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An Introduction to Asian Art
SATURDAY for SEP 10, 2016 EDUCATORS AN INTRODUCTION TO ASIAN ART RESOURCE & ACTIVITY GUIDE TABLE OF CONTENTS Welcome 2 WELCOME, EDUCATORS Asian Art at The Ringling 2 About The Ringling’s Center for Asian Art 2 – 3 The Ringling is pleased to present this comprehensive Resource & Map of the Center for Asian Art 3 Activity Guide, designed to How to Use This Guide 3 familiarize you with the art, history, and cultures of Asia. The activity Activities: Indian Sculpture 4 – 7 descriptions and supplementary Activities: Ceramics for Rites & Rituals 8 – 11 resources provided in this guide Activities: Export Porcelain 12 – 14 will introduce you to The Ringling’s growing Asian art collection and Words to Know 15 provide points of inspiration for Where to Learn More 16 incorporating the study of Asian art into your classroom. About The Ringling 16 Upcoming Saturdays for Educators 16 Image Credits 16 ASIAN ART AT THE RINGLING From its inception in the 1920s, The Ringling’s Asian art collection has expanded greatly over the decades. While John Ringling’s passion for collecting art was centered on the European Baroque period, he also purchased a number of large stone objects from India, forming the basis of his Asian art collection and providing the impetus for the Museum to continue collecting art objects from Asia to this day. Subsequent significant gifts and purchases have greatly augmented the collection, and today it encompasses diverse objects from a broad range of Asian cultures. These include stone Buddhist sculpture from Gandhara, a crossroads of the ancient world’s Silk Road; Chinese ceramics from all periods of China’s history; Japanese woodblock prints, both traditional ukiyo-e as well as twentieth-century specimens; Vietnamese, Thai and Korean ceramics; and decorative objects representing Turkomen tribes and other cultural groups. -
Viola Frey……………………………………………...6
Dear Educator, We are delighted that you have scheduled a visit to Bigger, Better, More: The Art of Vila Frey. When you and your students visit the Museum of Arts and Design, you will be given an informative tour of the exhibition with a museum educator, followed by an inspiring hands-on project, which students can then take home with them. To make your museum experience more enriching and meaningful, we strongly encourage you to use this packet as a resource, and work with your students in the classroom before and after your museum visit. This packet includes topics for discussion and activities intended to introduce the key themes and concepts of the exhibition. Writing, storytelling and art projects have been suggested so that you can explore ideas from the exhibition in ways that relate directly to students’ lives and experiences. Please feel free to adapt and build on these materials and to use this packet in any way that you wish. We look forward to welcoming you and your students to the Museum of Arts and Design. Sincerely, Cathleen Lewis Molly MacFadden Manager of School, Youth School Visit Coordinator And Family Programs Kate Fauvell, Dess Kelley, Petra Pankow, Catherine Rosamond Artist Educators 2 COLUMBUS CIRCLE NEW YORK, NEW YORK 10019 P 212.299.7777 F 212.299.7701 MADMUSEUM.ORG Table of Contents Introduction The Museum of Arts and Design………………………………………………..............3 Helpful Hints for your Museum Visit………………………………………….................4 Bigger, Better, More: The Art of Viola Frey……………………………………………...6 Featured Works • Group Series: Questioning Woman I……………………………………………………1 • Family Portrait……………………………………………………………………………..8 • Double Self ……………………………………………………………………...............11 • Western Civilization Fountain…………………………………………………………..13 • Studio View – Man In Doorway ………………………………………………………. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Terracotta Figurines in the Walker Art Building
TERRACOTTA FIGURINES IN THE WALKER ART BUILDING by Kevin Herbert, Ph.D. BOWDOIN COLLEGE BULLETIN BOWDOIN COLLEGE BULLETIN Brunswick, Maine December, 1939 Number 535 This Bulletin is published annually by the College in September, De- cember, March, and June. Entered as second-class matter at the Post Office in Brunswick, Maine, under the Act of Congress of July 16, 1894. TERRACOTTA FIGURINES IN THE WALKER ART BUILDING Kevin Herbert, Ph.D. Department of Classics Bowdoin College BOWDOIN COLLEGE Brunswick, Maine, I960 Printed by the Brunswick Publishing Co., Brunswick, Maine Preface The second section of this study originally appeared in the De- cember 1959 issue of The Classical Journal, Volume 55, pp. 98- 110, under the title "Terracotta Figurines at Bowdoin College." I wish, therefore, to express my thanks to the Editor, Professor Norman T. Pratt, Jr., of Indiana University, for his kind per- mission to reprint it on this occasion. Since information on the origins and the content of the Classical Collections in that ar- ticle was necessarily restricted to a brief note, I thought it es- pecially fitting that a more detailed description of their history be presented herein, and so the first section has been added to the original. I also desire to express my appreciation to my friend. Dr. Cornelius C. Vermeule, Curator of Classical Art in the Museum of Fine Arts, Boston, who read and criticized the manuscript of the second section, and to Mr. Stephen Merrill of Brunswick, who is responsible for the excellent photographic work which accompanies this study. Finally, thanks are due to my colleagues. -
