The Parthenon, December 4, 1970

Total Page:16

File Type:pdf, Size:1020Kb

The Parthenon, December 4, 1970 Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 12-4-1970 The Parthenon, December 4, 1970 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, December 4, 1970" (1970). The Parthenon. 1031. https://mds.marshall.edu/parthenon/1031 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Message from .vidims pQrents. • • EDITOR'S NOTE: is nothing and we are nothing. through Thee now and forever. and country for the troubled Due to the overwhelming in which you entrust authority, Anything that we are, have Grant them the blessing to times they had. the wisdom to administer with response to his letter in the been, or shall be, is because of accept Thy will as we have. Allow us always to look down Huntington paper, the father of strength, righteousness and a Thy goodness and blessing. Our Hold them close to Thy bosom, on Marshall and be proud to true concern and love of his Bob Harris, one of the 34 foot­ only purpose here on earth was dear God, so that they may have been a part of the Thun­ ball players who died in the fellow man. Make known to all, to serve Thee and earn heaven. know joy--not grief, as we an­ dering Herd. dear God, that heaven is not Nov. 14 crash, asked the Par­ We were here only because of swer Thy call. Make them Grant blessings to those we thenon to run the following going to be won by default. Thy will and shall never aware that our 20 years on earth leave behind, that they may see Heaven must be earned, all statement. He hopes that in this question Thee, but rather were lived to the fullest, and way he will be able to reach that apathy is the greatest must walk the way of the cross. humbly submit ourselves to Thy were filled with love, warmth danger of all. Give them the To carry one's own cross is not those parents and students just, holy and divine will. • and happiness. We enj~yed an strength to want to be involved. effected by the crash who he enough; one must reach out and You have called us to Thy inner peace that comes from Give them strength to show help shoulder the burden of all. was not able to provide with a home in heaven and we come knowing we were loved by those openly their faith and love of copy of his first letter. Dear God, keep lit the light -back home to Thee, our whom we loved. Thee, dear God. along the true path so that they heavenly father. We pray to Give the faculty, students and Guide them to love one may not ·stray to the path of The parents of Mark An­ Thee, dear Father, for those we alumni of Marshall the anoUier and their fellow man. least resistence and lose their drews, Bob Harris and Jack leave behind. Please bless them guidance to maintain the Enlighten all to the fact that to way. Guide them here with us so Repasy have asked me to give and give them the strength to traditions and principles that be loved--one must open his own that we may all be rejoined in this message to you. They are uphold and keep safe the things we held and cherished. Allow heart in true love. True love is the wholesome love of Thy sure that their sons would want we so dearly cherished while Marshall to always be strong, to strength--order and respect of countenence for all eternity. us to relay it to you: here on earth. produce men and women of one's fellow man. With Thee, dear God, there is Help our parents, brothers strength, wisdom, and ·Grant blessings to those The parents of faith--hope--love--eharity. and sisters and all those so dear leadership to safeguard the subject to authority to accept Mark, Bob and Jack Without Thee, dear God, there to know that we are with them principles of church and God Thy will, dear God. Bless those The Parthenon Friday Vol. 71 MARSHALL UNIVERSITY STUDENT NEWSPAPER No. 45 Dec. 4, 1970 Huntington, W.Va. Draft workshop set next week Representatives of ttie Mrs. Pat Jarrell, Huntington Columbus (Ohio) Draft Cou­ housewife, said she is very nseling Service will be at pleased with the response the Marshall Dec. 12 and 13 to cemmun:ty is making. She said conduct a workshop' for those that they come from "all Wjllks interested in the , new draft of life" . and have nothing in information center here. common except the desire to The Columbus Draft Project help in draft information. is a group from Columbus, Ohio, Mrs. Jarrell