Gliderdrome Bands 1960
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
SIXTIES: SIXTIES £100,000 Plus You Could Already Have Won up to £10,000 – CHOOSE a REPLY WITHIN 7 DAYS
L-GLJY REMEMBERING THE REMEMBER THE EXCITING THE READER’S DIGEST ASSOCIATION LIMITED, LEICESTER LE55 8AA YOU ALREADY HAVE SIX CHANCES TO WIN UP TO SIXTIES: SIXTIES £100,000 Plus you could already have won up to £10,000 – CHOOSE A REPLY WITHIN 7 DAYS. BMW 318d ES AATT TTHHEE SSAAMMEE TTIIMMEE,, SSAAVVEE £20 ONN Month by month, the specially commissioned, fully illustrated booklet that accompanies REMEMBERING THE OR £25,000 CASH REMEMBERING THE SIXTIES: 1962 at no extra cost, documents the whole of this incredible year in popular music. You’ll read about the smash-hit singles, the blockbuster films, the TV shows that kept everyone glued to the box, and above all, the stars. in a customer-only Thank You Draw when you send for Discover the fascinating stories behind the songs, and while you listen to their music, SIXTIES: find out more about the Shadows and Roy Orbison , Shirley Bassey and Adam Remembering the Sixties: 1962 Faith , Connie Francis and Neil Sedaka , and all the other top stars who make up this incredible collection. PLUS NOT ILABLE AVA PS E SHO yours free! IN TH this practical Elegant in style and colour, this lightweight, durable and washable Attaché Case has two generous-sized compartments, and you can simply open a zip to create even more room. BMW 3 SERIES SALOON 318 d ES 4 DOOR SAVE Your BMW 318d ES Safety and Convenience: 3 Exclusive • Alarm system with remote control and immobiliser £20 • Brake force display With an easy-carry shoulder strap and • Cruise control extra outside pockets, it’s so convenient, • One-touch electric front and rear windows hit-packed CDs whatever you might want to carry. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Updated Record Book 9 25 07.Pmd
ALL-TIME CO-ED BADMINTON TEAM CHAMPIONS Year Div. Champion Head Coach Score Runner-up 1976 Mira Costa Sylvia Holley 4-1 Los Altos 1977 La Quinta Floreen Fricioni 3-2 Muir 1978 4-A Mira Costa Sylvia Holley 4-1 Estancia 3-A La Quinta Floreen Fricioni 3-2 Laguna Beach 1979 4-A Corona del Mar Carol Stockmeyer 8-5 Los Altos 3-A Laguna Beach Dee Brislen 10-3 Palm Springs 1980 4-A Mira Costa Larry Bark 22-5 Huntington Beach 3-A Palm Springs Barbara Jo Graves 17-10 Nogales 1981 4-A Corona del Mar Kim Duessler 17-10 Walnut 3-A Sunny Hills Pauline Eliason 14-13 Buena Park 1982 4-A Walnut Judy Manthorne 22-5 Garden Grove 3-A Buena Park Claudine Casey 1-0* Sunny Hills 1983 4-A Estancia Lillian Brabander 16-13 Kennedy 3-A Buena Park Claudine Casey 17-12 Sunny Hills 1984 4-A Marina Dave Penn 16-13 Estancia 3-A Colton Sandra Guidi 19-10 Kennedy 1985 4-A Estancia Lillian Brabander 11-8 Buena Park 3-A Palm Springs Daryl Barton 11-8 Rosemead 1986 4-A Garden Grove Vicki Toutz 13-6 Nogales 3-A Colton Sandra Guidi 16-3 Palm Springs 1987 4-A Colton Sandra Guidi 14-5 Buena Park 3-A Mark Keppel Harold George 13-6 Covina 1988 4-A Glendale Pat Rogerson 12-7 Buena Park 3-A Rosemead Kathy Maier 11-8 Covina 1989 4-A Buena Park Michelle Tafoya 13-6 Nogales 3-A Jordan Harriett Sprague 10-9 Alta Loma 1990 4-A Buena Park Michelle Tafoya 10-9 Garden Grove 3-A Mark Keppel Harold George 15-4 Rosemead 1991 4-A Estancia Lillian Brabander 11-8 Buena Park 3-A Mark Keppel Harold George 13-9 Etiwanda 1992 4-A Estancia Lillian Brabander 12-7 Nogales 3-A Mark Keppel Harold George -
Interview with Paul Jones by Gianni Franchi, May 2016
