Octavian and Egyptian Cults: Redrawing the Boundaries of Romanness Eric M
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Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
The Art and Artifacts Associated with the Cult of Dionysus
Alana Koontz The Art and Artifacts Associated with the Cult of Dionysus Alana Koontz is a student at University of Wisconsin-Milwaukee graduating with a degree in Art History and a certificate in Ancient Mediterranean Studies. The main focus of her studies has been ancient art, with specific attention to ancient architecture, statuary, and erotic symbolism in ancient art. Through various internships, volunteering and presentations, Alana has deepened her understanding of the art world, and hopes to do so more in the future. Alana hopes to continue to grad school and earn her Master’s Degree in Art History and Museum Studies, and eventually earn her PhD. Her goal is to work in a large museum as a curator of the ancient collections. Alana would like to thank the Religious Studies Student Organization for this fantastic experience, and appreciates them for letting her participate. Dionysus was the god of wine, art, vegetation and also widely worshipped as a fertility god. The cult of Dionysus worshipped him fondly with cultural festivities, wine-induced ritualistic dances, 1 intense and violent orgies, and secretive various depictions of drunken revelry. 2 He embodies the intoxicating portion of nature. Dionysus, in myth, was the last god to be accepted at Mt Olympus, and was known for having a mortal mother. He spent his adulthood teaching the cultivation of grapes, and wine-making. The worship began as a celebration of culture, with plays and processions, and progressed into a cult that was shrouded in mystery. Later in history, worshippers would perform their rituals in the cover of darkness, limiting the cult-practitioners to women, and were surrounded by myth that is sometimes interpreted as fact. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
The Argei: Sex, War, and Crucifixion in Rome
THE ARGEI: SEX, WAR, AND CRUCIFIXION IN ROME AND THE ANCIENT NEAR EAST Kristan Foust Ewin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Christopher J. Fuhrmann, Major Professor Ken Johnson, Committee Member Walt Roberts, Committee Member Richard B. McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Ewin, Kristan Foust. The Argei: Sex, War, and Crucifixion in Rome and the Ancient Near East. Master of Arts (History), May 2012, 119 pp., 2 tables, 18 illustrations, bibliography, 150 titles. The purpose of the Roman Argei ceremony, during which the Vestal Virgins harvested made and paraded rush puppets only to throw them into the Tiber, is widely debated. Modern historians supply three main reasons for the purpose of the Argei: an agrarian act, a scapegoat, and finally as an offering averting deceased spirits or Lares. I suggest that the ceremony also related to war and the spectacle of displaying war casualties. I compare the ancient Near East and Rome and connect the element of war and husbandry and claim that the Argei paralleled the sacred marriage. In addition to an agricultural and purification rite, these rituals may have served as sympathetic magic for pre- and inter-war periods. As of yet, no author has proposed the Argei as a ceremony related to war. By looking at the Argei holistically I open the door for a new direction of inquiry on the Argei ceremony, fertility cults in the Near East and in Rome, and on the execution of war criminals. -
Female Patronage of Public Space in Roman Cities
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 Female Patronage of Public Space in Roman Cities Joy H. Kim Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Urban Studies and Planning Commons Recommended Citation Kim, Joy H., "Female Patronage of Public Space in Roman Cities". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/653 FEMALE PATRONAGE OF PUBLIC SPACE IN ROMAN CITIES By Joy Kim Senior Honors Thesis for Classical Studies and Urban Studies Advisors: Dr. Gary Reger, Dr. Garth Myers Spring 2017 2 Table of Contents INTRODUCTION ........................................................................................................................ 3 DEFINING PATRONS AND BENEFACTORS ...................................................................................... 5 METHODOLOGY ........................................................................................................................... 8 TYPES OF ROMAN PUBLIC ARCHITECTURE ................................................................................ 11 CULTURAL AND HISTORICAL CONSIDERATIONS ........................................................................ 13 CHAPTER ONE: EXEMPLARY IMPERIAL WOMEN ..................................................... -
