Ethnic Identity and Anti-Semitism Tadeusz Słobodzianek Stages the Polish Taboo Bryce Lease

Total Page:16

File Type:pdf, Size:1020Kb

Ethnic Identity and Anti-Semitism Tadeusz Słobodzianek Stages the Polish Taboo Bryce Lease Ethnic Identity and Anti-Semitism Tadeusz Słobodzianek Stages the Polish Taboo Bryce Lease On 10 July 1941, in a small village in the northeast of Poland, up to 1,600 local Jews were rounded up by their neighbors, locked inside a small barn, and burned to death. Traditional Polish historiography attributed the guilt for the now infamous pogrom to the Nazis. But Jan T. Gross’s 2001 study, Neighbors: The Destruction of the Jewish Community in Jedwabne, Poland, places the responsibility for the massacre firmly with the local community. The publi- cation of Gross’s monograph caused mass outrage, provoking Joanna Michlic to identify the debate around the pogrom as the most important and long-standing in post-Communist Poland Figure 1. The children, dancing in their classroom. Michael Gould, Lee Ingleby, Rhys Rusbatch, Tamzin Griffin, Justin Salinger, Sinead Matthews, Jason Watkins, Amanda Hale, Edward Hogg, and Paul Hickey in the Royal National Theatre production of Our Class, September 2009. (Photo by Robert Workman) Bryce Lease is Lecturer in Drama at the University of Exeter, UK. His research interests include contemporary European theatre directors, migration, queer and feminist theory, and non-Western alternative sexuality. Having published extensively on Polish theatre, Bryce is currently completing a monograph, Contemporary Polish Theatre. [email protected] TDR: The Drama Review 56:2 (T214) Summer 2012. ©2012 New York University and the Massachusetts Institute of Technology 81 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00168 by guest on 02 October 2021 (2002:1). As Leonard Neuger notes, “Many Poles have felt deeply wounded by the Jedwabne case” (2009). This included journalists; historians; the Institute of National Remembrance’s Commission for the Prosecution of Crimes against the Polish Nation; the Catholic Church, for what has been portrayed as their culpability in Jedwabne and surrounding areas; the national- ists, for what they have seen as a lack of emphasis placed on Polish heroism; and the inhabitants of the village itself, who have felt persecuted. In September 2009, the Royal National Theatre in London produced Tadeusz Słobodzi - anek’s polemical text Nasza klasa — Our Class — as part of the “Polska! Year” organized by the Adam Mickiewicz Institute, intended to acquaint the UK with Polish culture. Słobodzianek, who is the head of the Laboratorium Dramatu in Warsaw, which, like the Royal Court in London, promotes the work of new writers, has insisted that the play is pure fiction. Neverthe - less, in the acknowledgment notes to the printed script, Słobodzianek indicates that he relied on a number of historical accounts of the Jedwabne pogrom (2009a:5). Ryan Craig, the adap- tor working from Catherine Grosvenor’s translation, confirmed that the play mixes fact and fic- tion and functions as a survey of 20th-century Polish history (2010). The playwright pointedly leaves out any mention of either Jedwabne or nearby Radziłów, so that the diegetic village is not isolated to one geographical position, but rather functions as “somewhere in Poland.” In pro- duction, the assortment of regional British and Irish accents used heightened this impression. Nevertheless, the audience is given one pointed reference to Jedwabne, which means silk in Polish, when a local villager dons a white silk scarf. Even if one fails to identify this stage sign, the story bears a striking resemblance to the Jedwabne narrative.1 The material for the play derives from divergent sources. Though Słobodzianek read Gross’s book in 2000, he cites a school photograph from Jedwabne, showing both victims and perpetra- tors of the massacre, as the original inspiration for the play, which was later used as publicity for the UK production and the cover image for the English translation (Słobodzianek 2009a). Other significant inspirations include Agnieszka Arnold’s filmSa siedziç (Neighbors; 2001), and Anna Bikont’s book My z Jedwabnego (We from Jedwabne; 2004), the most thorough, well- documented, and balanced study of the village. The play’s subject matter remains confrontational and traumatic in Poland even today. Jewish-Polish relations have been uneasy since the end of World War II, strained by the anti- Semitic attitudes prevalent among both Catholic nationalists and Communists alike.2 A nation- wide survey of public opinion in the popular newspaper Wprost, published as recently as 2004, showed that 40 percent of Poles believed “the country is still being governed by Jews” (Weiss 2004). A survey carried out by the Center for Public Opinion Research (Centrum Badania Opinii Społecznej, CBOS) found that 45 percent felt antipathy towards Jews (CBOS 2005:2), though this percentage decreased to 27 percent in 2010 (CBOS 2010:2). Michlic maintains that coming to terms with