Srimandir and Its Architectural Features
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General Introduction to Odishan Temple Architecture
Odisha Review May - 2012 General introduction to Odishan Temple Architecture Anjaliprava Sahoo INTRODUCTION Sastras recognize three main styles of temple architecture known as the Nagara, the Dravida Temple is a ‘Place of Worship’. It is also called 1 the ‘House of God’. Stella Kramrisch has defined and the Vesara. temple as ‘Monument of Manifestation’ in her NAGARA TEMPLE STYLE book ‘The Hindu Temple’. The temple is one of Nagara types of temples are the typical the prominent and enduring symbols of Indian Northern Indian temples with curvilinear sikhara- culture: it is the most graphic expression of religious spire topped by amlakasila.2 This style was fervour, metaphysical values and aesthetic developed during A.D. 5th century. The Nagara aspiration. style is characterized by a beehive-shaped and The idea of temple originated centuries multi-layered tower, called ‘Sikhara’. The layers ago in the universal ancient conception of God in of this tower are topped by a large round cushion- a human form, which required a habitation, a like element called ‘amlaka’. The plan is based shelter and this requirement resulted in a structural on a square but the walls are sometimes so shrine. India’s temple architecture is developed segmented, that the tower appears circular in from the Sthapati’s and Silpi’s creativity. A small shape. Advancement in the architecture is found Hindu temple consists of an inner sanctum, the in temples belonging to later periods, in which the Garbha Griha or womb chamber; a small square central shaft is surrounded by many smaller room with completely plain walls having a single narrow doorway in the front, inside which the image is housed and other chambers which are varied from region to region according to the needs of the rituals. -
The Temple Architecture in Odisha
ISSN 0970-8669 Odisha Review The Hindu temple architecture reflects a synthesis is concentrated in the city of Bhubaneswar where of arts, the ideals of religion, beliefs, values and there are over thirty of them. the way of life cherished under Hinduism. The temple is a place for pilgrimage. All the cosmic The main temples of this style consist of elements that create and celebrate life in Hindu the Lingaraja Temple at Bhubaneswar th pantheon are present in a Hindu temple from fire (11 century), the Jagannath temple at Puri th to water, from images of nature to deities, from (12 century) the Great Sun Temple at Konark the feminine to the masculine, from karma to (13th century), Rajarani Temple (10th century), artha. The form and meanings of architectural Mukteswar (10th Century), Parshuram Temple elements in a Hindu temple are designed to (8th Century) etc. function as the place where it is the link between The Kanlingan style consists of three man and the divine, to help his progress to spiritual distinct types of temples Rekha Deula, Pidha knowledge and truth, his liberation is called Deula and Khakhara Deula. The former two are Moksha. associated with Vishnu, Surya and Shiva temples The Temple Architecture in Odisha Sujata Routray The Indian temples are broadly divided while the third is mainly with Chamunda and Durga into Nagara, Vesara, Dravida and Gadag styles temples. The Rekha Deula and Khakhara Deula of architecture. However the temple architecture houses the sanctum sanctorum while the Pidha of Odisha corresponds to altogether a different Deula constitutes outer dancing and offering halls. -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
UPSC Notes [GS-I] Topic: Temple Architecture in India
UPSC Civil Services Examination UPSC Notes [GS-I] Topic: Temple Architecture in India- Part II [Art and Culture Notes for UPSC] Nagara Style in Various Regions: – (Contd.) East India North-East, Odisha and Bengal. Each region produced a distinct type of architecture. Terracotta was the main medium in Bengal and north-east until the 7th century. Assam There is evidence of Gupta influence from a sculpted door frame dating to the 6th century CE from DaParvatia near Tezpur; and sculptures from Rangagora Tea Estate near Tinsukia. The Gupta influence is seen till the 10th century. By 12th to 14th centuries, a distinct Ahom style developed in the region around Guwahati. This style evolved from the mixing of the style brought to the area by the Tais of Upper Burma with the Pala style of Bengal. Example: Kamakhya Temple – a Shakti Peeth dedicated to Goddess Kamakhya built in 17th century. Bengal Regions: West Bengal, Bangladesh, Bihar Style between 9th and 11th centuries – Pala Style. The Palas were patrons of Buddhist monastic styles. The temples in this region showcased the local Vanga style. Style of temple architecture from the middle of the 11th century to middle of the 13th centuries – Sena style. Siddheswara Mahadeva temple in Barakar in Burdwan District – 9th century; tall curving Shikhara crowned by a large amalaka – early Pala style. Many temples were located at Telkupi in Purulia District – 9th to 12th century but were submerged due to dam construction. These temples showed all the Nagara sub-styles prevalent in the north. Some temples survive. Made of black to grey basalt. -
