The FEAST of PENTECOST
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The Solemnity of Pentecost
The Solemnity of Pentecost May 31, 2020 Blessed Sacrament Parish & School Milwaukee, Wisconsin % Introductory Rite % Processional Hymn O Spirit All Embracing 2 Sign of the Cross & Greeting Penitential Act Gloria A New Mass for Congregations 3 4 Opening Prayer % Liturgy of the Word % First Reading Acts of the Apostles 2: 1—11 Pentecost was a Jewish feast that celebrated the beginning of the harvest. It took place 50 days after the feast of Passover. Jewish pilgrims came to Jerusalem from all over the ancient world for the celebration of the feast. Today we hear how Pentecost became a Christian feast. Psalm 104 Lord Send Out Your Spirit 1- Bless the Lord, O my soul. O Lord, how great are your ways. How many are your works, O Lord; the earth is full of your glory! 2- If you take back their breath, they die. They return to the dust. When you send forth your breath of life, they are created in your sight! 3- May God’s glory last for all time; May God be glad in his works. Please to Him will be my theme. I will be glad in my God! I will be glad in my God! 5 Second Reading I Corinthians 12: 3—7, 12—13 Paul’s first letter to the Corinthians responds to a letter they wrote to him. They had asked him how to deal with diversity of gifts in the community, and the rivalries and jealousies that inevitably arose. In today’s passage, he uses a comparison that we will recognize immediately. -
Bells Welcome and Announcements Prelude Contemplation On
St. John's Lutheran Church, ELCA Pentecost “A Legacy of Worship and Outreach in San Antonio since 1857” May 23, 2021 502 East Nueva, San Antonio, Texas 78205 www.StJohnsSA.org ◊ [email protected] Phone 210-223-2611 Bells Welcome and Announcements Prelude Contemplation on VENI CREATOR SPIRITUS by James Biery Confession and Forgiveness Please Stand P: In the name of the Father, and of the ☩ Son, and of the Holy Spirit. C: Amen. P: God of all mercy and consolation, come to the help of your people, turning us from our sin to live for you alone. Give us the power of your Holy Spirit that we may confess our sin, receive your forgiveness, and grow into the fullness of Jesus Christ, our Savior and Lord. C: Amen. P: Let us confess our sin in the presence of God and of one another. C: Gracious God, have mercy on us. We confess that we have turned from you and given ourselves into the power of sin. We are truly sorry and humbly repent. In your compassion forgive us our sins, known and unknown, things we have done and things we have failed to do. Turn us again to you, and uphold us by your Spirit, so that we may live and serve you in newness of life through Jesus Christ, our Savior and Lord. Amen. P: In the mercy of almighty God, Jesus Christ was given to die for us, and for his sake God forgives us all our sins. As a called and ordained minister of the church of Christ, and by his authority, I therefore declare to you the entire forgiveness of all your sins, in the name of the Father, and of the ☩ Son, and of the Holy Spirit. -
Good Shepherd Reformed Episcopal Church
Good Shepherd Reformed Episcopal Church Upholding the evangelical and sacramental tradition of the Episcopal Church based upon the Book of Common Prayer (1662/1928), and observance of the 39 Articles of Religion pentecost, commonly called whitsunday | May 31, a.d. 2020 1 2 THE ORDER FOR the Administration of the Lord’s Supper, or HOLY COMMUNION pentecost, commonly called whitsunday | May 31, a.d. 2020 Organ Prelude Improvisation on “Veni Creator Spiritus” (“Come, Holy Ghost, Creator blest”)- Marcel Dupre Processional Hymn (facing page) Minister. The Lord be with you. Answer. And with thy spirit. Minister. Let us pray. ¶ Then shall be said the COLLECT FOR PURITY following. LMIGHTY God, unto whom all hearts are open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the Ainspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy holy Name; through Christ our Lord. Amen. ¶ Then may the Minister say, Hear what our Lord Jesus Christ saith. HOU shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind. This is the first and great commandment. And the Tsecond is like unto it, Thou shalt love thy neighbour as thyself. On these two commandments hang all the Law and the Prophets. Kyrie 3 Minister. Let us pray. ¶ Then may follow this Collect. ALMIGHTY Lord, and everlasting God, vouchsafe, we beseech thee, O to direct, sanctify, and govern, both our hearts and bodies, in the ways of thy laws, and in the works of thy commandments; that, through thy most mighty protection, both here and ever, we may be preserved in body and soul; through our Lord and Saviour Jesus Christ. -
