The Experience of Families When a Child Is Diagnosed with Cancer

Total Page:16

File Type:pdf, Size:1020Kb

The Experience of Families When a Child Is Diagnosed with Cancer The Experience of Families When a Child is Diagnosed with Cancer with a Favorable Prognosis by Laura Clarke-Steffen A Doctoral Dissertation Presented to Oregon Health Sciences University School of Nursing in partial fulfillment of the requirements for the degree of Doctor of Philosophy May, 1990 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Copy Right 1991 By Clarke-Steffen, Laura All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This research was supported, in part, by Public Health Service National Research Service Award # NR06157, through the National Center for Nursing Research; the Sigma Theta Tau, Beta Psi Chapter, Research Award; and the Focal Area III, Oregon Health Sciences University, School of Nursing Small Grant. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Acknowledgements My advisor, Sheila Kodadek, has been a constant support behind this dissertation. She has had the unique ability to push me when I needed it, to back off when I needed a break, and to ignite my thinking when I became stuck. I appreciate the fact that she has made herself available for consultation whenever necessary. My other committee members have added also to this research effort. Barbara Limandri has been helpful in solving some clinical situations and in dragging the theory kicking and screaming from the data. Bar­ bara Valanis has given her critical remarks and knowledge of cancer to the formulation of this dissertation. For the completion of this study, I am most indebted to the families who were willing to share their lives with me by participating in this study. They willingly gave of their time and themselves by telling their stories and welcoming me into their homes. I would like to mention for their help with technical assistance, Carol Holt and Bev Rogers. In addition, Martha Haylor was instrumental in coding the interviews. I would like to thank Linda Birenbaum, whom I worked for as a research assistant as I began my doctoral education. She has done much toward shaping my research interests and abilities, setting an example of tireless questioning and questing for knowledge. She also provided the emotional support needed to take on the arduous role of researcher. Several members of my family have also provided the love and support necessary to take on a project such as this one. Thanks to my husband, Bob, for Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. his chauffeuring aid during the data collection, for the many hours he spent in the library photocopying articles and for his continued support and confidence in me. Thank you also to my parents, Milton and Dorothy Clarke, and Gordon, Ginny, Doug, Carolyn, Rob, Bianca, Jeff, Jane, Traci, Brandon, Ryan, Lindsey, and Bruce. Without their support, I do not think I would have finished this program. Finally thanks are due to Brandy, Jonathon, and Jimmy who first caused me to question how families experienced the diagnosis of and transition to living with childhood cancer. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS Page List of Tables.........................................................................................................viii List of Figures..........................................................................................................ix Chapter 1 Introduction ....................................................................................... 1 Significance of the Problem .........................................................................1 Transition Perspective ............................................................................... 2 Symbolic Interaction and Grounded Theory ........................................... 3 Definitions ....................................................................................................3 Chapter 2 Review of Literature.......................................................................... 5 Introduction ..................................................................................................5 Illness Experience ...................................................................................... 5 Family Members' Responses to Childhood Cancer ....................................6 Transitions .................................................................................................. 29 Summary.................................................................................................... 44 Chapter 3 Methods ........................................................................................... 48 Assumptions............................................................................................ 48 Design........................................................................................................ 49 Setting.........................................................................................................49 Sample .................................................................................................... 50 Interview .....................................................................................................60 Procedure................................................................................................ 62 Ethical Issues.............................................................................................. 65 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Analysis ...................................................................................................... 67 Limitations ..................................................................................................70 Chapter 4 Analysis: Family Transition to Living with Childhood Cancer.. 72 First Clue.................................................................................................... 74 Limbo...................................................................................................... 78 Strategies Used to Reconstruct Reality ..................................................... 86 New Normal........................................................................................... 113 Timing of the Transition ...........................................................................119 Chapter 5 Discussion and Implications ........................................................... 121 The Family Transition to Living with Childhood Cancer ....................... 121 Implications for the Delivery of Nursing Care...................................... 137 Implications for Research ........................................................................ 144 Methodological Implications ...................................................................145 Summary.................................................................................................. 151 References .......................................................................................................... 155 Appendices ...................................................................................................... 167 Appendix A: Interview Schedules .........................................................167 Appendix B: Family Information Sheet ............................................. 174 Appendix C: Consent Forms ...............................................................177 Appendix D: Family Interview Code Sheet Example ............................. 186 Appendix E: Family Transition Summary Sheet .....................................191 Abstract.............................................................................................................. 193 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. viii LIST OF TABLES Number Page 1 Transition Concept Delineation by Perspective ............................. 30 2 Characteristics of the Families ........................................................... 52 3 Characteristics of the Fathers ............................................................. 53 4 Characteristics of the Mothers ......................................................... 53 5 Characteristics of the III Children .......................................................54 6 Characteristics of the Siblings......................................................... 55 7 Favorable Prognosis Cancer Diagnoses and Disease Free Survival Rates.................................................................................. 59 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. LIST OF FIGURES Number Page 1 Family Transition to Living with Childhood Cancer ......................................73 2 First Clue..........................................................................................................75 3 Managing the Flow of Information ............................................................. 93 4 Managing the Medical Regimen ............................................................... 102 5 Assigning Meaning to the Illness ................................................................. 108 6 New Normal................................................................................................. 114 Reproduced with permission
Recommended publications
  • Bio.Inthismomentritu
    Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • NOV. 27- Dec. 3, 2014
    NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed
    [Show full text]
  • 70000TONS of METAL Survival Guide
    www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein.
