Contributors

Total Page:16

File Type:pdf, Size:1020Kb

Contributors CONTRIBUTORS ANTONY ADOLF is Editor-in-Chief of the c/art-el collective language group, a global language services company based in Vancouver. He has written numerous essays on multilingualism and modern literature, including for Entertext and Theatron, and is currently working on two book-length projects: Modernist Multilingualisms and their Aftermaths: An Inquiry into their Poetries, Philosophies and Politics, and long poem, The Corpus Hermeticum: A Neo-Poundian Trans-Substantiation. PAUL BAGGULEY is Senior Lecturer in Sociology at the University of Leeds. His main interests are in the areas of the sociology of protest, social movements, economic sociology, urban sociology, racism and ethnicity. Journals in which his work appears include The Sociological Review, Social Movement Studies and the Canadian Journal of Sociology. He is also co- author of Restructuring Place, Class and Gender (Sage, 1989) and has co- edited books including Transforming Politics: Power and Resistance (Macmillan, 1999). DAVID BELL is Senior Lecturer in Cultural Studies at Manchester Metropolitan University, having previously been Professor of Cultural Studies at Staffordshire University. His main research interests include urban and rural cultures, sexuality, consumption and lifestyle, science and technology and cultural policy. His recent publications include An Introduction to Cybercultures (Routledge, 2001) Cyberculture: The Key Concepts with Brian Loader, Nicholas Pleace and Dough Schuler (Routledge, 2004) and City of Quarters with Mark Jayne (Ashgate, 2004). IVAN CALLUS is Lecturer in English at the University of Malta, where he teaches courses in literary theory and contemporary narrative. He is working on a book on the anagram notebooks of Ferdinand de Saussure and his current research interests include work on thanatography and on cultural memory in the Mediterranean. He is the co-editor of Discipline and Practice: The (Ir)resistibility of Theory (Bucknell University Press, 2004; forthcoming), and is currently co-authoring a volume on Posthumanism, Science and Literature (with Stefan Herbrechter). 402 Contributors LOU F. CATON teaches world and American literature at Westfield State College. Having published shorter articles on Don DeLillo, Leslie Marmon Silko, Chang-Rae Lee and other contemporary novelists, he is currently working on a manuscript entitled The American Novel and Multicultural Aesthetics in an Anti-Metaphysical World. Along with Emory Elliott, Caton is also co-editor of a collection of essays called Aesthetics in a Multicultural Age (Oxford, 2002). ELIZABETH BURNS COLEMAN is Lecturer in Philosophy in the School of Communication, Arts and Critical Enquiry at La Trobe University in Victoria, Australia. Her research interests include applied ethics, cultural appropriation, aboriginal art, group rights and religious tolerance. She is the author of Aboriginal Art, Identity and Appropriation (Ashgate, 2005), and has published articles in the Journal of Aesthetics and Art Criticism and the Journal of Political Philosophy. IPEK DEMIR is ESRC Postdoctoral Fellow at History and Philosophy of Science at the University of Cambridge. Her recent DPhil thesis, from the University of Sussex, focused on the works of Thomas Kuhn and Alasdair MacIntyre, in particular their ideas on community, tradition and incommensurability. She has also written papers on “failed states” and imperialism, and for the Political Studies Association. RENÉE DICKASON is Professor in British History and Cultural Studies at the University of Caen, France. She is the author of several articles and edited collections in the fields of fiction and history, intertextuality, propaganda and the media. Her recent publications include the books Vers la paix en Irlande du Nord (Presses de la Sorbonne Nouvelle, 2000) and British Television Advertising: Cultural communication and Identity (Luton University Press, 2000). She is currently writing British Society through its Television Programmes. OLEG DOMANOV is a Researcher at the Novosibirsk Institute for Philosophy and Law, Novosibirsk, Russia. His recent publications include Giorgio Agamben, Language and death // Being and language (Novosibirsk, 2004), as well as writings on the social ontology of Jean-Luc Nancy. DI DRUMMOND is Senior Lecturer in History at Trinity and All Saints, Leeds, UK. She has a number of publications on railway history and the history of Higher Education including Crewe: Railway Town, Company and People, 1840-1914 (Aldershot, 1995); The First Civic University:.
Recommended publications
  • Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory
    DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state.
