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Contributi Alla Bibliografia Di G. Paisiello 239 Nazione. Cm. 17

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Contributi Alla Bibliografia Di G. Paisiello 239 Nazione. Cm. 17 U. Rolandi - Contributi alla bibliografia di G. Paisiello 239 nazione. Cm. 17><11 - pagg. 64, in 3 atti. Poeta (F. Livigni) non no- minato. Nome del Paisiello. La 1.a esecuzione avvenne a Venezia (T. S. Moisè, C. 1773) e non a Napoli (D. C.) dove fu dato nella seguente estate al T. Nuovo. - 32. - L'IPERMESTRA. Padova, Nuovo, 1791 (v. Sonneck). Bru- nelli (Teatri di Padova p. 285) la dice « già scritta in Russia ». Ignoto al D. C. " L' Isola d i s a b i t a t a, cantata su testo del Metastasio. Li- sbona, T. S. Carlo, E. 1799. Libretto in Biblioteca S. Cecilia (Roma). Ignoto al D. C. e ad altri. * I e f te sa c r i f i c i u m. Eseguito a, Venezia (Conservatorio Men- dicanti). Il libretto trovasi alla Bibl. S. Cecilia (Roma), ma è senza data. Il Carvalhaes — da cui deriva il libretto stesso -- dice essere 1774. Non trovo ricordato questo lavoro dal D. C. o da altri. * La Lavandara astuta. v. Il Matrimonio inaspettato. * La Locanda (e la Locandiera) v. 11 Fanatico in berlina. 33. - LUCIO PAPIRIO I DITTATORE Lisbona, Salvaterra, 1775 (v. Sonneck). * Madama l'umorista v. La Dama umorista. * 11 Maestro di scuola napolitano. v. La Scuffiara amante. * Il Marchese Tulipano. v. Il e7'Catrimonio inaspettato. * La Ma s c h e r a t a. Con questo titolo fu data al Ballhuset di Stocolma, I'l 1 dicembre 1788 un'opera « con musica del Sacchini e del Paisiello ». Forse si trattò di un'opera pasticcio, caso frequente allora. (notizia avuta dalla Dott. E. J. Luin. Di questa e di altre varie notizie porgo i miei sentiti ringraziamenti alla esimia musicologa e acuta iicerca- trice di musiche italiane specialmente all'Estero). 34. — IL I MATRIMONIO INASPETTATO Farsa a 4 voci da rappresentarsi I nel Teatro Caprinica I 1 ',Anno 1788. II In `Roma MDCCLXXXVIII. i Nella Stamperia di Luigi Vescovi, Con licenza de' superiori. Cm. 15><9 pagg. 48, in 2 parti. Poeta (Chiari P. ed al- tri) non nominato. Nome del Paisiello. [Fu riprodotta coi titoli: Il Mar- chese Tulipano, 11 Marchese Villano, La Contadina di spirito, La La- vandara astuta etc.] `Riproduzioni in C. R.: a) Trieste - T. Ces. Regio - C. 1789 (Il Matr. in. ossia La Con- tessa di Sarzana). b) Roma (s. a., ma circa 1790) - esecuzione proba- bilmente privata, in qualche palazzo gentilizio. 240 Rinascenza Salentina * Miles f orti s. Cantata eseguita a Parigi il 18 o 19 aprile 1802. (v. Faustini-Fasini - Paisiello a Parigi - 1939 - pag. 3). * La Modista [raggiratrice] v. La Scuffiara amante. * La Molinara (La ,91folinarella) v. L'Amor contrastato. 