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An Introduction to Asian Art
SATURDAY for SEP 10, 2016 EDUCATORS AN INTRODUCTION TO ASIAN ART RESOURCE & ACTIVITY GUIDE TABLE OF CONTENTS Welcome 2 WELCOME, EDUCATORS Asian Art at The Ringling 2 About The Ringling’s Center for Asian Art 2 – 3 The Ringling is pleased to present this comprehensive Resource & Map of the Center for Asian Art 3 Activity Guide, designed to How to Use This Guide 3 familiarize you with the art, history, and cultures of Asia. The activity Activities: Indian Sculpture 4 – 7 descriptions and supplementary Activities: Ceramics for Rites & Rituals 8 – 11 resources provided in this guide Activities: Export Porcelain 12 – 14 will introduce you to The Ringling’s growing Asian art collection and Words to Know 15 provide points of inspiration for Where to Learn More 16 incorporating the study of Asian art into your classroom. About The Ringling 16 Upcoming Saturdays for Educators 16 Image Credits 16 ASIAN ART AT THE RINGLING From its inception in the 1920s, The Ringling’s Asian art collection has expanded greatly over the decades. While John Ringling’s passion for collecting art was centered on the European Baroque period, he also purchased a number of large stone objects from India, forming the basis of his Asian art collection and providing the impetus for the Museum to continue collecting art objects from Asia to this day. Subsequent significant gifts and purchases have greatly augmented the collection, and today it encompasses diverse objects from a broad range of Asian cultures. These include stone Buddhist sculpture from Gandhara, a crossroads of the ancient world’s Silk Road; Chinese ceramics from all periods of China’s history; Japanese woodblock prints, both traditional ukiyo-e as well as twentieth-century specimens; Vietnamese, Thai and Korean ceramics; and decorative objects representing Turkomen tribes and other cultural groups. -
Viola Frey……………………………………………...6
Dear Educator, We are delighted that you have scheduled a visit to Bigger, Better, More: The Art of Vila Frey. When you and your students visit the Museum of Arts and Design, you will be given an informative tour of the exhibition with a museum educator, followed by an inspiring hands-on project, which students can then take home with them. To make your museum experience more enriching and meaningful, we strongly encourage you to use this packet as a resource, and work with your students in the classroom before and after your museum visit. This packet includes topics for discussion and activities intended to introduce the key themes and concepts of the exhibition. Writing, storytelling and art projects have been suggested so that you can explore ideas from the exhibition in ways that relate directly to students’ lives and experiences. Please feel free to adapt and build on these materials and to use this packet in any way that you wish. We look forward to welcoming you and your students to the Museum of Arts and Design. Sincerely, Cathleen Lewis Molly MacFadden Manager of School, Youth School Visit Coordinator And Family Programs Kate Fauvell, Dess Kelley, Petra Pankow, Catherine Rosamond Artist Educators 2 COLUMBUS CIRCLE NEW YORK, NEW YORK 10019 P 212.299.7777 F 212.299.7701 MADMUSEUM.ORG Table of Contents Introduction The Museum of Arts and Design………………………………………………..............3 Helpful Hints for your Museum Visit………………………………………….................4 Bigger, Better, More: The Art of Viola Frey……………………………………………...6 Featured Works • Group Series: Questioning Woman I……………………………………………………1 • Family Portrait……………………………………………………………………………..8 • Double Self ……………………………………………………………………...............11 • Western Civilization Fountain…………………………………………………………..13 • Studio View – Man In Doorway ………………………………………………………. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Terracotta Figurines in the Walker Art Building