    [Show full text]
  • Native American and Indigenous Studies
    UNIVERSITY OF NEW & NEBRASKA SELECTED BACKLIST PRESS 2016 NATIVE AMERICAN AND INDIGENOUS STUDIES CONTRIBUTING TO THE WORLD’S LIBRARY FOR 75 YEARS FOR BOOK MANUSCRIPT SUBMISSION INQUIRIES, CONTACT: MATT BOKOVOY Senior Acquisitions Editor Native Studies, Indigenous Studies, and Borderlands History [email protected] HEATHER STAUFFER Acquiring Editorial Assistant [email protected] Cover image from War Paintings of the Tsuu T’ina Song of Dewey Beard Nation by Arni Brownstone (see p. 11). Illustration Last Survivor of the Little Bighorn of the AMNH 1 tipi liner, made from two cowhides PHILIP BURNHAM sewn together and measuring 235cm x 173 cm. The exploits on the left are primarily those of 2015 spur award in best western biography Eagle Rib, painted by Fire Long Ago, and those This is the biography of Dewey Beard, a Min- on the right are of Bull Head, painted by Two neconjou Lakota who witnessed the Battle of Guns. Based on a tracing of the original. Cat. No. Little Bighorn, survived Wounded Knee, traveled 50/5916, American Museum of Natural History. with William Cody, experienced the continued exploitation of the government during World War II, and felt the effects of Black Hills tourism and Hollywood Indians. “The remarkable Dewey Beard was a man who seemed to live forever—old enough to have 30% fought at the Little Bighorn in 1876 and its last SAVE survivor when he finally died in 1955. What the old-time Lakota were like, and what they lived ON ALL BOOKS IN THIS through in those seventy years, is the subject of Philip Burnham’s original, bracing, touching, CATALOG BY USING surprising, and vigorously written book.
    [Show full text]
  • Publishing Blackness: Textual Constructions of Race Since 1850
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form.
    [Show full text]
  • ALS-MLA American Literature Section of the Modern Language
    ALS-MLA American Literature Section of the Modern Language Association ANNUAL REPORT, 2011 Compiled by Joycelyn Moody and Emily Broadwater, University of Texas at San Antonio CONTENTS Officers............................................................................................................................................2 The Hubbell Medal 2011…………...…………………................………………….…………....3 The Foerster Prize 2011………………………………..................……………….……………..5 Report from American Literature………………………………………………........…………....7 2012 MLA Convention Session......................................................................................................8 Lists from the Hubbell Center Chairs of the Section…………………………………………………………….…………...8 Executive Coordinators of the Section……………………………………...…...……...…...9 Winners of the Hubbell Medal…………………………………………….....……………...9 Winners of the Foerster Prize……………………………..……………........…………...…….....9 Upcoming MLA Conventions…………………………………………………………..……….11 1 American Literature Section Officers 2011 The executive coordinator and editor of American Literature are also members of the Advisory Council. Chair: Michael Moon, Emory U ALS-MLA Standing Committees Ex Officio:Elizabeth Maddock Dillon, Northeastern U Executive Coordinator: Joycelyn Moody, Nominating Committee: U of Texas, San Antonio Nancy Bentley, U of Pennsylvania, Chair Advisory Council Tina Chen, Pennsylvania State U Elected Members of the Council: Sheila Contreras, Michigan State U Priscilla Wald, Editor of American Literature Hubbell
    [Show full text]
  • Woman As a Category / New Woman Hybridity
    WiN: The EAAS Women’s Network Journal Issue 1 (2018) The Affective Aesthetics of Transnational Feminism Silvia Schultermandl, Katharina Gerund, and Anja Mrak ABSTRACT: This review essay offers a consideration of affect and aesthetics in transnational feminism writing. We first discuss the general marginalization of aesthetics in selected canonical texts of transnational feminist theory, seen mostly as the exclusion of texts that do not adhere to the established tenets of academic writing, as well as the lack of interest in the closer examination of the features of transnational feminist aesthetic and its political dimensions. In proposing a more comprehensive alternative, we draw on the current “re-turn towards aesthetics” and especially on Rita Felski’s work in this context. This approach works against a “hermeneutics of suspicion” in literary analyses and re-directs scholarly attention from the hidden messages and political contexts of a literary work to its aesthetic qualities and distinctly literary properties. While proponents of these movements are not necessarily interested in the political potential of their theories, scholars in transnational feminism like Samantha Pinto have shown the congruency of aesthetic and political interests in the study of literary texts. Extending Felski’s and Pinto’s respective projects into an approach to literary aesthetics more oriented toward transnational feminism on the one hand and less exclusively interested in formalist experimentation on the other, we propose the concept of affective aesthetics. It productively complicates recent theories of literary aesthetics and makes them applicable to a diverse range of texts. We exemplarily consider the affective dimensions of aesthetic strategies in works by Christina Sharpe, Sara Ahmed, bell hooks, and Chimamanda Ngozi Adichie, who promote the idea of feminism as an everyday practice through aesthetically rendered texts that foster a personal and intimate link between the writer, text, and the reader.
