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559165 bk Daugherty US 27/07/2004 02:42pm Page 5 Colorado Symphony Orchestra AMERICAN CLASSICS As the region’s premier performing arts organization, the Colorado Symphony Orchestra (CSO) embraces a tradition of musical excellence by presenting a wide variety of symphonic performances, from classical repertoire to innovative new forms, in Boettcher Concert Hall, the first surround-sound concert hall in the United States. Established in 1989 as the successor to the Denver Symphony, the CSO is Colorado’s only resident orchestra composed of professional musicians employed to play symphonic music on a full-time basis. Musicians actively MICHAEL DAUGHERTY participate in the management of the organization through significant participation on the Association’s Board of Trustees, as well as all governing committees. Under Music Director Laureate Marin Alsop’s leadership over a number of years, the CSO has gained recognition on both the regional and national levels as one of the finest Philadelphia Stories • UFO performing orchestras in the country. Many of the orchestra’s performances are broadcast on Colorado Public Radio to a state-wide audience. Reaching an even more expansive audience, a number of the CSO’s programmes are broadcast nationally on National Public Radio’s Performance Today. Recordings with Marin Alsop have Evelyn Glennie, Percussion included a number of releases devoted to the work of contemporary American composers. In April 2004 the CSO appointed Jeffrey Kahane, music director of the Los Angeles Chamber Orchestra and the Santa Rosa Symphony, as the ninth music director in the 81-year history of the Denver and Colorado Symphony Orchestras. -
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TRANSFORMATIONS GIA CD 686 (UNT) SOUNDSCAPES K 11098 (UNT) WASBE 1999 (CONCERT PERFORMANCE) Grantham: Court Music. Linn: Concerto Grosso for Brass Trio. Ticheli: Sanctuary. Colgrass: Bali. Makris/Bader: Aegean Festival Overture. Rudin: Bacchanale. Benshoof: Out and Back Again. MCD 3144 (NORTH TEXAS WIND SYMPHONY) Maslanka: Symphony No. 7. Persichetti: Parable IX. Gershwin/Krance: Second Prelude. Grantham: Fantasy Variations. Tchaikovsky: Dance of the Jesters. MacDowell: Woodland Sketches. Grantham: Southern Harmony. Bryant: Chester Leaps In. Gillingham: Galactic Empires. Stamp: Pastime. North Texas ALTERED STATES GIA CD 685 (UNT) DEJA VIEW K 11091 (UNT) Gorb: Yiddish Dances. Ticheli: Vesuvius. Sierra/Scatterday: Fandangos. Vaughan Williams/Silvester: The Lark Ascending. Vaughan Gorb: Awayday. Bassett: Colors and Contours. Peck: Cave. Colgrass: Déjà vu. Hutcheson: Williams/Battisti: Toccata Marziale. Milburn: Amercian Hymnsong Suite. Ticheli: Nitro. Jacob/ Caricatures. Ticheli: Blue Shades. THE MUSIC OF DAVID R. GILLINGHAM Wind Studies Trachsel: William Byrd Suite. Grantham: The Barons. MCD 6797 (NORTH TEXAS SYMPHONIC BAND) DREAMCATCHERS K 11089 (UNT) A Light Unto Darkness. And Can It Be?. Lamb of God. Foster’s America. With Heart Recording Order Form PERCUSSIVE PALOOZA GIA DVD 753 (UNT) Galbraith: Danza de los Duendes. Mays: Dreamcatcher. Bassett: Lullaby for Kirsten. Schwantner: and Voice. AuSable River Festival. Providence. No Shadow of Turning. Adams/Spinazzola: Lollapalooza. Kraft: Cadenza and Variations from Concerto for Four From a Dark Millennium. Gillingham: Waking Angels. Rudin: The Dream of Oenghus. Percussion Soloists. Ikebe: Monovalence Ia, Matsushita: Airscope II, Hauta-aho: Ode to Whales INFUSION You can ensure the projects’ continuation by purchasing directly from us! for Marimba Improvisation and Tape. Yurko: Concerto for Nine Percussion Soloists. -
Paul D. Weber Index
