Triduum 2021
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Healing Through Song
Innovation In Action Healing Through Song Music Therapy After-Care for Sexual Violence Survivors Panzi Foundation USA What s really important about this project is the innovative element; music therapy’ is still not often used and to pilot this kind of work especially in Congo is “ground breaking. The project goes beyond traditional techniques to treat the participants not as patients but as artists which is really empowering for the women. It highlights their dignity and reconnects them in a way that traditional talk therapy and perhaps other forms of group therapy don t achieve. Naama Haviv, Panzi Foundation USA ’ ” In the wake of the 1994 genocide in Rwanda and the ongoing conflicts in the Democratic Republic of Congo (DRC), the extent of sexual violence is well documented. In May 2011, the american journal Public Health noted that over 1100 women and girls are raped every day in DRC. Increasingly, children under the age of five are subject to sexual violence and being brought into the local hospital in Panzi with horrific injuries. Using music therapy, this project is a crucial and innovative way to try to rehabilitate the survivors of this abuse, to reintegrate them back into society and to prevent ongoing abuse from taking place in the future. The messages delivered through this music can raise awareness that leads to the change necessary for future prevention. The programme will also serve as a beacon to bring more women to the hospital to receive treatment. After the first rape, my husband left me. He said I must be contaminated. -
Asthma: the Soap Opera
Asthma: The Soap Opera Angela: I'm sorry… my love. I can't. My father said no. Mario: Think of yourself. Think of us. Our love. Angela: I will think of you always. I love you. But our love can never be. Mario: Please don't do this to me. First, my wife died in a car crash. Then, our baby son got sick. And now, losing you. It's too much for me. Angela: I have no choice. I want to stay, but I cannot. Mario: When you leave, you are taking my heart. How can I live without you? Angela: I will love you always. Never forget me! (Angela leaves. Mario is crying. The doorbell rings.) Director: Cut! Cut! Cut! Mario: What? Director: The doorbell was ringing. You have to answer it. Mario: How can I answer the door? My life will never be the same. Director: Exactly. So the doorbell rings, and you answer it. Why are you over here crying by the baby? Mario: Because… The baby has asthma. He can't breathe! Director: Didn't you read the script? The story is about you and your lost love. Not the baby. Forget about the baby. Mario: Didn't I read the script? Didn't you read the script? The script says, the baby has asthma. How can I forget about my baby son? My little boy needs my help. He needs me. Director: It's just asthma. It's no big deal. ©2018 The New York City Mayor’s Office of Immigrant Affairs 1 Mario: What do you mean no big deal? I don't think you know enough about asthma. -
2020 Triduum Morning Prayer Program
Friday: Were You There Morning Prayer 1. Were you there when they crucified my Lord? Triduum 2020 Were you there when they crucified my Lord? Oh! SometiMes it causes me to treMble, treMble, treMble. INVITATION TO PRAYER Were you there when they crucified my Lord? CANTOR: 2. Were you there when they nailed hiM to the tree? Were you there when they nailed hiM to the tree? Oh! SometiMes it causes me to treMble, treMble, treMble. Were you there when they nailed hiM to the tree? 3. Were you there when they laid hiM in the tomb? HYMN Were you there when they laid hiM in the tomb? Oh! SometiMes it causes me to treMble, treMble, treMble. Thursday: Where Charity and Love Prevail Were you there when they laid hiM in the tomb? Where charity and love prevail, there God is ever found; Text: 10 10 14 10. Text and music: Spiritual; Old Plantation Hymns, Boston, 1899. Brought here together by Christ’s love, by love are we thus bound. Saturday: How Can I Keep from Singing? With grateful joy and holy fear God’s charity we learn; Let us with heart and mind and soul now love God in return. My life flows on in endless song above earth's lamentation. I hear the real though far-off hymn that hails a new creation. No storm can shake my inmost calm while to that rock I'm clinging. Forgive we now each other’s faults as we our faults confess; Since Christ is Lord of heaven and earth, how can I keep from singing? And let us love each other well in Christian holiness. -
The Morning Office During the Paschal Triduum
