2019-2020 [Pdf]

Total Page:16

File Type:pdf, Size:1020Kb

2019-2020 [Pdf] Cambridge University Libraries annual report 2019–2020 annual report 2019–2020 1 527,000 VIEWS OF 220 LIBGUIDES IN THE ACADEMIC YEAR 2019–2020 80,500 VIEWS OF CAMGUIDES CAMBRIDGE UNIVERSITY LIBRARY COLLECTIONS REPRESENT AN “ INVALUABLE CONTRIBUTION TO WORLD HERITAGE SPANNING FOUR THOUSAND YEARS OF HUMAN THOUGHT.” DR JESSICA GARDNER, Cambridge University Librarian Cover and back cover shot by Alice the Camera 2 CAMBRIDGE UNIVERISTY LIBRARIES CONTENTS Cambridge University Librarian 4 DR JESSICA GARDNER One million and counting 5 ELY’S ‘CATHEDRAL OF BOOKS’ HITS LANDMARK FIGURE The Rising Tide: Women at Cambridge 6 RECORD-BREAKING EXHIBITION CELEBRATES THE INCALCULABLE IMPACT OF WOMEN AT CAMBRIDGE OVER CENTURIES Outstanding international importance 8 CAMBRIDGE UNIVERSITY LIBRARY’S SPECIAL COLLECTIONS RECOGNISED WITH ARTS COUNCIL ENGLAND DESIGNATION Cambridge Digital Library 10 HIDDEN GEMS OF THE CAMBRIDGE DIGITAL LIBRARY Collecting COVID-19 12 CAMBRIDGE UNIVERSITY LIBRARY APPEALS FOR HELP IN BUILDING A COLLABORATIVE HISTORY OF THE CORONAVIRUS OUTBREAK Digital Mycenae 14 EXPLORE THE ANCIENT GREEK CITY OF MYCENAE IN A NEWLY RELEASED DIGITAL ARCHIVE Archive Management System 16 A NEW ARCHIVE MANAGEMENT SYSTEM FOR CAMBRIDGE 18 PUBLIC PROGRAMMES 20 FUNDRAISING & PHILANTHROPY 22 FINANCE annual report 2019–2020 3 Cambridge University Librarian DR JESSICA GARDNER One brief but emotional experience from last year heralded, for me, the time our world changed to the one we’ve come to know only too well. It was heartbreaking to have to close our libraries for the first UK lockdown, and anyone who heard my Tannoy announcement marking that closure in March 2020 will perhaps have understood why I had a tear in my eye making that address to our wonderful readers and staff. We thought we would close for a few weeks, but that moment heralded a time of disruption unprecedented in peacetime. Yet the coming of the pandemic also revealed a spirit of togetherness and an insistence that we would not be beaten in our community of libraries and readers. As we all discovered during 2020, our reliance on technology and the digital world has never been greater. Just as we have worked to recover our physical services, so have we grown our library offer online. In our latest Annual Report, many of the stories featured celebrate the amazing digital collections of Cambridge University Library, which we, as one of the world’s great libraries and research collections, make available to a global audience. While booklovers like me (and, I suspect, you) will never lose affection for our stacks, reading rooms, And as these pages show, there has also been much and of course the books themselves, access to digital to celebrate away from our collective response to collections across the libraries network at Cambridge the pandemic. University proved to be vital during the Covid-19 pandemic and lockdowns. In the period this Annual Report covers, we have seen the one millionth book deposited in our Ely store; the UL’s But we have triumphed through adversity, keeping Special Collections recognized as being of ‘outstanding our libraries open online and responding to both the international importance’; and we celebrated the impact University’s and society’s need to facilitate teaching, and legacy of Women at Cambridge over centuries. learning and research - and proved to anyone who ever doubted it that library workers are essential I could not be more proud of the creativity, hard work workers, too. and indomitable spirit I have witnessed among libraries staff across not just Cambridge, but the UK and beyond. To everyone who has lived and breathed this work, I say It was nothing short of inspiring, as we rallied to find new a simple yet profound thank you. To our readers and and ingenious ways of delivering both digital, and then supporters, I say thank you, too, for all your support physical, resources back into the hands of those who and care. Working and acting as a community has never needed them. This Annual Report is dedicated to them, been so important. with my warmth and thanks. I COULD NOT BE MORE PROUD OF THE CREATIVITY, HARD “ WORK AND INDOMITABLE SPIRIT I HAVE WITNESSED AMONG LIBRARIES STAFF ACROSS NOT JUST CAMBRIDGE, BUT THE UK AND BEYOND.” DR JESSICA GARDNER, Cambridge University Librarian 4 CAMBRIDGE UNIVERISTY LIBRARIES One million and counting ELY’S ‘CATHEDRAL OF BOOKS’ HITS LANDMARK FIGURE A children’s book by Girton College graduate Sandi Toksvig became the