Search a Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015
search A Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015 DDCE Education for All DDCE, UTKAL UNIVERSITY, BHUBANESWAR, INDIA Prof. S. P. Pani, Director,DDCE, Utkal University, Bhubaneswar. Dr. M. R. Behera Lecturer in Oriya, DDCE, Utkal University, Bhubaneswar. Dr. Sujit K. Acharya Lecturer in Business Administration DDCE, Utkal University, Bhubaneswar. Dr. P. P. Panigrahi Executive Editor Lecturer in English, DDCE, Utkal University, Bhubaneswar. ISSN 0974-5416 Copyright : © DDCE, Utkal University, Bhubaneswar Authors bear responsibility for the contents and views expressed by them. Directorate of Distance & Continuing Education, Utkal University does not bear any responsibility. Published by : Director, Directorate of Distance & Continuing Education, Utkal University, Vanivihar, Bhubaneswar – 751007. India. Reach us at E-mail : [email protected]. 91-674 –2376700/2376703(O) Type Setting & Printing: CAD 442, Saheed Nagar Bhubaneswar - 751 007 Ph.: 0674-2544631, 2547731 ii History is TRUTH and TRUTH is God. History is a search for the ultimate truth , an understanding which would end the search for any further explanation. Many of you may feel disturbed with such a content. In fact, many of you may feel this statement to be very subjective. Indeed you may opine that history is all about alternative explanations, choice of one explanation over the others with justification. In this short editorial an attempt is being made to explore, ‘History as Truth’. History like any other discipline can never be dealt in isolation; however, it may seem so. It is not even a distinct part of the whole, it is indeed the whole itself- both temporally and spatially. Why all search in history may be partial yet the partial search always can be of the whole only. -
Temples of Odisha- the Geometry of Plan Form
IJIRST –International Journal for Innovative Research in Science & Technology| Volume 2 | Issue 10 | March 2016 ISSN (online): 2349-6010 Temples of Odisha- the Geometry of Plan Form Rinku Parashar Dr Abir Bandyopadhyay Assistant Professor Professor & Head Department of Architecture Engineering Department of Architecture Engineering NIT, Raipur, 492010, India NIT, Raipur, 492010, India Abstract The Indian temple architecture depicts clearly their evolution, following the original ancient models, which were derived from religious consideration and this practice is further being followed, since many centuries. These temples are actually, the place of transcendence where man crosses over from world of illusion, to the world of truth. The main style of Hindu temple architecture in India had its modest beginning precisely from the Mauryan rule i.e 3rd century BC. The Indian Silpasastras recognize mainly three categories of the temple style, the Nagara, Dravida and Vesara, but there was also another style very prominent, known as the Kalinga style, which is very distinguished all over the world for their unique characteristics, that existed between 6th century A.D to 16th century A.D in Odisha. The aim of the paper is to describe the Kalinga style of architecture and the basic characteristics of the temples of this style, eventually concluding with interpretation of the plan forms of the temples, to be following a scientific and methodical path of evolution. Keywords: Evolution of Temple, Hindu temple, Kalinga architecture, Odishan style, plan from _______________________________________________________________________________________________________ I. INTRODUCTION The temple forms the focal point for all aspects of life in the Hindu community - religious, cultural, educational and social (Batchelor, 1997). -
Annual Activity Report 2011-12