an anti-Semitic past is a key element in “the process of democratiza- tion of Poland’s political and social life after 1989” (2002:32). Critics in the UK agree. Michael Billington wrote in his review of Our Class for The Guardian that the play is a forceful depiction of communal guilt (2009). The story of the Jedwabne massacre has been suppressed for so long because it did not fit into the dominant heroic narrative that locates Poles as victims and under- ground freedom fighters (Gross 2006:250). In the trial against some of the villagers that imme- diately followed World War II, testimonies were confused and witnesses only briefly questioned. The allegations were reduced to the assembling of Jews in the town square; the fact that they 1. Słobodzianek also brings the story up to date within the play. The characters discuss how “books and TV docu- mentaries have revealed the bitter truth about the responsibility of the townsfolk” (Billington 2009). 2. The term “Jewish-Polish relations” might seem awkward in this debate, referring as it does to a distinction between Jewish Poles and non-Jewish Poles, but this is standard in Poland, where Jews are considered non- ethnic Poles. In response, Słobodzianek commented after the Israeli production that this story is not about a Polish- Jewish conflict but a Polish-Polish conflict in which Jews are included (Słobodzianek in Pawłowski 2008). Bryce Lease 82 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00168 by guest on 02 October 2021 were then forced into a barn and burned to death was left out of the hearing. It became a sham trial with no victims (56). The narrative of Our Class follows the lives of 10 classmates, born between 1918 and 1920. Catholics are firmly identified as Poles, though this national status is less stable for the Jewish students. The Jews’ costumes are more expensive, tailored and colorful, made of linen and other fine materials, while the ethnic Poles wear simple, agrarian clothing. From the outset, the Jews are shown as liberal, flirting ostentatiously and discussing Hollywood cinema at the back of the classroom while the Poles are praying at the front. One Jewish classmate openly announces his atheism. The language used to describe the separate communities was a central issue that arose during the rehearsal process. Craig observed that in the UK, where the play was staged, citizens tend for the most part to see themselves as British first, and within that identity there are differ- ent races and religions (2010). The Poles and Jews in this play, on the other hand, identify them- selves in terms of ethnicity and religion rather than nationality. These identities unfold through autobiography with specific emphasis placed on the distant location of each event. As each char- acter relates key personal events in the past tense, the action shifts from past to present. Often characters have to strain to recall the details of each memory they relate, but moments later they become immersed in the memory as if it were “live,” speaking in the present tense. Bijan Sheibani, former artistic director of the London-based Actors Touring Company and winner of the Olivier Award, directed Our Class for the Royal National Theatre. Sheibani first came across the play via a phone call from Nick Hytner, artistic director of the Royal National Theatre (RNT). Hytner initially received the play from Habima, the Israeli National Theatre in Tel Aviv and asked Sheibani if he would consider staging it. The production style and adap- tation of the literal translation emerged simultaneously through a series of workshops at the National Theatre studio. Sheibani commented that Our Class is mainly a memory play (2009a). The characters have to recall what happened up to 70 years before, and “then you snap into the memory. You go from someone trying to come to terms with what happened and trying to understand what happened, which is in itself an incredibly dramatic thing to watch, and then you go into the actual scene” (2009a). The production required a design that would allow the actors to change location quickly. One moment the action is on a kibbutz in Israel and the next moment, a Polish pigsty or a New York apartment. This continual shift in time and space, between past and present, presented the first major question about staging for Sheibani: How does one design a show that moves so quickly, at the speed of thought? Joanna Derkaczew remarked in Gazeta Wyborcza that the acting style of the British per- formers was an effective form of reportage in which the actors directly addressed the audience (2009). In an interview with Dan Rebellato, Sheibani ruminated over the challenges facing the actors in switching from past to present tense. Rebellato asked how these dead people could speak to an audience about their lives (2009b). Sheibani observed that flashbacks are always a problem in contemporary staging. While there is a forensic quality to the present tense, detailed but undemonstrative, the flashbacks use highly emotive language.