- Paul D. Weber Index ************************************************************************************* For a more complete overview of Paul’s work, you are invited to explore his website…. PAULDWEBER.com There you will find his biography, an updated list of works with recordings, reflections and personal contact information. ************************************************************************************* CONTENTS List of compositions/alphabetized……………………………………………………………………………………………..…3 List of compositions/categorized………………………………………………………………………………………………..23 List of compositions/chronological………………………………………………………………………………………….….45 List of recordings/playlist…………………………………………………………………………………………………………...65 Major Papers………………………………………………………………………………………………………………………………70 Misc…………………………………………………………………………………………………………………………………………….70 LIST OF COMPOSITIONS FOR PAUL D. WEBER (Alphabetized) A Mighty Fortress is Our God (2001) Assembly, SATB divisi, opt. Children’s Choir, Organ, Brass Ensemble, 2 or 4 Timpani, Large Gong, Opt. Strings and Woodwinds MorningStar Music MSM-60-8005 A Woman and a Coin (1995) SAB, Organ, 2 Flutes Abide in Me (1999) SATB, Organ, Handbells, 2 Flutes, Clarinet, Opt. Assembly Agnus Dei (1971) SATB a cappella Version 2 (1974) for String Quartet Agnus Dei (1978) Two-part Mixed and Organ All Hail the Power of Jesus’ Name (1972 Manuscript & Finale Files) Brass Intrada and Harmonization All Things Bright and Beautiful (2009) SS, Piano, Flute All Who Believe and are Baptized (2001, Published 2010) SA/TB, Organ, Flute Concordia -
MICHAEL DAUGHERTY Tales of Hemingway American Gothic Once Upon a Castle
AMERICAN CLASSICS MICHAEL DAUGHERTY Tales of Hemingway American Gothic Once Upon a Castle Zuill Bailey, Cello Paul Jacobs, Organ Nashville Symphony Giancarlo Guerrero Michael Daugherty (b. 1954) I imagine Jake Barnes, his entourage (and Hemingway) in In 2012, I returned to Cedar Rapids to revisit the Tales of Hemingway • American Gothic • Once Upon a Castle Pamplona at the Fiesta, watching the running of the bulls small towns of Eastern Iowa. I drove along the back roads and reveling in the spectacle of the bullfights. We also and farms where my father grew up, and where Grant Tales of Hemingway (2015) for cello and orchestra was I. Big Two-Hearted River (1925, Seney, Michigan) hear musical illuminations of the novel’s enigmatic Wood found inspiration for the people and places commissioned by the Nashville Symphony and a In this story, Nick Adams is an emotionally scarred and epigraph, “the sun also ariseth, and the sun goeth down, captured in his art. All the while, I was collecting musical consortium consisting of the Asheville Symphony, El Paso disillusioned soldier from World War I who escapes to and hasteth to the place where he arose.” ideas and mental images to create an emotional Symphony Orchestra, Erie Philharmonic, Redwood northern Michigan for a camping/fishing trip to try to framework for my composition. Symphony and Virginia Symphony Orchestra. The world regain control of his life. I have composed serene and American Gothic (2013) for orchestra was commissioned première was given by the Nashville Symphony, passionate music that evokes a leitmotif in Hemingway’s by Orchestra Iowa, Timothy Hankewich, Music Director. -
Marshall University Department of Music Presents a Tuba and Euphonium Day Michael Stroeher Marshall University, [email protected]
Marshall University Marshall Digital Scholar All Performances Performance Collection Spring 4-14-2012 Marshall University Department of Music presents a Tuba and Euphonium Day Michael Stroeher Marshall University, [email protected] George Palton Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Stroeher, Michael and Palton, George, "Marshall University Department of Music presents a Tuba and Euphonium Day" (2012). All Performances. Book 38. http://mds.marshall.edu/music_perf/38 This Article is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. DEPARTMENT of MUSIC Opening Concert- 1:00 PM Smith Music Hall Fanfare for a Friend (1991) John Stevens (b. 1951) Vexilla Regis Anton Bruckner from Three Bruckner Motets (1824-1896) presents arr. John Stevens Preghiera (2010) Anthony O’Toole (b. 1988) For the Kings of Brass (1990) William Brusick Tuba and Euphonium Day I. A Stately Fanfare (b. 1956) II. A Romantic Aria* III. An Excellent Rondo *Featuring Dr. Michael Stroeher, solo euphonium Smith Recital Hall Marshall University Tubonium Ensemble Matt Drummer, Chip Gue, Emma Hensley, Andy O’Neil- euphonium April 14, 2012 Tyler Davis, Peter Gallus, Nick Hartley, Guy Parker, Marshall Rickman, Dwayne Russell- tuba 1:00 p.m. Dr. George Palton- conductor Quartet (1968) Dumitru Ionel (1915-1997) Eagle Squadron March (1942) Kenneth J. Alford (1881-1945) arr. -
