The Life of the Rev. Elisha Macurdy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Department Historyrevised Copy
The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards -
Silent Night the College Held a Brief, Yet Moving, Ceremony to Mark the Centennial of the Start of World Where: Singletary Center War I
OPERALEX.ORGbravo lex!FALL 2018 inside SOOP Little Red teaches kids to love opera, and obey SILENT their parents. Page 2 NIGHT Pulitzer Prize winner's moving story During the summer of 2014, I took a course at Merton College, Oxford. While I was there, Silent Night the college held a brief, yet moving, ceremony to mark the centennial of the start of World Where: Singletary Center War I. The ceremony was held outdoors in for the Arts, UK campus front of a list of names carved into a wall. The When: Nov. 9,10 at 7:30 p.m.; Nov. 11 at 2 p.m. names were those of young men from Merton Tickets: Call 859.257.4929 SUMMER DAYS College who died in the war. Some had been or visit We'll reap the benefit from students, others sons of staff and workers. We Taylor Comstock's summer www.SCFATickets.com all put poppies in our lapels and listened as the at Wolf Trap. Page 4 names were read out. The last one was the More on Page 3 name of a Merton student who had returned nLecture schedule for home to Germany to enlist, and like the others, other events n had fallen on the battlefield. A century later, all UK's Crocker is an expert on the Christmas truce the young men were together again as Merton See Page 3 Now you can support us when you shop at Amazon! Check out operalex.org FOLLOW UKOT on social media! lFacebook: UKOperaTheatre lTwitter: UKOperaTheatre lInstagram: ukoperatheatre Page 2 SOOPER OPERA! Little Red moves kids with music, story, acting SOOP – the Schmidt Opera Outreach Program – is performing Little Red’s Most Unusual Day in Kentucky schools this fall and the early reviews are promising. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Lost in the Stars
REVIEWS Performances Lost in the Stars Washington National Opera and the production rocked the house. In musical terms, the 2016 version is even stronger, especially 12–20 February 2016 the contributions of the orchestra, due in great part to the added forces supplied by the Kennedy Center and WNO, particularly the dark richness of added violas. Conductor John DeMain’s Kurt Weill and Maxwell Anderson’s Lost in the Stars sailed into authoritative command of Weill’s score brought the powerful the Kennedy Center this February captained by Washington music to the forefront. National Opera’s Artistic Director Francesca Zambello. The The sound of the men in the Chorus reminds me of the production was an important event in the nation’s capital, not powerful South African tradition of male ensembles, rooted in only amplifying pressing conversations about race and unequal the practice of corralling Black miners in stockades, with music justice but broadening an artistic question in what has become their only emotional outlet. Through the choral writing, the a rich musical-theater nexus—what is musical theater? Lost nation itself becomes a character, with the first act establishing the in the Stars has been a challenge to define since it debuted on context and letting music invoke the work’s panoramic feel and Broadway, where it met mixed critical response. It has continued grand themes. The audience is challenged to feel the loneliness of to perplex many critics who try ungraciously to fit it into a pre- living in fear of “the other,” and to consider how fear and greed existing genre. -
Worlc on Dorm to Start Soon
Kean University Kean Digital Learning Commons Reflector 1960s Reflector 11-29-1960 The Reflector, Vol. 3, No. 10, November 29, 1960 Newark State College Follow this and additional works at: https://digitalcommons.kean.edu/reflector_1960s Recommended Citation Newark State College, "The Reflector, Vol. 3, No. 10, November 29, 1960" (1960). Reflector 1960s. 18. https://digitalcommons.kean.edu/reflector_1960s/18 This Book is brought to you for free and open access by the Reflector at Kean Digital Learning Commons. It has been accepted for inclusion in Reflector 1960s by an authorized administrator of Kean Digital Learning Commons. For more information, please