DOCSLIB.ORG

Nile Rodgers' Meltdown

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nile Rodgers' Meltdown Date: Tuesday 13 August 2019 Contact: Phoebe Gardiner, [email protected] / 020 7921 0967 ​ ​ ​ Images: available here ​ ​ Video: available here ​ ​ Nile Rodgers’ Meltdown ‘a radical world party’ - PLUS Meltdown returns: 12-21 June 2020 Nile Rodgers & CHIC, Royal Festival Hall 3 August 2019 © Victor Frankowski for Southbank Centre ★★★★★ “A radical world party… [Rodgers’] nine-day festival wraps its arms around as many ages, genders, ​ sexualities and continents as it can.” - The Guardian ​ ​ Southbank Centre’s 26th Meltdown came to a close Sunday night after its most critically-acclaimed ​ ​ installment yet: nine days of world class music, dance, disco and DJ sets, global exclusives, five-star performances, new talent and free parties attended by thousands, all the design of this year’s curator, the legendary Nile Rodgers. Rodgers says of the experience: “In a life filled with so many unexpected rewards, Meltdown 2019 ​ ​ ​ rises to the level of one of the greatest. I will never forget this experience. And as time goes on the pride for what we've accomplished as a team will only strengthen. I'm overcome with gratitude.” ​ More than 70 acts took over the UK’s largest arts centre from 3-11 August, filling Southbank Centre’s main venues - Royal Festival Hall, Queen Elizabeth Hall and Purcell Room - and every corner of the 17-acre site with music. More than 40 hours of free programming entertained over 8,000 people, including the C’est CHIC Vogue Ball, a Meltdown Mardi Gras and Friday’s And The Beat Goes On, a ​ ​ ​ ​ ​ ​ showcase of talent from the famous BRIT School The curator himself was a ubiquitous presence. After his opening night with CHIC, Rodgers demonstrated his famous tirelessness by introducing to the stage almost every festival headliner, many of the talents performing on the free stages and even the outdoor screening of Coming to ​ America (which he scored in 1988) - delighting the audience by joining them for the start of the film. ​ Meltdown has a reputation for staging one-off performances and collaborations by legendary artists - ​ and with one of pop’s greatest collaborators in charge, this year was no different. Audiences witnessed Rodgers and Dave Stewart perform on stage together for the first time ever for the global premiere of Stewart’s Eurythmics Songbook, featuring a stellar roll-call of guest vocalists and ​ ​ musicians including Emeli Sandé, Beverley Knight, Iris Gold, Ryan Molloy, Kimberly Davis and Folami. Pioneering producer SOPHIE presented a set of brand new unreleased material; Kyle Dixon and Michael Stein performed their music for the third season of Stranger Things in a world premiere; ​ ​ London-based Afrobeat eight-piece KOKOROKO stormed the Queen Elizabeth Hall; Brazilian pop super-star brought the Royal Festival Hall house down in her 2019 festival exclusive; and the newly renovated Queen Elizabeth Hall Foyer was transformed into iconic nightclub Studio 54 for one night only, with dancers and aerial performers from Savage Disco and Gersch & Rox, original Studio 54 DJs and another surprise appearance from Rodgers himself thrilling revellers. Southbank Centre’s award-winning Meltdown is the longest-running artist-curated music festival in the ​ ​ world. Each year, a different cultural figure is invited by Head of Contemporary Music, Bengi Ünsal, to act as curator, and select performers and events of their choosing. Previous curators include Elvis Costello, Laurie Anderson, John Peel, Nick Cave, David Bowie, Lee Scratch-Perry, Patti Smith, Massive Attack, Yoko Ono, M.I.A and Robert Smith. The festival returns next year from 12-21 June 2020 with another legendary artist at the helm to be ​ revealed in the autumn. Praise for Nile Rodgers’ Meltdown: ​ ​ ★★★★★ “extraordinary even by CHIC’s standards: everybody dances all of the time” - The ​ ​ Guardian ★★★★ "this is the sort of 'wow factor' collaboration that Meltdown does brilliantly” - The ​ ​ ​ ​ Telegraph ★★★★ “an exercise in pure celebration” - The Times ​ ​ ★★★★ “irresistible” - The Daily Mail ​ ​ ​ ★★★★ “shimmying into high art without a pass” - The Telegraph ​ ​ ​ ★★★★★ “peerless” - The Upcoming ​ ​ #ENDS# Press images from across the festival can be