A Conductor's Analysis of Selected Motets by Rihards Dubra Kevin Doyle Smith Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 The ts yle of meditation: a conductor's analysis of selected motets by Rihards Dubra Kevin Doyle Smith Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Smith, Kevin Doyle, "The ts yle of meditation: a conductor's analysis of selected motets by Rihards Dubra" (2004). LSU Doctoral Dissertations. 1235. https://digitalcommons.lsu.edu/gradschool_dissertations/1235 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE STYLE OF MEDITATION: A CONDUCTOR’S ANALYSIS OF SELECTED LATIN MOTETS BY RIHARDS DUBRA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fullfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Kevin Doyle Smith B. S., Eastern Nazarene College, 1994 M. S. M., Emory University, 1999 August 2004 Acknowledgements Thank you to my family, Mendy and Brendan, for all of the sacrifices that you both have made to help me achieve my goals and live my dreams. Without your love, support, and understanding none of this would have been possible. Thank you to Ken Fulton, Sara Lynn Baird, Allison McFarland, Bill Grimes, and Jindong Cai for their dedication to this research and to me. -
Pentecost Sunday
Solemnity of Pentecost Cathedral Basilica of Saints Peter and Paul and the Shrine of Saint Katharine Drexel Philadelphia, Pennsylvania May 23, 2021 Prelude Prelude on “Veni creator spiritus” Libby Larsen Introductory Rites Entrance Come, Holy Ghost LAMBILLOTTE Sign of the Cross and Greeting 9:30 & 11:00 AM Cathedral Basilica Schola Chant English translation, sung in Latin The Spirit of the Lord has filled the whole world, alleluia; and that which contains all things, know every language spoken by men, alleluia, alleluia, alleluia. V. Let God arise, and let his enemies be scattered; and let those who hate him flee before his face. Penitential Act 8:00 AM only Chant Blessing and Sprinkling of Water I Saw Water Flowing David Hurd 2 Gloria Mass of Saints Peter and Paul Normand Gouin Choir or Cantor: Collect 3 Palm Sunday: The Passion of the Lord 14 Þxed Liturgy of the Word Word and Song Page 215, Vigil Mass Page 209 First Reading 5:15 PM Vigil Mass Genesis 11:1-9 It was called Babel because there the Lord confused the speech of all the world. Masses during the Day Acts 2:1-11 They were all filled with the Holy Spirit and began to speak. Responsorial Psalm PsalmPentecost 104 Luke Mayernik 6 & 8 ú. œ. œ œ œ œ #œ ‰ nœ œ œ œ. bœ œ ú. Lord, send out your Spir - it,œ andœ reœ - new the face of the earth. Refrain Copyright © 1969, 1981, 1997, International Commission on English in the Liturgy Corporation Music by Luke Mayernik, Copyright © 2017 Birnamwood Publications, A division of MorningStar Music Publishers, Inc. -
Veni Creator Spiritus Dedicated to the Work of Frank Mccloin1
Early Doctrine of the Holy Spirit -- Draft 1 Michel Rene Barnes Veni Creator Spiritus Dedicated to the work of Frank McCloin1 “Though Christianity’s theology is trinitarian, it may not have appeared so in its original context. For one thing, Christian mention of the `Holy Spirit’ would neither have been considered unique nor heretical by the rabbis.” Alan F. Segal2 Prolegomena This essay is the first chapter in a monograph on the theology of the Holy Spirit until the time of Tertullian and Origen. The thesis of the book is that early Christian pneumatology continues and develops Jewish pneumatology; for “the first two hundred years of Christianity”3 Jewish pneumatology is the accepted theological idiom for Christian reflection upon the nature and characteristic work of the Holy Spirit. A further point made in the book is that it is more accurate to speak of early Christian pneumatologies derived from Jewish pneumatologies: there were a variety of understandings of the nature, work (or effect), and significance of the Holy Spirit in Judaism and this variety continues in the first two hundred years of Christianity. The book’s division of chapters follows the identification of these different pneumatologies in Judaism and Christianity: thus the book covers Creator Pneumatology, Wisdom Pneumatology, Angelomorphic Pneumatology, Consort Pneumatology, etc., in their original Jewish expressions and their continuing presence in Christianity.4 The final component of the book’s thesis is that Jewish pneumatology as the accepted theological idiom for Christian reflection on the Holy Spirit – the fact of a dominant Jewish-Christian pneumatology – comes to an end with the generation of Tertullian and Origen. -