    [Show full text]
  • SERVING WHILE SICK High Risks & Low Benefits for the Nation’S Restaurant Workforce, and Their Impact on the Consumer
    SERVING WHILE SICK High Risks & Low Benefits for the Nation’s Restaurant Workforce, and Their Impact on the Consumer By The Restaurant Opportunities Centers United September 30, 2010 Primary Research Support Provided by: The National Employment Law Project The UCLA Center for the Study of Urban Poverty Funding Provided By: The Public Welfare Foundation The Ford Foundation The Rockefeller Foundation SERVING WHILE SICK High Risks & Low Benefits for the Nation’s Restaurant Workforce, and Their Impact on the Consumer By The Restaurant Opportunities Centers United September 30, 2010 Primary Research Support Provided by: The National Employment Law Project The UCLA Center for the Study of Urban Poverty Funding Provided By: The Public Welfare Foundation The Ford Foundation The Rockefeller Foundation EXECUTIVE SUMMARY With over 10 million workers, the restaurant industry is one of the largest and fastest-growing sectors of the United States economy, even during the current economic crisis. However, most workers in this industry work in restaurants that put them at high risk of injury and illness, and provide them with little or no benefits to cope with these challenges. These conditions increase the likelihood of workers commit- ting dangerous practices that place the health of the dining public at risk. This report is drawn from analysis of 4323 surveys of restaurant workers nationwide - the largest Two Roads to Profitability national survey sample of restaurant workers ever Our study reveals that there are two roads to conducted– as well as 240 employer interviews and profitability in the nation’s restaurant 240 worker interviews, on their wages, working industry – the “high road” and the “low road.” Restaurant employers who take the conditions, and access to benefits.
    [Show full text]
  • Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
    Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed.
    [Show full text]
  • “That Weeping Constellation”: Navigating Loss in Women's Memoirs of Textured Recovery
    LANCASTER UNIVERSITY “That Weeping Constellation”: Navigating Loss in Women's Memoirs of Textured Recovery Amy Prodromou M.A. English MLitt. Creative Writing Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 7/30/2010 ProQuest Number: 11003601 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003601 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Prodromou i ACKNOWLEDGEMENTS I acknowledge that this is my own work. An article (with the same title as the thesis) taken from sections of Chapters 1,3, and 4, is due to be published in Lifewriting Annual: Biographical and Autobiographical Studies (forthcoming 2012). An essay (taken from Chapter 3), “Writing the Self Into Being: Illness and Identity in Inga Clendinnen’s Tiger’s Eye and Hilary Mantel’s Giving Up the Ghost” is due to be published in a collection of essays on “Identity and Form” by Sheffield Hallam University. Many thanks to my supervisor, Tess Cosslett, for her patience and insights. Prodromou ii ABSTRACT This project explores the writing of grief within women’s narratives of loss.
    [Show full text]
  • My Truth: Women Speak Cancer
    MY TRUTH WOMEN SPEAK CANCER REBECCA A. HOUSEL Ph.D. in Creative Writing 2007 Housel ABSTRACT: 1) My Truth: Women Speak Cancer is a creative nonfiction based on three years of interviews with twelve survivors told through the lens of the author's experience as a three-time, sixteen-year survivor of multiple cancers. Each chapter features a different survivor and her story; the cancers discussed include non-Hodgkin's lymphoma, Osteosarcoma, Melanoma, as well as brain, ovarian, breast, and thyroid cancers. Current definitions, treatments and statistics are included at the end of each chapter. The book ends with a comprehensive After Words, combining poetry and prose, taking the reader on a further journey of introspection on life, love, friendship, and loss. 2) The Narrative of Pathogynography is a critical exegesis using established theory in the fields of creative writing, sociology, ethnography, literature, and medicine to examine and further define the sub genre of the theoria, poiesis and praxis involved in creating women's illness narrative, or what Housel terms, pathogynography. Housel develops original terminology to define yet undiscovered spaces based on her work in My Truth: Women Speak Cancer. KEYWORDS: Pathogynography, autopathogynography, embedded autopathogynography, entrenched narrative silence, ethnogynography, meta- ethnogynography. ii For all women who have suffered and grown with cancer, as well as their families and friends. Acknowledgements First and foremost, my thanks go to the women of this book, eleven individuals who generously shared their stories, their truths. The help of their families and friends is also greatly appreciated. For my own part, I must thank my husband, Bob, and son, Gary, both of whom gave me unending support and joy, allowing me to have the courage to sit in my red room and write for three years.