Annual Activity Report-2011-12 Eco-Club Programme, Odisha Annual Activity Report 2011-12 Nodal Agency Centre for Environmental Studies Forest & Environment Department Government of Odisha, Bhubaneswar 1 Annual Activity Report-2011-12 2 Annual Activity Report-2011-12 PREFACE There are 9500 eco-clubs functioning in the State Odisha. 7500 eco-clubs have been setup in the State @250 eco-clubs in each district under the financial support of Ministry of Environment & Forests, Govt. of India. Under the financial budget of 2011-12, additional 2000 eco-clubs have been formed with financial support of Forest & Environment Department, Government of Odisha. New eco- clubs have been established in educational institutions those are close to eco- sensitive area. This report is based on the activity reports received from respective District Implementation & Monitoring Committees (DIMCs). Centre for Environmental Studies (CES) with the help of experienced staff and District Environment Societies have also visited some eco-clubs time to time to encourage eco-clubs for better activities. Most of the eco-clubs are organizing plantation programme, rallies, school level competitions etc. Besides, most of the eco-clubs are observing important days by conducting various programmes. Like last year this year also some eco-clubs and eco-club teachers-in-charge have received State Level Environment Awards such as Prakruti Mitra and Prakruti Bandhu Awards for their outstanding work in the field of environment. This report has been prepared on the basis of information received from districts & monitoring conducted by DIMC & Nodal Agency during the financial year 2011-12. District Implementation & Monitoring Committee of Bhadrak, Boudh, Ganjam, Jagatsinghpur, Jajpur, Kendrapara, Khurda, Koraput Nayagarh & Mayurbhanj district are regularly publishing quarterly newsletter on their eco-club activities. -
Sambalpur-Ll 1 NR Buildi
Name of the SI. Name of the Works Amount Remarks t& B ) Division No. Required (1) (2) (3) И) (5) Sambalpur-ll 1 N.R. Building such as concreting to ramp of UG 4.50 Boys hostel and painting works to Boys hostel No,5 of VIMSAR Burla 2 N.R. Building such as providing leak proofing 4.20 treatment to old central store of VIMSAR Burela 3 N.R. Building such as repair and renovation to 4.00 Old CT scan of VIMSAR Burla 4 N.R. Building such as U,G, Ladies hostel of 1.90 VIMSAR Burla 5 N.R. Building such as repair and renovaiton to 3.50 ТВ ward of VIMSAR Burla 6 N.R. Building such as repair to approach road 4.00 of Ladies hostel No.3 of VSS IMSAR Burla. 7 Administrative office Building such as leak 5.00 proof treatment of ITI at Hirakud 8 S/R such as Painting works outside of Boys 5.00 Hostel at Hirakud ( 1st Floor) 9 Sub-Collector office such as renovation of sub 4.50 register section. 10 N/R building such as repair & renovation to 5.00 the cancer ward of VIMSAR. 11 N/R building such as leak proof treatment to 5.00 Nursing SchooL,Burla . 12 N.R. Building such as providing plastic emulsion 2.80 paint and weather coat to Ladies Hostel No.1 of VIMSAR, Burla 13 N/R building such as Repair & Renovation to 4.90 PWD Subdivision office,Burla . 14 N/R building such as providing & fixing 4.60 designer tiles in front of PWD Subdivision off ice, Burla . -
Mindtree Kalinga
MINDTREE KALINGA TRAVEL ADVISORY Dear Mindtree Mind, Greeting from Mindtree! On behalf of the Admin Function at Mindtree, I extend a warm welcome to all our Mindtree Minds for learning program, at our Global Learning Centre, Mindtree Kalinga, Bhubaneswar. At this point in time, we anticipate you are preparing for your travel to Mindtree Kalinga Campus and looking forward to the commencement and your participation in the learning program. We believe that the learning program and your stay at the Global Learning Centre will be enriching to you. We advise you plan your travel itinerary such that you make yourself available at Mindtree Kalinga at your designated onboarding time slot. This Travel Advisory is intended to help you review your travel preparation and destination awareness. If there is any assistance/additional information that you may require, feel free to reach out to the Admin Helpdesk numbers listed in this advisory at all times of the day. Wish you a safe journey, and look forward to welcoming you on board at Mindtree Kalinga. Welcome to Possible. Best Regards, Padmanabhan L Kannan GM & Head – Admin & Facilities Contents COLLABORATIVE SPIRIT Important Emergency Contact Information ........................................................ 1 Postal Address ............................................................................................ 1 Emergency Contact Numbers ........................................................................ 1 Popular Call Taxi Facilities ........................................................................... -
Jagannath Consciousness in the Literature of Odisha