TERRACOTTA FIGURINES IN THE WALKER ART BUILDING by Kevin Herbert, Ph.D. BOWDOIN COLLEGE BULLETIN BOWDOIN COLLEGE BULLETIN Brunswick, Maine December, 1939 Number 535 This Bulletin is published annually by the College in September, De- cember, March, and June. Entered as second-class matter at the Post Office in Brunswick, Maine, under the Act of Congress of July 16, 1894. TERRACOTTA FIGURINES IN THE WALKER ART BUILDING Kevin Herbert, Ph.D. Department of Classics Bowdoin College BOWDOIN COLLEGE Brunswick, Maine, I960 Printed by the Brunswick Publishing Co., Brunswick, Maine Preface The second section of this study originally appeared in the De- cember 1959 issue of The Classical Journal, Volume 55, pp. 98- 110, under the title "Terracotta Figurines at Bowdoin College." I wish, therefore, to express my thanks to the Editor, Professor Norman T. Pratt, Jr., of Indiana University, for his kind per- mission to reprint it on this occasion. Since information on the origins and the content of the Classical Collections in that ar- ticle was necessarily restricted to a brief note, I thought it es- pecially fitting that a more detailed description of their history be presented herein, and so the first section has been added to the original. I also desire to express my appreciation to my friend. Dr. Cornelius C. Vermeule, Curator of Classical Art in the Museum of Fine Arts, Boston, who read and criticized the manuscript of the second section, and to Mr. Stephen Merrill of Brunswick, who is responsible for the excellent photographic work which accompanies this study. Finally, thanks are due to my colleagues. -
2 Day Derbyshire Fine
Auction - 2 day Derbyshire Fine Art Auction Including 2 private estates contents - Webcast Only - Postage and Safe Click/Collect Only NO ONLINE FEES ON HANSONSLIVE.CO.UK 02/07/2020 10:30 AM GMT+1 Lot Title/Description Lot Title/Description 1 A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form 8 Two pairs of German porcelain figures, circa 1900, the first Sitzendorf and painted with a scene of a neoclassical maiden in flowing robes and modelled as a shepherd and shepherdess playing pipes, 22cm carrying a water jar, framed. high, the second Volkstedt and modelled as a rustic maid and man, she 25cm (frame 36cm x 39cm) carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: negligible signs of age only. Condition: Sitzendorf - losses to pipes, chips to leaves, oxidation to A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form man's jacket. Volkstedt - minor rubbing to gilt, tiny chips to flower and painted with a scene of a neoclassical maiden in flowing robes petals. carrying a water jar, framed. 25cm (frame 36cm x 39cm) Condition: Two pairs of German porcelain figures, circa 1900, the first Sitzendorf negligible signs of age only. and modelled as a shepherd and shepherdess playing pipes, 22cm Est. 200 - 300 high, the second Volkstedt and modelled as a rustic maid and man, she 2 A George III mahogany and inlaid serpentine writing table, circa 1790, carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: the moulded top above three cock-beaded frieze drawers, raised on Sitzendorf - losses to pipes, chips to leaves, oxidation to man's jacket. -
General and Collectables Tuesday 20 July 2010 10:00
General and Collectables Tuesday 20 July 2010 10:00 Frank Marshall & Co Marshall House Church Hill Knutsford WA16 6DH Frank Marshall & Co (General and Collectables) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 12 A large decorative terracotta cylinder form umbrella/stick stand Two boxes of assorted hard back books predominantly on vase horse racing Estimate: £20.00 - £40.00 Estimate: £20.00 - £40.00 Lot: 2 Lot: 13 A 19th century copper and brass coaching horn A cased Riosa mother of pearl effect cased accordion Estimate: £10.00 - £15.00 Estimate: £30.00 - £50.00 Lot: 3 Lot: 14 A three section collapsible walking stick with brass handle A collection of assorted boxed and loose collectors cars to Estimate: £5.00 - £10.00 include Dinky, Matchbox, Lledo, Solido etc Estimate: £20.00 - £40.00 Lot: 4 A 20th century quarter section wooden walking stick with Lot: 15 bulbous handle, length 85cm A mixed lot of Oriental sundries to include coffee service, Estimate: £40.00 - £60.00 sundry ornaments, also a Caithness Prima Ballerina Sugar Plum paperweight no.Z54292, boxed etc Estimate: £10.00 - £20.00 Lot: 5 A Border Fine Arts figure of a golden retriever lying on a cushion, also a Royal Tudorware chintz pattern ginger jar, Lot: 16 Alfred Meakin Rosa pattern dish, floral decorated jug, Victorian L W Daniels; framed poster entitled 'Derbyshire', also, Kenneth cut glass celery vase etc Steel; advertising poster entitled 'Constable Country', these Estimate: £20.00 - £40.00 posters were displayed in the now closed railway museum 'Dinting Glossop' -