said the biggest who help train people in the problem facing the new project counseling of possible draftees. is a pla<;e to set up headquar­ Michael Gant, Huntington. ters. The meetings that have junior and student body taken place so far have been at president, said Student the Campus Christian Center. Government is helping with the But, she said that they would newly organized draft center like a place to meet at the here but the project is citywide. center of town. He said quite a few meetings The meeting of the Columbus have taken place and progress Draft Project will be at 724 4th is being made. Avenue at 12:30 p.m. both days. Sketc.hes offer a wide range Sketches for the Marshall terposed, some offer the idea of University art· memorial have an eternal flame and one is Paintings KAREN.PANCAKE, Chesapeake, Ohio, junior studies a painting in been submitted by the designed in the image of a mixed media by Leona Mackey. The painting is.on exhibit on the Department of Art to John football." on exhibit sixth floor of Smith Hall. Callebs, director of · develop- He added, "one of the sket- ment. ches is shaped like a large "M" Callebs said, "These are just with an eternal flame in the preliminary sketches. There center." Cinema Society to show has been no decision on which sketch will be selected. "We are very appreciative to Hopefully, a committee of the Department of Art for their students, faculty and alumni time and effort in getting these romantic comedy film will meet and select a suitable sketches for us. For the amount memorial, but at this time I of time they had, they did an "Hallelujah The Hills," a parodies practically .every film remm1scences. Unencumbered can't say exactly what will excellent job." romantic comedy, will be style from Griffith to Goddard. by plot, the film ridll! free and presented by the Marshall Director of photography is Ed billows into gaiety and fun. happen." A site for the memorial has Callebs said the sketches University Arts and Cinema Emshwiller and it. is produced It resorts to slow motion, fast not been determined as yet. Society at 8 p.m. Sunday in the by David C. Stone. motion and stop motion. The offer a wide range. "They range "There has been a great deal of from the traditional to the Evelyn Hollberg Smith Recital A Janus Films release, it screen continually changes size speculation, but nothing has Hall. stars Peter Beard, Shelia Finn, and shape. abstract. Some are heavily been officially released," he symbolic with numbP.rs in- added. Written and directed by Marty Greenbaum, Blanche Michael I. Cornfeld, in- Adolfas Mekas, the film Dee and· Peggy Steffans. structor in art and president of FilmedinSouthLondonderry, the arts and cinema society, Vermont, " Hallelujah The said, " I've never seen the movie fund drive nears $65/ 000 Hills" is about Vera. a lovely but it's supposed to be very WICHITA, Kan. AP - Con­ Fourth National Bank and Trust contributions had been girl, who for seven years has funny." tributions mailed to the Wichita Co., where the fund account is processed, totaling $44,560 or an been courted by two different · New York Times said of the State-Marshall Universities' held, said over 8,000 letters average of $7.83 per donation. ·m~m . Two rivals unite in • movie, "For this unpretentious Memorial Fund in response to •from "all over everywhere" Half of the contributions friendship as they try to forget exercise in low-budget cinema, the "Night of Stars" television have been received this week. received through the mail will their lost love. made by a group of newcomers benefit Saturday night were He said letters had come from be given to Marshall Univer- This far-fetched story is with little more than a camera. estimated Thursday at $65,000. as far off as Hawaii and Alaska. sity. merely kindligg to light the a few reels of film, and a lot of Asmann said Thursday's mail screen with wild cinematic imagination, it is the wildest Robeyo Asmann, vice Through Wednesday af­ contained 2,230 letters - which jokes and zany stunts in spirited and wittiest comedy of the president and controller of the ternoon, Asmann said 5,694 have not been processed. visions and nostalgic season." I / PAGE TWO THE PARTHENON DECEMBER 4. 1970 Good 5,000 pre~register in . fou.r-day rush 1ti. C> JP.JO. i Jntg More than 5,000 students of an regular registration Jan. 29.