contact [email protected]. "Life as returned with just as School rings are now on sale little reason as on a time it so in the bookstore. Juniors and oddly snapped, - Doctor Zhiv<J.go Seniors, only, may purchase Ref lee tor them. EDUCATE LEAD REFLECT Vol. III, No. 10 Newark State College TUESDAY, NOVEMBER 29, 1960 Author,John Roy Charlson Harvard Prof Student Council Turns Talks on Cuban Revolution To Speak Here Down Reflector Editors John Roy Carlson, author and lecturer, who has re c en t 1 y returned from Cuba, spoke at Request for Salaries Newark State on Tuesday, The Student Council turned down the request of the editors of November 22, on "Cuba, the REFLECTOR for salaries at i~ meeting on Friday, November Revolution In Our Backyard," 18. This was one of the items considered by the Council in a meeting He said that with the revolution where school rings, revision of the constitution, the Lecture Series, a basic change took place, Now and the parking problem were discussed. -
Copyright 2010, Michigan Opera Theatre
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre DETROIT GRAND OPERA ASSOCIATION with Oakland University University Center for Adult Education Detroit Public Library presents OVERTURE TO OPERA IV 1965 Season A program of excerpts taken from Operas to be presented in Detroit by the Metropolitan Opera Company of New York in May and the Metropolitan Opera National Company in October, 1965. Copyright 2010, Michigan Opera Theatre OUEKTUR£ 70 OPERA IV CALENDAR FEBRUARY 8, 1:15 p.m.-Dondero High School, Royal Oak (for students) FEBRUARY 9, 8:15 p.m.-Dondero High School, Royal Oak. Admission: $1.00 For ticket information call: Mrs. Denton Kunze, Ll 2-7545; Mrs. Arthur Moore, LI 1-3779; Mrs. John Redfield, Ll 6-7560 FEBRUARY 14, 3:15 p.m.-Oakland University, University Theater, Rochester Admission: $1.00, no charge to students and faculty. For ticket information call: Mr. James Petty, 338-7211 FEBRUARY 17, 2:00 p.m.-Ferndale High School (for students) FEBRUARY 21, 8:00 p.m.-Fries Auditorium, Grosse Pointe War Memorial. Admission: $1.00 For ticket information call: TU 1-7511 FEBRUARY 24, 8:15 p.m.-Ambassador Auditorium, University of Windsor, Windsor, Ontario Admission: Adults $1.25, students 75 cents. For ticket information call: Music Department, 253-4232; Mrs. Stuart Young, 252-3335 FEBRUARY 28, 3:00 p.m.-Ford Central Office Building Auditorium, The American Road, Dearborn Admission: $1.00. For ticket information call: Mrs. James Beard, LO 1-9176; Mrs. Bruce Simpson, LO 5-2522 MARCH 3,8:15 p.m.-Copernicus Junior High School, Hamtramck. -
Don Giovanni Resources
DON GIOVANNI RESOURCES Books Don Giovanni (Cambridge Opera Handbooks) Author: Julian Rushton. Notes: Book includes detailed synopsis, bibliography, discography and essays on Mozart and de Ponteʼs masterwork. English/Italian. 165 pages. Cambridge University Press. 1981. Don Giovanni (Dover Opera Libretto Series) Author: Wolfgang Amadeus Mozart. Notes: Translated by Ellen H. Bleiler. English/Italian. 121 pages. Dover Publications. 1985. Don Giovanni: Libretto Author: Wolfgang Amadeus Mozart. Italian/English. 80 pages. G. Schirmer, Inc. 1986. Don Giovanni: Vocal Score (Dover Vocal Scores) Author: Wolfgang Amadeus Mozart. Italian/English. 320 pages. Dover Publications. 2004. Mozart: Don Giovanni (Overture Opera Guides) Author: Wolfgang Amadeus Mozart. Notes: A guide to one of Mozart's most significant and popular operas is presented alongside critical commentary and a rare glimpse into Mozart's personal letters. English. 172 pages. Oneworld Classics. 2011. Mozartʼs Don Giovanni: Opera Classics Library Series Author: Burton D. Fisher. Notes: A comprehensive guide featuring commentary and analysis with synopsis discography, videography, dictionary of opera and musical terms, along with the complete translated libretto with Italian and English side-by-side. Italian/English. 132 pages. Opera Journeys Publishing. 2005. The Don Giovanni Book: Seduction and Betrayal Author: Jonathan Miller. English. 80 pages. Shocken. 1990. The Don Giovanni Moment: Essays on the Legacy of an Opera (Columbia Themes in Philosophy, Social Criticism and the Arts) Author: Lydia Goehr. Editor: Daniel Herwitz. Notes: Collection of essays by scholars from the domains of musicology, history, literary studies, philosophy and aesthetics exploring the history of the reception of Don Giovanni. English. 264 pages. Columbia University Press. 2008. SAN FRANCISCO OPERA Education Materials DON GIOVANNI Resources Films/DVDs Mozart: Don Giovanni / Finley, Pisaroni, Samuil, Burden, Royal, Glyndebourne Opera (2010) Actors: Gerald Finley, Luca Pisaroni, Anna Samuil, William Burden, Kate Royal. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa. -