downloaded here. ​ ​ Festival wrap-up video can be watched and an embed code downloaded here. ​ ​ For further press information please contact: Phoebe Gardiner [email protected] / 020 7921 0967 ​ ​ Alexandra Shaw [email protected] / 020 7921 0676 ​ ​ Southbank Centre delivers a year-round programme of gigs and contemporary music across its world-class venues and public spaces. See upcoming events here. ​ ​ Join the conversation: #meltdownfest @meltdownfest @southbankcentre www.southbankcentre.co.uk/meltdown NOTES TO EDITORS About Nile Rodgers + CHIC Among music legends, Nile Rodgers is truly exceptional. He amplifies his legacy as a multiple GRAMMY-winning composer, producer, arranger and guitarist by constantly traversing new musical terrain and successfully expanding the boundaries of popular music. As the co-founder of CHIC and the newly elected Chairman of the Songwriters Hall of Fame, Rodgers pioneered a musical language that generated chart-topping hits like “Le Freak,” (the biggest selling single in the history of Atlantic Records!) and sparked the advent of hip-hop with “Good Times”. Nile Rodgers transcends all styles of music across every generation with a body of work that’s garnered him inductions into the Rock & Roll Hall of Fame (2017) and the Songwriters Hall of Fame (2016). Most recently, he was appointed as the first ever Chief Creative Advisor for the legendary Abbey Road Studios to cap off a year that has included “festival best” performances at both Glastonbury and Coachella that resulted in the BBC nominating the band for the BBC Music Awards as “Best Live Performance Of 2017” and the LA Times stating “Nile Rodgers influence stretches all over Coachella, beaming the sound of a better future”. His work in the CHIC Organization and his productions for artists like David Bowie, Diana Ross, and Madonna have sold over 500 million albums and 75 million singles worldwide while his innovative, trendsetting collaborations with Daft Punk, Avicii, Sigala, Disclosure, and Sam Smith reflect the vanguard of contemporary music. Nile Rodgers & CHIC recently released their first new studio album, “It’s About Time” in over 26 years to critical acclaim and a Top 10 position in the UK album charts. Meltdown, 1993 – present ​ Southbank Centre’s award-winning Meltdown festival has been running annually since 1993 and is the ​ ​ longest-running artist-curated music festival in the world. Each year Southbank Centre invites a different cultural figure to act as curator and select performers and events of their choosing. Previous curators include George Benjamin, Louis Andriessen, Elvis Costello, Magnus Lindberg, Laurie Anderson, John Peel, Nick Cave, Scott Walker, Robert Wyatt, David Bowie, Lee Scratch-Perry, Morrissey, Patti Smith, Jarvis Cocker, Massive Attack, Ornette Coleman, Richard Thomson, Ray Davies, Anohni, Yoko Ono, James Lavelle, David Byrne, Guy Garvey, M.I.A and Robert Smith. Meltdown has a reputation for staging one-off performances and collaborations by ​ ​ legendary artists. Patti Smith performed ‘Horses’ in full for her Meltdown; Ray Davies re-staged the TV pop ​ ​ show ‘Ready Steady Go!’; Jeff Buckley played his final UK show at Elvis Costello's Meltdown; The New York ​ ​ Dolls reunited for Morrissey; Nick Cave, Grace Jones and Pete Doherty sang Disney songs with Jarvis Cocker; and a rare live performance from Cocteau Twins’ Elizabeth Fraser was part of Anohni’s Meltdown. Other ​ ​ previous performers include Philip Glass, Lou Reed, Ivor Cutler, Sonic Youth, Nina Simone, Blur, Radiohead, David Gilmour, Coldplay, Television, The Polyphonic Spree, The Yeah Yeah Yeahs, Nancy Sinatra, Bert Jansch, Jeff Beck, John Cale, Iggy & The Stooges, Motorhead, Massive Attack, Moby, Nine Inch Nails, The Libertines, The Cure and Femi Kuti. Robert Smith’s in 2018 Meltdown was nominated for Music Week Awards ​ ​ Festival of the Year and won the AIM Independent Music Awards ‘Act of Independence’ Award. It is overseen by Southbank Centre Head of Contemporary Music, Bengi Ünsal, and produced by Rhodri Jones. About Southbank Centre Southbank Centre is the UK’s largest arts centre and one of the UK's top five visitor attractions, occupying a 17 acre site that sits in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames. We exist to present great cultural experiences