Recommended publications
  • THE SCIENCE and ART DEPARTMENT 1853-1900 Thesis
    THE SCIENCEAND ART DEPARTMENT 1853-1900 Harry Butterworth Thesis submitted for the degree of Ph. D. Department of Education University of Sheffield Submitted July 1968 VOLUMELWO Part Two - Institutions and Instruments PART TWO INSTITUTIONS AND INSTRUMENTS CHAPTER SIX The development of facilities for the teaching of Science CHAPTER SEVEN The South Kensington Science complex CHAPTER EIGHT The development of facilities for the teaching of Art CHAPTER NINE The South Kensington Art complex CHAPTER TEN The Inspectors CHAPTER ELEVEN The Teachers CHAPTER TWELVE Students, Scholarships and Text-books. CHAPTER SIX THE DEVELOPMENT OF FACILITIES FOR THE TEACHING OF SCIENCE a) Schemes before 1859 i) The basic difficulties ii) A separate organizational scheme iii) A meagre response b) Provincial institutions in the early days i) Trade Schools ii) Mining Schools iii) Navigation Schools iv) Science Schools v) The arrangements for aid c) The Science subjects : general development i) Major divisions ii) A "newt' subject: Physiography iiz. 3 yS iii) Other "new" subjects: Agriculture and Hygiene iv) Relative importance of the "divisional' d) The machinery of payments on results in Science i) The general principles ii) Specific applications iii) The Departmental defence e) The organisation of the system of examining f) Abuses of the examinations system i) The question of "cram"" ii) The question of "security" g) The Science Subjects : "Pure" or "Applied"" ? i) Basic premises ii) Reasons for reluctance to aid "trade teaching" iii) criticisms of the "pure"
    [Show full text]
  • Traces Volume 4, Number 4 Kentucky Library Research Collections Western Kentucky University, [email protected]
    Western Kentucky University TopSCHOLAR® Traces, the Southern Central Kentucky, Barren Kentucky Library - Serials County Genealogical Newsletter 1-1977 Traces Volume 4, Number 4 Kentucky Library Research Collections Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/traces_bcgsn Part of the Genealogy Commons, Public History Commons, and the United States History Commons Recommended Citation Kentucky Library Research Collections, "Traces Volume 4, Number 4" (1977). Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter. Paper 63. https://digitalcommons.wku.edu/traces_bcgsn/63 This Newsletter is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SOUTH CENTRAL KENTUCKY HISTORICAL QUARTERLY VOL 4 GLASGOW. KENTUCKY^ JANUARY 3977 NO 4 CONTENTS PAGE DIARY OF LITTLEBERRY J HALEY, DD 80 OFFICERS AND MEN IN LORD DUNMORE'S WAR 84 CLINTON COUNTY KENTUCKY VITAL STATISTICS 1856-57-53 - 87 SMITHS GROVE, KENTUCKY CEMETERY RECORDS - 92 1976 MEMBERSHIP 96 NEWS - NOTES - NOTICES 100 LOCKE FAMILY ASSOCIATION 100 HAPPY 105TH BIRTHDAY LUCY A WARD lOl QUERIES 102 BOOKS ^ BOaCS - BOOKS - , . 1.05 Membership Dues $5.00 Per Calendar Year Includes Issues Published January - April - July - October. Members Joining Anytime During The Year Receive The Four Current Year Issues Only. Queries Are Free to Members. Dues Are Payable January. Back Issues As Long As Available Are $1.50 Each. SEND CHECK TO ADDRESS BELOW South Central Kentucky Historical and Genealogical Society, Inc.
    [Show full text]
  • 'To Use Our Talents and Improve Them' Women's Careers in the London Art World 1820—1860
    1 “To use our talents and improve them” Women’s careers in the London art world, 1820-1860 2 Declaration of authorship I, Johanna Holmes, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. All illustrations are reproduced with the kind permission of copyright holders. Signed:………… ……………….. Date:…………25 July 2020.……………………………….. 3 Abstract This study investigates women’s access to work opportunities, and management of their subsequent working careers, in the London art world between 1820 and 1860. As markets became more buoyant, in the 1820s, giving way to a tide of consumerism and mass production from the 1830s onward, the workplace associated with art diversified and grew, yielding new opportunities for training and work in illustration and reproduction, design of commodities, art-teaching and art- historical study to both men and women who, in many cases, also pursued careers as practising artists. Nevertheless, when Emily Mary Osborn’s painting ‘Nameless and Friendless’ was exhibited in 1857, it followed a tradition established in the early 1840s of presenting a demure young woman, clearly vulnerable and insecure in the commercial world, attempting unsuccessfully to earn some much-needed income from her paintings. The narrative of her ‘plight’ in seeking an income from an inadequate education has persisted to the present day, but it is argued here that this did not literally reflect the experience, either of the painting’s female creator, or of other women working in this and associated occupations at the time.
