Lincoln Cathedral: Building Timeline and Significant Historic Events
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The Old Deanery Garden and King's Orchard and Cloister Garth
The Kent Compendium of Historic Parks and Gardens for Medway The Old Deanery Garden and King’s Orchard and Cloister Garth, Rochester January 2015 The Old Deanery Garden and King’s Orchard and Cloister Garth Rochester, Kent TABLE OF CONTENTS INTRODUCTION STATEMENT OF SIGNIFICANCE SITE DESCRIPTION LIST OF FIGURES FIGURE 1: Boundary map - Cloister Garth FIGURE 2: Boundary map – The Old Deanery Garden and King’s Orchard FIGURE 3: Key views map FIGURE 4: Aerial photograph FIGURE 5: OS Map 1st Edition 25” (1862-1875) FIGURE 6: OS Map 2nd Edition 25” (1897 - 1900) FIGURE 7: OS Map 3rd Edition 25” (1907 - 1923) FIGURE 8: OS Map 4th Edition 25” (1929 - 1952) FIGURE 9: The Deanery Garden Rochester, a watercolour by George Elgood in Gertrude Jekyll, Some English Gardens, Longmans, Green and Co. 1904. FIGURE 10: Precinct Garden and Old Deanery 2014. FIGURE 11: Entrance to Old Deanery through the teahouse at the east end 2014. FIGURE 12: Old Deanery garden looking towards the City wall at the SE end of the garden 2014. FIGURE 13: King's Orchard and City ditch 2014 FIGURE 14: Very old Medlar tree in King's Orchard with City wall beyond 2014 FIGURE 15: Cloister Garth facing Frater doorway 2014. FIGURE 16: Cloister Garth from the NW. Spring 2014. FIGURE 17: Looking through the Chapterhouse site to the Cloister Garth 2014. Planted with roses in Dean Hole's time. FIGURE 18: Lower level of the Cloister Garth at the East end 2104. FIGURE 19: Copper Beech tree adjacent to the Cloister Garth facing the Refectory doorway 2014. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
The Installation of Canons
Lincoln Cathedral CHORAL EVENSONG with the Installation of Canons Sunday 2nd May 2021 3.45pm Welcome to Lincoln Cathedral We are delighted to welcome you to Lincoln Cathedral for the installation of new canons, and the welcome of new members of the cathedral’s governing Chapter. A particular welcome to family, friends and congregation who have come to support those being installed today. Earlier this week the canons designate made the Declaration of Assent and swore the Oaths of Allegiance, and the Bishop of Lincoln collated them as canons of the cathedral. We gather now for their installation. Much of this afternoon’s service is sung by the choir and follows a set pattern which is offered daily in the cathedral. Its essence is praise: words, inspired by God, used to worship him and lift our minds and hearts. The singing of psalms and the reading from the Old Testament unite us with our spiritual ancestors, the Jews, and with Jesus Christ, who himself used them to praise God. Our meditation on the word of God leads us to Jesus who is the Word made flesh, and so the Magnificat - a song of praise first sung by Mary, the mother of Jesus - acts as a pivot, pointing us to the new relationship with God which is brought about in the birth of Christ. The remainder of the service celebrates that ‘new covenant’ and, in the intercessions, commits us to the life of service to which Christians are called. If the service is new to you, we hope that in the prayerful combination of words, music and silence you will find space for meaningful reflection. -
West Lindsey News and County News
County News logo Final artwork PMS 583 23C 0M 100Y 17K PMS 444 15C 0M 15Y 42K PMS 377 40C 0M 100Y 38K PMS 583 contents23C 0M 100Y 17K summer 2014 3 News in brief 7 Four pages of stories from across Lincolnshire 7 Castle countdown! New-look Lincoln Castle will give tourism a boost Leader ’s welcome... 8 Special feature: Thanks for everything! One hundred years ago this August, Britain was Meet the winners of our plunged into the most terrible conflict the world 2014 Good Citizens Awards 8 had ever seen. The dramatic consequences of the First World War Meeting our children s needs were felt not only on the front line, but also on the home 10 front, including here in Lincolnshire. Improved services for children In a special feature in this County News, we tell the with additional needs tragic story of Lincoln mother Amy Beechey, who lost five of her eight sons in the conflict – the highest toll on any single British family. 11 Tips for better recycling We also highlight a superb exhibition at the Museum How to avoid contaminating recycling by mistake of Lincolnshire Life called 1914, A Call to Arms for Lincolnshire – the first of a series we’re planning over Special feature: Lest we forget the next four years. 16 16 On a lighter note, the summer months offer a County events 100 years after the fabulous number of events – large and small, weird and outbreak of WW1 wonderful – in every corner of the county. With that in mind, we’ve included a special three- page Out and About section at the back of the magazine, 19 Giving something back with something to suit every taste. -