Trent 91; First Steps Towards a Stylistic Classification (Revised 2019 Version of My 2003 Paper, Originally Circulated to Just a Dozen Specialists)
Trent 91; first steps towards a stylistic classification (revised 2019 version of my 2003 paper, originally circulated to just a dozen specialists). Probably unreadable in a single sitting but useful as a reference guide, the original has been modified in some wording, by mention of three new-ish concordances and by correction of quite a few errors. There is also now a Trent 91 edition index on pp. 69-72. [Type the company name] Musical examples have been imported from the older version. These have been left as they are apart from the Appendix I and II examples, which have been corrected. [Type the document Additional information (and also errata) found since publication date: 1. The Pange lingua setting no. 1330 (cited on p. 29) has a concordance in Wr2016 f. 108r, whereti it is tle]textless. (This manuscript is sometimes referred to by its new shelf number Warsaw 5892). The concordance - I believe – was first noted by Tom Ward (see The Polyphonic Office Hymn[T 1y4p0e0 t-h15e2 d0o, cpu. m21e6n,t se suttbtinigt lneo] . 466). 2. Page 43 footnote 77: the fragmentary concordance for the Urbs beata setting no. 1343 in the Weitra fragment has now been described and illustrated fully in Zapke, S. & Wright, P. ‘The Weitra Fragment: A Central Source of Late Medieval Polyphony’ in Music & Letters 96 no. 3 (2015), pp. 232-343. 3. The Introit group subgroup ‘I’ discussed on p. 34 and the Sequences discussed on pp. 7-12 were originally published in the Ex Codicis pilot booklet of 2003, and this has now been replaced with nos 148-159 of the Trent 91 edition. -
Introduction to Instalment 2
89 INTRODUCTION TO INSTALMENT 2 This instalment of the Trent 91 edition concentrates on functional chant settings, most of which are probably the work of the ‘chief mind’ of the Trent 91 paraphrase collection. The Dedication Propers (nos 22-27) are similar to the Salve festa dies and Sedit angelus settings given in my previous editions: the Superius-based chant is barely elaborated at all except at cadence-points. But the Dedication Propers tend to have dispensable Contra primus voices, and in other instances amongst these settings the Contra primus is almost dispensable. This leads me to the suspicion that these pieces might have been mostly worked out in three- voice form before the fourth parts were added. The Gradual, Alleluia and Offertory settings (nos 23, 24 and 26) are notably extended, with devices such as faster-moving lower voices and lower-voice motivic imitation enriching the texture (although some of this imitation might be fortuitous, given the way that the four-part texture may have been created). Also, the way in which the fourth part has been added sometimes creates diminished fifths (see no. 26, 106-108 and no. 27 at 6). Little more need be said about these settings except that their similarity and their copying together in Trent 91 are persuasive that they were a specially composed set, even if they are slightly disordered in the manuscript. Perhaps the stylistically similar Dedication hymn setting (no. 28) was also part of this set. A longish search through fifteenth-century sources also reveals that these may be the earliest extant complete set of polyphonic Dedication Propers. -
Holy Name Parish Feast of Pentecost Greeting and Introduction Entrance Hymn: Come Holy Ghost (Louis Lambillotte)
Holy Name Parish Feast of Pentecost Greeting and Introduction Entrance Hymn: Come Holy Ghost (Louis Lambillotte) Penitential Act: Glory to God: First Reading: Acts 2: 1-11 Responsorial Psalm: Psalm 104 - Lord, Send Out Your Spirit (Paul Lisicky) Second Reading: 1 Corinthians 12: 3b-7, 12-13 Sequence: Veni Sancte Spiritus Gospel Reading: John 20: 19-23 Homily Profession of Faith: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. -
Come, Thou Holy Spirit Anthem for Whitsuntide by Alan Gray VOCAL / ORGAN SCORE 2