Introduction. Dionysus in Rome: Accommodation and Resistance
Fiachra Mac Góráin Introduction. Dionysus in Rome: accommodation and resistance Abstract: This introductory chapter provides a wide-angle history of the presence of Dionysus/Bacchus/Liber on Italian soil from the archaic to the early Christian periods, covering archaeological and literary sources. In parallel, it surveys the main scholarly trends on the Italian versions of Dionysus, and emplots the con- tributions to this volume in a history of scholarship. The main focus of the chap- ter, which is programmatic for the volume, is the interface of Greek and Roman cultures, and whether it is possible to identify and define (an) Italian version(s) of Dionysus. It posits two aspects to the Romans’ reception of Bacchus, which may be termed ‘accommodation’ and ‘resistance’. The interplay between these two levels of response will inform an analytic narrative that assesses the relation- ship between the Greek Dionysus and the Roman Liber, embracing interpretatio and religious polymorphism, and addressing some of the most important Diony- sian manifestations in Roman culture: the founding of the temple of Ceres, Liber and Libera; the Bacchanalia; the Liberalia; Roman leaders’ uses of Dionysus; the poets’ references to Bacchus; and a brief glance at the Bacchic-Christian inter- face. As ‘our oldest living symbol’,1 Dionysus/Bacchus has evolved over many different forms. Until relatively recently, scholars believed that he was an import from the East, and a late addition to the Greek pantheon. Rohde, Nilsson, Wilamowitz and Otto all subscribed to different versions of the Nietzschean myth that an ecstatic Dionysus cult was assimilated from Thrace and tamed by the influence of Apollo.2 This view was based on the god’s slight role in the Homeric poems, coupled with For discussion of Dionysus in Rome and bibliographical advice, I wish to thank Clifford Ando, Andreas Bendlin, Tom Carpenter, Michael Crawford, Elena Giusti, Dan Hogg, Duncan MacRae, John North, Donncha O’Rourke, Richard Seaford, and Peter Wiseman. -
Greenfield, P. N. 2011. Virgin Territory
_____________________________________ VIRGIN TERRITORY THE VESTALS AND THE TRANSITION FROM REPUBLIC TO PRINCIPATE _____________________________________ PETA NICOLE GREENFIELD 2011 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Classics and Ancient History The University of Sydney ABSTRACT _____________________________________ The cult of Vesta was vital to the city of Rome. The goddess was associated with the City’s very foundation, and Romans believed that the continuity of the state depended on the sexual and moral purity of her priestesses. In this dissertation, Virgin Territory: The Vestals and the Transition from Republic to Principate, I examine the Vestal cult between c. 150 BCE and 14 CE, that is, from the beginning of Roman domination in the Mediterranean to the establishment of authoritarian rule at Rome. Six aspects of the cult are discussed: the Vestals’ relationship with water in ritual and literature; a re-evaluation of Vestal incestum (unchastity) which seeks a nuanced approach to the evidence and examines the record of incestum cases; the Vestals’ extra-ritual activities; the Vestals’ role as custodians of politically sensitive documents; the Vestals’ legal standing relative to other Roman women, especially in the context of Augustus’ moral reform legislation; and the cult’s changing relationship with the topography of Rome in light of the construction of a new shrine to Vesta on the Palatine after Augustus became pontifex maximus in 12 BCE. It will be shown that the cult of Vesta did not survive the turmoil of the Late Republic unchanged, nor did it maintain its ancient prerogative in the face of Augustus’ ascendancy. -
The Invisibility of Juvenal James Uden Submitted in Partial Fulfillment of Th
