Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957, Subscription

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957, Subscription 51 H\ r<^J (.- liHJ"g BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON '7 t A' 'II! V. — ^m «) V m &^ =*m. SEVENTY-SIXTH SEASON 1956-1957 Tuesday Evening Series BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. CHARLES H. WATKINS RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LA fayette 3-5700 SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 SEVENTY-SIXTH SEASON, 1956-1957 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Vice-President Jacob J. Kaplan Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft ^CTD. Jackson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager G. W. Rector Assistant J. J. Brosnahan, Assistant Treasurer N. S. Shirk Managers Rosario Mazzeo, Personnel Manager [«) THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small. We will be glad to meet with you and your attorney, in strict con- fidence, to discuss a Living Trust as it fits in with your situation. For an appointment, at your convenience, please write or call the Personal Trust Department of the National Shawmut Bank, Boston, Massachusetts. No obligation, of course. Send for the Shawmut Bank's informative new booklet, "The Living Trust". It tells the whole story. Yours without charge. The National Shawmut Bank of Boston mm Member Federal Deposit Insurance Corporation [«] . SYMPHONIANA Berkshire Festival Announcement Walton's Cello Concerto in London THE TROUSSEAU HOUSE OF BOSTON BERKSHIRE FESTIVAL ANNOUNCEMENT The plans for the Berkshire Festival bridal beauties . of 1957 as announced by Charles Munch nylon angel crepe will have three new points of interest. Dr. Munch will base his programs on the ensemble, the < great composer in each of music of one gently moulded L the six week ends—Bach, Mozart, Tchai- kovsky, Berlioz, Brahms and Beethoven; bodice richly em- he has invited Isaac Stern to perform broidered and set with him the three great classics with fine lace. among violin concertos, those by Tchai- kovsky, Brahms and Beethoven; he will 55.00 include contemporary as well as past standard works in the programs of each week. from a collection of The twentieth season of the Berkshire trousseaux treasures Festival at Tanglewood will consist of for spring brides. six weeks of concerts between July 3rd and August 11th, with performances each Friday and Saturday evening and each Sunday afternoon. The first two week ends, devoted entirely to the music of Bach and Mozart respectively, will be given by a reduced orchestra in the Theatre-Concert Hall (with the excep- tion of a concert in each week to be given in the Music Shed). The concerts by the full orchestra in the Shed (July 19-August 11) will have two guest conductors, each leading two con- certs—Pierre Monteux and Carl Schu- richt. Mr. Schuricht, who will conduct on August 4 and August 10, is known to American music lovers through his recordings and his tour in this country earlier in the season as conductor of the Vienna Philharmonic Orchestra, which visited Boston. Mr. Schuricht has con- ducted the chief orchestras in nearly every European country and in many of the foremost festivals of Europe. Mr. Monteux, who will conduct on July 20 416 B0YLST0N ST., BOSTON • KE 6-6233 and July 28, spans a generation in the 54 CENTRAL ST., WELLESLEY • WE 5-3430 musical life of the Boston Symphony j Orchestra, extending back to his engage [3] ment as its conductor in 1919, an association renewed by his frequent appearances as guest in recent years. His cooperation with Charles Munch in conducting concerts of the transconti- nental tour and two European tours has been outstanding. Mr. Monteux makes his sixth visit to Tanglewood in the coming summer. Mr. Stern, who will be making his fourth visit to Tanglewood, appeared most recently with this Orchestra at the Edinburgh Festival in August, 1956, when