Interview with Paul Jones by Gianni Franchi, May 2016 SB: The first news that I've found about your career see you as a young harmonica player hangin' around London blues clubs with Brian Jones. Can you tell us something about those times? PJ: I was more of a singer than harmonica-player in those days; I had a job singing with a dance- band. I had bought a harmonica after hearing Junior Wells playing on a T-Bone Walker track – but I couldn’t get anywhere near the sounds Junior was making. Brian showed me how to play ‘cross- harp’, or as it’s called these days, 2nd position. SB: How did you learn to play the harmonica, how you did you passionate about blues music, and who was your favourite harp player ? PJ: I had been a jazz enthusiast since I was 14, but after hearing Lonnie Donegan’s record of ‘Rock Island Line’, I quickly became immersed in the blues – the more you hear, the more you love. Once Brian’s lesson had sunk in to my thinking, I listened to all harmonica blues, and Muddy Waters’ harpman at the time, James Cotton, became my favourite. But the more I studied, the more I loved and followed the great Little Walter – with Sonny Boy Williamson II close behind. SB: In 1962 you became the singer and harp player of the Manfred Mann , a fantastic band that mixed blues, R & B with jazz instrumental songs. What can you tell us about that experience and why at a certain point you decided to leave the band? PJ: People never ask why I joined those guys in the first place – only why I left. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Dal 25 Al 31 Agosto Una Settimana Di Blues in Città Concerti › Teatro › Letteratura Arte › Cinema › Enogastronomia
Comune di Pordenone Regione Autonoma Friuli Venezia Giulia Provincia di Pordenone Ass. Cult. Pordenone Giovani ServiziEventi Machine DAL 25 AL 31 AGOSTO UNA SETTIMANA DI BLUES IN CITTÀ CONCERTI › TEATRO › LETTERATURA ARTE › CINEMA › ENOGASTRONOMIA INGRESSO GRATUITO Ore 20.45 grandi idoli come Lunedì 25 AGOSTO Bobby Blue Bland, MINI CONFERENZA EX CONVENTO DI SAN FRANCESCO Sam Cook e B.B. King. Alla fine de- PIAZZA DELLLA MOTTA IL BLUES IN ITALIA gli anni ’50 arriva in Ore 18.00 E IN EUROPA Inghilterra e inizia Breve chiacchierata sui vari aspetti della musica afroame- a collaborare con ricana nel vecchio continente: ha ancora senso suonare alcuni dei maggiori DAL 25 AL 31 AGOSTO 2014, UNA SETTIMA- INAUGURAZIONE la musica dei neri, produrre dischi, organizzare concerti, esponenti della na- in presenza delle autorità serate, scrivere recensioni? scente scena blues NA DI GRANDI EVENTI PER ASSAGGIARE IL Saranno presenti: Le 12 battute riescono ad avvicinare il Friuli e la Sicilia? britannica. Dopo la Ci sono nuovi sviluppi a livello europeo per questa forma Chris Barber Jazz BLUES ATTRAVERSO CONCERTI, PROIEZIONI, - Davide Grandi redattore della rivista Il Blues - Keeping d’arte e di cultura “povera” ma immediata e istintiva? Band infatti appro- da nei Blues Incorporated di Alexis Korner, considerato CONFERENZE, IN OGNI ANGOLO DELLA CIT- The Blues Alive Award - Print Media 2009 - Membro A cura di Davide Grandi (redattore della rivista Il Blues e del board dell’European Blues Union - Organizzatore Membro del board dell’European Blues Union) il padre del british blues. Nella sua band militeranno delle selezioni italiane per l’European Blues Challenge moltissimi artisti divenuti poi famosissimi nei gruppi TÀ SORSEGGIANDO VINI MUSICALI, ASCOL- rock come Jack Bruce e Ginger Baker (Cream), Charlie - Cesare Coletti coordinatore del “1° Blues Music Day”, 0re 21.15 Watts (Rolling Stones) e molti altri.