Recommended publications
  • On the Threshold of the Holocaust: Anti-Jewish Riots and Pogroms In
    Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. of the Holocaust carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? The Author Anti-Jewish Riots and Pogroms Were they guided or spontaneous? What Tomasz Szarota is Professor at the Insti- part did the Germans play in these events tute of History of the Polish Academy in Occupied Europe and how did they manipulate them for of Sciences and serves on the Advisory their own benefit? Delving into the source Board of the Museum of the Second Warsaw – Paris – The Hague – material for Warsaw, Paris, The Hague, World War in Gda´nsk. His special interest Amsterdam, Antwerp, and Kaunas, this comprises WWII, Nazi-occupied Poland, Amsterdam – Antwerp – Kaunas study is the first to take a comparative the resistance movement, and life in look at these questions. Looking closely Warsaw and other European cities under at events many would like to forget, the the German occupation. On the the Threshold of Holocaust ISBN 978-3-631-64048-7 GEP 11_264048_Szarota_AK_A5HC PLE edition new.indd 1 31.08.15 10:52 Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions.
    [Show full text]
  • Tokarska-Bakir the Kraków Pogrom the Kraków Pogrom of 11 August
    Tokarska-Bakir_The Kraków pogrom The Kraków Pogrom of 11 August 1945 against the Comparative Background 1. The aim of the conducted research/the research hypothesis The subject of the project is the analysis of the Kraków pogrom of August 1945 against the background of the preceding similar events in Poland (Rzeszów, June 1945) and abroad (Lviv, June 1945), as well as the Slovak and Hungarian pogroms at different times and places. The undertaking is a continuation of the research described in my book "Pod klątwą. Społeczny portret pogromu kieleckiego" (2018), in which I worked out a methodology of microhistorical analysis, allowing the composition of a pogrom crowd to be determined in a maximally objective manner. Thanks to the extensive biographical query it was possible to specify the composition of the forces of law and order of the Citizens' Militia (MO), the Internal Security Corps (KBW), and the Polish Army that were sent to suppress the Kielce pogrom, as well as to put forward hypotheses associated with the genesis of the event. The question which I will address in the presented project concerns the similarities and differences that exist between the pattern according to which the Kielce and Kraków pogroms developed. To what extent did the people who were within the structures of the forces of law and order, primarily communist militia, take part in it –those who murdered Jews during the war? Are the acts of anti-Semitic violence on the Polish, Ukrainian, and Slovak lands structurally similar or fundamentally different? What are the roles of the legend of blood (blood libel), the stereotype of Żydokomuna (Jewish communists), and demographical panic and panic connected with equal rights for Jews, which destabilised traditional social relations? In the framework of preparatory work I managed to initiate the studies on the Kraków pogrom in the IPN Archive (Institute of National Remembrance) and significantly advance the studies concerning the Ukrainian, Hungarian, and Slovak pogroms (the query was financed from the funds from the Marie Curie grant).