The Column Figures on the West Portal of Rochester Cathedral
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society A QUESTION OF IDENTITY? THE COLUMN FIGURES ON THE WEST PORTAL OF ROCHESTER CATHEDRAL S. BLISS In the summer of 1991, the Romanesque west front of Rochester Cathedral (Plate I) underwent thorough cleaning and conservation.' This event draws attention, once again, to the significance of the façade and its sculptural enrichment within the development of English Romanesque art. The west portal (Plate II) is an important monument of this period and occupies a place of special significance in understanding some of the links between the theological, cultural and artistic concerns of the day. It would appear that both the patrons and sculptors of the west portal were highly aware of contemporary Continental precedents and this is made clear by an examination of the column figures incorporated into the jambs (Plates III and IV). They instigated work, which in its theological and aesthetic programme, was unusually rare in England and, perhaps more importantly, saw fit to adapt their subject-matter to express a number of concerns both spiritual and temporal. The figures' identities have been the subject of some debate and, though contemporary scholarship identifies them as King Solomon and the Queen of Sheba, it is the intention of this short paper to review their formal uniqueness within the English Romanesque, the debates surrounding their attribution and to provide a possible reading of their meaning within the context of the Rochester portal. Before describing and discussing the figures in detail, it will be useful to consider their physical context within the design of the cathedral's west front. -
Inhouse Lent 2019
Issue 44 Lent edition 2019 InHousethe Journal of the Lincoln Cathedral Community Association Archaeology The Lincoln Imp Page 2 Page 6 Hospitality and Lincoln Cathedral Muriel Robinson Those of our readers who attend the 9.30 Eucharist on Sundays have heard several sermons recently around the theme of hospitality. We thought it might be interesting to explore this in terms of how it applies practically to our cathedral community. An initial conversation with our Dean re- vealed so much that is already happen- ing, often unseen by many of us, that I persuaded Dean Christine to talk to me at greater length- an act of hospitality in itself, as she welcomed me into the Deanery on a cold January evening after Evensong when I’m sure she would rather Lincoln Cathedral- reaching out to the diocese and county have been relaxing after a long day. The Dean reminded me that the Ca- thedral has a strong pastoral mission, in nity. ‘Our vergers have a wonderful minis- of us who are stewards will also know which hospitality plays a central part. Our try’ she told me. ‘They treat the homeless how often we help people to slip in to priority needs to be building on hospital- with respect and get to know them’. The light candles around the edges of formal ity and welcome. We are of course not a coffee shop also plays a part, and Susan, events. Many of us were amazed to hear parish, but we are a community, and that the manager, is often on hand with coffee how many candles were used during the community includes not just staff, regular on a cold day for those in distress. -
Magna Carta Map
MAGNA CARTA MAP See the towns where the story unfolded and the places where copies can be seen. www.magnacarta800th.com 1 Where can I see Magna Carta? THE FIVE “CHARTER TOWNS” CITY OF CANTERBURY Canterbury lay in the eye of the storm which began with the accession of Stephen Langton as Archbishop in 1207. He became implacably opposed to King John and in 1213, Archbishop Langton revived the ancient charter of Henry I. This pressure, combined with the military power of the Barons, led directly to the showdown at Runnymede. The Town of Faversham in Kent holds a 1300 version of Magna Carta. Visit Canterbury: http://www.canterbury.co.uk/ CITY OF LONDON Events that took place in