The Morning Office During The Paschal Triduum ne of the challenges of the post Vatican II liturgical method of combining the Office of Readings with Morning reform is the implementation of the Liturgy of the Prayer. OHours on the parochial scene. It is lamentable that If the Office of Readings is said immediately before another fifteen years after the publication of the revised Office, Hour of the Office, then the appropriate hymn for that Hour Moming Prayer and Evening Prayer are so infrequently may be sung at the beginning of the Office of Readings. At found on the schedules of parish liturgical services. The the end of the Office of Readings the prayer and conclusion success of the effort at implementation is probably are omitted, and in the Hour following the introductory verse with the Glory to the Father is omitted. proportionate 0 the determination and enthusiasm of pastoral rni . ters. - Generallntruction of the Liturgy of the Hours, #99. The success of the celebration of the Liturgy of the Hours, e 1988 Circular Letter of the Congregation for Divine to great extent, depends upon the quality of the music orship on the preparation and celebration of the Easter ministry available. Ordinarily, for morning or evening Feasts repeats the challenge. This certainly may be prayer a cantor, and perhaps an instrumentalist (e.g. viewed as an indication of it's seriousness. organist), is necessary. During the Paschal Triduum, It is recommended that there be a communal celebration of however, accompaniment is eliminated, and so a good the Office of Readings and Morning Prayer on Good Friday cantor or leader of song is essential. -
The Triduum Which Means the THREE DAYS
THE T RIDUUM MAUNDY THURSDAY | GOOD FRIDAY | EASTER VIGIL March 29-31, 2018 St. John’s Lutheran Church | Northfield, Minnesota Please leave this worship folder at church. It is used for the three-day Triduum service. Welcome to worship at St. John’s! We especially welcome all who are visiting during this Holy Week. We are grateful to share this time of worship with you! All are invited to sign the welcome sheets in the black folders at the end of the pews. Please pass them down to the center and then back so you can greet those worshiping around you. Ushers will gather these following worship. An * invites you to stand as you are able. P Pastor, L Leader (Assisting Minister), C Congregation Children are welcome to participate throughout our worship service, including at Holy Communion. Parents, please assist children when they come forward for communion to extend their hands if they are to receive the bread and wine. Children’s Bibles and activity bags are available at both entrances to the Sanctuary. Hearing assistance devices are available outside the sanctuary or from an usher. OUR WORSHIP “We keep this annual feast, now, in our own time. Jesus has already died and is risen. … All of the central practices of the assembly are here—open meeting, scripture reading, praying, baptizing and remembering baptism, the meal, collection for mission and for the poor—but these are seen exactly as carrying the central encounter with the crucified and risen one, with God as God is known in Jesus.” — Gordon Lathrop, The Four Gospels on Sunday. -
A Conductor's Analysis of Selected Motets by Rihards Dubra Kevin Doyle Smith Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 The ts yle of meditation: a conductor's analysis of selected motets by Rihards Dubra Kevin Doyle Smith Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Smith, Kevin Doyle, "The ts yle of meditation: a conductor's analysis of selected motets by Rihards Dubra" (2004). LSU Doctoral Dissertations. 1235. https://digitalcommons.lsu.edu/gradschool_dissertations/1235 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE STYLE OF MEDITATION: A CONDUCTOR’S ANALYSIS OF SELECTED LATIN MOTETS BY RIHARDS DUBRA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fullfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Kevin Doyle Smith B. S., Eastern Nazarene College, 1994 M. S. M., Emory University, 1999 August 2004 Acknowledgements Thank you to my family, Mendy and Brendan, for all of the sacrifices that you both have made to help me achieve my goals and live my dreams. Without your love, support, and understanding none of this would have been possible. Thank you to Ken Fulton, Sara Lynn Baird, Allison McFarland, Bill Grimes, and Jindong Cai for their dedication to this research and to me. -
Pentecost Sunday