1 Come, thou holy spirit Anthem for Whitsuntide By Alan Gray VOCAL / ORGAN SCORE 2 This score is in the Public Domain and has No Copyright under United States law. Anyone is welcome to make use of it for any purpose. Decorative images on this score are also in the Public Domain and have No Copyright under United States law. No determination was made as to the copyright status of these materials under the copyright laws of other countries. They may not be in the Public Domain under the laws of other countries. EHMS makes no warranties about the materials and cannot guarantee the accuracy of this Rights Statement. You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material. You are responsible for your own use. http://rightsstatements.org/vocab/NoC-US/1.0/ Text written for this score, including project information and descriptions of individual works does have a new copyright, but is shared for public reuse under a Creative Commons Attribution NonCommercial (CC BY-NC 4.0 International) license. https://creativecommons.org/licenses/by-nc/4.0/ Cover Image: “Pentecostés” by Juan Bautista Mayno, 1615/1620 (Museo del Prado) 3 The “renaissance” in English music is generally agreed to have started in the late Victorian period, beginning roughly in 1880. Public demand for major works in support of the annual choral festivals held throughout England at that time was considerable which led to the creation of many large scale works for orchestra with soloists and chorus. -
June 2017 Covers.Pub
S. J C P E N T E C O S T June 4, 2017 Annual CATHOLIC Appeal The Appeal gives us the opportunity to support the work of the wider church in Western Washington. We have now met the Archdiocesan goal! Every dollar that comes in at this point will help us meet our parish rebate goal. This year, the rebate supports our St. James Immigrant Assistance Program. Our ministry to immigrants and refugees is more important now than ever before! Annual Catholic Appeal 2017 Archdiocesan Goal .............................. $365,209 Rebate Goal ......................................... $200,000 Combined Goal ................................... $565,209 Total raised through June 1 .............. $407,675 Shorall! .......................................... $157,534 Envelopes are available in the pews in front of you. Please fill one out and drop it in the offering basket. Your gi (however small!) will make a real difference in a lot of lives. You can also make your gi or pledge online at www.sealearchdiocese.org/donate. Thank you for your parcipaon! ORDER OF CELEBRATION FOR e Solemnity of Pentecost e Introductory Rites PRELUDE Prelude on “Veni Creator Spiritus” Duruflé (Noon) Veni Creator Spiritus: Plein jeu and Fugue Grigny ENTRANCE No. 482 in red Worship hymnal Come, Holy Ghost lambilotte THANKSGIVING OVER BLESSED WATER During the season of Easter, we are sprinkled with water from the font, blessed during the great Easter Vigil. RITE OF SPRINKLING WITH BAPTISMAL WATER Vidi aquam Schubert, adapted GLORIA chant, adapt. Lee Glory to God in the highest, and on earth peace to peo- ple of good will. We praise you, we bless you, we a- dore you, we glorify you, we give you thanks for your great glory. -
Day of Pentecost
Sunday, May 31, 2020 Day of Pentecost Introit from “Prelude and Introit” Music: Richard Proulx (1937-2010) Words: Christina Rossetti (1820-1894) Psalm 21: 26-32 Jessica Niles, soprano Welcome The Collect for Purity Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. Song of Praise Veni Sancte Spiritus JACQUES BERTHIER Mollie Nichols, organ (1916-2008) Lydia Saylor, Soprano Andrew Hill, Bass Elizabeth Saylor, Alto Sato Moughalian, flute Minyoung Baik, violin Tawnya Popoff, viola Harry Fackelman, clarinet Peter Bond, trumpet The Collect Almighty God, on this day you opened the way of eternal life to every race and nation by the promised gift of your Holy Spirit: Shed abroad this gift throughout the world by the preaching of the Gospel, that it may reach to the ends of the earth; through Jesus Christ our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, for ever and ever. Amen. The First Lesson Acts 2:1-21 Readers: Andrew Ogeltree and Lisha Epperson A Reading from Acts. When the day of Pentecost had come, the disciples were all together in one place. And suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house where they were sitting. Divided tongues, as of fire, appeared among them, and a tongue rested on each of them.