that bring people together and we achieve this by providing the space for artists to create and present their best work and by creating a place where as many people as possible can come together to experience bold, unusual and eye-opening work. We want to take people out of the everyday, every day. The site has an extraordinary creative and architectural history stretching back to the 1951 Festival of Britain. Southbank Centre is made up of the Royal Festival Hall, Queen Elizabeth Hall, Purcell Room and Hayward Gallery as well as being home to the National Poetry Library and the Arts Council Collection. It is also home to four Resident Orchestras (London Philharmonic Orchestra, Philharmonia Orchestra, London Sinfonietta and Orchestra of the Age of Enlightenment) and four Associate Orchestras (Aurora Orchestra, BBC Concert Orchestra, Chineke! Orchestra and National Youth Orchestra of Great Britain). Southbank Centre Venues RFH - Royal Festival Hall QEH - Queen Elizabeth Hall PUR - Purcell Room HG - Hayward Gallery .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Tickets for Troops Annual Review 2016
    TICKETS FOR TROOPS ANNUAL REVIEW 2016 The Sun Military Awards Nominees at Number 10 Downing Street: Tickets For Troops was nominated for ‘Support to Armed Forces’ FOREWORD Thanks to the tremendous philanthropy of our supporters and donors from the nation’s live sports and events industry, 2016 was another active year for Tickets For Troops. We worked closely with hundreds of ticketing professionals, agents, box offices, promoters, clubs, teams and many more groups to ensure our servicemen and women continued to enjoy the delights of the sporting, musical, theatrical and entertainment world. This wonderful generosity combined with some beavering away in the Tickets For Troops office ensured that we were able to distribute 152,652 complimentary tickets for 6,291 events to our military members. Half way through the year, we were delighted to welcome on board a new team of regional volunteers known as ambassadors who are responsible for helping to increase the number of donors in their respective regions. The volunteer opportunity attracted a large number of applications from all around the country and the overall standard was exceptionally high. It was humbling for the team to see how many people from within the forces community wanted to give something back to Tickets For Troops. The regional ambassadors are being managed by our newest employee Elisabeth Roberts - recruited on a part-time basis thanks to the Armed Forces Covenant Fund grant. We were sad to lose Anastasia Baker in October, she was a superb asset to the team with her excellent customer service manner and speedy ticket packaging skills - we wish her well for the future.
    [Show full text]
  • An Environmental Ethic: Has It Taken Hold?
    An Environmental Ethic: Has it Taken Hold? arth Da y n11d the creation Eof l·Y /\ i 11 1 ~l70 svrnbolized !he increasing ccrncl~rn of the nation about environmental vulues. i'\o\\'. 18 vears latur. has an cm:ironnrnntal ethic taken hold in our sot:iety'1 This issue of J\ P/\ Jounwl a<lclresscs that questi on and includes a special sc-~ct i un 0 11 n facet of the e11vironme11tal quality effort. l:nvi ron men ta I edur:alion. Thr~ issue begins with an urticln bv Pulitzer Prize-wi~rning journ;ilist and environmentalist J<obert C:;1hn proposing a definition of an e11viro11m<:nlal <~thic: in 1\merica. 1\ Joumol forum follows. with fin: prominnnt e11viro1rnw11tal olJsefl'ers C1n swt:ring tlw question: lws the nthi c: tukn11 hold? l·: P1\ l\dministrnlur I.cc :VI. Tlwm;1s discusses wht:lhcr On Staten Island, Fresh Kills Landfill-the world's largest garbage dump-receives waste from all h;ivc /\1ll(:ric:an incl ivi duals five of New York City's boro ughs. Here a crane unloads waste from barges and loads it onto goll!:11 sc:rious about trucks for distribution elsewhere around the dump site. W illiam C. Franz photo, Staten Island Register. environnwntal prott:c.tion 11s a prn c. ti c:al m.ittc:r in thuir own li v1:s, and a subsnqucmt llroaclening the isst1e's this country up to the River in the nu tion's capital. article ;111alyws the find ings pt:rspective, Cro Hnrlem present: u box provides u On another environnwntal of rl!u:nt public opinion Brundtland.