The Invisibility of Juvenal James Uden Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 2011 James Uden All rights reserved. ABSTRACT The Invisibility of Juvenal James Uden This dissertation offers a reading of Juvenal’s Satires. It maintains that Juvenal consciously frustrates readers’ attempts to identify his poetic voice with a single unitary character or persona. At the same time, it argues that Juvenal’s poems are influenced in both form and theme by cultural trends in the early second century. The arguments staged in these poems constitute a critique of aspects of Roman intellectual culture in the reigns of Trajan and Hadrian. Contents Preface 1. Provoking the Charge: Epic Poet and Reticent Informer in Satire One The Recitation Hall (Part One) The Paradox of Contemporary Epic The Satirist as Delator The Crisis of Criticism Satiric Voices in Tacitus’ Dialogus de Oratoribus The Recitation Hall (Part Two) 2. The Invisibility of Juvenal ‘Atopic Topology’: The Thirteenth Oration of Dio Chrysostom Juvenal’s Second Satire: Strategies for Speech and Disguise Secrecy and Violence in Satire Nine 3. Satire Four: Playing the Panegyrist The Art of Exaggeration The Emperor over Nature Natural Reversal and Fish Savagery The Perils of Panegyrical Speech i 4. Cynic Philosophy and Ethical Education in Satires Ten and Fourteen Debasing the Coinage The Laugh of Democritus and the Cynic Ideal Satire Fourteen: The Domestication of Ethical Teaching 5. Satire Twelve: Repetition and Sacrifice in Hadrianic Rome Horatian Ritual and the “New Augustus” Substitution and Sacrifice: Animals and Humans in Satire Twelve The Gods and their Captatores Reading across Books: Atheism and Superstition in Satire Thirteen Appendix: Martial 12.18 and the Dating of Juvenal’s First Book ii ACKNOWLEDGMENTS Thanks must go first to Gareth Williams, friend and mentor for the past half-decade. -
Plutarch, Apuleius, and Vettius Agorius Praetextatus ______
MYSTERIES, PHILOSOPHY, AND SELF-REPRESENTATION IN IMPERIAL ROME: PLUTARCH, APULEIUS, AND VETTIUS AGORIUS PRAETEXTATUS _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by ANDREW J. BUCHHEIM Dr. Dennis Trout, Dissertation Supervisor December 2019 © Copyright by Andrew J. Buchheim 2019 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled MYSTERIES, PHILOSOPHY, AND SELF- REPRESENTATION IN IMPERIAL ROME: PLUTARCH, APULEIUS, AND VETTIUS AGORIUS PRAETEXTATUS presented by Andrew J. Buchheim, a candidate for the degree of doctor of philosophy, and hereby certify, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Dennis Trout ____________________________________________________________ Professor Anatole Mori ____________________________________________________________ Professor Raymond Marks ____________________________________________________________ Professor Barbara Wallach ____________________________________________________________ Professor Susan Langdon DEDICATION To my grandfather Wayne Buchheim who inspired me in this pursuit. I hope he would be proud of my efforts. Thanks also to my father for his help and support and to my brother for no particular reason. ii ACKNOWLEDGEMENTS I would like to thank Dr. Dennis Trout for all his help. His graduate seminar on Latin epigraphy refocused my general interest in mystery cults into what would become the current project. I thank him for introducing me to Praetextatus and to Late Antique Rome. I would also like to thank my fellow graduate students, Kristin Harper and Claire McGraw. They were always invaluable resources for help in developing my ideas, and they provided me insightful directions for my research. -
Thomas Hardy's Tess of the D'urbervilles, Apollo, Dionysus, And
FATHOM a French e-journal of Thomas Hardy studies 6 | 2019 Objects in Hardy and Conrad Thomas Hardy’s Tess of the d’Urbervilles, Apollo, Dionysus, and Stonehenge Tess of the d’Urbervilles, Apollon, Dionysos et Stonehenge J.B. Bullen Electronic version URL: http://journals.openedition.org/fathom/888 DOI: 10.4000/fathom.888 ISSN: 2270-6798 Publisher Association française sur les études sur Thomas Hardy Electronic reference J.B. Bullen, « Thomas Hardy’s Tess of the d’Urbervilles, Apollo, Dionysus, and Stonehenge », FATHOM [Online], 6 | 2019, Online since 01 October 2019, connection on 14 October 2019. URL : http:// journals.openedition.org/fathom/888 ; DOI : 10.4000/fathom.888 This text was automatically generated on 14 October 2019. Thomas Hardy’s Tess of the d’Urbervilles, Apollo, Dionysus, and Stonehenge 1 Thomas Hardy’s Tess of the d’Urbervilles, Apollo, Dionysus, and Stonehenge Tess of the d’Urbervilles, Apollon, Dionysos et Stonehenge J.B. Bullen 1 In 1899 Sir Edmund Antrobus who had recently inherited Stonehenge and the land around it, put the monument up for sale. In the campaign to try to buy it for the nation Hardy’s support was enlisted because of its prominence in one of the closing scenes of Tess of the d’Urbervilles. He agreed to be interviewed and a reporter from The Daily Chronicle was sent down to Dorchester to meet the author at Max Gate. Hardy had always had a keen interest in the archaeology of Wessex, and when the foundations of his house were being dug three skeletons were discovered. In 1884 he gave a paper to the Dorchester and Antiquarian Field Club in which he said he believed that these were Roman in origin.