he played the Beethoven Concerto with Charles Munch to a capacity audi- ence. During the last few years Mr. Stern has travelled extensively, playing in Russia before this Orchestra. He will be the soloist at the twenty-first pair of concerts in Symphony Hall this season, on April 5 and 6. During his all-Bach concerts (July 5, 6, 7), Dr. Munch will perform the six Brandenburg concertos, several suites and Part II of the St. Matthew Passion with chorus and soloists, the latter to be presented on Sunday afternoon, July 7, in the Music Shed, with the choruses of Harvard and Radcliffe. The Mozart concerts (July 12, 13, 14) will include the great last three symphonies in E-flat, G minor, and C major, "Jupiter" (to be presented Saturday night in the Music Shed), smaller works and concertos to be performed by the principals of the Boston Symphony Orchestra, and a work for chorus and orchestra Spring's most noteworthy conducted by Hugh Ross. The Shed concerts which new slim and easy line follow will give Festival audiences, in . Monte Sano's luxurious English addition to the three violin concertos mentioned above, an opportunity to hear purl cloth coat a representative selection from the com- . one of striking poser to which each week is dedicated. The music of Tchaikovsky to be con- ducted by Charles Munch and Pierre Monteux on July 19, 20, 21, will include at least two of the symphonies, the Serenade for Strings and shorter works. Dr. Munch and Mr. Monteux will again share the conducting of the concerts of the second Shed series (July 26, 27, 28) (Continued on page 35) [4] filene's As welcome as Springtime, the new, romantic and lovely cape silhouette,. Here, over your basic slender dress, a tiny, softly curved capelet . to be worn when the occasion or your mood calls for the feminine, covered-up look. Under it, your empire dress with its gently scooped neckline — perfect for twilight hours. In navy blue, silk shantung with white trim — $35.00 filene's Young Bostonian — fifth floor 15 FINANCIAL JUDGMENT WITH THE HUMAN TOUCH Wise planning can mean tax savings Recently a young businessman came to Old Colony to dis- cuss the effect of taxes on a living trust which he had estab- lished. Old Colony suggested he use part of the principal to set up a trust for his children, thereby lowering his own income tax, and reducing the inheritance tax his children would have to pay. Helping you to get all the tax savings to which you are entitled is always a pleasant task for Old Colony's officers. You and your lawyer are invited to talk with them. The financial wisdom — and human understanding — that you find at Old Colony can help you in all phases of your estate planning. You're invited to write for the free booklet, "Wills and Trusts." Augustin H. Parker, Jr. President WORTHY OF YOUR TRUST T. Jefferson Coolidge Old Colony Chairman, Trust Committee Arthur L. Coburn, Jr. Trust Company Chairman, Trust Investment Committee ONE FEDERAL STREET, BOSTON Allied with The First National Bank of Boston [6] SEVENTY-SIXTH SEASON • NINETEEN HUNDRED FIFTY-SIX AND FIFTY-SEVEN Seventh Concert TUESDAY EVENING, March 5, at 8:30 o'clock Mozart Overture to "Die Entftihrung aus dem Serail" Mozart Concerto for Clarinet, in A major, K. 622 I. Allegro II. Adagio III. Rondo: Allegro INTERMISSION Strauss "Ein Heldenleben," Tone Poem, Op. 40 soloist GINO CIOFFI Performances by this orchestra are broadcast each week on Monday evenings from 8:05 to 9:00 P.M. on the NBC Radio Network. (Nearest local station WJAR, Providence). The Friday afternoon concerts at 2:15 and Saturday evening concerts at 8:30 are broadcast direct each week from Station WGBH-FM. BALDWIN PIANO RCA VICTOR RECORDS [7] . • . pebbled patent leather, a new texture, a new elegance in shoes. Indeed the whole look of fashion is on a new footing . new skirt ease, new soft-waisted suits that show off blouses, shirt dresses with deepened necklines, hats that tilt a tiny brim.
Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • Csoa-Announces-November-2020
    For Immediate Release: Press Contacts: October 22, 2020 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES NOVEMBER 2020 DIGITAL PROGRAMS Highlights include Two New Episodes of CSO Sessions, Free Thanksgiving Day Digital Premiere of CSO/Solti Beethoven Fifth Symphony Archival Broadcast, Veteran’s Day Tribute Program from CSO Trumpet John Hagstrom, and More CSO Sessions Episode 7 features Former Solti Conducting Apprentice Erina Yashima Leading Stravinsky’s The Soldier’s Tale with Actor James Earl Jones II New On-Demand Recital from Symphony Center Presents features Pianist Jorge Federico Osorio NOVEMBER 5-29 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for its November 2020 digital programs that provide audiences both locally and around the world a way to connect with the Chicago Symphony Orchestra online. Highlights include the premiere of two new episodes in the CSO Sessions series, two archival CSO television broadcast programs, a new piano recital from Symphony Center Presents and a Veteran’s Day digital premiere of a tribute to veterans that highlights the trumpet’s key role in military and orchestral music. Programs will be available via CSOtv, the new video portal for free and premium on-demand videos. A chronological list of November 2020 digital programs is available here. CSO Sessions The new digital series of on-demand, high-definition video recordings of chamber music and chamber orchestra concerts feature performances by Chicago Symphony Orchestra musicians filmed in Orchestra Hall at Symphony Center. Programs for the CSO Sessions series are developed with artistic guidance from Music Director Riccardo Muti.
    [Show full text]
  • 825646079278.Pdf
    CAMILLE SAINT-SAËNS 1835–1921 1 Introduction & Rondo capriccioso, Op.28 9.21 ERNEST CHAUSSON 1855–1899 2 Poème, Op.25 16.38 CAMILLE SAINT-SAËNS 3 Havanaise, Op.83 10.16 MAURICE RAVEL 1875–1937 4 Tzigane (Rapsodie de concert) 9.54 46.10 ITZHAK PERLMAN violin Orchestre de Paris/Jean Martinon 2 Itzhak Perlman Photo: © Gérard Neuvecelle 3 SAINT-SAËNS · CHAUSSON · RAVEL Over the years, Itzhak Perlman has regularly enriched his recorded catalogue with works by French composers. As early as 1968, he set down his first versions of Lalo’s Symphonie espagnole and Ravel’s Tzigane (for RCA), as well as of Franck’s Sonata (for Decca). He later revisited the Symphonie espagnole , this time coupling it with Berlioz’s Rêverie et Caprice (DG, 1980). Next came Chausson’s Concert (1982, CBS), Saint-Saëns’s Third Concerto (DG, 1983) and, a few years later, Debussy’s Sonata and Ravel’s Trio (1994, Decca). In 1974, under the baton of Jean Martinon, he recorded four concertante works inspired by “exotic” music, but reclothed in westernised garb. Combining the concertante genre with the theme of foreign travel became very fashionable in France back in 1834, the year in which Berlioz’s Harold en Italie received its premiere. It appeared to be a recipe for success and other composers, such as Lalo, D’Indy, Chabrier, Saint-Saëns, Debussy and Ravel were to try their hand at it. Certain (non-French) musicologists have noted, slightly tongue-in- cheek, that French composers showed a particular talent for conjuring the musical atmosphere of places they had never actually visited… The works on this album would appear to back up that claim.