    [Show full text]
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • Building in Toni Morrison's Paradise1
    THE RELIGIOUS OVERTONES OF ETHNIC IDENTITY- BUILDING IN TONI MORRISON'S PARADISE1 Ana Mª Fraile Marcos Universidad de Salamanca This article approaches the study of Toni Morrison's latest novel, Paradise (1998), as an illustration of the process of (African) American identity-formation. The two communities that Morrison contraposes in the novel may be seen as representative of two different trends in America's construction of national identity: assimilation and homogenization, on the one hand, or interactive difference, on the other. Whereas Ruby emerges as a proud and paradisiacal African American town which gradually falls prey to its Manichean view of the world, the Convent is eventually presented as an alternative open community. Thus, Ruby functions as a mirror to American history. By adopting the American creeds and religious typology present in the Puritan origins of the United States, the community of Ruby reproduces the exclusionist, discriminatory, isolationist, hegemonic and violent character of American society as well as the tensions within it. The Convent, on the other hand, evolves towards the creation of a spiritual paradise based on the fluid hybridization of opposites. The issues of race and gender appear to be central to the construction of both communities, although it is religion, and particularly the adoption of the American jeremiad and the myth of the City upon a Hill, what provides the structural and thematic pattern for the novel. The following article attempts a close reading of Toni Morrison's Paradise (1998) based on the assumption that the novel offers a critique of the traditional American paradigm of nationhood and identity formation with roots in Puritanism.
    [Show full text]
  • Amanda J. Lucia, Ph.D
    Amanda J. Lucia, Ph.D. Associate Professor University of California-Riverside Riverside, California 92521 Email: [email protected] Phone: (773) 412-8436 Website: www.amandajeanlucia.com EMPLOYMENT 2015-present Associate Professor, Religious Studies, University of California-Riverside 2011-15 Assistant Professor, Religious Studies, University of California-Riverside 2010-11 Visiting Assistant Professor, Religious Studies, Austin College 2005-06 Visiting Lecturer, Hindi/Urdu, University of Illinois at Chicago 2004-05 Lecturer, Hindi, University of Chicago EDUCATION 2010 Ph.D., History of Religions, University of Chicago Divinity School Thesis: “Darshan in a Hotel Ballroom: Amritanandamayi Ma’s (Amma’s) Communities of Devotees in the United States” Committee: Wendy Doniger (Chair, History of Religions), Steven Collins (South Asian Languages and Civilizations), Omar McRoberts (Sociology) 2004 M.A., History of Religions, University of Chicago Divinity School 1998 B.A., Religious Studies, India Studies, Indiana University PUBLICATIONS (Prior to 4/2013, Amanda J. Huffer) Books Lucia, Amanda and Maya Warrier, co-editors. A Cultural History of Hinduism in the Age of Independence (1947 – 2017). Vol. VI of A Cultural History of Hinduism. London: Bloomsbury Press, in press. Lucia, Amanda. 2020. White Utopias: The Religious Exoticism of Transformational Festivals, Berkeley: University of California Press. Reviewed in: High Country News Featured in: Sacred Matters Magazine, Canopy Forum, UC Press blog, The Yogic Studies podcast, New Books in Indian Religions podcast, New Books in Religion podcast Dr. Amanda J. Lucia 1 Lucia, Amanda. Reflections of Amma: Devotees in a Global Embrace. New Delhi: Motilal Banarsidass, in press. Lucia, Amanda. 2014. Reflections of Amma: Devotees in a Global Embrace.