    [Show full text]
  • Koerner 1 and WHAT WE SAW THERE
    Koerner 1 DEFINING A MICRO-GENRE: INSULAR FRIEND GROUPS IN CONTEMPORARY LITERATURE and WHAT WE SAW THERE: A NOVEL ________________________________________________ A Thesis Presented to the Honors Tutorial College Ohio University ________________________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the Degree of Bachelors of Arts in English ________________________________________________ Hannah Koerner April 2017 Koerner 2 Critical Introduction Defining a Micro-Genre: Insular Friend Groups in Contemporary Literature Three tall, gray bookshelves line the back wall of my parents’ office at home. They are filled with historical fiction, Joan Didion collections, and tall, wide books of nature photography. They have been there as long as I can remember, but I only started reading books from them when I was in high school. It was in my sophomore year, after finishing off the Alice Hoffman novels and Erik Larson’s nonfiction that I stumbled upon Donna Tartt’s The Secret History. It is an immediately arresting cover: a close-up of a Greek statue’s face and neck, turned to the side, mouth slightly opened and downturned as if looking away from something terrible and regretful—something tragic. The photograph is faded and warm, almost sepia-toned, like something you might find while perusing bins in an antique store. It’s a fitting cover; The Secret History is a tragedy, and like all tragedies, it owes a deep debt to the past. When I finally read and finished the book, it was the tragedy that held me—not because it was classical and well-crafted (it was both), but because of the unfairness.
    [Show full text]
  • Death Panel Presents: Medicare for All Week
    Death Panel Presents: Medicare for All Week M4AW Episode 03: Vivian Negron on 37 Years of Billing Private Insurance [Episode Transcript] SPEAKERS Beatrice Adler-Bolton, host of the Death Panel Podcast ​ Vivian Negron, Billing Specialist & Medical Receptionist TRANSCRIPTIONS Shy Fudger We speak with Vivian Negron about how medical billing has changed over her 37 years working as a medical receptionist, and the absurd hoops private insurance companies make her jump through on a daily basis. This episode is part of Medicare for All Week, a limited event series running Feb 3 - 11. Every day ​ ​ between Iowa and New Hampshire, we're bringing you fresh interviews from some of our favorite voices on single payer and the fight for health justice, plus some special surprises. Death Panel is entirely listener supported, so if you enjoy this series please help us out by subscribing, leaving us a rating, or becoming a patron at patreon.com/deathpanelpod. ​ ​ Beatrice Adler-Bolton 00:00 ​ Welcome back to Medicare For All Week. I'm really excited because- I'm a little biased- but today I am sitting down with one of my very favorite guests from this entire series. I am here with the one and only Vivian Negron who's been a medical receptionist for 37 years, is a close friend and has unfortunately experienced the entire development of our current system of horrific billing. Vivian thank you so much for joining us. Do you want to say hi to everybody, all the listeners? Vivian Negron 00:33 ​ Hi everybody, thank you, Bea, for having me.
    [Show full text]
  • 5 Nervoso Medicine, Sickness, and Human Needs
    5 Nervoso Medicine, Sickness, and Human Needs There are few vigorous, well-built, healthy persons among the workers.... They are almost all weakly, of angular but not powerful build, lean [and] pale.... Nearly all suffer from indigestion, and consequently from a more or less hypochondriacal melancholy, irritable, nervous condition. Friedrich Engels ([1845] 1958:118) My sickness is both physical and moral. Carolina Maria de Jesus (1962:83) J Nervous Hunger In Born Jesus one's ear is at first jarred by the frequent juxtapositions of the idioms [ome and neroos, "hunger" and "nervousness," in the everyday conversation of the people of the Alto. Later, the expressions lose their special poignancy, and they come to seem natural, ordinary. A mother stops you on her way up the Alto to say that things aren't well, that her meninos estiio tao neroosos porqlle niiotem nadaparacomer(her children are nervous because they are hungry). Biu, on returning from [eira, says, as she drops heavily into a chair and removes the food basket from her head, that she became dizzy and disoriented, made "nervous" by the high cost of meat. She was so aperreada (harassed), she says, that she almost lost her way coming home from the market. I stop in to visit Auxiliadora, whose body is now wasted by the final stages of schistosomiasis, to find her shaking and crying. Her "nervous attack" taraque de neroos) was prompted, she says, by uncovering the plate of food her favorite son, Biu, has senther.! There in the midst of her beans was a fatty piece of salted charque (beef jerky).
    [Show full text]
  • Deutsche Nationalbibliografie 2015 T 02
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2015 T 02 Stand: 18. Februar 2015 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2015 ISSN 1613-8945 urn:nbn:de:101-ReiheT02_2015-4 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]