    [Show full text]
  • Lynn Freeman Olson Collection Cassette
    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
    [Show full text]
  • CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Q4 2017
    CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Q4 2017 PROGRAM #: CSO 17-40 RELEASE DATE: October 1, 2017 CSO Resound Showcase Schoenberg: Kol Nidre (Alberto Mizrahi, narrator; Chicago Symphony Chorus) Shostakovich: Suite on Verses of Michelangelo Buonarroti, Op. 145a (Ildar Abdrazakov, bass) Bates: Anthology of Fantastic Zoology Berlioz: Lelio: Fantasy on Shakespeare’s The Tempest (Chicago Symphony Chorus) PROGRAM #: CSO 17-41 RELEASE DATE: October 8, 2017 Riccardo Muti conducts Italian Opera Masterworks Verdi: Overture to Nabucco (Chicago Symphony Chorus) Verdi: Gli arredi festivi from Nabucco (Chicago Symphony Chorus) Verdi: Va, pensiero from Nabucco (Chicago Symphony Chorus) Verdi: Vedi! Le fosche notturne from Il trovatore (Chicago Symphony Chorus) Verdi: Patria oppressa! From Macbeth (Chicago Symphony Chorus) Verdi: Overture to I vespri siciliani Puccini: Intermezzo from Manon Lescaut Mascagni: Intermezzo from Cavalleria rusticana Boito: Prologue to Mefistofele (Riccardo Zanellato, bass; Chicago Symphony Chorus; Chicago Children’s Choir) Beethoven: Symphony No. 8 in F Major, Op. 93 PROGRAM #: CSO 17-42 RELEASE DATE: October 15, 2017 Riccardo Muti conducts Brahms Beethoven: Violin Concerto in D Major, Op. 61 (Julia Fischer, violin) Brahms: Serenade No. 1 in D Major, Op. 11 Prokofiev: Symphony No. 1 in D Major, Op. 25 (Classical) PROGRAM #: CSO 17-43 RELEASE DATE: October 22, 2017 Daniil Trifonov and Semyon Bychkov play Rachmaninov Rachmaninov: Piano Concerto No. 1 (Daniil Trifonov, piano) Shostakovich: Symphony No. 8 in C Minor, Op. 65 Borodin: In the Steppes of Central Asia (Tugan Sokhiev, conductor) PROGRAM #: CSO 17-44 RELEASE DATE: October 29, 2017 Donald Runnicles conducts the “Enigma” Variations Britten: Sinfonia da requiem, Op.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • Musique Et Camps De Concentration
    Colloque « MusiqueColloque et « campsMusique de concentration »et camps de Conseilconcentration de l’Europe - 7 et 8 novembre » 2013 dans le cadre du programme « Transmission de la mémoire de l’Holocauste et prévention des crimes contre l’humanité » Conseil de l’Europe - 7 et 8 novembre 2013 Éditions du Forum Voix Etouffées en partenariat avec le Conseil de l’Europe 1 Musique et camps de concentration Éditeur : Amaury du Closel Co-éditeur : Conseil de l’Europe Contributeurs : Amaury du Closel Francesco Lotoro Dr. Milijana Pavlovic Dr. Katarzyna Naliwajek-Mazurek Ronald Leopoldi Dr. Suzanne Snizek Dr. Inna Klause Daniel Elphick Dr. David Fligg Dr. h.c. Philippe Olivier Lloica Czackis Dr. Edward Hafer Jory Debenham Dr. Katia Chornik Les vues exprimées dans cet ouvrage sont de la responsabilité des auteurs et ne reflètent pas nécessairement la ligne officielle du Conseil de l’Europe. 2 Sommaire Amaury du Closel : Introduction 4 Francesco Lotoro : Searching for Lost Music 6 Dr Milijana Pavlovic : Alma Rosé and the Lagerkapelle Auschwitz 22 Dr Katarzyna Naliwajek–Mazurek : Music within the Nazi Genocide System in Occupied Poland: Facts and Testimonies 38 Ronald Leopoldi : Hermann Leopoldi et l’Hymne de Buchenwald 49 Dr Suzanne Snizek : Interned musicians 53 Dr Inna Klause : Musicocultural Behaviour of Gulag prisoners from the 1920s to 1950s 74 Daniel Elphick : Mieczyslaw Weinberg: Lines that have escaped destruction 97 Dr David Fligg : Positioning Gideon Klein 114 Dr. h.c. Philippe Olivier : La vie musicale dans le Ghetto de Vilne : un essai
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966, Tanglewood
    f SIXTH WEEK August 6, 7, 8, 1965 Bartok/ Concerto for Orchestra The Boston Symphony Boston Symphony Orchestra Erich Leinsdorf under Leinsdorf For his recording debut as conductor of the Boston Symphony, Leinsdorf chose Bartok's "Concerto for Orchestra" The resulting album was an enormous success, fie later turned to Prokofieff, and Dynagroove recordings such as that of the Fifth Symphony have since shown why the N. Y. Herald Tribune's critic wrote: "Leinsdorf is now in the midst of performing all the Prokofieff orchestral liter- ature... he is quite clearly just the man for the job'.' Listen to Erich Leinsdorf and the Boston Symphony exclusively on RCA Red Seal. PROKOFIEFF: SYMPHONY No. 5 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF RCA Victor (@)The most trusted name in sound "TBI Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SIXTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L. Thomason Lenges Bull George E.
