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The Ever-Evolving Business & Consumer Landscape
+ PRESENT THE EVER-EVOLVING BUSINESS & CONSUMER LANDSCAPE 5 TRENDS THAT MATTER TO KIDS & FAMILIES ZEITGUIDE, in partnership with Nickelodeon, presents: The Ever-Evolving Business & Consumer Landscape 5 Trends that Matter to Kids & Families CONTENTS Foreword by Pam Kaufman 3 Intro by Brad Grossman 5 Trend 1 Retailtainment Recharged: 6 How to Create the Ultimate In-Store Experience Trend 2 Next-Gen Gender: 11 Moving Toward Gender Inclusivity Trend 3 The Mini-Me Phenomenon: 14 Parents and Kids are BFFs Trend 4 Finding Superfans: 17 The Rise of Collecting & Nostalgia Trend 5 The Everywhere-to-Everyone Brand: 20 Connecting to Consumers at All Touchpoints Conclusion 26 3 FOREWORD FROM THE CMO & PRESIDENT OF CONSUMER PRODUCTS, PAM KAUFMAN At Nickelodeon, we are committed to helping you—our partners—navigate an ever-evolving cultural and business landscape. Our aim is to serve you with knowledge, insights and creativity to stay ahead of the major trends impacting your business. To help accomplish this, we recruited ZEITGUIDE, an intelligence firm that studies this changing landscape to keep businesses culturally relevant, innovative and inspired for the future. As experts in cultural and business change, Zeitguide was the perfect thought partner to produce this exclusive digest offering an outside perspective on the changing lives of kids and families. We face a transformational moment in the media, retail and marketing businesses. An explosion of touchpoints, an increase in digital viewership and the proliferation of online shopping have made it a challenge to grab consumer attention. But there’s one thing that never changes: the strength and signifi- cance of great intellectual property. -
Children's Media Lives
Classification: HIGHLY SENSITIVE Children’s Media Lives - Wave 6 A report for Ofcom 1 February 2020 Contents: • Introduction 2 • Summary of key findings 4 • About this study 8 o New research techniques 8 used this year 11 o Meet the sample • The content children like and 15 how they watch it • Social media 29 • Critical understanding and 43 online safety • Glossary 55 2 Introduction The media landscape changes quickly. For children growing up in this changing landscape, there are always new trends, platforms and behaviours to keep up with. For parents, teachers and regulators, it can be hard to stay abreast of the latest advancements and the newest risks faced by children online. The Children’s Media Lives study provides an in-depth understanding of how a sample of 18 children, aged eight to 18, are thinking about and using digital media, and how this differs and is influenced by age, life stage, family circumstances, peer groups and wider society. It explores how digital media use evolves over time as children develop and respond to offline factors such as new schools, friendships, and access to new technologies. This is the sixth wave of this longitudinal study into children’s media lives. The unique ability to review analysis, dating back to 2014, allows us to identify structural shifts in children’s media use and to explore the drivers behind new and emerging patterns of behaviour. The sixth wave of research was completed in summer 2019, following the previous five: in summer 2018, summer 2017, summer 2016, spring 2015 and autumn 2014. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Blast Off Broken Sword
ALL FORMATS LIFTING THE LID ON VIDEO GAMES Broken Sword blast off Revolution’s fight Create a jetpack in for survival Unreal Engine 4 Issue 15 £3 wfmag.cc TEARAWAYS joyful nostalgia and comic adventure in knights and bikes UPGRADE TO LEGENDARY AG273QCX 2560x1440 A Call For Unionisation hat’s the first thing that comes to mind we’re going to get industry-wide change is collectively, when you think of the games industry by working together to make all companies improve. and its working conditions? So what does collective action look like? It’s workers W Is it something that benefits workers, getting together within their companies to figure out or is it something that benefits the companies? what they want their workplace to be like. It’s workers When I first started working in the games industry, AUSTIN within a region deciding what their slice of the games the way I was treated wasn’t often something I thought KELMORE industry should be like. And it’s game workers uniting about. I was making games and living the dream! Austin Kelmore is across the world to push for the games industry to But after twelve years in the industry and a lot of a programmer and become what we know it can be: an industry that horrible experiences, it’s now hard for me to stop the Chair of Game welcomes everyone, treats its workers well, and thinking about our industry’s working conditions. Workers Unite UK, allows us to make the games we all love. That’s what a a branch of the It’s not a surprise anymore when news comes out Independent Workers unionised games industry would look like. -
Location-Based Mobile Games