Fragile Gods: Ceramic Figurines in Roman Britain Volume 1
Fragile Gods: Ceramic Figurines in Roman Britain Volume 1 Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology, University of Reading Matthew G. Fittock December 2017 Declaration I certify that this is my own work and that use of material from other sources has been properly and fully acknowledged in the text. I have read the University’s definition of plagiarism and the department’s advice on good academic practice. I understand that the consequence of committing plagiarism, if proven and in the absence of mitigating circumstances, may include failure in the Year or Part or removal from the membership of the University. I also certify that neither this piece of work, nor any part of it, has been submitted in connection with another assessment. Signature: Date: i Abstract As small portable forms of statuary, pipeclay objects provide a valuable insight into the religious beliefs and practices of the culturally mixed populations of the Roman provinces. This thesis provides a complete catalogue of the nearly 1000 published and unpublished pipeclay objects found in Britain, including figurines, busts, shrines, animal vessels and masks. This research is the first study of this material conducted since the late 1970s. Pipeclay objects were made in Gaul and the Rhine-Moselle region but not in Britain. Attention thus focuses on where and how the British finds were made by analysing their styles, types, fabrics and any makers’ marks. This reveals how the pipeclay market in Britain was supplied and how these objects were traded, and suggests that cultural rather than production and trade factors were more influential on pipeclay consumption in Britain. -
Chinese Funerary Ceramics
Harn Museum of Art Educator Resources Chinese Funerary Ceramics Large Painted Jar (hu) China Han Dynasty (206 BCE-220 CE) Earthenware with pigment 15 3/16 x 11 1/8 in. Harn Museum Collection, 1996.23, Museum purchase, gift of Dr. and Mrs. David A. Cofrin Ceramics have been an integral part of Chinese culture throughout its history. How they were fashioned, decorated and used reflected functional needs, cultural practices and spiritual beliefs. High quality ceramic vessels were created as early as the Neolithic period. By the time of the Han dynasty (206 B.C.E. - 220 C.E.), ceramics took many forms, from various types of vessels to figurative work. Surface decoration could take the form of relief, incision, painting, or glazing. Vessels were wheel- thrown, indicating high technical achievement. Many ceramic forms, it seems evident, were modeled on costlier metal prototypes. While ceramics undoubtedly served utilitarian functions, they were also used as funerary objects. During the Han dynasty, the Chinese often buried their dead with objects they would need in the afterlife. This ceramic jar was made for that purpose. Its painted design is intended to resemble lacquer, an extremely valuable material that was considered a sign of high status. Because it was prohibitively expensive for most families to bury the dead with actual lacquer vessels, ceramic replicas were used instead as a way of conserving financial resources for the living. The form and decoration of this jar are perfectly balanced. The painted decoration is intricate and expertly applied. The major theme, seen in the central band, is that of a dragon and a phoenix. -
Meraki and Martins Doll and Figurine Auction (418)