35. - IL MONDO i DELLA LUNA i Commedia per musica I del- l' A vv. Goldoni Veneziano I da rappresentarsi nel Reale Teatro del Fondo! di Separazione I Dedicata i a S. ,..2(C. Ferdinando IV. I Nostro invittissi- mo Sovrano. Napoli MDCCLXXXIV. I Con licenza de' Superiori. Cm. 15 >< 9 pagg. 46, in 3 atti. Un Avviso al Pubblico a pag. 5 dice che fu musicato dal Paisiello per Pietroburgo ridotto dal Coltellini in 2 Atti con 2 donne; mentre ora, per far cantare la Giacinta Galli, si è intro- dotto il personaggio di Aurelia senza alterar la musica (sic!). Il D. C. lo registra (n. 53) all'anno 1783 come in 1 atto (probabilmente dal Fiori- mo che lo cita fra le musiche esistenti nell'Archivio del R. Collegio, col- l'indicazione « Pietroburgo 1783 in 1 atto »). E' un rifacimento del Cre- dulo deluso già dato con musica del Paisiello a Napoli (T. Nuovo, 1774). 36. MOTEZUMA I 'Dramma per musica da rappresentarsi I nel nobilissimo `teatro I delle 'Dame I l'anno 1772. I Dedicato i alle Nob.me e Gent.me I 'Dame di Roma. II In 'Roma. I Con licenza de' superiori. I Si vendono nella bottega da Giovanni Bartolomik i al corso etc. Cm. 15.5><9 - pagg. 58 (erroneamente stampato 68), in 3 atti, Poeta (V. A. Cigna-Santi) non nominato. Nome del Paisiello. Rettificare D. C. sia nel titolo (Mon- tezuma) che nella data (1773). 37. NINA I o SIA i LA PAllA PER AMORE I Commedia di un atto I in prosa, ed in verso per musica I tradotta dal francese. I Da rap- presentarsi I a Belvedere I Nella Estès del corrente anno 1789 i In occa- sione di essersi portata I la arCaestà I della I Regina I ad onorare la nuova popolazione I di Santo Leucio. I In Napoli MDCCLXXXIX I Per Vin- cenzo Flauto I 'Regio Impressore. (Fig. 5). Cm. 21><14 - pagg. 61. Nome del Lorenzi (poeta) e del Paisiello; ma circa il Lorenzi è detto « il con- certo è del sig. G. B. Lorenzi, Direttore per la Comica del Real Tea- trino di Corte, essendo anche sua la Poesia segnata coll'asterisco ». I brani coll'asterisco in verità sono soltanto 3: a pag. 27 (sc. 8.a) « Se il cor, gli affetti suoi »; a pag. 36 (sc. 9.a): • Per l'amata Padroncina »; e a pag. 57 (sc. 15.a) « Mi sento sento.... oh Dio! che calma! » In so- stanza è una riduzione in italiano del libretto del Marsollier (musicato dal Dalayrac, Parigi, 1786) con prosa e versi, in un atto come l'originale. Il testo è identico a quello della Nina datasi a Monza nel 1788 (Marsol- Mina, PAllA PER AMORE ober . da Raprefentarfi Saputimi au$ Cieht. nel' Nobile Theatro degli i n Incuti Statti. eingfpitl in 2 ettifaiigtit. Dedicata al e ne 93mbrunottúrbigflea Tublifunt RISPETTABILISSIMO PUBLIC() Ealbadoa. tiefer et(30 ber smnfiter, DI l. IJIBIANA DURI* gtrunéen ber Stung, A li Meritetieliffimi Protetori Mrtit greAtniitbigen @Annette L' d'ailegraziasifaimeProtetrici delle rieb Gehmerintteit bel Arti e dei Talento. • 213ibmen • In legno di profonda Gratitudine Zie§ tramai ber ehtfurcbt e Venerazione. utib Zentbarreit. Ofrequiofshn. ed Ihnilifs, 03ebob4 Giorol. Vedova tt b e 3ofeph Tiottani. Giufep. Piovani. attenga:3r ber iteUtnefitata Vaere Di Lubiana 5 Anno 1794. kaibac§ im Sabr 2794. (Fig. 6) i i I )ItUVt li li (4w ti i n UOINV A/ZZVd V ( i N I N L U. Rolandi - Contributi alla bibliografia di G. Paisiello 241 lier-Dalayrac) la cui traduzione italiana -- come mi informa E. Faustini- Fasini — è di Giuseppe Carpani. Pertanto sarebbe da rettificare l'affer- mazione del D. C. (pag. 157) che « il Lorenzi tradusse per Paisiello » la Nina del Marsollier. Il Lorenzi