one millionth book to take its place in Cambridge University Library’s Ely storage facility, 18 months after The Hitchhiker’s Guide to the Galaxy – written by fellow Cambridge alumnus Douglas Adams – became the first book placed in the facility. pRobin James, Head of Since opening in May 2018, the Library Storage Collections Logistics and Services, photographed Facility (LSF) has quickly become a critical element in by Nick Saffell the day-to-day running of the Cambridge University Libraries service, housing more than a million books, journals as well as copies of the Yellow Pages and its vast 17-storey tower and, despite electronic legal telephone directories. deposit being introduced in 2013, the Library was nearly at capacity. Built to store up to five million items, the self-regulating facility has a capacity equal to 18 Olympic-sized While most of the items in the LSF are Legal Deposit swimming pools with shelving that measures 65 miles – titles, Robin James, Head of Collection Logistics and the distance from Cambridge to London. The facility is Services, notes that part of the project was to help now around 25% full. relocate collections from Faculty and Department libraries with a shortage of space, and support Toksvig’s Guide to France joined a wide variety of University building projects that required the material already transported to Ely, from the Harry Potter downsizing of a library. novels to US History for Dummies to the Puffin Book of Nursery Rhymes. With valuable space in the library stacks slowly becoming available, the aim is to make the collections The £17m LSF was built to house low-usage material housed at the Library more accessible whilst allowing and currently receives between 7,000 – 10,000 items academic and other significant collections the space to for storage a week. Since 1710, the University Library grow. The project also plans to remove temporary cases has been one of six libraries entitled to receive material that have been added over the years to restore the published in the UK and Ireland. In the past, this architectural integrity and aesthetics of the 1934 Giles material has been shelved around the Library, including Gilbert Scott building. annual report 2019–2020 5 The Rising Tide: Women at Cambridge tBehave badly badge #WOMENATCAMBRIDGE The impact of women at Cambridge is incalculable. From brilliant scholarship and notable firsts, to activism and disruptive thinking, Cambridge’s women have shaped the University of Cambridge – just as muCh as it has shaped them. Cambridge University Library shared the unique stories of women who have studied, taught, worked and lived at the University in a free exhibition The Rising Tide: Women at Cambridge, which ran from October 14, 2019 – March 2020. Curated by Dr Lucy Delap and Dr Ben Griffin, The Rising “It was still not until 1948 that Cambridge began Tide focused on the lived experiences of women at to offer degrees to women – the last of the big the University, the ongoing fight for equal educational institutions in the UK to do so. rights, recognition, and inclusion in university activities, and the careers of some of the women who shaped the “Through The Rising Tide we hoped to illustrate institution – from leading academics to extraordinary an all-encompassing picture of the incredible fight domestic staff and influential fellows’ wives. for gender equality within the University, while portraying the fascinating journeys of some of the The exhibition showcased the history of women at the militant, cussed and determined women of our University, the persistent marginalisation they were institution too.” subject to, and the ongoing campaigns for gender justice and change since the establishment of Girton DR LUCY DELAP College in Cambridge in 1869, the first residential Reader in Modern British and Gender History, university establishment for women in the UK. and Fellow of Murray Edwards College Visitors explored rarely-seen collections from across the University and colleges. Through a mix of costume, letters and audio-visual material, little-known stories of individual women were brought to life. q Confetti used at an As another major strand of the Women at Cambridge 1897 demonstration, Cambridge University celebrations, more than two dozen portraits of (MS Doc.812) extraordinary women who have influenced the history of the University of Cambridge lined the walls of the University Library’s historic North and South Galleries. “Though Girton College was established especially to give women the opportunity to study at the University, there were still many barriers that women faced – the first female students were required to ask permission to attend lectures, were not allowed to take exams without special permission, and usually had to be accompanied by chaperones in public until after the First World War. 6 CAMBRIDGE UNIVERISTY LIBRARIES 1869: EMILY DAVIES ESTABLISHES GIRTON COLLEGE. IT WAS THE FIRST WOMEN’S COLLEGE AT CAMBRIDGE, AND THE FIRST IN BRITAIN TO OFFER RESIDENTIAL HIGHER EDUCATION FOR WOMEN. 