    [Show full text]
  • Holocaust/Shoah the Organization of the Jewish Refugees in Italy Holocaust Commemoration in Present-Day Poland
    NOW AVAILABLE remembrance a n d s o l i d a r i t y Holocaust/Shoah The Organization of the Jewish Refugees in Italy Holocaust Commemoration in Present-day Poland in 20 th century european history Ways of Survival as Revealed in the Files EUROPEAN REMEMBRANCE of the Ghetto Courts and Police in Lithuania – LECTURES, DISCUSSIONS, remembrance COMMENTARIES, 2012–16 and solidarity in 20 th This publication features the century most significant texts from the european annual European Remembrance history Symposium (2012–16) – one of the main events organized by the European Network Remembrance and Solidarity in Gdańsk, Berlin, Prague, Vienna and Budapest. The 2017 issue symposium entitled ‘Violence in number the 20th-century European history: educating, commemorating, 5 – december documenting’ will take place in Brussels. Lectures presented there will be included in the next Studies issue. 2016 Read Remembrance and Solidarity Studies online: enrs.eu/studies number 5 www.enrs.eu ISSUE NUMBER 5 DECEMBER 2016 REMEMBRANCE AND SOLIDARITY STUDIES IN 20TH CENTURY EUROPEAN HISTORY EDITED BY Dan Michman and Matthias Weber EDITORIAL BOARD ISSUE EDITORS: Prof. Dan Michman Prof. Matthias Weber EDITORS: Dr Florin Abraham, Romania Dr Árpád Hornják, Hungary Dr Pavol Jakubčin, Slovakia Prof. Padraic Kenney, USA Dr Réka Földváryné Kiss, Hungary Dr Ondrej Krajňák, Slovakia Prof. Róbert Letz, Slovakia Prof. Jan Rydel, Poland Prof. Martin Schulze Wessel, Germany EDITORIAL COORDINATOR: Ewelina Pękała REMEMBRANCE AND SOLIDARITY STUDIES IN 20TH CENTURY EUROPEAN HISTORY PUBLISHER: European Network Remembrance and Solidarity ul. Wiejska 17/3, 00–480 Warszawa, Poland www.enrs.eu, [email protected] COPY-EDITING AND PROOFREADING: Caroline Brooke Johnson PROOFREADING: Ramon Shindler TYPESETTING: Marcin Kiedio GRAPHIC DESIGN: Katarzyna Erbel COVER DESIGN: © European Network Remembrance and Solidarity 2016 All rights reserved ISSN: 2084–3518 Circulation: 500 copies Funded by the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.
    [Show full text]
  • SS-Totenkopfverbände from Wikipedia, the Free Encyclopedia (Redirected from SS-Totenkopfverbande)
    Create account Log in Article Talk Read Edit View history SS-Totenkopfverbände From Wikipedia, the free encyclopedia (Redirected from SS-Totenkopfverbande) Navigation Not to be confused with 3rd SS Division Totenkopf, the Waffen-SS fighting unit. Main page This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason Contents has been specified. Please help improve this article if you can. (December 2010) Featured content Current events This article needs additional citations for verification. Please help improve this article by adding Random article citations to reliable sources. Unsourced material may be challenged and removed. (September 2010) Donate to Wikipedia [2] SS-Totenkopfverbände (SS-TV), rendered in English as "Death's-Head Units" (literally SS-TV meaning "Skull Units"), was the SS organization responsible for administering the Nazi SS-Totenkopfverbände Interaction concentration camps for the Third Reich. Help The SS-TV was an independent unit within the SS with its own ranks and command About Wikipedia structure. It ran the camps throughout Germany, such as Dachau, Bergen-Belsen and Community portal Buchenwald; in Nazi-occupied Europe, it ran Auschwitz in German occupied Poland and Recent changes Mauthausen in Austria as well as numerous other concentration and death camps. The Contact Wikipedia death camps' primary function was genocide and included Treblinka, Bełżec extermination camp and Sobibor. It was responsible for facilitating what was called the Final Solution, Totenkopf (Death's head) collar insignia, 13th Standarte known since as the Holocaust, in collaboration with the Reich Main Security Office[3] and the Toolbox of the SS-Totenkopfverbände SS Economic and Administrative Main Office or WVHA.
    [Show full text]
  • Controversies Over Holocaust Memory and Holocaust Revisionism in Poland and Moldova
    Kantor Center Position Papers Editor: Mikael Shainkman March 2014 HOLOCAUST MEMORY AND HOLOCAUST DENIAL IN POLAND AND MOLDOVA: A COMPARISON Natalia Sineaeva-Pankowska* Executive Summary After 1989, post-communist countries such as Poland and Moldova have been faced with the challenge of reinventing their national identity and rewriting their master narratives, shifting from a communist one to an ethnic-patriotic one. In this context, the fate of local Jews and the actions of Poles and Moldovans during the Holocaust have repeatedly proven difficult or even impossible to incorporate into the new national narrative. As a result, Holocaust denial in various forms initially gained ground in post-communist countries, since denying the Holocaust, or blaming it on someone else, even on the Jews themselves, was the easiest way to strengthen national identities. In later years, however, Polish and Moldovan paths towards re-definition of self have taken different paths. At least in part, this can be explained as a product of Poland's incorporation in the European unification project, while Moldova remains in limbo, both in terms of identity and politics – between the Soviet Union and Europe, between the past and the future. Introduction This paper focuses on the debate over Holocaust memory and its link to national identity in two post-communist countries, Poland and Moldova, after 1989. Although their historical, political and social contexts and other factors differ, both countries possess a similar, albeit not identical, communist legacy, and both countries had to accept ‘inconvenient’ truths, such as participation of members of one’s own nation in the Holocaust, while building-rebuilding their new post-communist national identities during a period of social and political transformation.
