Snoop Doggy Dogg Gin and Juice Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Snoop Doggy Dogg Gin and Juice Mp3, Flac, Wma Snoop Doggy Dogg Gin And Juice mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Gin And Juice Country: US Released: 1994 Style: Gangsta MP3 version RAR size: 1673 mb FLAC version RAR size: 1800 mb WMA version RAR size: 1554 mb Rating: 4.8 Votes: 310 Other Formats: MP4 AIFF AA AC3 FLAC XM RA Tracklist 1 Gin And Juice (Radio Version - No Indo) 3:41 2 Gin And Juice (Radio Version) 3:38 3 Gin And Juice (Laid Back Mix) 4:48 4 Gin And Juice (Laid Back Radio Mix) 3:40 Credits Producer – Dr. Dre Vocals [Additional] – Heney Loc, Jewell*, Sean "Barney Rubble" Thomas* Written-By – Snoop Doggy Dogg* Notes Promo Copy - Not For Sale Issued in standard jewel case with rear insert. Other versions Category Artist Title (Format) Label Category Country Year Death Row Snoop A8316T, Gin And Juice Records , A8316T, Doggy UK 1994 6544-95949-0 (12") Interscope 6544-95949-0 Dogg* Records Death Row Snoop A8316CD, Gin And Juice Records , A8316CD, Doggy Europe 1994 6544-95949-2 (CD, Single) Interscope 6544-95949-2 Dogg* Records Death Row Snoop Gin & Juice Records , 6544-95949-2 Doggy (CD, Single, 6544-95949-2 Australia 1994 Interscope Dogg* Car) Records Death Row Snoop Gin And Juice Records , 98318-4 Doggy 98318-4 US 1994 (Cass, Single) Interscope Dogg* Records Snoop Gin And Juice Interscope 6544-95951-0 Doggy 6544-95951-0 US 1994 (12") Records Dogg* Related Music albums to Gin And Juice by Snoop Doggy Dogg Snoop Doggy Dogg - What's My Name? Snoop Dogg - Doggy Dogg World Snoop Dogg - Doggy Style Hits Snoop Doggy Dogg - Death Row's Snoop Doggy Dogg Greatest Hits Dr. Dre - Nuthin' But A "G" Thang Various - The Death Row Singles Collection Snoop Doggy Dogg - Doggystyle Snoop Doggy Dogg - Greatest Hits Deluxe Nate Dogg - Never Leave Me Alone Snoop Dogg - What’s My Name? Snoop Doggy Dogg - Death Row Vol 1- Essential Snoop Snoop Doggy Dogg - Vapors.
Recommended publications
  • ENG 350 Summer12
    ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog.
    [Show full text]
  • Student Life
    STUDENT LIFE HOMECOMING Homecoming is a unique tradition at the University of Rhode Island celebrated by students and alumni of all ages. On a large field people, cars, trucks, and moving vans stretch for miles. Music blares in all directions. The smell of the barbecue and the sound of beer cans cracking open fills the air. There is laughter, singing, dancing, and fun. Both students and alumni anticipate this October day for months. At the same are time there shouts in the background as friends and family cheer on the Rhody Rams as they the rival challenge Maine Bears. The game begins with the recognition of past football players and marching band members. Half-time continues this support of URI students and alumni by honoring the Homecoming King and Queen, Jeremiah Stone and Melanie Mecca. These two individuals are crowned for their outstanding campus and community involvement and their upstanding personalities. Whether celebrating at the football stadium or in the field behind it. Homecoming is a memorable event for all. Sorority sisters and fraternity brothers reunite. Old friends rebuild bonds with those they have not seen in years. Recent graduates come back with their "real world" stories and relive their college experiences. Older alumni witness the remarkable changes that have occurred at the University. Homecoming reminds us all of the days long gone, but not forgotten. It keeps the memories and experiences of the University of Rhode Island alive, in triendb and family. What is being trashed, posessions stolen, and a wad "down-the-line? of money in your pocket which was Down the line has many different generated from the collection at the door.