1897: A VOTE ON WOMEN GETTING DEGREES TURNS INTO A RIOT AT CAMBRIDGE UNIVERSITY 1948: THE FIRST FEMALE RECIPIENT OF A CAMBRIDGE DEGREE WAS THE QUEEN MOTHER, WHO RECEIVED AN HONORARY DEGREE Today: FOR MORE THAN 150 YEARS, FEMALE RESEARCHERS, ACADEMICS AND STUDENTS AT CAMBRIDGE UNIVERSITY HAVE BEEN CHANGING THE WORLD AROUND US VERY MOVING pPoster, 1897 “ EXHIBITION AND BRILLIANTLY 53,507PEOPLE EXECUTED.” VISITED THE EXHIBITION EXHIBITION VISITOR uMemorial for the admission of women to examinations and degrees sent by W.S.
Recommended publications
  • Annual Report 2016 / 17
    Annual Report 2016 / 17 BMT_Annual Report 16/17.indd 1 03/11/2017 10:39 Reflecting Birmingham to the World, & the World to Birmingham Registered Charity Number: 1147014 Cover image © 2016 Christie’s Images Limited. Image p.24 © Vanley Burke. BMT_Annual Report 16/17.indd 2 03/11/2017 10:39 02 – 03 Birmingham Museums Trust is an independent CONTENTS educational charity formed in 2012. 04 CHAIR’S FOREWORD It cares for Birmingham’s internationally important collection of over 800,000 objects 05 DIRECTOR’S INTRODUCTION which are stored and displayed in nine unique venues including six Listed Buildings and one 06 OUR ACHIEVEMENTS Scheduled Ancient Monument. 08 AUDIENCES Birmingham Museums Trust is a company limited by guarantee. 12 SUPPORTERS 14 VENUES 15 Birmingham Museum & Art Gallery 16 Aston Hall 17 Blakesley Hall 18 Museum of the Jewellery Quarter 19 Sarehole Mill 20 Soho House 21 Thinktank Science Museum 22 Museum Collection Centre 23 Weoley Castle 24 COLLECTIONS 26 CURATORIAL 28 MAKING IT HAPPEN 30 TRADING 31 DEVELOPMENT 32 FINANCES 35 BOARD OF TRUSTEES 36 TALKS AND LECTURES BMT_Annual Report 16/17.indd 3 03/11/2017 10:39 Chair’s foreword Visitor numbers exceeded one million for the It is with pleasure that third year running, and younger and more diverse audiences visited our nine museums. Birmingham I present the 2016/17 Museum & Art Gallery was the 88th most visited art museum in the world. We won seven awards annual report for and attracted more school children to our venues Birmingham Museums than we have for five years. A Wellcome Trust funded outreach project enabled Trust.
    [Show full text]
  • Download This PDF File
    Leah Tether and Laura Chuhan Campbell Early Book Collections and Modern Audiences: Harnessing the Identity/ies of Book Collections as Collective Resources This article summarizes and contextualizes the discussions of a workshop held at Durham University in November 2018. In this workshop, participants (includ- ing academics, students, independent scholars, special and rare books librarians, and archivists) discussed the notion of the collection (that is, the identity of collection as a whole, rather than just its constituent parts), and its potential to serve as a means of engaging both scholarly and public audiences with early book cultures. This study sets out a series of considerations and questions that might be used when tackling such special collections engagement projects, including ones involving more modern collections than the case studies examined here. In November 2018, the Institute for Medieval and Early Modern Studies at Durham University kindly funded a workshop to investigate the ways in which contemporary audiences have been, are being, and can become engaged with medieval and early- modern book culture through the provision and distribution of key resources. These resources range from published books to digital artefacts and editions; from replica teaching kits—such as scriptorium suitcases—to physical archives and repositories.1 The aim of the workshop, which was led by one of this article’s two authors (Leah Tether), was to build a picture of best practice to inform the teaching and commu- 1. The authors are grateful to Durham’s Institute for Medieval and Early Modern Studies for fund- ing the workshop, and to the administrators of the Residential Research Library Fellowships (jointly organized by Ushaw College and Durham University) that enabled Leah Tether to spend time in Durham in November 2018.