The Hechinger Commissions
*Hechinger Foundation Commission Season Date of first Composer Title of Work Length Conductor Notes performance 1955- 4/4/1956 Paul Creston Symphony No. 5 27” Howard Mitchell Commissioned by NSO for its 25th 1956 Anniversary 1955- 5/31/1956 John LaMontaine Songs of the Rose of Sharon, 15” Howard Mitchell 1956 Op. 6 1956- 1/22/1957 Morton Gould “Declaration” (1956) 30” Howard Mitchell Commissioned by the stations 1957 WRC & WRC-TV 1956- 4/9/1957 Howard Hanson A Song of Democracy, Op. 12” Howard Mitchell 1957 44 1959- 2/23/1960 Robert Sanders Symphony in A Howard Mitchell Ford Foundation commission 1960 1960- 11/1/1960 Douglas Allanbrook Symphony in Three Howard Mitchell NSO commission in American 1961 Movements Music Center. Commissioning Series under Ford Foundation grant. 1960- 1/17/1961 Edmund Thomas Concertino for Seven Solo Howard Mitchell Werner Lywen, Violin 1961 Haines Instruments Richard Parnas, Viola John Martin, Cello Wallace Mann, Flute Harold Wright, Clarinet Abe Kniaz, Horn Lloyd Geisler, Trumpet 1960- 1/19/1961 John La Montaine "From Sea to Shining Sea" 7” Howard Mitchell Commissioned for the 1861 1961 Overture Inaugural Concert 1960- 3/28/1961 Charles Cushing “Cereus” Howard Mitchell Ford Foundation comission 1961 1961- 4/10/1962 John Boda "Sinfonia" Howard Mitchell Commissioned by the American 1962 Music Center. Commissioning Series under Ford Foundation grant. 1966- 7/14/1967 Morton Gould “Columbia”: Broadsides for 13” Howard Mitchell 1967 Orchestra 1974- 4/29/1975 Robert Bennet Fun and Faith of William Antal Dorati Bicentennial Commission 1975 Billings, American 1975- 3/30/1976 Richard Bennet "Zodiac" 17” Antal Dorati Bicentennial Commission 1976 1975- 4/6/1976 William Schuman Symphony No. -
Notes on the Program by James M
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Close Encounters of the Third Kind John Williams lose Encounters of the Third Kind is the also music. I thought, wouldn’t it be great Cmost profoundly musical of movies. if the math basically is music-math and Science fiction (or “science speculation,” they start to communicate with each other as director Steven Spielberg likes to call it) through lights, colors, and musical tones. thrives on the idea that intelligent life may exist somewhere out there in the universe Spielberg knew who to turn to for assis- and that humankind would recognize it if tance with the musical tones. John Williams we chanced upon it. has been the pre-eminent composer of Hol- So then what? In novels or film, the an- lywood film music for so long now — more swer often assumes the form of warfare, with than four decades and counting — that it’s the endgame being brute domination. But easy to forget he wasn’t always the go-to Spielberg took a different tack. Preternatu- choice for a director. After working as a jazz rally drawn to what he (and everyone else) pianist and arranger in Los Angeles, con- describes as an essentially childlike sense of ducting bands in the Air Force, and studying wonder, he imagined a hopeful conclusion piano at Juilliard, he broke into the film-mu- marked by communication. But how could sic business as an orchestrator in the 1960s exorbitantly different beings communicate? and ’70s and scored his first major successes He mused in the documentary Steven Spiel- with Ronald Neame’s The Poseidon Adven- berg: 30 Years of Close Encounters, ture (1973) and Spielberg’s aquatic thriller Jaws (in 1975, a year after their first collabo- Well, mathematics is a way of commu- ration on The Sugarland Express). -