    [Show full text]
  • The Tjhivbrsitt Op Oklahom Graduate College
    THE TJHIVBRSITT OP OKLAHOM GRADUATE COLLEGE THE PRE-RAPHAELITES AHD THEIR CRITICS: A TENTATIVE APPROACH TOWARD THE AESTHETIC OP PRE-RAPHAELITISM A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OP PHILOSOPHY BY WILLIAM EVAN PREDEMAN Norman, Oklahoma _________ l â 5 6 __________ THE PEE-EAPHABLITBS AND THEIR CRITICS A TENTATIVE APPROACH TOWARD THE AESTHETIC OP PRE-RAPHAELITISM APPROVED BT Æ", ~hi. I DISSERTATION COMMITTEE PEBPAOE The purpose of this study is to exsimine the view­ points of a sufficient number of critics of the Pre- Eaphaelite Movement to arrive at a tentative definition and to place the movement in its proper historical per­ spective. The primary emphasis will be literary. But since ,the Pre-Raphaelite Movement began as a movement in painting and so expanded in its later phase that its influence spread to furniture making, interior decoration, tapestry and wall paper design, and book making and illustration, a completely literary study of the movement would be as inadequate as one dealing solely with the painting. Numerous studies have been made of the indi­ vidual Pre-Raphaelites and of the movement in general. Most of these, however, are devoted to relating biographi­ cal facts and to tracing the history of the movement. Critical studies of the aesthetic underlying the movement and motivating the individual members are few in number. Although Pre-Eaphaelitism is well documented, no universal agreement concerning the historical facts of the movement exists. Por this reason, the first part of the study is essentially historical, tracing the successive Phases through which Pre-Ranhaelitism progressed.
    [Show full text]
  • Converts to Rome
    C O N V E R T S T O R O M E . A L I S T O F A B O U T FO UR TH O US A N D PR OTE S TA N TS WH O HA V E R E CE N T LY BE C O M E R M A N A T H LI O C O CS . C OM PILE D BY R N G R M A N W. G D O O O , “ ’ O T W LA E DIT IO OM IT S E DIT R O F T H E O S T N S O F R E S R ECR U . S E C O N D E D I T I O JV . LO NDO N W . S W A N S O N N E N S C H E I N A N D C O . , PA T E RNO S TE R S QUA RE . 1 88 5 . PREFA CE T O T HE SE CON D E DIT ION . C O NSIDERING the reception which has been accorded to the “ of C R in new issue onverts to ome, and bearing mind the m of P 1 k it m k few co ments the ress, thin necessary to a e a observations on points which will interest my readers . As r D seve al reviewers , notably those connected with issenting O re I rgans , have been under the imp ssion that have been honoured by the assistance of the Premier in the compilation of k t f my wor , it will be as well to state tha the ollowing e M r G E of letter, writt n by .
    [Show full text]
  • Recovering Walter Howell Deverell: Image, Identity And
    Recovering Walter Howell Deverell: Image, Identity and Portraiture in Pre-Raphaelite Art Barbara Bryant Detail from Fig 2. Walter Howell Deverell. The Pet Parrot. c.1852-53. In 2015 the National Gallery of Victoria staged a two-day symposium to coincide with their exhibition Medieval Moderns: The Pre-Raphaelite Brotherhood. In my keynote lecture, “The People behind the Portraits in Australia’s Pre-Raphaelite Collections,” I examined the links between the image in the work of art and the actual individual portrayed, while also develop- ing the theme of the crossover between portraiture and subject painting in Pre-Raphaelite art.1 From the founding of the Brotherhood in 1848, this group of young British artists ignited new possibilities in all genres of art, not least portraiture. The formal portrait mutated into a more direct vision of a real person, while subject paintings gained new meanings as artists cast family and friends in new roles, bringing into question the wider issue of identity. I argue in this paper that Walter Howell Deverell’s The Pet Parrot (1853), a painting in the collection of the National Gallery of Victoria, exemplifies this aspect of Pre-Raphaelite art.2 1 I am most grateful to Alison Inglis whose invitation to speak at the Symposium provided the opportunity for the research contained in this article. In addition, at the National Gallery of Victoria (NGV), I would like to thank Ted Gott, Senior Curator of International Art, who helpfully arranged for me to study the files in the department of paintings at the NGV and Vivien Gaston for facilitating this research.