    [Show full text]
  • American Council of Learned Societies Annual Report 2004-2005
    AMERICAN COUNCIL OF LEARNED SOCIETIES Annual Report 2004–2005 ISSN 0065-7972 Annual Report 2004-2005 (October 1, 2004-September 30, 2005) copyright © 2006 American Council of Learned Societies American Council of Learned Societies Annual Report, 2004-2005 Contents Constituent Societies 1 Board of Directors 2 Investment Committee 2 Executive Committee of the Board 2 Associates of the ACLS 3 President’s Report 5 Current & Emerging Priorities 13 Liberal Arts Colleges & the Humanities 13 Report on Development 14 Individual Giving, 2004-2005 16 Fellowship Programs 21 ACLS Fellowship Program 21 ACLS/Social Science Research Council/ National Endowment for the Humanities International & Area Studies Fellowships 22 ACLS/New York Public Library Fellowships 22 Charles A. Ryskamp Research Fellowships 22 Frederick Burkhardt Residential Fellowships for Recently Tenured Scholars 23 ACLS Digital Innovation Fellowships 24 Henry Luce Foundation /ACLS Dissertation Fellowship Program in American Art 24 Contemplative Practice Fellowship Program 25 International Programs 26 ACLS Humanities Program in Belarus, Russia, & Ukraine 26 ACLS Committees on East European Studies & Language Training 27 New Perspectives on Chinese Culture and Society 28 Committee on Scholarly Communication with China 28 ACLS/Social Science Research Council International Program 29 Center for Educational Exchange with Vietnam 31 United States-Vietnam Liberal Arts Faculty Exchange Program 32 ACLS/SSRC Programs Administered by SSRC 33 Abe Fellowships 33 International Dissertation Field Research
    [Show full text]
  • Wendy Martin CV 2019-09.Pages
    Professor Wendy Martin Department of English The Claremont Graduate University Claremont, California 91711 Curriculum Vita Higher Education University of California, Berkeley 1958-62 B.A. English and American Literature, 1962 University of California, Davis 1962-68 Ph.D American Literature (Specialization in Early American Literature), 1968 Dissertation topic: “The Chevalier and the Charlatan: A Study of Hugh Henry Brackenridge's Modern Chivalry” Academic Positions University of California, Davis 1964-66 Teaching Assistant 1966-68 Teaching Associate Queens College, C.U.N.Y. 1968-76 Assistant Professor 1976-84 Associate Professor 1984-87 Professor Stanford University 1973-74 Visiting Associate Professor 1977 Visiting Associate Professor (Summer) (Taught a Faculty Seminar for the Lilly Faculty Renewal Program) University of North Carolina, 1981 (Spring) Visiting Associate Professor Chapel Hill University of California, Davis 1984-85 (Fall/ Visiting Professor Winter) University of California, 1985-87 Visiting Professor Los Angeles Claremont Graduate University 1987 (Spring) Visiting Professor 1987-present Professor 1988-1999; Chair, Department of English 2003-2010; 2018-2019; 2019 (Fall) 1996-1999 Chair, Faculty Executive Committee Wendy Martin Page !2 2005-2006 Director, Transdisciplinary Studies 2006-2008 Associate Provost and Director, Transdisciplinary Studies 2008-2013 Vice-Provost and Director, Transdisciplinary Studies 2010-2015 Director, Kingsley and Kate Tufts Poetry Awards Wendy Martin Page !3 Professional Activities Administrative Experience Coordinator of the American Studies Program, Queens College, 1972-76. Coordinator of the Women's Studies Program, Queens College, 1973-83. Chair, Department of English, Claremont Graduate University, 1988-99; Fall 2003-Spring 2010. Co-director, American Studies Program, Claremont Graduate University, 1988- . Director, Summer Institute for Young Professionals, 1991.
    [Show full text]
  • A Concise Companion to American Studies
    A Concise Companion to American Studies A Concise Companion to American Studies Edited by John Carlos Rowe A John Wiley & Sons, Ltd., Publication This edition first published 2010 © 2010 Blackwell Publishing Ltd except for editorial material and organization © 2010 John Carlos Rowe Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ , United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ , UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ , UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of John Carlos Rowe to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.
    [Show full text]
  • American Literature
    AMERICAN LITERATURE ASSOCIATION A Coalition of Societies Devoted to the Study of American Authors 17th Annual Conference on American Literature May 25-28, 2006 Hyatt Regency San Francisco in Embarcadero Center 5 Embarcadero Center San Francisco, CA 94111 415-788-1234 Conference Director Maria Karafilis California State University, Los Angeles American Literature Association I would like to thank the society representatives and all of the participants for their contributions to the conference. Special thanks also go to the following individuals at the California State University, Los Angeles for their support of the ALA: Jeanne Gee and Yolanda Galvan for their invaluable administrative assistance; Steven Jones and John Cleman, Chairs of the English Department; Carl M. Selkin, Dean of the College of Arts and Letters; and President James R. Rosser. Alfred Bendixen, Executive Director of the American Literature Association, wishes to express his appreciation to California State University, Los Angeles, and Texas A&M University for their support of the ALA. Best wishes for a successful conference and thank you for your support of the American Literature Association. Maria Karafilis Conference Director Please join us next year for the 18th Annual Conference May 24-27, 2007 Westin Copley Place 10 Huntington Avenue Boston, MA 02116 Details forthcoming on the ALA website www.americanliterature.org American Literature Association A Coalition of Societies Devoted to the Study of American Authors 17th Annual Conference on American Literature May
    [Show full text]