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Annual Report 2016 / 17
Annual Report 2016 / 17 BMT_Annual Report 16/17.indd 1 03/11/2017 10:39 Reflecting Birmingham to the World, & the World to Birmingham Registered Charity Number: 1147014 Cover image © 2016 Christie’s Images Limited. Image p.24 © Vanley Burke. BMT_Annual Report 16/17.indd 2 03/11/2017 10:39 02 – 03 Birmingham Museums Trust is an independent CONTENTS educational charity formed in 2012. 04 CHAIR’S FOREWORD It cares for Birmingham’s internationally important collection of over 800,000 objects 05 DIRECTOR’S INTRODUCTION which are stored and displayed in nine unique venues including six Listed Buildings and one 06 OUR ACHIEVEMENTS Scheduled Ancient Monument. 08 AUDIENCES Birmingham Museums Trust is a company limited by guarantee. 12 SUPPORTERS 14 VENUES 15 Birmingham Museum & Art Gallery 16 Aston Hall 17 Blakesley Hall 18 Museum of the Jewellery Quarter 19 Sarehole Mill 20 Soho House 21 Thinktank Science Museum 22 Museum Collection Centre 23 Weoley Castle 24 COLLECTIONS 26 CURATORIAL 28 MAKING IT HAPPEN 30 TRADING 31 DEVELOPMENT 32 FINANCES 35 BOARD OF TRUSTEES 36 TALKS AND LECTURES BMT_Annual Report 16/17.indd 3 03/11/2017 10:39 Chair’s foreword Visitor numbers exceeded one million for the It is with pleasure that third year running, and younger and more diverse audiences visited our nine museums. Birmingham I present the 2016/17 Museum & Art Gallery was the 88th most visited art museum in the world. We won seven awards annual report for and attracted more school children to our venues Birmingham Museums than we have for five years. A Wellcome Trust funded outreach project enabled Trust. -
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Leah Tether and Laura Chuhan Campbell Early Book Collections and Modern Audiences: Harnessing the Identity/ies of Book Collections as Collective Resources This article summarizes and contextualizes the discussions of a workshop held at Durham University in November 2018. In this workshop, participants (includ- ing academics, students, independent scholars, special and rare books librarians, and archivists) discussed the notion of the collection (that is, the identity of collection as a whole, rather than just its constituent parts), and its potential to serve as a means of engaging both scholarly and public audiences with early book cultures. This study sets out a series of considerations and questions that might be used when tackling such special collections engagement projects, including ones involving more modern collections than the case studies examined here. In November 2018, the Institute for Medieval and Early Modern Studies at Durham University kindly funded a workshop to investigate the ways in which contemporary audiences have been, are being, and can become engaged with medieval and early- modern book culture through the provision and distribution of key resources. These resources range from published books to digital artefacts and editions; from replica teaching kits—such as scriptorium suitcases—to physical archives and repositories.1 The aim of the workshop, which was led by one of this article’s two authors (Leah Tether), was to build a picture of best practice to inform the teaching and commu- 1. The authors are grateful to Durham’s Institute for Medieval and Early Modern Studies for fund- ing the workshop, and to the administrators of the Residential Research Library Fellowships (jointly organized by Ushaw College and Durham University) that enabled Leah Tether to spend time in Durham in November 2018. -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Attractions Management News 7Th August 2019 Issue
Find great staff™ Jobs start on page 27 MANAGEMENT NEWS 7 AUGUST 2019 ISSUE 136 www.attractionsmanagement.com Universal unveils Epic Universe plans Universal has finally confirmed plans for its fourth gate in Orlando, officially announcing its Epic Universe theme park. Announced at an event held at the Orange County Convention Center in Orlando, Epic Universe will be the latest addition to Florida's lucrative theme park sector and has been touted as "an entirely new level of experience that forever changes theme park entertainment". "Our new park represents the single- largest investment Comcast has made ■■The development almost doubles in its theme park business and in Florida Universal's theme park presence in Orlando overall,” said Brian Roberts, Comcast chair and CEO. "It reflects the tremendous restaurants and more. The development excitement we have for the future of will nearly double Universal’s total our theme park business and for our available space in central Florida. entire company’s future in Florida." "Our vision for Epic Universe is While no specific details have been historic," said Tom Williams, chair and revealed about what IPs will feature in CEO for Universal Parks and Resorts. This is the single largest the park, Universal did confirm that the "It will become the most immersive and investment Comcast has made 3sq km (1.2sq m) site would feature innovative theme park we've ever created." in its theme park business an entertainment centre, hotels, shops, MORE: http://lei.sr/J5J7j_T Brian Roberts FINANCIALS NEW AUDIENCES -
Tower of London World Heritage Site Management Plan