    [Show full text]
  • Prokofiev (1891-1953)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs And LPs Prepared by Michael Herman Sergei Prokofiev (1891-1953) Born in Sontsovka, Yekaterinoslav District, Ukraine. He was a prodigy who played the piano and composed as a child. His formal training began when Sergei Taneyev recommended as his teacher the young composer and pianist Reinhold Glière who spent two summers teaching Prokofiev theory, composition, instrumentation and piano. Then at the St. Petersburg Conservatory he studied theory with Anatol Liadov, orchestration with Nikolai Rimsky-Korsakov and conducting with Nikolai Tcherepnin. He went on to become one of Russia's greatest composer, excelling in practically every genre of music. He left the Soviet Union in 1922, touring as a pianist and composing in Western Europe and America, but returned home permanently in 1936. Symphony No. 1 in D major, Op. 25 "Classical" (1916-7) Claudio Abbado/Chamber Orchestra of Europe ( + Symphony No. 5, Piano Concerto No. 3, Violin Concerto No. 1, Alexander Nevsky, Romeo and Juliet: Suites Nos. and 2 {Excerpts} and Visions Fugitives) DEUTSCHE GRAMMOPHON PANORAMA 469172-2 (2 CDs) (2000) (original CD release: DEUTSCHE GRAMMOPHON 429396-2 GH) (1990) Claudio Abbado/London Symphony Orchestra ( + Symphony No. 3, Romeo and Juliet - Excerpts, Chout - Excerpts, Hindemith:Symphonic Metamorphoses on Themes by Carl Maria von Weber and Janacek: Sinfonietta) DECCA ELOQUENCE 4806611 (2 CDs) (2012) (original LP release: DECCA SXL 6469/LONDON CS 6679) (1970) Marin Alsop/São Paulo Symphony Orchestra ( + Symphony No. 2 and Dreams) NAXOS 8.573353 (2014) Karel Ancerl/Czech Philharmonic Orchestra ( + Piano Concertos Nos. 1 and 2) SUPRAPHON SU 36702011 (2002) (original LP release: SUPRAPHON DV 5353) (1956) Karel Ancerl/Czech Philharmonic Orchestra (rec.
    [Show full text]
  • A Model for Evaluation of Selected Compositions for Unaccompanied
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 A model for evaluation of selected compositions for unaccompanied solo trumpet according to criteria of serious artistic merit Michael Craig Bellinger Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Bellinger, Michael Craig, "A model for evaluation of selected compositions for unaccompanied solo trumpet according to criteria of serious artistic merit" (2002). LSU Doctoral Dissertations. 751. https://digitalcommons.lsu.edu/gradschool_dissertations/751 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A MODEL FOR EVALUATION OF SELECTED COMPOSITIONS FOR UNACCOMPANIED SOLO TRUMPET ACCORDING TO CRITERIA OF SERIOUS ARTISTIC MERIT A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Michael Craig Bellinger B.M., East Carolina University, 1983 M.M. Northwestern University, 1988 May, 2002 Copywrite © 2002 Michael Craig Bellinger All rights reserved ii ACKNOWLEDGEMENTS I am deeply indebted to those whose assistance made this project possible. Thank you to James West, my primary advisor, for supporting the ideas that became this document. Thank you to Frank Wickes, my secondary advisor for his inspiration and guidance.
