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&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Wade Gordon James Nelson Concordia University May 1997
Never Mind The Authentic: You Wanted the Spectacle/ You've Got The Spectacle (And Nothing Else Matters?) Wade Gordon James Nelson A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts ai Concordia University Montreal, Quebec, Canada May 1997 O Wade Nelson, 1997 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Weliington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada Your hie Votre réference Our file Notre reldrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fh, de reproduction sur papier ou sur fomat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in thi s thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantiai extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Never Mind The Authentic: You Wanted The Spectacle/ Y ou've Got The Spectacle (And Nothing Else Matters?) Wade Nelson This thesis examines criteria of valuation in regard to popular music. -
JOURNAL of AGGRESSIVE CHRISTIANITY Issue 31, June – July 2004
JOURNAL OF AGGRESSIVE CHRISTIANITY Issue 31, June - July 2004 Copyright © 2004 Journal of Aggressive Christianity Journal of Aggressive Christianity, Issue 31, June – July 2004 2 In This Issue JOURNAL OF AGGRESSIVE CHRISTIANITY Issue 31, June – July 2004 Editorial Introduction page 3 Captain Stephen Court Funky Army? page 6 Major Richard Munn Lonely at the top – The Heresy of Modern Leadership page 9 Captain Danielle Strickland Accentuate the Positive page 13 Commissioner Wesley Harris Worship: Bring It On! page 14 Major Charles Roberts It IS our Business page 17 Captain Geoff Ryan The Salvation Pistols page 26 Aaron White John Wesley’s Evangelistic Passion – A Legacy page 28 Colonel Earl Robinson Orders & Regulations – Ch.12, Sec.1, No.2 page 36 Cory Harrison A Devotional Study – Prophetic Evangelism page 38 Patricia King Dr. John page 40 Captain Stephen Poxon Spiritual Direction for Healthy Officers page 42 Major Doug Burr Divided We Stand page 48 Captain John Van Cleef Journal of Aggressive Christianity, Issue 31, June – July 2004 3 Editorial Introduction by Captain Stephen Court Greetings in Jesus' name, friends. Thanks for your faithfulness in reading the Journal of Aggressive Christianity. Please tell your friends, write letters to the editor of SA periodicals, and promote it on your website and email lists. The contributors JAC deserve a wide reading and thinking. Issue 31 is thick. A lot of subjects are tackled. A lot of different writers, from a lot of cities and countries, are represented here. I heartliy recommend this issue to you. JAC hopes to help set the agenda of discussion as to the future of The Salvation Army. -
Gligarri Tingilitla
sauc"G" LLN\AURANIE RESTIERAR L - j Z - ABREF,L C ! I ) fi 141,44111414411,1 r . 71: 4 A-J 4.V. ESPANA V/VA Y DA tAmBA - MORRO NO 4 VEZ AMOR MARIA AVE pt., IN; A -SOLAMENTE -!ANA -113 1,1 _ - ABDLAmUNA - PERFIDIA - OJOS corm DE MUCHO Mr mu) .val - B! CIEL/TO - cl.mon GOANTANAMERA - mArAGt.trAl PALOMA tingilitLA GligARRI . , , 44 4 1 4, 4. CD ID 1,1 1.3 /V1 N4 A S A. NA I J t polyTe ?.I. ° A ,, II,' 1.k .0 . I 0i t Mail 1351 No. Registration $280 GSfl 20 pluS 00 $3 Volume - 2 No. 64 1996 26, August 44 \ *, ' ** : I -* rie r 't 0 I ' 2- RPM -Monday August 19, 1996 Changes at the top of MCA Concerts Canada As managing director, Simpson will be concert assets, which include Concer responsible for the overall business operations of International in Toronto, Perrysc Jay Marciano, president of MCA Concerts Inc., vice-president Martin Onrot, and the appointment the company, and will report to the board of Productions in Vancouver, and Dona has announced a series of changes within the of Don Simpson and Donald Tarlton as executive directors. Simpson will retain his office at the Productions in Montreal. executive structure of MCA Concerts Canada. The vice-presidents to co-head MCA Concerts Canada, company's headquarters in Toronto. Tarlton will Tarlton, the founder of Donald K principal change involves the departure of senior with Simpson carrying the additional role of remain in Montreal, where he will direct Canadian former head of BCL, is a 30 -year v managing director. -
Blues a Fons