    [Show full text]
  • Constructions and Instrumentalization of the Past: a Comparative Study on Memory Management in the Region
    CBEES State of the Region Report 2020 Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region Published with support from the Foundation for Baltic and East European Studies (Östersjstiftelsen) Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region December 2020 Publisher Centre for Baltic and East European Studies, CBEES, Sdertrn University © CBEES, Sdertrn University and the authors Editor Ninna Mrner Editorial Board Joakim Ekman, Florence Frhlig, David Gaunt, Tora Lane, Per Anders Rudling, Irina Sandomirskaja Layout Lena Fredriksson, Serpentin Media Proofreading Bridget Schaefer, Semantix Print Elanders Sverige AB ISBN 978-91-85139-12-5 4 Contents 7 Preface. A New Annual CBEES Publication, Ulla Manns and Joakim Ekman 9 Introduction. Constructions and Instrumentalization of the Past, David Gaunt and Tora Lane 15 Background. Eastern and Central Europe as a Region of Memory. Some Common Traits, Barbara Trnquist-Plewa ESSAYS 23 Victimhood and Building Identities on Past Suffering, Florence Frhlig 29 Image, Afterimage, Counter-Image: Communist Visuality without Communism, Irina Sandomirskaja 37 The Toxic Memory Politics in the Post-Soviet Caucasus, Thomas de Waal 45 The Flag Revolution. Understanding the Political Symbols of Belarus, Andrej Kotljarchuk 55 Institutes of Trauma Re-production in a Borderland: Poland, Ukraine, and Lithuania, Per Anders Rudling COUNTRY BY COUNTRY 69 Germany. The Multi-Level Governance of Memory as a Policy Field, Jenny Wstenberg 80 Lithuania. Fractured and Contested Memory Regimes, Violeta Davoliūtė 87 Belarus. The Politics of Memory in Belarus: Narratives and Institutions, Aliaksei Lastouski 94 Ukraine. Memory Nodes Loaded with Potential to Mobilize People, Yuliya Yurchuk 106 Czech Republic.
    [Show full text]
  • MODERN ANTISEMITISM in the VISEGRÁD COUNTRIES Edited By: Ildikó Barna and Anikó Félix
    MODERN ANTISEMITISM IN THE VISEGRÁD COUNTRIES Edited by: Ildikó Barna and Anikó Félix First published 2017 By the Tom Lantos Institute 1016 Budapest, Bérc utca 13-15. Supported by 2017 Tom Lantos Institute All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or any information storage or retrieval system, without permission in writing from the publishers. ISBN 978-615-80159-4-3 Peer reviewed by Mark Weitzman Copy edited by Daniel Stephens Printed by Firefly Outdoor Media Kft. The text does not necessarily represent in every detail the collective view of the Tom Lantos Institute. CONTENTS 01 02 Ildikó Barna and Anikó Félix CONTRIBUTORS 6 INTRODUCTION 9 03 Veronika Šternová 04 Ildikó Barna THE CZECH REPUBLIC 19 HUNGARY 47 I. BACKGROUND 20 I. BACKGROUND 48 II. ANTISEMITISM: II. ANTISEMITISM: ACTORS AND MANIFESTATIONS 27 ACTORS AND MANIFESTATIONS 57 III. CONCLUSIONS 43 III. CONCLUSIONS 74 05 Rafal Pankowski 06 Grigorij Mesežnikov POLAND 79 SLOVAKIA 105 I. BACKGROUND 80 I. BACKGROUND 106 II. ANTISEMITISM: II. ANTISEMITISM: ACTORS AND MANIFESTATIONS 88 ACTORS AND MANIFESTATIONS 111 III. CONCLUSIONS 102 III. CONCLUSIONS 126 The Tom Lantos Institute (TLI) is its transmission to younger gener- an independent human and minori- ations. Working with local commu- ty rights organization with a par- nities to explore and educate Jewish ticular focus on Jewish and Roma histories contributes to countering communities, Hungarian minori- antisemitism. The research of con- ties, and other ethnic or national, temporary forms of antisemitism is linguistic and religious minori- a flagship project of the Institute.