    [Show full text]
  • CHICAGO SYMPHONY ORCHESTRA One Hundred First Season
    UNIVERSITY MUSICAL SOCIETY in association with Ervin Industries and KMS CHICAGO SYMPHONY ORCHESTRA One Hundred First Season DANIEL BARENBOIM Music Director and Conductor SIR GEORG SOLTI, Music Director Laureate Monday Evening, March 30, 1992, at 8:00 Hill Auditorium, Ann Arbor, Michigan The Music of Richard Strauss Don Juan, Op. 20 Till Eulenspiegel's Merry Pranks, Op. 28 Intermission Ein Heldenleben, Op. 40 Ruben Gonzalez, Violinist The University Musical Society expresses gratitude to Ervin Industries and KMS for their generous grants in support of tonight's concert. The Chicago Symphony Orchestra recognizes with appreciation support for this tour from the State of Illinois and the City of Chicago. The pre-concert carillon recital was performed by Ray McLellan, a student of Margo Halsted, University Carillonneur. The University Musical Society wishes to thank Ms. Nancy Malitz, Music Writer, The Detroit News, for tonight's Philips Pre-concert Presentation. The Chicago Symphony Orchestra is represented by Columbia Artists Management Inc., New York City. Activities of the Musical Society are supported by the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Thirty-fifth Concert of the 113th Season 113th Annual Choral Union Series Program Notes MUSIC OF RICHARD STRAUSS Bom June 11, 1864, Munich; died Septembers, 1949, Garmisch-Partenkirchen, Bavaria. hortly after Theodore Thomas set­ Strauss conducted Mozart's Don Giowmni in tled in Chicago in 1891 as the first Munich shortly before he began this, his first music director of the Chicago Sym­ important work.
    [Show full text]
  • Chicago Symphony Orchestra Kenneth Jean, Guest Conductor Philip Sabransky, Pianist Daniel Barenboim, Music Director Sir Georg Solti, Music Director Laureate
    UNIVERSITY MUSICAL SOCIETY andjacobson's Chicago Symphony Orchestra Kenneth Jean, Guest Conductor Philip Sabransky, Pianist Daniel Barenboim, Music Director Sir Georg Solti, Music Director Laureate Tuesday Evening, March 8, 1994, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM The Fountains of Rome ........................ Respighi The Fountain of Valle Giulia at Dawn The Triton Fountain in the Morning The Fountain of Trevi at Midday The Villa Medici Fountain at Sunset Piano Concerto in A Minor, Op. 16 ................... Grieg Allegro molto moderate Adagio Allegro molto moderate e marcato Philip Sabransky, Pianist INTERMISSION Symphony No. 7 in A Major, Op. 92 ................ Beethoven Poco sostenuto Vivace Allegretto Presto Allegro con brio The Baldwin is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and by the National Endowment for the Arts, a federal agency. Large print programs are available upon request from an usher. The pre-concert carillon recital was performed by Ray McLellan, a U-M doctoral student in organ. Special thanks to Joe Laibman, composer and co-owner of L & S Music, for this evening's Philips Educational Presentation. Forty-Fourth Concert of the 115th Season 115th Annual Choral Union Series PROGRAM NOTES The Fountains of Rome Ottorino Respighi Born July 9, 1879, Bologna, Italy. Died April 18, 1936, Rome, Italy. Respighi composed The Fountains of Rome in 1916; the first performance was given on March 11, 1917, in Rome. The score calls for two flutes and piccolo, two oboes and english horn, two clarinets and bass clarinet, two bassoons, four horns, three trumpets, three trombones and tuba, timpani, triangle, cymbals, carillon, bells, two harps, celesta, piano, organ, and strings.
    [Show full text]