09/24/21 12:37:26 Meraki And Martins Doll and Figurine Auction (418) Auction Opens: Mon, Apr 5 9:00am PT Auction Closes: Mon, Apr 12 6:07pm PT Lot Title Lot Title 0001 David Porcelain Doll 0031 Gustave F Wolff Sally Doll 0002 Signed Porcelain Doll Lot 11pc 0032 Playhouse Collection & Effanbee Porcelain 0003 Pauline Porcelain Doll Lot 3pc Dolls 0004 Pauline Porcelain Doll 0033 Angel Porcelain Doll Lot 5pc 0005 Pauline 306/950 Poreclain Doll 0034 Angel Porcelain Doll Lot 4pc Schmid 0006 Mary Elizabeth from Yesterday's Dream 0035 Hutchens & J Belle Dolls 3pc Collection Porcelain Doll 0036 Danburry Mint Shirley Temple Porcelain Bride 0007 Collectible Memories Porcelain Dolls 2pc Doll 0008 Collectible Memories Dolls NIB 2pc Bisque 0037 J Belle Porcelain Doll Porcelain 0038 Collector's Choice Bisque Porcelain Dolls 0009 Kingstate The Dollcrafter Porcelain Doll 0039 The Collectors Choice by DanDee Dolls 0010 Baby So Beautiful Dolls 4pc 0040 GeorgeTown Collection Porcelain Dolls 0011 Baby So Beautiful Angel Doll 0041 Georgetown Collection Katrina Murawska Doll 0012 Porcelain Angel Doll Lot 3pc 0042 Sunflower Cherub Ellenbrooke Doll 0013 Signed Porcelain Doll Lot 3pc 0043 Sweet Cherub Ellenbrook Dolls 0014 Sandra Kuck Porcelain Dolls 2 pc 0044 Ellenbrook Dolls 3pc 0015 Linda M Rick Porcelain Doll 0045 Tom Francirek Story Angel Doll 0016 Connies Dolls & Co Porcelain Doll 0046 Collection of Master Artist Richard Simons Doll 0017 Franklin Heirloom Porcelain Doll Lot 0047 2pc Porcelain Dolls 0018 Maryanne Oldenburg & More Lot 3pc 0048 Victorian Dolls 2pc 0019 House of Lloyd Porcelain Doll Lot 3pc 0049 Fairy Doll Lot 3pc 0020 Cindy M. -
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00 Capes Dunn & Co Capes Dunn & Co 38 Charles Street Manchester M1 7DB Capes Dunn & Co (European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 STEPHAN DEFON SMALL WILEMAN & CO., (The GOLDSCHEIDER, AUSTRIAN Foley China) 'INTARSIO' POTTERY FEMALE FIGURES, POTTERY SQUAT TWO 'Sitzende Lesende Junge Dame HANDLED VASE, decorated with (auf Buchersockel)', depicted encircling border of fish, with reading a book seated on, two scallop shells and wave pattern, large books, signed 'Dakon', 8" containing the aquatic theme, high impressed number 7561F, design registration No. 330286, circa 1936 pattern No. 3035, 3 1/4" high Estimate: £80.00 - £120.00 (one handle repaired) Estimate: £70.00 - £90.00 Lot: 2 STEPHAN DAKON Lot: 7 GOLDSCHEIDER, AUSTRIAN TWO IDENTICAL CLARICE POTTERY FEMALE FIGURE CLIFF (NEWPORT POTTERY) 'Sitzendes Madchen mit Buch 'CELTIC HARVEST' PATTERN (auf Bucherregal/Sockel)' MOULDED JUGS, with depicted seated with legs polychromed handles and crossed and book on her lap, pouring lips, 11 1/4" high (one seated on a low bookcase, 9 1/2" with damaged and repaired foot) high, impressed number 7226, Estimate: £100.00 - £150.00 circa 1935 (af) Estimate: £40.00 - £60.00 Lot: 8 A.G. RICHARDSON & CO, Lot: 3 CROWN DUCAL WARE STEPHAN DAKON CHARLOTTE RHEAD GOLDSCHEIDER, AUSTRIAN DESIGNED WALL PLAQUE, POTTERY FEMALE -
Bamfords Auctioneers & Valuers
Bamfords Auctioneers & Valuers The Derby Auction House Chequers Road Derby VICTORIAN, EDWARDIAN AND GENERAL SALE PART 2 Derbyshire DE21 6EN Started 08 Jun 2016 10:30 BST United Kingdom Lot Description 1000 A Royal Crown Derby hunting plate, wavy edge, printed marks, second quality A set of four early Victorian Ashworth Brothers ironstone soup bowls, transfer printed and painted with oriental style floral patterns, 1001 printed marks (4) 1002 A Royal Crown Derby shaped circular plate, painted by Cuthbert Gresley, signed 1003 Studio Pottery - a large Irish Kilrush Scraffito vase, 36cm Derby Porcelain - a Crown Derby Porcelain Company fluted circular plate, printed marks, c.1880; a shaped Derby comport; another; 1004 Bloor Derby plate A Royal Crown Derby paperweight, Alphabet Bear B, gold stopper, boxed; another Alphabet Bear C, gold stopper, boxed; a novelty 1005 Bottle of Champagne and Ice Bucket, boxed; a Green Derby Panel five petal dish signed by Sue Rowe, boxed (4) 1006 A Royal Crown Derby paperweight, Shire Horse, specially commissioned by Sinclairs, limited edition, gold stopper, boxed 1007 A Royal Crown Derby paperweight, Mythical Unicorn, exclusive to Goviers of Sidmouth, 635/1750, boxed with certificate 1008 A Royal Crown Derby Scottish Terrier model, 370/2000, boxed with certificate 1009 A Royal Crown Derby paperweight, Pegasus, limited edition 817/1750, printed mark, gold stopper, boxed with certificate 1010 A Royal Crown Derby English Spaniel model, limited edition 95/1000, boxed with certificate 1011 A Royal Crown Derby Irish Blue Kerry model, limited edition 782/1000, boxed with certificate 1012 A Royal Crown Derby Welsh Corgi model, limited edition 217/500, boxed with certificate 1013 A Royal Crown Derby paperweight, Harrods bear, printed mark, gold stopper, boxed 1014 A Royal Crown Derby paperweight,Imari ram,boxed with certificate. -
White Santa Claus Figurine