    [Show full text]
  • HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
    THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge.
    [Show full text]
  • Anohni: Miracle Now
    ANOHNI: MIRACLE NOW EN INTRODUKTION TIL UDSTILLINGEN / AN INTRODUCTION TO THE EXHIBITION MAY 24 – AUGUST 5 2018 MIRACLE NOW “Does nature evolve, or does She just change? So much information can now be stored in a tiny space. Scientists have said recently that ancestral trauma changes our genome in detectable ways. I imagine that in the future we shall put a drop of water into a machine and it will reveal to us every moment that its atoms have ever ex- perienced, and every living and inanimate body that it has ever been a part of. When I first staged the play Miracle Now in 1995, my dream was that Nature would remem- ber every one of Her vanished faces, and that this knowledge would somehow inform Her next iteration. This was a hopeful idea to me, in the face of impending eco-col- lapse.” – ANOHNI “Nothing goes unrecorded. Every word of leaf and snowflake and particle of dew, as well as earthquake and avalanche, is writ- ten down in Nature’s book.” – John Muir, 1872 ANOHNI: “Where do we go when we die?” Nola Taylor: “Back to country.” – Conversation with Nola Taylor, Martu elder, Western Australian desert, 2015. Video Stills: Miracle Now, 1996/2018, ANOHNI/James Elaine MIRAKLERNES TID ANOHNI I NIKOLAJ KUNSTHAL Det er en stor ære at vise den første store Med udstillingen i Nikolaj Kunsthal håber vi soloudstilling med ANOHNI i Norden i at åbne op for spørgsmål og diskussioner Nikolaj Kunsthal. ANOHNI er bedst kendt omkring frigørelse, filosofi og miljø i en som musiker, men udtrykker en dybt en- bredere forstand – og ikke mindst håber vi, gageret tilgang til verden gennem sin visu- at miraklernes tid ikke er forbi endnu.
    [Show full text]
  • Oslo 5—8 June 2013
    OSLO 5—8 JUNE 2013 MachineDreams ‘Everywhere it is machines – real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy- source-machine: the one produces a flow that the other interrupts.’ Gilles Deleuze & Felix Guattari, Anti Oedipus: Capitalism and Schizophrenia In our software-operated society celebrations of the vanishing white noise we use surfaces on flat, shiny objects between FM stations where voices are to access information and heard fading in and out of range; an entertainment. And through these examination of the vocoder, a human- objects we communicate. voice scrambling machine born within the But when machines began to US military which went on to define the make their way into everyday life sound of electro; explorations of time following the Industrial Revolution, machines; mechanical pianos; machines the prospect of automation was met transforming images into sound and vice with fear as well as euphoria; with the versa; customised sonic tools as well as concern that some important human obsolete technology which seemed to dimension might be lost. The American offer the possibility of communication writer Henry David Thoreau wrote in with another world altogether. 1854, in the opening chapter of Walden: The ‘progress’ which machines “We are in great haste to construct are said to bring has always had its a magnetic telegraph from Maine to supporters and its critics. Through Texas, but Maine and Texas, it may our diverse programme, we hope to be, have nothing to communicate”.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • Birmingham Cover
    Worcestershire Cover Online.qxp_Worcestershire 05/01/2016 11:36 Page 1 Your FREE essential entertainment guide for the Midlands Worcestershire ’ Whatwww.whatsonlive.co.uk sOnISSUE 361 JANUARY 2016 STEPHEN K AMOS OUT ON TOUR inside: Yourthe 16-pagelist week by week listings guide LEONALEONA LEWISLEWIS EMPOWERED IN THE MIDLANDS interviewinterview inside...inside... Belgrade (FP) DEC 2015.qxp_Layout 1 17/12/2015 20:22 Page 1 Contents December Region 1 (REVAMP).qxp_Layout 1 18/12/2015 21:22 Page 1 January 2016 Contents The Rocky Horror Show - Frank N Furter back in Brum with a brand new version page 28 Nicola Benedetti Kevin Hart Anna Maxwell Martin the list Acclaimed violinist joins the Little Fockers star live in Brum BAFTA winner brings Lady Your 16-page CBSO at Symphony Hall page 24 Macbeth to The REP week-by-week listings guide page 16 page 22 page 51 inside: 4. First Word 11. Food 14. Music 24. Comedy 28. Theatre 38. Film 42. Visual Arts 44. Events @whatsonbrum @whatsonwarwicks @whatsonworcs Birmingham What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Editorial: Brian O’Faolain [email protected] 01743 281701 Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Chris Eldon Lee, Heather Kincaid, Steve Adams, Helen Stallard, Clare Higgins, Tina Freeth.