Solemnity of Pentecost Cathedral Basilica of Saints Peter and Paul and the Shrine of Saint Katharine Drexel Philadelphia, Pennsylvania May 23, 2021 Prelude Prelude on “Veni creator spiritus” Libby Larsen Introductory Rites Entrance Come, Holy Ghost LAMBILLOTTE Sign of the Cross and Greeting 9:30 & 11:00 AM Cathedral Basilica Schola Chant English translation, sung in Latin The Spirit of the Lord has filled the whole world, alleluia; and that which contains all things, know every language spoken by men, alleluia, alleluia, alleluia. V. Let God arise, and let his enemies be scattered; and let those who hate him flee before his face. Penitential Act 8:00 AM only Chant Blessing and Sprinkling of Water I Saw Water Flowing David Hurd 2 Gloria Mass of Saints Peter and Paul Normand Gouin Choir or Cantor: Collect 3 Palm Sunday: The Passion of the Lord 14 Þxed Liturgy of the Word Word and Song Page 215, Vigil Mass Page 209 First Reading 5:15 PM Vigil Mass Genesis 11:1-9 It was called Babel because there the Lord confused the speech of all the world. Masses during the Day Acts 2:1-11 They were all filled with the Holy Spirit and began to speak. Responsorial Psalm PsalmPentecost 104 Luke Mayernik 6 & 8 ú. œ. œ œ œ œ #œ ‰ nœ œ œ œ. bœ œ ú. Lord, send out your Spir - it,œ andœ reœ - new the face of the earth. Refrain Copyright © 1969, 1981, 1997, International Commission on English in the Liturgy Corporation Music by Luke Mayernik, Copyright © 2017 Birnamwood Publications, A division of MorningStar Music Publishers, Inc. -
Trent 91; First Steps Towards a Stylistic Classification (Revised 2019 Version of My 2003 Paper, Originally Circulated to Just a Dozen Specialists)
Trent 91; first steps towards a stylistic classification (revised 2019 version of my 2003 paper, originally circulated to just a dozen specialists). Probably unreadable in a single sitting but useful as a reference guide, the original has been modified in some wording, by mention of three new-ish concordances and by correction of quite a few errors. There is also now a Trent 91 edition index on pp. 69-72. [Type the company name] Musical examples have been imported from the older version. These have been left as they are apart from the Appendix I and II examples, which have been corrected. [Type the document Additional information (and also errata) found since publication date: 1. The Pange lingua setting no. 1330 (cited on p. 29) has a concordance in Wr2016 f. 108r, whereti it is tle]textless. (This manuscript is sometimes referred to by its new shelf number Warsaw 5892). The concordance - I believe – was first noted by Tom Ward (see The Polyphonic Office Hymn[T 1y4p0e0 t-h15e2 d0o, cpu. m21e6n,t se suttbtinigt lneo] . 466). 2. Page 43 footnote 77: the fragmentary concordance for the Urbs beata setting no. 1343 in the Weitra fragment has now been described and illustrated fully in Zapke, S. & Wright, P. ‘The Weitra Fragment: A Central Source of Late Medieval Polyphony’ in Music & Letters 96 no. 3 (2015), pp. 232-343. 3. The Introit group subgroup ‘I’ discussed on p. 34 and the Sequences discussed on pp. 7-12 were originally published in the Ex Codicis pilot booklet of 2003, and this has now been replaced with nos 148-159 of the Trent 91 edition. -
PDF Scroll Version
May 2015 | catholicvi.com LOCAL NEWS Daily News Readership Award presented to Cathedral of Sts. Peter and Paul May,the Month of Mary OH MARY, CONCEIVED WITHOUT SIN, PRAY FOR US WHO HAVE RECOURSE TO THEE Inside this issue 3 Local news 7 Special report Venerable Pierre Toussaint: Part 2 of 4. 10 Holy Week Chrism Mass. 12 Holy Week The Sacred Triduum. 14 Journey of faith Ermine Jeffers. 22 World news 22 Parish calendars 25 ¡Buenas noticias! From the Bishop’s Desk On the Cover: My Dear People, Throughout the whole world, people the importance of Mary. She is a necessary of every nationality and religion celebrate part of our relationship with God; she is a the beautiful month of May. In North beautiful part of the practice of our Holy America, May is a month of beauty. The Catholic Faith; she is a significant help as weather is warm and pleasant, the flowers we make our pilgrim way to heaven. are blooming, the grass is green and all If you want to be a saint, love Mary. nature seems to be in a state of rejoicing. If you want to be a true Christian, love For Catholics, May is above and beyond all Mary. If you want to love Jesus more and else, the month dedicated to Our Blessed more, love Mary. And so it is with great Mother. It is a special time when we honor confidence that I dedicate all the priests Our Lady with processions and prayers. and religious of the Diocese of St. Thomas, Our Lady is crowned the Queen of May, the all the parishes and schools located on our Immaculate Heart of Mary, Leopold Queen of our churches, the Queen of the three beautiful islands, all our efforts to Kupelwieser, edited by Diana Ringo, diocese and the Queen of all our hearts. -