    [Show full text]
  • Zenobia Kozak Phd Thesis
    =><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums
    [Show full text]
  • Designation Panel
    Designation Panel Dr Stella Butler (Chair) University Librarian and Keeper of the Brotherton Collection, University of Leeds Dr Stella Butler joined the University of Leeds in 2011 as University Librarian and Keeper of the Brotherton Collection. The Brotherton Library with its iconic round reading room dates from 1936 and houses distinguished collections of archives, rare books and manuscripts, five of which are Designated. Stella was Head of Special Collections and latterly Deputy University Librarian at the University of Manchester between 2000 and 2011 and was responsible between 2003 and 2007 for the £17M refurbishment and re-development of the magnificent John Rylands Library. She was Chair of the Board of Directors of Research Libraries UK from 2013 to 2015. She chairs the Academic Advisory Board of the UK Medical Heritage Library, a Jisc-Wellcome Trust funded project. She is a trustee of Seven Stories, the UK’s national centre for children’s books and chairs the management committee of Chetham’s Library in Manchester, the oldest public library in the English-speaking world. Stella has published widely on the history of medicine and science and on issues relating to libraries and museums. Dr Caroline Campbell Director of Collections and Research at the National Gallery Formerly The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 Earlier in her career, Caroline held curatorial positions at The Courtauld Gallery, London (where she was Curator of Paintings from 2005-12); the National Gallery and the Ashmolean Museum, Oxford. Born in Belfast, Caroline was educated at University College, Oxford, and the Courtauld Institute of Art, London, and is a former fellow of the Center for Curatorial Leadership, New York.
    [Show full text]
  • News Update for London's Museums
    @LondonMusDev E-update for London’s Museums – 10 June 2021 Museum Development London Recovery grants programme (£32k) supported by The Art Fund This programme, supported by The Art Fund, is designed to help museums to analyse and assess their current position and to identify priorities for activity to support post Covid recovery through a short, facilitated self-assessment process. Further to self-assessment and analysis 8 grants of up to £4000 will be available to successful participants. Further information and access to full guidance and application documents can be found here. Deadline for applications to the programme 05 July 2021. Museum Estate and Development Fund (MEND) The MEND grants scheme is an open-access capital fund targeted at non-national Accredited museums and local authorities based in England. Details of How to Apply are available on the ACE website. Closing date for applications: 05 July. As outlined in the ‘roadmap’ for England to move out of lockdown, museums are now able to open. The government has published the ‘COVID-19 Response - Spring 2021’ document, which outlines the plan in more detail. The move out of lockdown is reliant on four conditions which must be met before moving on a step – so these dates should be used as guides for the time being. Government has recently announced the Restart Grant scheme which supports businesses in the non-essential retail, hospitality, leisure, personal care and accommodation sectors with a one-off grant, to reopen safely as COVID-19 restrictions are lifted. The grants are available now through your local authorities and consist of either up to £6,000 in the non-essential retail sector (likely to reopen on 12th April) or up to £18,000 in the hospitality, museums, accommodation, leisure, personal care and gym sectors.