    [Show full text]
  • Record of the Week
    ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list.
    [Show full text]
  • HUK+Adult+FW1920+Catalogue+-+
    Saving You By (author) Charlotte Nash Sep 17, 2019 | Paperback $24.99 | Three escaped pensioners. One single mother. A road trip to rescue her son. The new emotionally compelling page-turner by Australia's Charlotte Nash In their tiny pale green cottage under the trees, Mallory Cook and her five-year- old son, Harry, are a little family unit who weather the storms of life together. Money is tight after Harry's father, Duncan, abandoned them to expand his business in New York. So when Duncan fails to return Harry after a visit, Mallory boards a plane to bring her son home any way she can. During the journey, a chance encounter with three retirees on the run from their care home leads Mallory on an unlikely group road trip across the United States. 9780733636479 Zadie, Ernie and Jock each have their own reasons for making the journey and English along the way the four of them will learn the lengths they will travel to save each other - and themselves. 384 pages Saving You is the beautiful, emotionally compelling page-turner by Charlotte Nash, bestselling Australian author of The Horseman and The Paris Wedding. Subject If you love the stories of Jojo Moyes and Fiona McCallum you will devour this FICTION / Family Life / General book. 'I was enthralled... Nash's skilled storytelling will keep you turning pages until Distributor the very end.' FLEUR McDONALD Hachette Book Group Contributor Bio Charlotte Nash is the bestselling author of six novels, including four set in country Australia, and The Paris Wedding, which has been sold in eight countries and translated into multiple languages.
    [Show full text]
  • Electric-Rentbook-5.Pdf
    England 2 Colombia 0 Electric Rentbook Issue 5 - September 2000 Winners 2 Discs I (each) 8 Ashville Terrace, Cross Hills, Keigh/ey, West Yorkshire, 8020 7LQ. Email: e/ectric.rentbook@talk2l .com Electric Rentman: Graham Scaife Contributors: Thomas Ovens Richard Ellis Ross McMichael Printers: Dixon Target, 21-25 Main Street, Cross Hills, Keighley, West Yorkshire BD20 STX. ongratulations to Steve Jones of Camborne in CCornwall and Jonathan Oak/ey from St. Acknowledgements: Neots in Cambridgeshire. Thank you to the following good They were the lucky winners of our competition to win a signed promo copy of England 2 Colombia O. people: Highly collectable, due to the fact that it isn't going Kirsty MacColI without whom to be released commercially. this fanzine would definitely not Thank you to all the people who entered the be possible. competition, once again a terrific response, and Lisa-Jane Musselbrook at Major don't despair if you weren't a winner this time Minor Management, for her because coming up in future issues of Electric Rentbook we'll have more chances to win Kirsty continued support and help above goodies. and beyond the call of duty. Pete Glenister for taking time out The answers to the questions are as follows:- to answer my questions . I. Kirsty's first single, which was successfully covered by Tracey Ullman was They Don't Know. Teletext on Channel 4 for the 2. A New England was a cover of Billy Bragg's reviews of all issues of ER thus far. song. David Hyde for continued use of 3.
    [Show full text]