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935), Vol. IX, No. 4, 2017 [Indexed by Scopus & approved by UGC] DOI: https://dx.doi.org/10.21659/rupkatha.v9n4.16 Full Text: http://rupkatha.com/V9/n4/v9n416.pdf From Inner Peace to World Peace: Jagannath Consciousness in the Literature of Odisha Guruprasad Mohapatra1 & Swati Samantaray2 1Research Scholar, School of Humanities, KIIT University, Bhubaneswar. orcid.org/0000- 0003-1736-3564. Email: [email protected] 2Associate Professor, School of Humanities, KIIT University, Bhubaneswar. orcid.org/0000-0002-4823-9278. Email: [email protected] Received October 30, 2017; Revised December 15, 2017; Accepted November 30, 2017; Published December 25, 2017. Abstract Lord Jagannath of Puri is considered to be the focal point of the cultural synthesis of Odisha. This is manifested in innumerable sacred scriptures and in ritualistic practices of the revered divinity – Lord Jagannath. This paper shows how the literature of Odisha presents Jagannath consciousness as a way to achieving world peace from inner peace of mind. Jagannath consciousness follows humanism and it preaches the philosophy of love and peaceful co-existence among the entire human community. Moreover, it proclaims the victory of human endeavour over all narrowness and establishes universal brotherhood. The prime objective of Jagannath culture is to inspire the worshipper as well as the devotees to transcend the barriers of individual identity to achieve cosmic consciousness. It is believed that this state of cosmic consciousness is attained through the realization of soul, and it brings glory to life and enhances epistemological vision of humankind. The paper studies the vast literary and artistic traditions of Odisha in order to show how the principles of synthesis, assimilation and progression are inherent in the Jagannath culture. -
Orrisa Temple Architecture (Lingraja & Konark)
Orrisa Temple Architecture (Lingraja & Konark) Dr. Dilip Kumar Assistant Professor (Guest) Dept. of Ancient Indian History & Archaeology, Patna University, Patna Paper – III, B.A 2nd Year Bhubaneswar is also called the 'City of Temples'. It boasted of more than 7000 temples located around Bindusagar tank in the old city. Only 500 of those temples survive today some of which are really magnificent. Orissa formed a part of the Kalinga Kingdom. In 260 BC, Emperor Ashoka defeated the King of Kalinga. But soon the bloody battle filled Ashoka with remorse and he renounced war and violence forever. He embraced Buddhism and followed the path of peace, pity, compassion and non-violence. Soon after Ashoks's death Buddhism in Orissa declined and Jainism had the sway under the mighty arm of Kharvela until Buddhism again became a popular faith in 2nd century B. C. Under Kharvela Orissa attained new heights in art, culture trade and commerce. The coming of the Kesari and Ganga Kings marks the culmination of Orissa art and culture. These kings were very powerful and ambitious builders. They were followers of Shaiva and Vaishnava faith. The temples of Bhubaneswar, Puri and Konark were constructed during their reign (712-1200 AD). In 1568 AD, the last Hindus ruler of Orissa was over-thrown by a Muslim general and finally Orissa was annexed by Akbar in 1592 AD. The bigoted Muslim invaders destroyed hundreds of Hindu and Jain temples. The location for the capital was selected because of its central location, high altitude, good communication, vast plateau like high uplands sloping to the sides, eco-friendly climate and above all deep-rooted historical significance with left out landmarks of architectures and sculptures. -
Government of India Ministry of Culture Lok Sabha Unstarred Question No.2700 to Be Answered on 14.3.2016 Phalguna 24, 1937 (Saka)
GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA UNSTARRED QUESTION NO.2700 TO BE ANSWERED ON 14.3.2016 PHALGUNA 24, 1937 (SAKA) REVENUE EARNED FROM MONUMENTS 2700. SHRI RAYAPATI SAMBASIVA RAO: SHRI RAM CHARAN BOHRA: Will the Minister of CULTURE be pleased to state: (a) whether the Government has received proposals from various State Governments with regard to declaring various heritage sites/historical monuments as monuments of national importance/central protected monuments; (b) if so, the details thereof along with the action taken by the Government thereon; (c) whether the Government collected money from ‘entry fee/entry ticket’ for visiting monuments; (d) if so, the details of the money collected during the last two years, year-wise, State-wise and monument-wise; and (e) whether the Government spends such money on development of those monuments and if so, the details thereof? ANSWER MINISTER OF STATE, CULTURE AND TOURISM (INDEPENDENT CHARGE) AND MINISTER OF STATE, CIVIL AVIATION (DR. MAHESH SHARMA) (a)&(b) Yes, Madam. The details are at Annexure-I (c) Yes, Madam. (d) The details of revenue earned from 116 ticketed monument-wise (State-wise) during the last two years are at Annexure II. (e) No, Madam. The revenue collected from the entry fee at the ticketed monuments of the Archaeological Survey of India is remitted into the Government account in the Consolidated Fund of India. This is in accordance with the Central Government Account (Receipts and Payments) Rules. ANNEXURE -I ANNEXURE REFERRED TO IN REPLY TO PART (a)&(b) OF LOK SABHA UNSTARRED QUESTION NO. 2700 FOR 14.3.2016 LIST OF MONUMENTS/SITES IDENTIFIED/PROPOSED BY STATE GOVERNMENTS FOR CENTRAL PROTECTION Sl.