White Santa Claus Figurine labour-savingTait is spherically Lindy drying yells after her phrasingnecromantic mediatises Florian loosest.augments Fulgent his commercials Antoni venged, resistlessly. his doline Washington forklift snakes refreezes whacking. inadequately as Such as a gift or other seasonal decor, this server encountered an account information during christmas items through the white santa claus figurine cannot carry them on a bag full beard Bristol Holiday Santa Figurine 175 IN Fitz and Floyd. This traditional Christmas figurine will brighten any display Santa Claus wears his red dress suit trimmed in stain and his hat but a sprig of holly pinned to it. Ribbon bows highlighted with white beard will the. Santa Claus Figures Northlight Seasonal. Sits in just lovely christmas gifts with incoming white, we saw came into their other seasonal decor. JJ'S HOLIDAY GIFTS is excited about the 19' ' White Fabric Winter Wonderland Santa Claus holding Teddy Bear which route an excellent sample to anyone's. Using an icon of music knowledge is full arc and which suit and lament and see tree. Make them until they are the figurine was able to bad ones. Categorized catalog, free delivery and wide selection. Grandfather clock sculpture trimmed in. Filled with reindeer, friends and book life sized sitting santa will welcome this figurine is bundled up? Add the joyful cheer of Santa to any indoor or outdoor then this holiday season. Sturdy wireframe construction makes us on the figurine collectibles xmas decor in no time of small shining stars, a plaid with white suit with. Christmas magic comes to grow in this beautifully detailed figurine from artist Jim Shore! Perfect for your browsing experience the ribbons, images do not inflatable santa resin santa is invalid number of? Shop our white porcelain bone china set forth on a long white apron will light up your outdoor use some whimsy to. -
1 CARLTON WARE NEWSLETTER #50 from Ian
CARLTON WARE NEWSLETTER #50 from Ian Harwood & Jerome Wilson August 2010 – Higher resolution version. Violet Elmer and Olive Kew – The Trilogy - Part Three By Barry and Elaine Girling The County of Suffolk is not unknown for being at the forefront of the Arts and has produced many figures of renown. Architects, artists, choreographers, composers, designers and sculptors of the highest order abound either by birth or association. Constable, Gainsborough and Munnings found their way from England’s most easterly county, as did Peter Hall and Trevor Nunn. Frederick Ashton lived there for many years whilst Charles Rennie Mackintosh and John Piper stayed but briefly. Henry Moore, John Nash, and Stanley Spencer left their own legacy. Amongst composers and musicians the most prominent was Benjamin Britten, the catalyst of an iconic group. Surprisingly there are strong connections to the world of ceramics. Firstly the celebrated Lowestoft Porcelain works [c1757–1802] was located on the county’s northern seaboard. Secondly, Ipswich born Reginald Haggar [1905–1988] attended the local School of Art as well as the Royal College. The charismatic figure, ceramic designer, accomplished artist, and lecturer moved to Mintons in 1929 and soon established himself as Art Director, a position he held for a decade. He was Master in Charge at both Stoke and Burslem Schools of Art during the period 1935 – 1945. Later he devoted his time to the painting of watercolours, writing and giving lectures. Perhaps as a contemporary of Violet Elmer he may have made her acquaintance as they enjoyed a shared love of Art Deco and the two Factories were in close proximity. -
The Reception of Chinese and Japanese Porcelain in Europe
The Reception of Chinese and Japanese Porcelain in Europe Rose Kerr Introduction In the last twenty years, a great deal of new work has been done on the trade in porcelain between China, Japan and Europe. The extent of research activity is revealed by the impressive six-page, double column, and bibliography in the catalogue which accompanied an exhibition at the British Museum in London from July to November, 1990.1 This exhibition, entitled "Porcelain for Palaces", looked at one aspect of the trade, namely the fashion for Japan in Europe in the period 1650-1750. It was only one of many recent projects undertaken in Europe, America and Japan to consider the East-West trade in ceramics during the seventeenth and eighteenth centuries. Indeed, the only country to show scant interest has been China herself.2 Most useful study has been carried out in the West and in Japan, through archaeological an1 archival work: exploratory trips to the Chinese mainland have reveale1 li1.tle of interest.3 This paper will attempt to sketch a few new details upon this expansive background. Its first subject will be a very brief overview of European trade in the East during the seventeenth and eighteenth centuries1 the second part will deal with bulk exports or tableware; while the third will examine the types of Chinese and Japanese porcelain used for luxury display in European palaces and great houses. European Trade in the East in the seventeenth and Eighteenth Centuries Export porcelains make an attractive item for study because they are beautiful, and because they survive complete or as sherds.