the City of London on Sunday 17th May 1215, became the tipping point in the long-running battle between King John and the Barons. While everyone was at mass, the Barons simply installed their own Mayor, took over the city and then used this as leverage to compel King John to meet them at Runnymede. Visit London: http://www.cityoflondon.gov.uk RUNNYMEDE Runnymede may derive from the Anglo-Saxon word “runinge”, meaning to take council and “moed” meaning meadow. Some believe that King Alfred held meetings at Runnymede in ancient times. Travel by boat along the Thames was the standard means of safe transport and the choice of venue would have added additional gravitas to the unfolding drama of Magna Carta, not lost on the recalcitrant King John. Visit Runnymede: http://www.nationaltrust.org.uk/main/w-runnymede ST ALBANS St. -
From Isolation to Celebration: How We 'Found Our Light Within'
Chaplaincy Focus MARCH 2021 MULTI-FAITH CHAPLAINCY In praise of shared space Carl Christopher Pre-corona, I’d been enjoying going to the chaplaincy for midday prayers ever since I started here, around eight months before the lockdowns. While Witham House can seem a bit out-the- way, it does offer a quiet place to make From Isolation to time for God, as well as the chance to meet people from all round the world, from all religious backgrounds. In fact, Celebration: How We one of the nicest things is that the prayer space is shared - you might find ‘Found Our Light Within’ a Christian, Muslim and Buddhist in Karishma Vora the same spot at any one time. After a year when we’ve been told to keep a literal distance from each other, I’m When it comes make a DIY version following the hoping 2021 will see the return of this to celebrating origami tutorial from our event (see very symbolic sharing of space. In Diwali, it is no the highlights from our Instagram prayer we stand before our Lord, and foreign concept page @nhsflincoln) in knowing Him, we know ourselves. that the triumph • Instead of getting Indian sweets from I think we’re fortunate at Lincoln of good over evil the store, try to create some of your that these revelations can take place is signified. It own recipes for a homemade version alongside others. is an occasion Imagine my surprise then, when a visitor where disputes are forgotten, and Speaking about homemade baking, we asked me if it was “hard” to pray with friendships have blossomed. -
Inhouse Autumn 2016
Issue 34: Autumn edition 2016 InHousethe Journal of the Lincoln Cathedral Community Association Rome The Bishop’s Eye remembered Page 9 Page 5 Messy Cathedral Elaine Johnson Messy Cathedral on the 26th July was a celebration of the many Messy Churches to be found now in so many of the Diocese of Lincoln’s churches. It was a taster for the notion of Messy Church and also opened the cathedral building to families in an informal and welcoming way. Messy Church is established world- wide. It is a fun way of being church for families, with its values being Christ-cen- tred, for all ages, based on creativity, hospitality and celebration. Philippa, who led the event in the Cathedral, al- ready runs a successful Messy Church at St John the Baptist in Lincoln and ran Messy Cathedral for the first time last year, with almost one hundred people taking part. This time attendance dou- bled. Nearly two hundred participants heard stories and did craft activities based on the parables of the Sower, the Lost Sheep, the Good Samaritan and the Prodigal Son. The session then moved into a ‘celebration’ time of more formal worship before finishing with everyone having a picnic lunch together. For many families, Messy Church is their church, where they first encoun- ter Christ and which they start to attend regularly. Many Messy Churches receive requests for baptism and confirmation. in touch with their local parish church Not all those people want to make a and the Messy Church in their area and transition into ‘traditional’ church, but several said they would. -
School Visits