Fragile Gods: Ceramic Figurines in Roman Britain Volume 1
Fragile Gods: Ceramic Figurines in Roman Britain Volume 1 Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology, University of Reading Matthew G. Fittock December 2017 Declaration I certify that this is my own work and that use of material from other sources has been properly and fully acknowledged in the text. I have read the University’s definition of plagiarism and the department’s advice on good academic practice. I understand that the consequence of committing plagiarism, if proven and in the absence of mitigating circumstances, may include failure in the Year or Part or removal from the membership of the University. I also certify that neither this piece of work, nor any part of it, has been submitted in connection with another assessment. Signature: Date: i Abstract As small portable forms of statuary, pipeclay objects provide a valuable insight into the religious beliefs and practices of the culturally mixed populations of the Roman provinces. This thesis provides a complete catalogue of the nearly 1000 published and unpublished pipeclay objects found in Britain, including figurines, busts, shrines, animal vessels and masks. This research is the first study of this material conducted since the late 1970s. Pipeclay objects were made in Gaul and the Rhine-Moselle region but not in Britain. Attention thus focuses on where and how the British finds were made by analysing their styles, types, fabrics and any makers’ marks. This reveals how the pipeclay market in Britain was supplied and how these objects were traded, and suggests that cultural rather than production and trade factors were more influential on pipeclay consumption in Britain. -
Newsletter 49
CARLTON WARE NEWSLETTER #49 From Ian Harwood & Jerome Wilson June 2010 It has been quite a few months now since we published our last Newsletter and much has happened since then. On January 1 of this year, when we could see that we had a few days break in the winter weather, we hit the road south out of Calgary, on our way to Florida! We had a house rented for January 15, so we had 2 weeks to get there. Our plan was to drive south as fast as we could, to get below the snow belt, and then turn east and drive across the U.S.A., stopping here and there on the way – for antique shopping, of course! Our fast drive south, out of the winter weather, did not give us time for any shopping. Our first day’s drive got us out of Canada and into Montana and a stop for the night in Great Falls. The second day we crossed into Idaho and then into Utah and stopped for the second night in Ogden. The third day saw us drive south of the snow line in southern Utah, briefly cross into the top corner of Arizona and then into Nevada, where we stopped for a couple of days on the Las Vegas strip. You can always find a cheap, first class room in Vegas – just find an hotel that isn’t holding a convention and the best rooms can be had for as little as $45 a night. We stayed at Bally’s, right in the middle of it all. -
Oriental & European Ceramics & Glass
THIRD DAY’S SALE WEDNESDAY 24th JANUARY 2018 ORIENTAL & EUROPEAN CERAMICS & GLASS Commencing at 10.00am Oriental and European Ceramics and Glass will be on view on: Friday 19th January 9.00am to 5.15pm Saturday 20th January 9.00am to 1.00pm Sunday 21st January 2.00pm to 4.00pm Monday 22nd January 9.00am to 5.15pm Tuesday 23rd January 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 661 662 A large presentation wine glass and a pair of wine glasses Two late 18th century English wine glasses, one similar the former with bell shaped bowl engraved with the arms of and an early 19th century barrel-shaped tumbler the first Weston, set on a hollow