Beginnings and Endings- GT Concert Band and Symphonic Band- April 13, 2014
Beginnings and Endings- GT Concert Band and Symphonic Band- April 13, 2014 Concert Band Chorale and Alleluia- Howard Hanson (1896-1981) Chorale and Alleluia was completed in January 1954, and was Dr. Hanson's first work for symphonic band. It was given its premiere on February 26 at the convention of the American Bandmasters Association at West Point with Colonel William Santelmann, leader of the U.S. Marine Band, conducting. The composition opens with a fine flowing chorale. Soon the joyous Alleluia theme appears and is much in evidence throughout. A bold statement of a new melody makes its appearance in lower brasses in combination with the above themes. The effect is one of cathedral bells, religious exaltation, solemnity, and dignity. The music is impressive, straightforward, and pleasingly non- dissonant, and its resonance and sonority are ideally suited to the medium of the modern symphonic band. Howard Hanson was one of the most important composers and music administrators of the 20th Century. In 1924, he began a 40-year career as Director of the Eastman School of Music at the University of Rochester. It was during Hanson's tenure that Frederick Fennell founded the Eastman Symphonic Wind Ensemble. Hanson was the recipient of many awards for his compositions, including the 1944 Pulitzer Prize for his Symphony No. 4. Bloom- Steven Bryant (b. 1972) Bloom is a celebration of springtime. The bright, sunny days, with nature in bloom all around, give me a powerful sense of well-being, simultaneously tranquil and exuberant. Bloom is my attempt to recreate that feeling. Steven Bryant, the son of a professional trumpeter and music educator, composes music across a variety of media and ensembles, ranging from electronic and electro-acoustic works, to chamber music, to works for wind ensembles and orchestras. -
The Role of the Tuba in John Williams's Film Scores for Jaws and Close Encounters of the Third Kind
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2017 Of Sharks and Spaceships: The Role of the Tuba in John Williams's Film Scores for Jaws and Close Encounters of the Third Kind Stephen Davis Turner University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Film and Media Studies Commons, Fine Arts Commons, and the Music Commons Repository Citation Turner, Stephen Davis, "Of Sharks and Spaceships: The Role of the Tuba in John Williams's Film Scores for Jaws and Close Encounters of the Third Kind" (2017). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3053. http://dx.doi.org/10.34917/10986219 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. OF SHARKS AND SPACESHIPS: THE ROLE OF THE TUBA IN JOHN WILLIAMS’S FILM SCORES FOR JAWS AND CLOSE ENCOUNTERS -
MUSIC by BARRY GRAY the Earth Is Faced with a Power Threat from an Dateline:1980 EXTRATERRESTRIAL Source
A GERRY ANDERSON PRODUCTION UFO MUSIC BY BARRY GRAY The Earth is faced with a power threat from an Dateline:1980 EXTRATERRESTRIAL source... we have moved After a decade of creating pioneering puppet series made for children, the Andersons took their first into an age where SCIENCE FICTION has become steps into live-action, with the 1969 feature film FACT. We need to DEFEND ourselves. Doppelgänger (re-titled outside Britain as Journey To The Far Side Of The Sun). This science-fiction film COMMANDER ED STRAKER approached its outer space subject matter with a gritty realism, and would set the tone for what was to be their first live-action television series:UFO . This new series took as a starting point the pioneering work of Dr Christiaan N. Barnard, the surgeon who performed the world’s first heart transplant operation. In UFO a dying race of aliens travel across vast distances of space to harvest organs from human beings to help ensure their own survival. To combat this threat the United Nations created SHADO, a top-secret organisation utilising the latest technology available to defend the Earth. To complement the series, the Andersons frequent musical collaborator Barry Gray created a multifaceted score that gave the programme its own musical identity. This Album is the very first commercial release of Gray’s score, making it finally available to more listeners worldwide. Welcome to SHADO SHADO – Supreme Headquarters Alien Defence Organisation – is based from a secret headquarters deep beneath the Harlington Straker Film Studio. Earth’s first line of defence is SID, the Space Intruder Detector, a satellite in Earth’s orbit created to spot incoming UFOs. -