SCHOOL VISITS Inspiring workshops for EYFS, primary and secondary pupils Schools Brochure 2015 - 2016 A UNIQUE EXPERIENCE Lincoln Castle is a truly inspiring venue for a school visit. The new national curriculum-linked Investigate programme for schools offers you and your pupils the chance to have fun, discover, learn and be inspired to learn more through a wealth of unique hands-on adventures and experiences. FACILITATED WORKSHOPS SELF-LED VISITS In this brochure and on the website A self-led visit may include the Medieval Wall www.lincolncastle.com you will find a Walk £2.50 per pupil, Magna Carta and the broad range of pre-bookable facilitated Victorian Prison. £5.00 per pupil or an workshops led by our experienced learning all-inclusive ticket £6.00 per pupil. team. Workshops are designed to offer an immersive, action-packed school visit. Talk to MULTI-SITE VISITS us about your ideal school trip and we will do Experience two heritage sites on the same everything we can to make this possible. day. There are limited pre-bookable combined workshops available with The Collection Morning workshops from 10am or afternoon Museum or Lincoln Cathedral. £8.00 per pupil. workshops from 12.30pm will last around 1.5 hours to 2.5 hours. All day workshops are GUIDED TOURS 10am - 2.30pm. Times are flexible to suit your needs and if you need to stop for a break just Many of the facilitated workshops include let us know. All day £8.00 per pupil. tours relevant to their subject area. However, Morning or afternoon £4.00 per pupil. -
St Hugh & Eynsham Abbey
Front cover The two drawings are reproduced by courtesy of the Curator s of the Bodleian Library, Oxford. The figure of St.Hugh is from a 14th. century calendar in MS.Rawl.D.939. The west towers of Eynsham abbey are from Wood's 1657 drawing of the ruins in MS.Wood.E.1. Frontispiece Bishop Hugh and his famous swan: bronze by Arthur Fleischmann, F.R.B.S. At Buckden Towers, near Huntingdon, formerly a manor of the bishops of Lincoln: Hugh's body rested there, on the way from London to Lincoln. By courtesy of the sculptor, and of the Father Superior of the Claretian brothers, now at Buckden. by Eric Gordon sometime Bishop of Sodor and Man FOREWORD by Sir Walter Oakeshott sometime Rector of Lincoln College, Oxford Published by the Eynsham History Group: Occasional Paper No.3. 1986 © Eric Gordon and the Eynsham History Group Price: 50p. FOREWORD The selection at Eynsham (with Henry II himself presiding) of Hugh to be Bishop of Lincoln, eight hundred years ago, was nationally important. Conflict between King and Church had led, sixteen years before, to the murder of Becket by Henry's knights, in Canterbury Cathedral. As part of his penance, Henry had founded monasteries, over one of which (Witham in Somerset) he appointed Hugh, a Carthusian monk from France, to preside. It was a brilliant choice. Hugh was admired, trusted, and loved. Everyone, including Henry himself, knew that his integrity was beyond question. Hugh took steps to see that the actual election was made by the canons of Lincoln, technically their right, and an example of that sensitivity that was one of his characteristics as an administrator. -
Interpreting Poverty and Punishment in British Prison Museums
Law, Crime and History (2018) 1 INCARCERATING THE POOR: INTERPRETING POVERTY AND PUNISHMENT IN BRITISH PRISON MUSEUMS Dan Johnson1 Abstract This article will seek to understand how and why many prisoners interpreted in prison museums come from lower class backgrounds, and pose questions about how these interpretations contribute to or counter stereotypes about crime and poverty in Victorian England. The article will analyse the Victorian Prison at Lincoln Castle and the York Castle Museum because both sites present the history of punishment without any substantial collections on display, thus utilising creative techniques to present their histories to their visitors. The York Castle Museum presents the history of punishment at the site from 1706 to 1829, while the Victorian Prison at Lincoln Castle showcases its history as a separate system prison from 1848 to 1878. Through primary source material the museums create prison narratives that present the historic prisoners as victims of British society before social welfare. Keywords: museum studies, Lincoln Castle, York Castle, heritage studies, Victorian prison. Introduction Former Director of the Prison Reform Trust, Juliet Lyon asserted in 2016 that, ‘for far too long, prisons have been our most neglected, least visible public service.’2 Due to the invisible nature of the penal system, society relies on cultural representations to shape their views. These representations include literature, film, television, and the news. As people consume these media representations they begin to form their own views and opinions about crime and punishment. Juliet Lyon’s comment on the invisible nature of the current prison service is also true for the history of punishment in the UK.