    [Show full text]
  • Pearls and Wisdom
    Pearls and wisdom Arts Council England’s vision for the Designation Scheme for collections of national significance 2 Contents Foreword 5 The development of the Scheme so far 7 Arts Council England’s vision for the future of Designation 10 Case studies Beamish, The Living Museum of the North 14 Library of Birmingham 16 Derby Museums Trust 18 Hull Museums 20 Norfolk Museums Services 22 Oxford University Museums 24 The Tank Museum 26 The Wellcome Library 28 The Wordsworth Trust 30 English Folk Dance and Song Society 32 Designated Collections by Area 34 3 Front cover: Astrolabe for Shah Abbas II, by Muhammad Muqim al-Yazdi, Persian, 1647/8. Credit: Museum of the History of Science, University of Oxford Inside cover: ‘The Co-op flag that covers the world’ Credit: National Co-operative Archive Below: Coronet worn by Princess Patricia to King Edward VII’s coronation in 1902 Credit: Historic Royal Palaces 4 Such collections, often shaped by Foreword strong characters and enduring enthusiasms, merge disciplines, crossing art and science in fascinating ways; they tell gripping stories, help us to understand our past, and suggest how our future might be different. These vital collections are located in rural and urban centres across the country, from Cornwall to Suffolk, from the South Coast to Cumbria. The Designation Scheme exists to recognise cultural collections of The Arts Council invests its funds and outstanding richness and resonance resources according to the objectives – collections that help deepen our set out in its 10-year strategy, Great art understanding of the world, and and culture for everyone.
    [Show full text]
  • Midlands Innovation University Collections Group Project Report
    Midlands Innovation: Supporting our Universities’ Collections Table of Contents Summary Sheet ............................................................................................................................................... 2 1. Introduction ............................................................................................................................................ 3 2. Methods ................................................................................................................................................. 3 Desk research ......................................................................................................................................... 3 Online survey .......................................................................................................................................... 3 One-to-one conversations ...................................................................................................................... 4 3. Characterising collections-based activity across the MI consortium ..................................................... 4 Collections content and status ................................................................................................................... 4 Programming for public and university audiences ..................................................................................... 7 Research Impact and Engagement ............................................................................................................
    [Show full text]
  • Government Indemnity Scheme Guidelines for Non-National Institutions
    Government Indemnity Scheme Guidelines for non-national institutions Arts Council England January 2016 Non-national institutions are those institutions or bodies which are not wholly or mainly Exchequer-funded. They may be defined as those institutions or bodies falling within section 16 of the National Heritage Act 1980 set out in paragraph 2.1 of these guidelines. These non-national institutions and bodies include local authority-funded museums, galleries, libraries and other similar institutions and bodies; university museums and collections; National Trust properties; and local museums, galleries and other similar bodies which are governed by a charitable trust or society. Many of these bodies are listed in the Museums Yearbook (published by the Museums Association). If a non-national borrower wishes to check whether it is eligible under the Act it should contact the manager of the Government Indemnity Scheme at Arts Council England. Arts Council England 21 Bloomsbury Street London WC1 B3HF The Arts Council of England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. It supports a range of activities across the arts, museums and libraries – from theatre to digital art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. The Arts Council is a Non-Departmental Public Body sponsored by the Department for Digital, Culture, Media and Sport.
    [Show full text]
  • News Update for London's Museums
    @LondonMusDev E-update for London’s Museums – 27 May 2021 Museum Estate and Development Fund (MEND) The MEND grants scheme is an open-access capital fund targeted at non-national Accredited museums and local authorities based in England. Details of How to Apply are available on the ACE website. The scheme opens for expressions of interest from 01 June 2021. A webinar has been set up on 7th June for anyone considering an application, via Eventbrite. Closing date for applications: 05 July. As outlined in the ‘roadmap’ for England to move out of lockdown, museums are now able to open. The government has published the ‘COVID-19 Response - Spring 2021’ document, which outlines the plan in more detail. The move out of lockdown is reliant on four conditions which must be met before moving on a step – so these dates should be used as guides for the time being. Government has recently announced the Restart Grant scheme which supports businesses in the non-essential retail, hospitality, leisure, personal care and accommodation sectors with a one-off grant, to reopen safely as COVID-19 restrictions are lifted. The grants are available now through your local authorities and consist of either up to £6,000 in the non-essential retail sector (likely to reopen on 12th April) or up to £18,000 in the hospitality, museums, accommodation, leisure, personal care and gym sectors. You can find out more on the Gov.uk website and by contacting your local authority. The Government has updated regulations around the information that re- opened organisations must collect for Test and Trace.