    [Show full text]
  • Poland Study Guide Poland Study Guide
    Poland Study Guide POLAND STUDY GUIDE POLAND STUDY GUIDE Table of Contents Why Poland? In 1939, following a nonaggression agreement between the Germany and the Soviet Union known as the Molotov-Ribbentrop Pact, Poland was again divided. That September, Why Poland Germany attacked Poland and conquered the western and central parts of Poland while the Page 3 Soviets took over the east. Part of Poland was directly annexed and governed as if it were Germany (that area would later include the infamous Nazi concentration camp Auschwitz- Birkenau). The remaining Polish territory, the “General Government,” was overseen by Hans Frank, and included many areas with large Jewish populations. For Nazi leadership, Map of Territories Annexed by Third Reich the occupation was an extension of the Nazi racial war and Poland was to be colonized. Page 4 Polish citizens were resettled, and Poles who the Nazis deemed to be a threat were arrested and shot. Polish priests and professors were shot. According to historian Richard Evans, “If the Poles were second-class citizens in the General Government, then the Jews scarcely Map of Concentration Camps in Poland qualified as human beings at all in the eyes of the German occupiers.” Jews were subject to humiliation and brutal violence as their property was destroyed or Page 5 looted. They were concentrated in ghettos or sent to work as slave laborers. But the large- scale systematic murder of Jews did not start until June 1941, when the Germans broke 2 the nonaggression pact with the Soviets, invaded the Soviet-held part of Poland, and sent 3 Chronology of the Holocaust special mobile units (the Einsatzgruppen) behind the fighting units to kill the Jews in nearby forests or pits.
    [Show full text]
  • Gazeta Spring 2019 Roman Vishniac (1897-1990) Albert Einstein in His Office, Princeton University, New Jersey, 1942
    Volume 26, No. 1 Gazeta Spring 2019 Roman Vishniac (1897-1990) Albert Einstein in his office, Princeton University, New Jersey, 1942. Gelatin Silver print. The Magnes Collection of Jewish Art and Life, University of California, Berkeley, gift of Mara Vishniac Kohn, 2016.6.10. A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Tressa Berman, Fay Bussgang, Julian Bussgang, Shana Penn, Antony Polonsky, Adam Schorin, Maayan Stanton, Agnieszka Ilwicka, William Zeisel, LaserCom Design. CONTENTS Message from Irene Pipes ............................................................................................... 2 Message from Tad Taube and Shana Penn ................................................................... 3 FEATURES The Road to September 1939 Jehuda Reinharz and Yaacov Shavit ........................................................................................ 4 Honoring the Memory of Paweł Adamowicz Antony Polonsky .................................................................................................................... 8 Roman Vishniac Archive Gifted to Magnes Collection of Jewish Art and Life Francesco Spagnolo ............................................................................................................ 11 Keeping Jewish Memory Alive in Poland Leora Tec ............................................................................................................................ 15 The Untorn Life of Yaakov
    [Show full text]
  • Gazeta Volume 28, No. 1 Winter 2021
    Volume 28, No. 1 Gazeta Winter 2021 Orchestra from an orphanage led by Janusz Korczak (pictured center) and Stefania Wilczyńska. Warsaw, 1923. Courtesy of the Emanuel Ringelblum Jewish Historical Institute. Used with permission A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Tressa Berman, Daniel Blokh, Fay Bussgang, Julian Bussgang, Shana Penn, Antony Polonsky, Aleksandra Sajdak, William Zeisel, LaserCom Design, and Taube Center for Jewish Life and Learning. CONTENTS Message from Irene Pipes ............................................................................................... 4 Message from Tad Taube and Shana Penn ................................................................... 5 FEATURE ARTICLES Paweł Śpiewak: “Do Not Close the Experience in a Time Capsule” ............................ 6 From Behind the Camera: Polish Jewish Narratives Agnieszka Holland and Roberta Grossman in Conversation ................................... 11 EXHIBITIONS When Memory Speaks: Ten Polish Cities/Ten Jewish Stories at the Galicia Jewish Museum Edward Serrota .................................................................................................................... 15 Traces of Memory in Japan ............................................................................................ 19 Where Art Thou? Gen 3:9 at the Jewish Historical Institute ........................................ 20 REPORTS Libel Action Against Barbara Engelking