LOCATION-BASED MOBILE GAMES Creating a location-based game with Unity game engine LAB-UNIVERSITY OF APPLIED SCIENCES Engineer (AMK) Information and Communications Technology, Media technology Spring 2020 Samuli Korhola Tiivistelmä Tekijä(t) Julkaisun laji Valmistumisaika Korhola, Samuli Opinnäytetyö, AMK Kevät 2020 Sivumäärä 28 Työn nimi Sijaintipohjaisuus mobiilipeleissä Sijaintipohjaisen pelin kehitys Unity pelimoottorissa Tutkinto Tieto- ja viestintätekniikan insinööri. Tiivistelmä Tämän opinnäytetyön aiheena oli sijaintipohjaiset mobiilipelit. Sijaintipohjaiset mobiili- pelit ovat pelien tapa yhdistää oikea maailma virtuaalisen maailman kanssa ja täten ne luovat yhdessä aivan uuden pelikokemuksen. Tämä tutkimus syventyi teknologiaan ja työkaluihin, joilla kehitetään sijaintipohjaisia pelejä. Näihin sisältyy esimerkiksi GPS ja Bluetooth. Samalla työssä myös tutustuttiin yleisesti sijaintipohjaisten pelien ominaisuuksiin. Melkein kaikki tekniset ratkaisut, jotka oli esitetty opinnäytetyössä, olivat Moomin Move peliprojektin teknisiä ratkaisuja. Opinnäytetyön tuloksena tuli lisää mahdolli- suuksia kehittää Moomin Move pelin sijaintipohjaisia ominaisuuksia, kuten tuomalla kamerapohjaisia sijaintitekniikoita. Asiasanat Unity, sijaintipohjainen, mobiilipelit, GPS, Bluetooth Abstract Author(s) Type of publication Published Korhola, Samuli Bachelor’s thesis Spring 2020 Number of pages 28 Title of publication Location-based mobile games Creating a location-based game with the Unity game engine Name of Degree Bachelor of Information and Communications -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
Imaginext Super Hero Flight City Instructions
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Imaginext Flight City Instructions
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THANKSGIVING and BLACK FRIDAY STORE HOURS --->> ---> ---> Always Do a Price Comparison on Amazon Here Store Price Notes
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Battlebots Newsletter: Preparing for Competition March, 2021 As the Newest Design Team, Battlebots Has Never Competed Before
Battlebots Newsletter: Preparing for Competition March, 2021 As the newest design team, Battlebots has never competed before. Our first competition would have been in March of 2020. However, COVID cancelled all of our events that year. With that being said, the team will be competing with two robots this year: the 15lb robot from 2020 and the 30lb robot from 2021. Students are excited to finally be able to see their robots compete at Bots KC in Kansas City, MO and Norwalk Havoc Robot League in Norwalk, CT. Navigating the logistics of traveling safely to competitions has been a challenge, but we are hopeful everything will work out. The state of what is safe nowadays is always changing and we want to make sure we take all the precautions necessary to compete responsibly. In February, the team performed construction on building a full scale testing enclosure for our robots. The former 12ft square arena has been extensively upgraded. Measuring a full 16ft by 16ft with 8ft ceiling it meets the size of competition standards and allows our team to test and practice safely on a regular basis. The expansion was a whole team effort to construct. We tore down the old enclosure and used its components within the new arena to save cost of the material and manufacturing time. Now that the new box is complete, the team will really be able to see what the robots are capable of on a larger scale. Our new 30lb robot has been named “Option 14”. Its name is somewhat of an inside joke on the team. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Bot for Google Chrome's Dinosaur Game
dino_bot.md Bot for Google Chrome's Dinosaur Game If you've ever tried to access google chrome while the internet is down, you've probably seen a screen simlar to this: T-Rex Run is a simple game. The user plays as the dinosaur, using the space bar to jump over incoming cacti and birds. It's an easy game to play, and python makes it even easier. Automate the Game In order to automate the game, there are two user inputs that we have to consider: 1. Clicking the center to start/restart the game 2. Pressing and unpressing the space bar to jump To accomplish these tasks, three python modules are used: 1. NumPy - for summating pixel values 2. Pillow - for image processing 3. PyAutoGUI - for controlling mouse and keyboard input Conceptual Overview The goal is to make the program able to analyze the area in front of the dinosaur and jump when something is in his way. The following image shows the two places that the program is using to do this: The blue rectangle is a reference to the area of the screen in front of the dinosaur that the bot is constantly running calculations on. As the game runs, the area in front of the dinosaur changes as obstacles approach. With Pillow, we're able to calculate the sum of the different pixel values specifically in the blue area in front of the dinosaur. When nothing is in front of the dinosaur, the value of the sum of these pixels represented by the blue rectangle is 1,447.