An Analysis of Johan De Meij's Ufo Concerto For
AN ANALYSIS OF JOHAN DE MEIJ’S UFO CONCERTO FOR EUPHONIUM AND WIND ORCHESTRA THROUGH THE LENS OF CONDUCTOR AND SOLOIST, WITH A LIST OF ORIGINAL EUPHONIUM SOLOS ACCOMPANIED BY WIND BAND (2007-2014) A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY ISHBAH COX DR. TOM CANEVA AND DR. LINDA POHLY – DISSERTATION CO-CHAIRS BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2016 AN ANALYSIS OF JOHAN DE MEIJ’S UFO CONCERTO FOR EUPHONIUM AND WIND ORCHESTRA THROUGH THE LENS OF CONDUCTOR AND SOLOIST, WITH A LIST OF ORIGINAL EUPHONIUM SOLOS ACCOMPANIED BY WIND BAND (2007-2014) A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY ISHBAH COX DISSERTATION CO-CHAIRS: DR. TOM CANEVA AND DR. LINDA POHLY APPROVED BY: _____________________________________ ____________ Co-Chair Committee Member Date _________________________________________ ____________ Co-Chair Committee Member Date _________________________________________ ____________ Committee Member Date _________________________________________ ____________ Committee Member Date _________________________________________ ____________ Committee Member Date _________________________________________ ____________ Dean of Graduate School Date BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2016 Copyright © 2016 by Ishbah Cox All Rights Reserved v DEDICATION To my loving wife Monica for her prayers, love, and support. In loving memory of my big brother, Lavelle, who imparted so much of my passion for music. vi ACKNOWLEDGEMENTS I start my acknowledgements by honoring God. “For with Him all things are possible” (Matthew 19:26). I know that God has made available to me so many people to help me along this journey, especially my wife, Monica, who has provided inspiration, prayers, love, and belief in me. -
Marin Alsop Music Director | Conductor
SANTA CRUZ CIVIC AUDITORIUM MISSION SAN JUAN BAUTISTA MUSIC DIRECTOR|CONDUCTOR MARIN ALSOP OF CONTEMPORARY MUSIC CONTEMPORARY OF ´:KHQ,FDPH,GLGQ·WHYHQIHHOOLNH,ZDVFDSDEOHRIOHDUQLQJ ,KDYHOHDUQHGVRPXFKKHUHDW+*3DERXWIDUPLQJDQGRXUIRRG V\VWHPVDQGDERXWOLYLQJDSURGXFWLYHOLIHµ ²0$5<&+(55<)250(575$,1(( &KDQFHVDUH\RXKDYHKHDUGRXUQDPHEXWZKDWH[DFWO\LV WKH+RPHOHVV*DUGHQ3URMHFW"2QRXU1DWXUDO%ULGJHVRUJDQLF IDUPZHSURYLGHMREWUDLQLQJWUDQVLWLRQDOHPSOR\PHQWDQGVXSSRUW VHUYLFHVWRSHRSOHZKRDUHKRPHOHVV :HLQYLWH\RXWRVWRSE\DQGVHHRXUEHDXWLIXOIDUP<RXFDQ SLFNXSVRPHWRROVDQGJDUGHQDORQJZLWKXVRQYROXQWHHU GD\VRUFRPHSLFNDQGEX\GHOLFLRXVRUJDQLFDOO\JURZQ YHJHWDEOHVIUXLWVKHUEVDQGÁRZHUV *RRGIRUWKHFRPPXQLW\*RRGIRU\RX6KDUHWKHORYH KRPHOHVVJDUGHQSURMHFWRUJ_ 9,6,7285'2:172:1*,)76725( 8QLTXH/RFDO2UJDQLFDQG+DQGPDGH*LIWV 23(1)ULGD\V 6DWXUGD\VSP6XQGD\VSP &RRSHU+RXVH%UHH]HZD\ &RRSHU3DFLÀF$YH6WH* CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 1 2 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 2014JULY 27–AUG 10 SANTA CRUZ OF CONTEMPORARY MUSIC PROGRAM BOOK CONTENTS The 2014 Cabrillo Festival of Contemporary Music 5 Calendar of Events Program Book is a publication of Summer Fests, 7 President’s Message a Cultural Arts Collaborative of: 9 Board of Directors & Staff 11 Music Director Marin Alsop Cabrillo Festival of Contemporary Music 12 Hall of Fame Santa Cruz Shakespeare 13 Festival History 14 Cabrillo Festival Experience For information contact: 16 Church Street Fair Cabrillo Festival of Contemporary Music 19 Creativity Tent for Kids 147 South River Street, Suite 232 20 Guest Composers Santa Cruz, CA 95060