    [Show full text]
  • Art and Science in Depicting Nature: Building a Botanical Iconography Through Drawing and Photography
    Art and science in depicting nature: building a botanical iconography through drawing and photography Sandra Maria Ribeiro Santos Tese de Doutoramento em História da Arte, especialidade em Museologia e Património Artístico janeiro 2019 Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em História da Arte, especialidade em Museologia e Património Artístico, realizada sob a orientação científica da Professora Doutora Sandra Leandro, e coorientação da Professora Doutora Raquel Henriques da Silva, do Dr. Pedro Salgado, e do Professor Rob Kesseler. Apoio financeiro da Fundação para a Ciência e a Tecnologia (FCT), através de Bolsa de Doutoramento com a referência SFRH/BD/100159/2014. To my grandparents, my parents and my sister for their love and care since always ACKNOWLEDGEMENTS The moment of writing the acknowledgments is one of the most meaningful in a hardworking and long process such as this one. And it is wonderful to realize that time and space are too limited to express my thank you to so many people who, in many different ways, have supported and cared for me. To my supervisor, Professor Doctor Sandra Leandro, who always believed in me and whose encouragement and insight were precious throughout these years. Sometimes, I feel that people come into our lives for special reasons, this is the case. I am very happy to know that I have gained a friend. To my co-supervisors: Professor Doctor Raquel Henriques da Silva, for the belief, the encouragement and all her efforts to help me keep my feet on the ground, they were essential for the learning that comes from this journey; Professor Rob Kesseler, for being always available and willing to help in any way he could, for sharing his passions and inspiring his work with art and botany, always with kind and encouraging words; Dr.
    [Show full text]
  • American Images of Childhood in an Age of Educational and Social
    AMERICAN IMAGES OF CHILDHOOD IN AN AGE OF EDUCATIONAL AND SOCIAL REFORM, 1870-1915 By AMBER C. STITT Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May 2013 2 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Amber C. Stitt, candidate for the PhD degree*. _________________Henry Adams________________ (chair of the committee) _________________Jenifer Neils_________________ _________________Gary Sampson_________________ _________________Renée Sentilles_________________ Date: March 8, 2013 *We also certify that written approval has been obtained for any proprietary material contained therein. 3 Table of Contents: List of Figures 11. Acknowledgments 38. Abstract 41. Introduction 43. Chapter I 90. Nineteenth-Century Children’s Social Reform 86. The Cruel Precedent. 88. The Cultural Trope of the “Bad Boy” 92. Revelations in Nineteenth-Century Childhood Pedagogy 97. Kindergarten 90. Friedrich Froebel 91. Froebel’s American Champions 93. Reflections of New Pedagogy in Children’s Literature 104. Thomas Bailey Aldrich 104. Mark Twain 107. The Role of Gender in Children’s Literature 110. Conclusions 114. Chapter II 117. Nineteenth-Century American Genre Painters 118. Predecessors 118. Early Themes of American Childhood 120. The Theme of Family Affection 121. 4 The Theme of the Stages of Life 128. Genre Painting 131. George Caleb Bingham 131. William Sidney Mount 137. The Predecessors: A Summary 144. The Innovators: Painters of the “Bad Boy” 145. Eastman Johnson 146. Background 147. Johnson’s Early Images of Children 151. The Iconic Work: Boy Rebellion 160. Johnson: Conclusions 165. Winslow Homer 166. Background 166.
    [Show full text]
  • STAINED GLASSWORLDS: STAINED GLASS at the INTERNATIONAL EXHIBITIONS 1851-1900 JASMINE M. ALLEN TWO VOLUMES VOLUME I Phd the UNIV
    STAINED GLASSWORLDS: STAINED GLASS AT THE INTERNATIONAL EXHIBITIONS 1851-1900 JASMINE M. ALLEN TWO VOLUMES VOLUME I PhD THE UNIVERSITY OF YORK HISTORY OF ART MARCH 2013 ABSTRACT Studies of nineteenth-century stained glass are sparse, and tend to focus on the medium in its ecclesiastical and architectural settings. This thesis broadens such approaches by placing stained glass in its wider cultural, political, economic and global contexts by considering its display at ten international exhibitions held in England, France, the USA and Australia between 1851 and 1900. These temporary exhibitions provide a unique vantage point from which to survey the perception, practice, and status of stained glass during the peak of the medium’s revival. Drawing on contemporaneous written and visual sources, as well as recent studies of nineteenth-century culture, this study explores the extent to which the international displays of stained glass at these exhibitions shaped and developed the appreciation, application, understanding and permeation of stained glass throughout the nineteenth-century. This thesis demonstrates how the classification and various modes of displaying stained glass impacted future perceptions and displays of the medium. It considers the ways in which stained glass was part of a broader culture of spectacle in this period. It identifies those who made and exhibited stained glass for display at the international exhibitions, revealing their motives for participating and additional roles as reviewers and judges of exhibits. This project reveals, for the first time, the significance of the international exhibitions in the history of stained glass. It draws on nineteenth-century critical reviews, visual records and exhibits (both extant and non-extant) and offers close readings of specific stained glass exhibits, which are analysed in relation to stylistic developments, and to medieval and modern glazing techniques.