BLUES A FONS BUTLLETÍ INFORMATIU DEL “FONS DE BLUES” DE LA BIBLIOTECA TECLA SALA · L’HOSPITALET ESTIU 2017 · NÚM. 10 HISTÒRIA DEL BLUES DE CALIFÒRNIA Després del desastre de Pearl Har- Fins aquell moment, la música bour, els americans es troben sen- que s’escoltava als sofisticats se flota per a fer front als japone- “night clubs” de Hollywood, era sos. La costa oest dels EEUU, des blues d’ambient, jazz o balades de Califòrnia fins a Seattle, es con- acaramel·lades, melodies per a verteix en un gran taller. Califòrnia, tots els gustos. L’ídol del mo- tradicionalment poc poblada i amb ment i màxim representant d’a- una emigració procedent dels paï- quest estil, es deia Nat King Co- sos asiàtics ara enemics, va veure le, un gran pianista de jazz que va truncat aquest flux de mà d’obra. triomfar interpretant música co- Com sempre la solució van ser els mercial. negres del sud, de Texas, Oklaho- Amb l’arribada dels immigrats ma, i l’oest de Louisiana, que esde- negres, van emergir dos tipus de vingueren el nou proletariat califor- blues. nià. Miquel Abella WEST COAST BLUES El primer circumscrit a Oakland, a Pianistes de West Coast Blues: la badia de San Francisco, era un Charles Brown, Amos Milburn, blues urbà semblant al de Texas, Little Willie Littlefield, Percy May- senzill i sense influències jazzísti- field, Lloyd Gleen, Joe Liggins, Floyd ques. El segon, a Los Angeles, era Dixon, Ray Charles. gairebé una reproducció del “jump blues” de Kansas City, amb les Contingut: orquestres de “Rhythm & Blues” Intèrprets de West Coast Blues i Charles Brown 2 de T B Walker, Pee Wee Cray- Rhythm & Blues: ton, o Roy Milton. -
Dyk Ned I Sludge-Riget Med Mægtige Eyehategod
2019-06-05 10:00 CEST Dyk ned i sludge-riget med mægtige Eyehategod VEGA præsenterer Dyk ned i sludge-riget med mægtige Eyehategod Den 6. oktober kan du opleve legenderne fra New Orleans, når de skruer helt op for deres unikke mix af punk og metal i VEGA. Eyehategod startede tilbage i 1988 deres tunge eksperimenter med bluesede og distortede guitarer. Siden har det genredefinerende band fået spillesteder verden over til at ryste med deres dystre mix af punk og metal, som deres karismatiske frontmand kalder heavy blues. Fra 2000 og 2014 var bandet hårdt ramt af orkanødelæggelser, afhængighed, depressioner og til slut trommeslager Joey LaCazes tidlige død i 2013. Men året efter rejste bandet sig med et potent selvbetitlet album, der høstede store roser hos anmeldere verden over. Trommeslageren fra Mountain of Wizard og Missing Monuments, Aaron Hill, overtog efter LaCaze, og han har på fornemmeste vis løftet arven videre med indlevende, energisk trommespil, der indkapsler bandets karakteristiske lyd. Med skarpskårede guitarriffs fra Jimmy Bower og Brian Patton, tordnende trommer og Mike Williams dæmoniske vokal skaber bandet et kakofonisk lydunivers. Det er Black Sabbath mikset med Black Flag og en portion old school blues oveni hatten. Da bandet sidste år fyrede godt og grundigt op under Pumpehuset, skrev anmelderen fra Devilution begejstret om legendernes energiske optræden: ”Eyehategod leverede en af den type koncerter, hvor man som publikum ikke i ét splitsekund tænker, at man har med en rutinepræget præstation at gøre. Det gør man ikke, fordi det er leveret med indlevelse, og fordi de med Mike IX Williams snart 30 år inde i karrieren – og med sin anden lever! – stadig er et i den grad dopesick individ fyldt med mismod, afsky og muligvis nu også en snert af taknemmelighed.” Fakta om koncerten: Eyehategod (US) Søndag d. -
Treball De Fi De Grau Títol
Facultat de Ciències de la Comunicació Treball de fi de grau Títol Autor/a Tutor/a Departament Grau Tipus de TFG Data Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: Castellà: Anglès: Autor/a: Tutor/a: Curs: Grau: Paraules clau (mínim 3) Català: Castellà: Anglès: Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Castellà: Anglès: Universitat Autònoma de Barcelona AGRADECIMIENTOS - En primer lugar a mi familia, por aguantar mis arrebatos de locura pasajera y no tan pasajera durante la confección del trabajo en casa. A mis padres Jordi y Susana y a mi hermano Nil, que han hecho gala de una paciencia sin igual. - A Eric, Roc, Aitor i Pau, por abrir camino juntos en esto del punk siendo unos inexpertos totales. Por las muchas horas pasándolo genial juntos versionando a los más grandes y haciendo música, que es lo que nos apasiona. - A Pau V., por nuestras aventuras juntos por el mundo con las guitarras a cuestas con callos en los dedos y las cuerdas vocales destrozadas. Por muchas más. - A Ru y María, por su ayuda con el tema de los videoclips, gracias por estar allí cuando me ha faltado luz y fuerza. - A toda la gente de las plazas de Gracia, por las noches eternas jugando al gato y al ratón con la policía. A toda la gente del Banc Expropiat, que de forma totalmente altruista llevaba a cabo una función muy importante en el barrio ayudando a los más desfavorecidos y se ha visto injustamente envuelta en un espiral de altercados y violencia policial, ordenada desde arriba. -