    [Show full text]
  • Eazy-E Wut Would You Do
    Wut Would You Do Eazy-E Inside the minds of real g's Death row is looked upon as the studio gangsters of the 90's A joke hahahaha in a game called 5 minutes of fame you wasted 4 minutes now you got seconds left kick it Come one come all and let me ride nigga Eazy-e cpt how the hell you figure To be the best on the west hu you? Fool locked down this is east side nigga South comton and I put it on the map So when a dog pound crip you wanna scrap And that coming straight from the ruthless gangster Eazy-e Now what would I do ha ha let's see Now I would take on sugars locked down the row Since Dre is a bitch pimp slap the hoe Now I'm seeing doubles man two dogs in a huddle Aa god dame now diggidi daze I biggidi blast On right one and smoke that ass Now corrupt don't even set trip Yelling long beach 60 blood and puppy pound Crip really doe got my nuts on your chin Well I'm all in your philly hoe So come with it fool and test your luck and I'll beat that ass now call me corrupt Now I'm creeping through the fog you Big dogg blue got my nine milla killa Hunting a dogg named snoop You can run nigga but you can't hide Eazy-e straight creeping on the east side 7 Ten-long beach south caught snoop free basin In a rock house I kicks in the door I said it before I never let no busta test me no more Bang murder was the case that they gave me Murder was the case that they gave me I'll smoke all you fools even you boo boo and your baby Murder was the case that they gave me watch out buddie boy Watch your back Yeah what would you do? What would you do if
    [Show full text]
  • Snoop Dogg Wet (G-Mix) Mp3, Flac, Wma
    Snoop Dogg Wet (G-Mix) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Wet (G-Mix) Country: Japan Released: 2010 MP3 version RAR size: 1785 mb FLAC version RAR size: 1621 mb WMA version RAR size: 1951 mb Rating: 4.3 Votes: 922 Other Formats: AU MP2 FLAC RA AC3 APE DTS Tracklist Hide Credits Wet (G-Mix) A1 Featuring – Jim Jones , Shawty Lo A2 Wet (Main) A3 Wet (Instrumental) Don't Need No Bitch B1 Featuring – Brian Honeycutt, Devin The Dude B2 That Good Platinum B3 Featuring – R. Kelly Other versions Category Artist Title (Format) Label Category Country Year Snoop Dogg Vs Snoop David Guetta - Dogg Vs Capitol none Sweat (David Guetta none US 2011 David Records Remix) (File, AAC, Guetta Single, 256) Snoop Dogg Vs Snoop David Guetta - Dogg Vs none Sweat (David Guetta Parlophone none UK 2011 David Remix) (CDr, Single, Guetta Promo) Sweat (David Guetta Snoop & Afrojack Dub Priority 5099908322159 5099908322159 US 2011 Dogg Remix) (File, MP3, Records Single, 320) Snoop Snoop Dogg vs Dogg vs David Guetta - none EMI none Sweden 2011 David Sweat / Wet (CDr, Guetta Maxi, Promo) Snoop Snoop Dogg vs Doggy Style 509990 28536 2 Dogg vs David Guetta - Records , 509990 28536 2 Germany 2011 8 David Sweat (Remix) (CD, Priority 8 Guetta Single) Records Related Music albums to Wet (G-Mix) by Snoop Dogg Snoop Dogg - Sensual Seduction Snoop Dogg feat. Charlie Wilson - Peaches N Cream Snoop Dogg - Boom Snoop Dogg - Snoop Dogg / Backup Ho Snoop Dogg - Snoop Dogg Snoop Dogg - Smokefest 2 Snoop Dogg - Wet (Remixes) Snoop Dogg - Late Nights Suge Knight, Dr.
    [Show full text]
  • Underground Rap Albums 90S Downloads Underground Rap Albums 90S Downloads
    underground rap albums 90s downloads Underground rap albums 90s downloads. 24/7Mixtapes was founded by knowledgeable business professionals with the main goal of providing a simple yet powerful website for mixtape enthusiasts from all over the world. Email: [email protected] Latest Mixtapes. Featured Mixtapes. What You Get With Us. Fast and reliable access to our services via our high end servers. Unlimited mixtape downloads/streaming in our members area. Safe and secure payment methods. © 2021 24/7 Mixtapes, Inc. All rights reserved. Mixtape content is provided for promotional use and not for sale. The Top 100 Hip-Hop Albums of the ’90s: 1990-1994. As recently documented by NPR, 1993 proved to be an important — nay, essential — year for hip-hop. It was the year that saw 2Pac become an icon, Biz Markie entangled in a precedent-setting sample lawsuit, and the rise of the Wu-Tang Clan. Indeed, there are few other years in hip- hop history that have borne witness to so many important releases or events, save for 1983, in which rap powerhouse Def Jam was founded in Russell Simmons’ dorm room, or 1988, which saw the release of about a dozen or so game-changing releases. So this got us thinking: Is there really a best year for hip-hop? As Treble’s writers debated and deliberated, we came up with a few different answers, mostly in the forms of blocks of four or five years each. But there was one thing they all had in common: they were all in the 1990s. Now, some of this can be chalked up to age — most of Treble’s staff and contributors were born in the 1980s, and cut their musical teeth in the 1990s.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Michel'le Album Download Michel'le Album Download
    michel'le album download Michel'le album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67b1102178184ebc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Michel'le. Michel'le, the girl with the squeaky speaking voice and thunderous singing voice, stormed onto the music scene in 1989-1990 with her smash self- titled debut. The album is post-new jill swing, incorporating a mix of hip-hop, dance, and R&B well before Mary J. Blige and Faith Evans perfected the genre. Michel'le produced several huge hits, including the unstoppable (and irresistibly clever) "No More Lies," which became a Top Ten pop hit; its follow-up, "Nicety"; and the R&B/dance hit "Keep Watchin'." The real gems on this set, however, are the slow jams. The smoldering "Something in My Heart" became a hit well over a year after the album's release, and other tracks such as "Silly Love Song," "Close to Me," and "If?" are just as good.