knopped stem and domed fold over two with plain bowls and faceted stems, 13.5 cm; the third foot, 27 cm high, the pair each with rounded funnel shaped engraved with floral sprays and on faceted stem, 14 cm; the bowl engraved with an eagle’s head set on a double knopped tumbler engraved with urns, paterae and swags with the stem and conical foot, 23 cm high. initials ‘GS’,11 cm (4). *£200 - 250 *£120 - 180 663 A George Bacchus close pack glass paperweight set with various multi coloured canes and four Victoria Head silhouettes, circa 1850, 8 cm diameter, [top polished]. *£300 - 500 664 665 A Loetz Phanomen glass vase of A Moser amber crackled glass vase of twelve lobed form with waisted neck shaped globular form, enamelled with and flared rim, decorated overall with a a crab, a lobster and fish swimming trailed and combed wave design, circa amongst seaweed and seagrass, circa 1900-05, unmarked, 19 cm high. -
Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child Plate Image of Man with a Tray of Pies and a Young Boy
Leatherdale | 1 Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child plate Image of man with a tray of pies and a young boy. 2019-040-0003 Diameter: 20 cm “Simple Simon Met a Pieman” is printed in a banner above. The alphabet is printed around the raised edge. Child plate Image of a boy wearing a blue hat, jacket, pants, and 2019-040-0004 Diameter: 19.3 cm socks. He is holding a horn and sitting on a fence. There is a cow in the background. “Little Boy Blue” is printed underneath. The alphabet is printed around the raised edge. Baby plate Image of a man standing beside reeds with a mallard 2019-040-0005 Diameter: 19 cm duck on the other side. Underneath is “There was a Little Man.” The alphabet is printed around the raised edge. Baby plate Image of “Hey Diddle Diddle” nursery rhyme. There 2019-040-0006 Diameter: 17.5 cm is a cat playing a fiddle, a cow jumping over the moon, a dog laughing, and a dish running holding hands and running with a spoon. Royal Winton Grimwades, England stamp Baby plate Image of a bird shooting another bird in a tree with an 2019-040-0007 Diameter: 16.6 cm arrow. Both birds are wearing suits, ties, and hats. “Who killed cock robin? “I” said the sparrow” is printed on the bottom. James Kent Ltd. Made in England Stamp. Baby plate Image of a boy playing a bugle. Boy dressed in blue 2019-040-0008 Diameter: 19.9 cm jacket, pants, shoes, and hat. -
Chinese Funerary Ceramics
Harn Museum of Art Educator Resources Chinese Funerary Ceramics Large Painted Jar (hu) China Han Dynasty (206 BCE-220 CE) Earthenware with pigment 15 3/16 x 11 1/8 in. Harn Museum Collection, 1996.23, Museum purchase, gift of Dr. and Mrs. David A. Cofrin Ceramics have been an integral part of Chinese culture throughout its history. How they were fashioned, decorated and used reflected functional needs, cultural practices and spiritual beliefs. High quality ceramic vessels were created as early as the Neolithic period. By the time of the Han dynasty (206 B.C.E. - 220 C.E.), ceramics took many forms, from various types of vessels to figurative work. Surface decoration could take the form of relief, incision, painting, or glazing. Vessels were wheel- thrown, indicating high technical achievement. Many ceramic forms, it seems evident, were modeled on costlier metal prototypes. While ceramics undoubtedly served utilitarian functions, they were also used as funerary objects. During the Han dynasty, the Chinese often buried their dead with objects they would need in the afterlife. This ceramic jar was made for that purpose. Its painted design is intended to resemble lacquer, an extremely valuable material that was considered a sign of high status. Because it was prohibitively expensive for most families to bury the dead with actual lacquer vessels, ceramic replicas were used instead as a way of conserving financial resources for the living. The form and decoration of this jar are perfectly balanced. The painted decoration is intricate and expertly applied. The major theme, seen in the central band, is that of a dragon and a phoenix. -
Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73