    [Show full text]
  • WRAP THESIS Martin 2013.Pdf
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/63776 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Queen Victoria, Prince Albert and the Patronage of Contemporary Sculpture in Victorian Britain 1837-1901 Two Volumes: Volume 1 Eoin Martin A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Warwick, Department of History of Art December 2013 Table of Contents Abstract 3 Abbreviations 4 Acknowledgements 5 Declaration 6 List of Illustrations 7 Introduction 27 1. Victoria, Albert and Sculpture in the New Houses of Parliament 59 2. Sculpture in the Royal Residences, 1840-1861 121 3. Victoria and the Memorialisation of Albert, 1861-1874 185 4. Victoria’s Patronage of Sculpture, 1870-1901 246 Conclusion: Victorian Sculpture at the Edwardian Garden Party 303 Bibliography 1. Unpublished Primary Sources 310 2. Published Primary Sources 311 3. Published Secondary Sources 323 4. Unpublished Secondary Sources 355 2 Abstract Queen Victoria (1819-1901) and Prince Albert (1819-1861) have long loomed large in Victorian sculpture studies. Numerous scholars have examined the public statues of Victoria and Albert that were erected throughout the United Kingdom and across the British Empire between the 1840s and the 1920s. Yet, to date, the couple’s own patronage of sculpture has been largely overlooked.
    [Show full text]
  • Converts to Rome During the Xixth Century
    CONVERTS TO ROME A LIST OF ABOUT FOUR THOUSAND PROTESTANTS WHO HAVE RECENTLY BECOME KOMAN CATHOLICS. COMPILED BY W. GORDON GORMAN, EDITOR OF THE TWO LAST EDITIONS OF "ROME'S RECRUITS." SECOND im^mT^^^mll EDITION. LONDON : AY. SWAN SONNENSCHEIN AND CO., PATERNOSTER SQUARE. 1885. PREFACE TO THE SECOND EDITION. the CONSIDERING the reception which has been accorded to " new issue of Converts to Eome," and bearing in mind the comments of the Press, 1 think it necessary to make a few observations on points which will interest my readers. As several reviewers, notably those connected with Dissenting Organs, have been under the impression that I have been honoured by the assistance of the Premier in the compilation of my work, it will be as well to state that the following of the letter, written by Mr. Gladstone to the late Editor Whitehall Review, has been the sole cause why the right honourable gentleman's name appears in my preface : "Hawarden, Oct. 11, 1878. " DP;AR SIR, " I thank you for sending me the Whitehall Review with the various lists of secessions to the Koman Church. I am glad they have been collected, and I am further glad to hear they are to be published in the form of a pamphlet. For good, according to some, or for evil, according to others, they form as a group an event of much interest and significance. "It would very greatly add to the value of the coming pamphlet, if an approximate statement of dates could be made part of it. To give the year in each case would probably be difficult it difficult to decades 1 very ; but would be give Say IV PKEFACE TO THE SECOND EDITION.
    [Show full text]
  • The Arts & Crafts Movement
    • Arts & Crafts was not based on a particular style but upon ‘sweetness, simplicity, freedom’ and beauty. Although the inspiration for Arts & Crafts was based on the ideas of John Ruskin (1819-1900) it was William Morris (1834-1896) who exerted the most powerful influence. • The principal aim of the Movement was to escape from the harshness of industrialization. Arts and Crafts was a reaction against poor design and the poor design of British manufactured goods had been recognised as far back as 1831 when the Government appointed a commission to find a solution. • Contradiction at heart of Arts and Crafts Movement in England, hand-made is expensive and so only for the wealthy. • The more obvious this contradiction became the stronger Morris’s Socialism grew. • In America there was no contradiction and the Arts and Crafts Movement was a marketing style used by companies who used industrial techniques. • It established itself in Scandinavia, Germany and Austria, but not France which had Art Nouveau. • Arthur Mackmurdo's book-cover for Wren's City Churches (1883), with its rhythmic floral patterns, is often considered the first realisation of Art Nouveau. • About the same time, the flat perspective and strong colours of Japanese wood block prints, especially those of Katsushika Hokusai, had a strong effect on the formulation of Art Nouveau • I would like to start with design in England before the Arts and Crafts Movement as it shows a strong continuity that is often ignored. 1 • In 1835 falling financial results for British exports caused concern about British design. The monopoly of the Royal Academy was thought to be the cause.
    [Show full text]