    [Show full text]
  • Download (1629Kb)
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Nobuko Kawashima Article Title: Museum Mangagement in a Time of Change: impacts of cultural policy on museums in Britain, 1979-1997 Year of publication: 1997 Link to published article: http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/publications/centrepub s/ Publisher statement: None RESE PAPERS Centre for Cultural Policy Studies University of Warwick Research Papers No 3 Series Editors: Oliver Bennett and Jeremy Ahearne ARCH Museum Management in a Time of Change: impacts of cultural policy on museums in Britain 1979–1997 Nobuko Kawashima Research Fellow 1997 Centre for Cultural Policy Studies CONTENTS List of Abbreviations.................................................................................................................................i Notes........................................................................................................................................................iii Definitions.......................................................................................................................................iii
    [Show full text]
  • National Historic Shipsuk
    REVIEW 2012 - 2013 CALENDAR 2014 National Historic Ships UK Foreword Last year we incorporated the annual review approach before. Given these positive into our calendar which enabled us to comments, I am pleased to say that we have circulate copies much more widely than in adopted this format for the foreseeable Martyn Heighton the past. We received many plaudits for this future, and I hope that this review and experiment, with respondents observing calendar gives as much pleasure and gets Director & Chair of Council that they had not seen such an imaginative to adorn even more walls than last year. National Historic Ships UK Front cover: Photo Competition Category A – Photo Competition Category B – Entry: Photo Competition Category C – Entry: Photo Competition Category B – Entry: Shortlisted Entry: I am going to get wet, Inspecting the port propeller, by Stephen Page. Deadeye, by Stephen Coley. Ship’s Telegraph System, Coronia, Scarborough, by Robert Skuse. by William Danby. 1. Introduction he Advisory Committee on National • To provide leadership, strategic vision across on secondment since April 2013 assisting in John Kearon: Historic Vessel Conservation Expert THistoric Ships (National Historic Ships) the UK historic ships’ communities and wider developing a project on the First World War David Newberry: Former Captain of HMS Warrior was set up in 2006 as an Advisory Non- maritime sectors by acting as the official voice for funded by HLF. David Ralph: Maritime & Coastguard Agency Departmental Public Body (NDPB) following historic vessels through proactive engagement John Robinson: Maritime Heritage Trust two reports from the House of Commons Select with the sector, the UK government, the Alan Watson: Medusa Trust Committee for Culture, Media and Sport on Devolved Administrations, public and private COUNCIL OF EXPERTS Stuart Wilkinson: Transport Trust the needs of historic vessels in the UK.
    [Show full text]
  • Tim Knox News Release FINAL
    News Release from the University of Cambridge Embargoed until 00.01 hrs Friday 7 December 2012 New Director appointed for the Fitzwilliam Museum The University of Cambridge has appointed a new Director to succeed Timothy Potts at the Fitzwilliam Museum. Tim Knox is currently Director of the Sir John Soane’s Museum in London where he has been since 2005. During his time there he masterminded the restoration of the two houses, Nos. 12 and 14 Lincoln’s Inn Fields, which flank Soane’s original Museum at No. 13. The ambitious OUTS (Opening up the Soane) project, which has involved raising over £7 million, is now fully planned and financed, and ready to move into its second phase, the first having provided a new exhibition gallery, new conservation studios and a new museum shop. Tim Knox studied History of Art at the Courtauld Institute of Art. He was appointed Assistant Curator at the Royal Institute of British Architects Drawings Collection in 1989. In 1995 he moved to the National Trust as its Architectural Historian, becoming Head Curator in 2002. He was much involved with the restoration of the gardens at Stowe in Buckinghamshire, and championed the acquisition of the Workhouse in Southwell, Nottinghamshire, Tyntesfield in Somerset, and the restoration of the Darnley Mausoleum in Cobham Park, Kent. The Fitzwilliam Museum has enjoyed record breaking visitor numbers in recent years, with exhibitions including Vermeer’s Women and The Search for Immortality: Tomb Treasures of Han China drawing tens of thousands of extra visits to these and the permanent collections. The Vice-Chancellor, Professor Sir Leszek Borysiewicz, said: “Tim Knox has a tremendous reputation as a museum director, who has shown at the Soane Museum a sensitivity to the legacy of the founder coupled with a creative vision.
    [Show full text]