THE METROPOLITAN OPERA on PIRATE CD COMPILED by FRANK HAMILTON © 2011 [email protected]
THE METROPOLITAN OPERA ON PIRATE CD COMPILED BY FRANK HAMILTON © 2011 http://FrankHamilton.org [email protected] This chronological discography of radio broadcasts and in-house recordings on compact discs is devoted mainly to non-commercial issues. There are still some mistakes such as roles assigned improperly. There have been MET issues on foreign labels without international distribution that I have not had access to, and I have not included those here. I wish to thank Pierre Guillemette of Candiac, Quebec, for the countless corrections that he made in the early stages of this project, and Bill DePeter of New York for his major contributions. Compact disc serial numbers are followed by the total number of CDs in the set, and this is followed by the year of issue when known. 1933 3/03/33: Tristan und Isolde (excerpt): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 Isolde Frida Leider Tristan Lauritz Melchior Brangäne Maria Olszewska Kurwenal Friedrich Schorr König Marke Ludwig Hofmann Melot Arnold Gabor Ein junger Seemann Hans Clemens Ein Hirt Hans Clemens Der Steuermann James Wolfe maestro direttore Artur Bodanzky Kennst du der Mutter Künste nicht? — Herr Tristan trete nah! (Akt I,3) 3/11/33: Tristan und Isolde (excerpts): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 cast same as 3/03/35 except: Kurwenal Gustav Schützendorf Vorspiel (fragment) Nimmermehr ! Nicht heut’ noch morgen ! — Zerschlag es [dies trotzige Schiff] (Akt I,1) wehe mein Kind! - Mir erkoren — Was wohl erwidertest du? (Akt I,2) [Fluch dir, Ver]ruchter ! — nicht hell zu sehn noch hören? (Akt I,3) Kennst du der Mutter Künste nicht? — Ehrfurcht hielt mich in Acht (Akt I,3) Dem Freund zulieb erfand er diese List? — sind untertan ihr, die sie webt aus [Lust] (Akt II,1) [Nie erwa]chen ! - Soll der Tag noch Tristan wecken ? — Hehr erhabne Liebesnacht! (Akt II,2) Der öde Tag zum letztenmal! — Das sollst du, Herr, mir sagen, ob [ich] (Akt II,3) [meiner Ehren Ende] erreiche? — warum mir diese Schmach? (Akt II,3) [Dein Blick, Isolde,] blendet’ auch ihn — Schluß des II. -
FRANCO CORELLI DISCOGRAPHY of OPERA PERFORMANCES COMPILED by Frank Hamilton © 2003 [email protected]
FRANCO CORELLI DISCOGRAPHY OF OPERA PERFORMANCES COMPILED BY Frank Hamilton © 2003 [email protected] http://FrankHamilton.org The following chronological discography represents Corelli’s opera performances from the stage and studio, that are thought to have been recorded. Compact disc serial numbers are indicated for performances that have been issued, followed by the year of publication. Many Corelli performances were captured on magnetic tape by private collectors and remain unpublished commercially. One can hope that someday they appear on compact disc or CD rom. Michael H. Gray of Washington, D.C. provided dates and names of producers and engineers for the Decca recordings. Mel Wondolowski of New Jersey provided a comprehensive discography of tapes in private collections. Bruce Badger of Cherry Hill, New Jersey provided a comprehensive discography of tapes in private collections. Bill DePeter of New York and Pierre Guillemette of Candiac (Quebec) also made important contributions to this discography. 1953 5/26/53: Guerra e pace (Prokofiev): Firenze, Teatro Comunale (XVI Maggio Musicale Fiorentino), ore: 2100: maestro di- rettore Artur Rodzinski; maestro del coro Andrea Morosini: [private TAPE] Natascia Rosanna Carteri Andrea Ettore Bastianini Sonia Vittoria Calma Rostov Italo Tajo Maria Bolkonsky Marinella Meli Principe Bolkonsky Fernando Corena Piero Besukov Franco Corelli Elena Besukov Cesy Broggini Anatolio Mitro Picchi Maria Akrasimova Fedora Barbieri Dolokov Renato Capecchi Balàga Fernando Corena Denisov Anselmo Colzani Un