Iiiiiispettacoli
12SPE03A1207 12SPE05A1207 FLOWPAGE ZALLCALL 14 11:39:06 07/12/96 K IIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Venerdì 12 luglio 1996 l’Unità pagina IIIIIIISpettacoli IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 7 .............................................................. ROCK. Settemila persone e lanci di bottiglie per i Sex Pistols a Roma Premio Nijinsky al balletto di Carla Fracci Lo spettacolo Omaggio a Nijinsky, Avion Travel portato in scena lo scorso maggio dalla compagnia dell’Arena di Verona diretta da Carla Fracci, ha Più swing ricevuto ieri dalla Stravinsky-Dia- ghilev Foundation di New York il pstigioso riconoscimento interna- zionale intitolato al grande balle- con Arigliano rino russo. .............................................................. MILANO. Strane accoppiate in concerto, Berlusconi e Sordi —fra tradizione e modernità. Dopo l’exploit di bocciati Elio e le Storie Tese con Casadei, goliardico ma non troppo, tocca registrare un altro con- al Filodrammatici nubio, quello fra gli Avion Travel e Nicola Ari- Silvio Berlusconi voleva fare l’atto- gliano. I primi appartengono al nostro tempo e re ma fu bocciato al primo esame a quella nuova ondata di musica italiana alter- all’Accademia -
Obscene Summer 2009
Ottawa BLUES Society Summer 2009 In this issue: Op-Ed — Digital Armageddon 3 Update on DAWG FM 4 OBS Board Bluesfest Picks 5 Bringing the Blues to Blues Series 8 Eastern Ontario Kat Danser’s Blues Pilgrimage 14 Ottawa Blues Cruise 17 CD Reviews 18 Postcards From The Road 26 Corporate Directory 30 In this issue … … lots of info about several popular Blues Series in the Ottawa area, heads-up on the upcoming Blues Cruise and this year’s ‘On the Road to Memphis’ local blues competition, update on the DAWG-FM saga, our very first Op-Ed column, the final installment of Kat Danser’s ‘Blues Pilgrimage’, the latest ‘Postcards From The Road’ from JW-Jones and … our CD reviewers went crazy and reviewed CDs from musicians appearing at Bluesfest, CDs from wonderful Canadian musicians and CDs from some up-and-comers you need to hear. 2 OBS CONTACTS OBScene Deadlines Website: www.OttawaBluesSociety.com Issue Copy Deadline Distribution Date E-mail: Please use feedback form on website Fall September 15 Online mid-October CORRESPONDENCE AND ADDRESS CHANGES OBS Mission Ottawa Blues Society Winter December 15 Early January 2010 P.O. Box 708, Station “B” To foster appreciation, Ottawa, ON K1P 5P8 promotion, preservation OBS EXECUTIVE COMMITTEE AND DIRECTORS From the Editor … and enjoyment of the President:: Liz Sykes Starting last Fall, two issues of the blues in all of its forms Vice President: Mike Graham OBScene each year will be converted to Secretary: Gary Paradis electronic only (available on the OBS Directors : Brent Diab, Rob Dufresne, Ken Fraser, website at www.ottawabluessociety.com/ Mike Graham, Denis Paquin, Gary Paradis, Debra newsletters.php). -
News: Art: Music: Food
REGRETS! YOU HAVE THEM AND WE WANT TO HELP YOU BURN R THEM. SUBMIT YOURS AT AWR ALIBI.COM/REGRETS ! MMPH! VOLUME 26 | ISSUE 32 | AUGUST 10-16, 2017 | FREE | 2017 10-16, AUGUST 32 | ISSUE | 26 VOLUME RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! MMPH! RAWR! RETURN OF "THE NEW MEXICO 65 YEARS' CONCERTS, THE MUNICIPAL INQUISITION" BRINGS WORTH OF WE NEED NEWS: NINE PAGE 8 ART: HUMOR TO POLITICS PAGE 15 FOOD: FOOD PAGE 18 MUSIC:YOU! PAGE 25 TALKING WITH DINOSAURS SINCE 1992 SINCE DINOSAURS WITH TALKING t[2] WEEKLY ALIBI AUGUST 10-16, 2017 AUGUST 10-16, 2017 WEEKLY ALIBI [3] alibi VOLUME 26 | ISSUE 32 | AUGUST 10-16, 2017 EDITORIAL 'LG\RXKHDU"6(&8oV MANAGING EDITOR/COPY EDITOR: Renee Chavez (ext. 255) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] VXPPHU ORDQSURPR MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] ARTS/LIT EDITOR: Maggie Grimason (ext. 239) [email protected] LVEDFN CALENDARS EDITOR: Megan Reneau (ext. 260) [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Gustavo Arellano, Robin Babb, Rob ,GHƮQLWHO\ZRQoW Brezsny, Carolyn Carlson, Desmond Fox, Taylor Grabowsky, Kristi D. Lawrence, Sara MacNeil, Hosho McCreesh, Geoffrey Plant, Mikee Riggs PLVVRXWWKLV\HDU PRODUCTION EDITORIAL DESIGNER: Valerie Serna (ext.254) [email protected] GRAPHIC DESIGNER: Jesse Philips (ext.240) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Jodie Herrera, KAZ, Ryan North, Jen Sorensen Emoji-Worthy Auto Loans SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.