * Stefan K. Estreicher is Paul Whitfield Horn Professor of Physics at Texas Tech University. His fascination with wine, and the history of wine, dates back to a memorable encounter with a bottle of Richebourg 1949 while working toward his doctorate from the University of Zurich, Switzerland.