    [Show full text]
  • © Adobe Stock
    Mixology © ADOBE STOCK MIXOLOGY | AN ISLAND VIBE ‘Escape (The Piña Colada Song)’ The classic song about a cocktail is “Escape (The Piña Colada Song)” was released in 1979 by the British-born Rupert Holmes off the album “Partner in Crime.” WHAT’S IT ABOUT? In three versus, the song talks about a man who spots a personal ad in the newspaper that piques his interest. He’s bored in his current relation- ship, but interested in the woman who likes piña cola- das and getting caught in the rain. The song ends with him meeting the writer in a bar, and it turns out she’s his girl- friend. Originally, the song started with “If you like Humphrey Bogart;” piña coladas was a last-minute improvisation by Holmes. “Well, this woman wants an escape, like she wants to go on vacation to the islands. When you go on vacation to the islands, when you sit on the beach and someone asks © ADOBE STOCK you if you’d like a drink, you never order a Budweiser. You WHAT’S IN THE DRINK? 1978. for the rum. 6 cups crushed ice don’t have a beer,” Holmes The piña colada is usually a Similar drinks include the Pineapple wedges, for garnish told Songwise. “You’re on sweet drink with pineapple Blue Hawaiian, which MAKE YOUR OWN In a 2-quart pitcher, combine pine- vacation. You want a drink in (piña, Spanish for pineapple) includes blue Curaçao; the Recipe is from Taste of apple juice, cream of coconut and rum. a hollowed-out pineapple and strained (lada) over ice, State Island Ferry, with equal Home.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • 'You Never Been on a Ride Like This Befo'
    [PMH 4.2 (2010) 160-176] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v4i2.160 Popular Music History (online) ISSN 1743-1646 Justin A. Williams ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* Justin Williams is currently a Principal Lecturer in Department of Music and Popular Music at Anglia Ruskin University. He recently Performing Arts completed an ESRC-funded Postdoctoral Fellowship Anglia Ruskin University to research a project on music and automobility at the East Road Centre for Mobilities Research at Lancaster University. Cambridge CB1 1PT He is currently under contract from University of Mich- [email protected] igan Press to write a book on musical borrowing and intertextuality in hip-hop music. Abstract Since the 1920s, multiple historically specific factors led to the automobile-saturated environ- ment of Los Angeles, contributing to a car-dependent lifestyle for most of its inhabitants. With car travel as its primary mode of mobility, and as a hub of numerous cultural industries through- out the twentieth century, the city has been the breeding ground for a number of car cultures, including hot rods, custom cars, and lowriders in addition to the large output of films and music recordings produced. In rap music of the early 1990s, producer/rapper Dr. Dre’s (Andre Romelle Young) creation of a style labelled ‘G-funk’, according to him, was created and mixed specifically for listening in car stereo systems. This article provides one case study of music’s intersections with geography, both the influence of urban geography on music production and the geogra- phy of particular listening spaces.
    [Show full text]
  • "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.
    [Show full text]
  • Live Band Karaoke Song List 2017
    Live Band Karaoke Song List 2017 50s, 60s & 70s Pop/Rock A Hard Day’s Night – The Beatles All Day And All Of The Night – The Kinks American Woman – The Guess Who Back In The USSR – The Beatles Bad Moon Rising – CCR Bang A Gong – T. Rex Barracuda – Heart Be My Baby – The Ronettes Beast Of Burden – Rolling Stones Birthday – The Beatles Black Dog – Led Zeppelin Born To Be Wild – Steppenwolf Born to Run – Bruce Springsteen Break On Through – The Doors California Dreaming – Mamas & The Papas Come Together – The Beatles Communication Breakdown – Led Zeppelin Crazy Little Thing Called Love – Queen Dead Flowers – The Rolling Stones Don’t Let Me Be Misunderstood – The Animals Don’t Let Me Down – The Beatles Dream On – Aerosmith D’yer Mak’er – Led Zeppelin Fat Bottom Girls – Queen Funk #49 – James Gang Get Back – The Beatles Good Times and Bad Times – Led Zeppelin Happy Together – The Turtles Heartbreaker/ Living Loving Maid – Led Zeppelin Helter Skelter – The Beatles Hey Joe – Jimi Hendrix Hit Me With Your Best Shot – Pat Benatar Hold On Loosely – .38 Special Hound Dog – Elvis Presley House Of The Rising Sun – The Animals I Got You Babe – Sonny and Cher Immigrant Song – Led Zeppelin Into the Mystic – Van Morrison Jumpin’ Jack Flash – The Rolling Stones Lights – Journey Manic Depression – Jimi Hendrix Mony Mony – Tommy James and the Shondells More Than A Feeling – Boston Oh! Darling – The Beatles Paint It Black – Rolling Stones Peggy Sue – Buddy Holly Purple Haze – Jimi Hendrix Revolution – The Beatles Rock and Roll – Led Zeppelin Rock And Roll
    [Show full text]