Tower of London World Heritage Site Management Plan Published by Historic Royal Palaces © Historic Royal Palaces 2007 Historic Royal Palaces Hampton Court Palace Surrey KT8 9AU June 2007 Foreword By David Lammy MP Minister for Culture I am delighted to support this Management Plan for the Tower of London World Heritage Site. The Tower of London, founded by William the Conqueror in 1066-7, is one of the world’s most famous fortresses, and Britain’s most visited heritage site. It was built to protect and control the city and the White Tower survives largely intact from the Norman period. Architecture of almost all styles that have since flourished in England may be found within the walls. The Tower has been a fortress, a palace and a prison, and has housed the Royal Mint, the Public Records and the Royal Observatory. It was for centuries the arsenal for small arms, the predecessor of the present Royal Armouries, and has from early times guarded the Crown Jewels. Today the Tower is the key to British history for visitors who come every year from all over the world to relive the past and to enjoy the pageantry of the present. It is deservedly a World Heritage Site. The Government is accountable to UNESCO and the wider international community for the future conservation and presentation of the Tower. It is a responsibility we take seriously. The purpose of the Plan is to provide an agreed framework for long-term decision-making on the conservation and improvement of the Tower and sustaining its outstanding universal value. -
Environmental
DP9 Department: Planning 100 Pall Mall Your reference: London Our reference: D&P/1200c&d/PR SW1Y 5NQ Date: 30 April 2019 For the attention of Julian Shirley Dear Sirs The Town and Country Planning (Environmental Impact Assessment) Regulations 2011 (‘2011 Regulations’) The Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 And 2007; The Town and Country Planning (Mayor of London) Order 2008. Request for Scoping Opinion Review Land known as Bishopsgate Goods Yard, London, E1 Greater London Authority ref: D&P1200c&d (Hackney and Tower Hamlets Planning application nos. 2014/2425 & PA/14/02011 Hackney and Tower Hamlets Listed building application nos. 2014/2427 & PA/14/02096) Bishopsgate Goods Yard Regeneration Limited (‘Applicant’) I refer to your Scoping Opinion Review Request (SORR) dated 5th March 2019 pursuant to the 2011 Regulations and the content of the Environmental Statement Addendum (ESA) to be prepared in connection with the development proposed at the above site under the existing planning applications (references referred to above) (Applications’). Please find below the GLA’s (on behalf of the Mayor of London, Local Planning Authority for the Applications) review of the Scoping Opinion issued jointly by the London Borough of Hackney (Ref: 2014/0249) and the London Borough of Tower Hamlets (Ref: PA/14/00107) in March 2014 (‘2014 Scoping Opinion’) (attached as Appendix). Section 1 sets out the details of the application site and the proposal, Section 2, details the comments of the consultees and Section 3 sets out the review of the approach to the EIA. Section 4 comments on the matters to be assessed in the ESA and Section 5 deals with the topics Scoped- Out. -
The Night Before the Somme
Programme Announced for IWM London Free Late – The Night Before the Somme 30 June, 8pm – Midnight Free On the eve of the centenary of the Battle of the Somme, join us for a FREE LATE at IWM London with film screenings, live music, immersive theatre and poetry exploring the themes of love, fear, hope and courage. For one night only, IWM London’s iconic Atrium will become a stage, where throughout the evening visitors will be surrounded by live music, poignant words from the letters and diaries in IWM’s collections and a series of short plays offering a snapshot into the thoughts and feelings of men and women who were there on the 30 June 1916. Highlights include: . Watch the critically acclaimed play Raising Lazarus by slam poet, Kat Francois which charts the true story Francois’ relative, Private Lazarus Francois a young Caribbean soldier who fought for a country that had enslaved his African forebears a century before. (8.45 – 9.45pm) . See Magic Lantern Tales, the visceral show by poet and broadcaster Ian McMillan, and photographer Ian Beesley. Using a magic lantern projector, they tell the story of the war from the first hand perspective of the men who survived, such as Harold Hayward who went over the top three times in the Battle of the Somme (10.45 –11.30pm) . Extracts from the immersive production Dr Blighty will be performed, which tells the story of the million Indians who travelled to fight in the war and in particular, the group of wounded young men who took refuge in a temporary hospital at Brighton’s Royal Pavilion. -
Digital Media at the Tower of London
Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition By: Michael Bartlett, Bryan Myers, Todd Pfizenmaier, Lauren Waring Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition An Interactive Qualifying Project Report Submitted to the faculty of the Worcester Polytechnic Institute In partial fulfillment of the requirements for Degree of Bachelor of Science In cooperation with The Tower of London On April 27, 2012 Submitted by: Submitted to: Michael Bartlett Megan Gooch Bryan Myers Dominique Driver Todd Pfizenmaier Professor Kathi Fisler Lauren Waring Professor Paul Davis i Abstract The following report evaluates the possible use of hand-held digital media in the Tower of London, specifically the Tower Mint Exhibition. Recommendations were created from visitor surveys, interviews with museum professionals, as well as, evaluations of digital media at other sites. Results show the implementation of an application adds value by letting visitors learn at their own pace, engage the whole family, as well as, share and extend their experience. These values correlate with possible characteristics for a successful application. i Acknowledgments Our team would like to thank our sponsor, the Tower of London, for the exciting opportunity to work on this project at the Tower of London. We would specifically like to extend our thanks to Megan Gooch and Dominique Driver whose consistent support made this project possible. We would also like to thank all the members of the Tower of London staff for their support, insight and assistance with the project. Finally, we would like to thank our Worcester Polytechnic Institute advisors, Paul Davis and Kathi Fisler, for their generous advice and support throughout this project. -
Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
Queen's House Conference 2017 European Court Culture
Queen’s House Conference 2017 European Court Culture & Greenwich Palace, 1500-1750 RCIN405291, Royal Collection Trust/© Her Majesty Queen Elizabeth II, 2017 Thursday to Saturday, 20-22 April 2017 Location: National Maritime Museum and the Queen’s House, Greenwich Conference organisers: Janet Dickinson (University of Oxford), Christine Riding (Royal Museums Greenwich) and Jonathan Spangler (Manchester Metropolitan University). With support from the Society for Court Studies. For queries about the programme, please: [email protected] For bookings: call 020 8312 6716 or e-mail [email protected] Booking form: http://www.rmg.co.uk/see-do/exhibitions-events/queens-house- conference-2017 Thursday, 20 April 12.30–13.00 Registration 13.00–15.00 Introduction, conference organisers Jemma Field, Brunel University: Greenwich Palace and Anna of Denmark: Royal Precedence, Royal Rituals, and Political Ambition Karen Hearn, University College London): “‘The Queenes Picture therein’: Henrietta Maria amid architectural magnificence” Anna Whitelock, Royal Holloway, University of London: Title to be confirmed 15.00–15.30 Coffee and tea 15.30 17.00 Christine Riding, Royal Museums Greenwich: Private Patronage, Public Display: The Armada Portraits and Tapestries, and Representations of Queenship Natalie Mears, Durham University: Tapestries and paintings of the Spanish Armada: Culture and Horticulture in Elizabethan and Jacobean England Charlotte Bolland, National Portrait Gallery: The Armada Portrait of Elizabeth I 17.00–18.00 Keynote lecture Simon Thurley, Institute of Historical Research, London: Defining Tudor Greenwich: landscape, religion and industry 1 18.00–19.00 Wine reception in the Queen’s House, followed by dinner at restaurant in Greenwich, at own expense. -
Designation Panel
Designation Panel Dr Stella Butler (Chair) University Librarian and Keeper of the Brotherton Collection, University of Leeds Dr Stella Butler joined the University of Leeds in 2011 as University Librarian and Keeper of the Brotherton Collection. The Brotherton Library with its iconic round reading room dates from 1936 and houses distinguished collections of archives, rare books and manuscripts, five of which are Designated. Stella was Head of Special Collections and latterly Deputy University Librarian at the University of Manchester between 2000 and 2011 and was responsible between 2003 and 2007 for the £17M refurbishment and re-development of the magnificent John Rylands Library. She was Chair of the Board of Directors of Research Libraries UK from 2013 to 2015. She chairs the Academic Advisory Board of the UK Medical Heritage Library, a Jisc-Wellcome Trust funded project. She is a trustee of Seven Stories, the UK’s national centre for children’s books and chairs the management committee of Chetham’s Library in Manchester, the oldest public library in the English-speaking world. Stella has published widely on the history of medicine and science and on issues relating to libraries and museums. Dr Caroline Campbell Director of Collections and Research at the National Gallery Formerly The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 Earlier in her career, Caroline held curatorial positions at The Courtauld Gallery, London (where she was Curator of Paintings from 2005-12); the National Gallery and the Ashmolean Museum, Oxford. Born in Belfast, Caroline was educated at University College, Oxford, and the Courtauld Institute of Art, London, and is a former fellow of the Center for Curatorial Leadership, New York. -
2017-18 Annual Review
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2017/18 2 Contents 06 Welcome to another chapter in our story 07 Our work is guided by four principles 08 Chairman and Chief Executive: Introduction and reflection 10 Guardianship 16 Showmanship 24 Discovery 32 A Royal Year 36 Independence 42 Money matters 43 Visitor trends 44 Summarised financial statements 46 Trustees and Directors 48 Supporters 50 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 • It has been a record-breaking 12 months with more than Guardianship: visits to our sites, membership topping 101,000 Welcome to 4.7 million Our work is We exist for tomorrow, not just for yesterday. Our job is to give and our commercial teams exceeding their targets. another guided by four these palaces a future as valuable as their past. We know how • It was our busiest ever year at Kensington Palace as visitors precious they and their contents are, and we aim to conserve chapter in flocked to see our exhibitions of Princess Diana’s dresses and principles them to the standard they deserve: the best. 'Enlightened Princesses', and a new display of diamond and our story emerald jewellery. At Hampton Court, we came close to Discovery: reaching a million visitors for the first time.