invece, come lo stesso D. C. spiega più oltre, aggiunse alla già esistente versione italiana, solo quei pochi brani in versi (e sopratutto il finale ultimo) di cui si è detto sopra. Ulterior- mente fu ridotta in 2 atti ed anche i recitativi furon messi in versi: così trovo nell'edizione per Milano (Scala, 1804). Non è scevro d'interesse poi il ricordare che al Seminario di Pa- dova fu, dato, il 15 febbraio 1792, un Nino pazzo per amore (evidente adattamento della Nina all'austero ambiente ecclesiastico); e che già il 1* febbraio — secondo il Brunelli — vi si era dato « Nisa o l'Amicizia » intermezzo con musica del Paisiello, che credo sia la stessa cosa. Il • Nino > sarebbe dunque una « ripresa » della « Nisa » riveduta.... e corretta?! Ri- produzioni in C. R.: a) Mestre - T. Balbi, A. 1792; b) Vicenza T. Nuovo. E. 1793; c) Lubiana - T. degl'incliti Stati 1794. (Testo italiano e tedesco a fronte); (Fig. 6). d) Milano - T. Scala. P. 1804. La più remota edizione in cui trovo i recitativi verseggiati (e un po' sunteggiati); e) Bologna - T. Mar- sigli. E. 1811; f) Parigi - T. dell'Imperatrice 20-XI-1811. (Testo italiano e francese a fronte); g) Napoli - T. Fondo. Q. 1816; h) Firenze - T. Pergola. A. 1823; i) Milano - T. Carcano 1829; k) Verona - T. Filar- monico. C. 1830. (con bel ritratto di Giuditta Pasta che cantava da Nina); (Fig. 11). 1) Napoli - s. a. (ma 1915 circa), elegante ristampa moderna a cura di S. Di Giacomo; inoltre un libretto di remota edizione torinese, (fine del 700) ed altra senz'anno (ma probabilmente napoletana circa del 1790-1800), contenente solo 3 brani (I Cavatina, recitativo ed Aria; 11 Coro; III Duetto). 38. - LE NOZZE DISTURBATE - Venezia - T. S. Moisè. 1766 (v. Sonneck ). * L a P a ce (La Paz). Cantata a due voci eseguita a Madrid (T. Canos del Peral) con musica d'occasione di F. Bianchi e G. Paisiello, il 17 settembre 1795. Vi cantarono i coniugi Anna e Vincenzo Aliprandi. Altre due cantate di ugual titolo furono pure eseguite a Parigi : La 1' con musica in parte del Paisiello, in parte di altri, l'altra con musica del solo Paisiello A) LA P AC E datasi alla Salle Olympique il 21 novembre 1801 con musica-centone del Mozart, Cimarosa, Paisiello, Guglielmi e Winter (per festeggiare il trattato di Campoformio ?). [v. Castil Blaze - Opera Ita- liana - p. 335]. 242 `Rinascenza Salentina B) L A P AC E, componimento drammatico per solennizzare la pace di Luneville (9 febbraio 18011, di cui ci ha dato notizia E. Faustini-Fasini (v. Paisiello a Parigi, 1939 - pag. 3). 39. - LA PASSIONE I DI GESÙ CRISTO I NOSTRO SI- GNORE , Componimento sacro per musica da cantarsi la sera dei 15 marzo in Campidoglio nell'appartamento del 'Principe Rezzonico i Se- nator di Roma. 'Roma MDCCXC Dalle stampe di Filippo Neri I con permissione. Cm. 18,5 X 11,5 - pagg. 16, in 2 parti. Nomi del poeta (Metastasio) e del Paisiello. pag. 11 (tra la I a e la 2" parte): Sin- fonia concertata del Sig. Ignazio Pleyel Viennese - Maestro di Cappella dellInsigne Collegiata di Strasburgo ». Riproduzioni in C. R.: a) Catania - Chiesa S.
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