Introduction to Instalment 2
89 INTRODUCTION TO INSTALMENT 2 This instalment of the Trent 91 edition concentrates on functional chant settings, most of which are probably the work of the ‘chief mind’ of the Trent 91 paraphrase collection. The Dedication Propers (nos 22-27) are similar to the Salve festa dies and Sedit angelus settings given in my previous editions: the Superius-based chant is barely elaborated at all except at cadence-points. But the Dedication Propers tend to have dispensable Contra primus voices, and in other instances amongst these settings the Contra primus is almost dispensable. This leads me to the suspicion that these pieces might have been mostly worked out in three- voice form before the fourth parts were added. The Gradual, Alleluia and Offertory settings (nos 23, 24 and 26) are notably extended, with devices such as faster-moving lower voices and lower-voice motivic imitation enriching the texture (although some of this imitation might be fortuitous, given the way that the four-part texture may have been created). Also, the way in which the fourth part has been added sometimes creates diminished fifths (see no. 26, 106-108 and no. 27 at 6). Little more need be said about these settings except that their similarity and their copying together in Trent 91 are persuasive that they were a specially composed set, even if they are slightly disordered in the manuscript. Perhaps the stylistically similar Dedication hymn setting (no. 28) was also part of this set. A longish search through fifteenth-century sources also reveals that these may be the earliest extant complete set of polyphonic Dedication Propers. -
The FEAST of PENTECOST
Liturgy at Saint Thomas Aquinas Church The FEAST OF PENTECOST Introit: Spiritus Domini Spiritus Domini replevit orbem terrarum, alleluia: et hoc quod continet omnia, scientiam habet vocis, alleluia, alleluia, alleluia. Ps. Exsurgat Deus, et dissipentur inimici eius: et fugiant, qui oderunt eum, a facie eius.. The Spirit of the Lord has filled the whole world and that which contains all things understands what is said, alleluia. Ps. Let God arise, and let his enemies be scattered; and let those who hate him flee before his face. [Or] Processional: Come Holy Ghost Penitential Rite: Kyrie (adapt. Richard Proulx) (© 1986 by G.I.A. Publications., Inc.. All rights reserved. Reprinted under OneLicense.net A-722818.) 2 Gloria: Mass of Our Lady of Guadalupe – Aristotle Esguerra (© 2011, 2013 by Aristotle Esguerra. All rights reserved. This digital edition is licensed under a Creative Common Attribution-nonCommercial-ShareAlike unported 3.0 License. 3 Liturgy of the Word First Reading: Acts 2: 1-11 When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Now there were devout Jews from every nation under heaven staying in Jerusalem. At this sound, they gathered in a large crowd, but they were confused because each one heard them speaking in his own language. -
The Sacred Paschal Triduum 2021
The Sacred Paschal Triduum The Sacred Paschal Triduum of St. Mary Magdalen Church Wilmington,2019 Delaware April 1-4, 2021 Table of Contents Holy Thursday Evening Mass of the Lord’s Supper Page 3 Good Friday Celebration of the Passion of the Lord Page 9 Holy Saturday The Easter Vigil in the Holy Night Page 12 Easter Sunday of the Resurrection of the Lord Page 18 The Schola of St. Mary Magdalen Sopranos - Melanie Dudley, Marti Kuypers, Karen McCaffrey Nancy O’Laughlin, Katie Yakovenko Altos - Kathleen Ifkovits, Jennifer Pintal Tenors - Ryan Ifkovits, Ian Stone Bass - Peter Campbell Triduum Cantors Peter Campbell Karen McCaffrey Jennifer Pintal Justin Pollio Triduum Musicians David John Ifkovits – Director of Music/Organist Christina Lawless – Timpani Christa Sechler – Oboe The Capitol Brass Quintet The Wilmington String Quartet 2 Holy Thursday Evening Mass of the Lord’s Supper Introductory Rites Entrance Glory in the Cross Dan Schutte 3 Penitential Act Kyrie Bob Hurd Gloria Jubilation Mass James Chepponis 4 Palm Sunday: The Passion of the Lord 14 fixed Liturgy of the Word Reading I Exodus 12:1-8, 11-14 Psalm 116 Luke Mayernick Holy Thursday: Evening Mass of the Lord’s Supper 4 j œ œ 3 4 & 4 œ œ œ œ œ ˙ 4 ˙ œ 4 w Our bless-ing-cup is œa comœ -mun-ion withœ theœ Blood of Christ. Refrain Copyright © 1969, 1981, 1997, International Commission on English in the Liturgy Corporation Music by Luke Mayernik, Copyright © 2017 Birnamwood Publications, A division of MorningStar Music Publishers, Inc. Reading II I Corinthians 11:23-26 Purchaser may reproduce this congregational page provided a valid license is in place from a licensing agency, usage is reported, and the copyright notice is included.