    [Show full text]
  • ELIZABETH E. IMBER Clark University (508) 793-7254 Department Of
    ELIZABETH E. IMBER Clark University (508) 793-7254 Department of History [email protected] 950 Main Street Worcester, MA 01610 PROFESSIONAL APPOINTMENTS Clark University, Worcester, MA August 2019- Assistant Professor of History, Michael and Lisa Leffell Chair in Modern Jewish History The College of Idaho, Caldwell, ID 2018-2019 Assistant Professor of History, Howard Berger-Ray Neilsen Endowed Chair of Judaic Studies EDUCATION Johns Hopkins University, Baltimore, MD 2018 Ph.D., History Dissertation: “Jewish Political Lives in the British Empire: Zionism, Nationalism, and Imperialism in Palestine, India, and South Africa, 1917-1939” Advisors: Kenneth B. Moss and Judith R. Walkowitz 2013 M.A., History Brandeis University, Waltham, MA 2010 M.A., Near Eastern & Judaic Studies Advisor: Antony Polonsky 2009 B.A., Near Eastern & Judaic Studies and Sociology Magna cum laude with Highest Honors in Near Eastern & Judaic Studies Advisor: Jonathan Sarna University of Edinburgh, Scotland Spring 2008 Visiting Student BOOK Empire of Uncertainty: Jews, Zionism, and British Imperialism in the Age of Nationalism, 1917-1948 (book manuscript in progress) PEER-REVIEWED ARTICLES Elizabeth E. Imber, Curriculum Vitae 2 “Thinking through Empire: Interwar Zionism, British Imperialism, and the Future of the Jewish National Home,” Israel 27-28 (2021): 51-70. [Hebrew] “A Late Imperial Elite Jewish Politics: Baghdadi Jews in British India and the Political Horizons of Empire and Nation,” Jewish Social Studies 23, no. 2 (February 2018): 48-85 BOOK REVIEWS 2020 Partitions: A Transnational History of Twentieth-Century Territorial Separatism, Arie M. Dubnov and Laura Robson, eds. Journal of Israeli History (forthcoming) 2018 Christian and Jewish Women in Britain, 1880-1940: Living with Difference, Anne Summers.
    [Show full text]
  • Downloads/.Last Accessed: 9
    Tracing and Documenting Nazi Victims Past and Present Arolsen Research Series Edited by the Arolsen Archives – International Center on Nazi Persecution Volume 1 Tracing and Documenting Nazi Victims Past and Present Edited by Henning Borggräfe, Christian Höschler and Isabel Panek On behalf of the Arolsen Archives. The Arolsen Archives are funded by the German Federal Government Commissioner for Culture and the Media (BKM). ISBN 978-3-11-066160-6 eBook (PDF) ISBN 978-3-11-066537-6 eBook (EPUB) ISBN 978-3-11-066165-1 ISSN 2699-7312 This work is licensed under the Creative Commons Attribution-NonCommercial NoDerivatives 4.0 License. For details go to http://creativecommons.org/licens-es/by-nc-nd/4.0/. Library of Congress Control Number: 2020932561 Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 by the Arolsen Archives, Henning Borggräfe, Christian Höschler, and Isabel Panek, published by Walter de Gruyter GmbH, Berlin/Boston Cover image: Jan-Eric Stephan Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface Tracing and documenting the victims of National Socialist persecution is atopic that has receivedlittle attention from historicalresearch so far.Inorder to take stock of existing knowledge and provide impetus for historicalresearch on this issue, the Arolsen Archives (formerlyknown as the International Tracing Service) organized an international conferenceonTracing and Documenting Victimsof Nazi Persecution: Historyofthe International Tracing Service (ITS) in Context. Held on October 8and 92018 in BadArolsen,Germany, this event also marked the seventieth anniversary of search bureaus from various European statesmeet- ing with the recentlyestablished International Tracing Service (ITS) in Arolsen, Germany, in the autumn of 1948.
    [Show full text]