Complexions Contemporary Ballet STAR DUST - from BACH to BOWIE
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
People Features Performances
People 8 Viktoria Tereshkina CATHERINE PAWLICK catches up with the Mariinsky ballerina in St Petersburg 26 Gillian Lynne and Miracle in the Gorbals VIKI WESTALL meets up with the veteran choreographer in Birmingham 60 Ciro Tamayo LUCÍA CHILIBROSTE interviews Ballet de Uruguay’s outstanding dancer 67 1st Job CARLOS PONS GUERRA skypes Tamara Chilirojo - aka Kevin García Montagut - in New York City Features 25 Comment: Company Saved But Few Rejoice BRUCE MICHELSON analyses a less than satisfactory outcome 32 Critics’ Choice Dance Europe’s writers, along with guest critics, select the highs and lows from last season 65 Tanzmesse DWAYNE HOLLIDAY gets a taste of the mega dance event in Düsseldorf 68 Positano WENDY PERRON reports on this year’s Positano Performances Premia la Danza Léonide Massine 14 Coppélia DEBORAH WEISS and MIKE DIXON weigh up 70 Shawbrook different casts in ENB’s revival of Ronald Hynd’s DIARMAID O’MEARA visits a terpsichorean production hideaway in Ireland contents contents 18 Push GERARD DAVIS savours a hypnotic marriage 6 ENTRE NOUS 73 AUDITIONS AND JOBS 20 Julidans DAVIDE COCCHIARA considers some of the 81 INTERNATIONAL DIARY highlights in this year’s Amsterdam festival 83 DANCE ON SCREEN 23 Biarritz 85 EXHIBITIONS AND EVENTS FRANÇOIS FARGUE reports on an alliance formed by three French companies 86 PEOPLE PAGE Front cover: Mariinsky Ballet - Viktoria Tereshkina as Juliet in Romeo and Juliet Photos: Erik Tomasson; Andrew Ross; Dance Europe → Photo: E. Kauldhar/Dance Europe. DANCE EUROPE October 2014 3 Performances DANCE EUROPE Founded in 1995 ISSN: 1359-9798 30 Solo for Two MIKE DIXON on Osipova and Vasiliev outside P.O. -
Donald Mckayle's Life in Dance
ey rn u In Jo Donald f McKayle’s i nite Life in Dance An exhibit in the Muriel Ansley Reynolds Gallery UC Irvine Main Library May - September 1998 Checklist prepared by Laura Clark Brown The UCI Libraries Irvine, California 1998 ey rn u In Jo Donald f i nite McKayle’s Life in Dance Donald McKayle, performer, teacher and choreographer. His dances em- body the deeply-felt passions of a true master. Rooted in the American experience, he has choreographed a body of work imbued with radiant optimism and poignancy. His appreciation of human wit and heroism in the face of pain and loss, and his faith in redemptive powers of love endow his dances with their originality and dramatic power. Donald McKayle has created a repertory of American dance that instructs the heart. -Inscription on Samuel H. Scripps/American Dance Festival Award orld-renowned choreographer and UCI Professor of Dance Donald McKayle received the prestigious Samuel H. Scripps/American Dance Festival WAward, “established to honor the great choreographers who have dedicated their lives and talent to the creation of our modern dance heritage,” in 1992. The “Sammy” was awarded to McKayle for a lifetime of performing, teaching and creating American modern dance, an “infinite journey” of both creativity and teaching. Infinite Journey is the title of a concert dance piece McKayle created in 1991 to honor the life of a former student; the title also befits McKayle’s own life. McKayle began his career in New York City, initially studying dance with the New Dance Group and later dancing professionally for noted choreographers such as Merce Cunningham, Martha Graham, Sophie Maslow, and Anna Sokolow. -
Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
Layout 1 (Page 1
In 1949, Janet Collins—the first Black artist to appear Jean-Léon Destiné’s company along with Spanish and African Artists of the African Diaspora on the stage of the Metropolitan Opera—and Jean-Léon Hindu dances. It was a bold move, and its legacy is seen Destiné made their debut appearances at Jacob’s Pillow. today in the all-encompassing dance programming at Famous for his work with Katherine Dunham, Destiné Jacob’s Pillow. In 1970 Ted Shawn presented Dance Theatre and Jacob’s Pillow Dance Festival: was the first of many Black artists to teach in The School of Harlem’s first formal “engagement.” Critic Walter Terry American at Jacob’s Pillow in 1949, and returned to direct the praised the company’s debut and Shawn referred to the Inception to Present Cultural Traditions Program in 2004. Over 100 students Dance Theatre of Harlem performance as a “highlight of from around the world attend this professional-track the summer.” School at Jacob’s Pillow each year. f v f Heritage Beginning in the 1980s, African-American companies The ground-breaking Lester Horton Dance Theatre appeared at the Pillow more and more frequently. “Dance includes every way that men of all races in every period of the made its Pillow debut in 1953. Several of its young Highlights since then have included engagements by Participate in African Diaspora activities at JACOB’S PILLOW DANCE members, James Truitte, Carmen de Lavallade, and tappers Savion Glover, Gregory Hines and Jimmy Jacob’s Pillow Dance world’s history have moved rhythmically to express themselves.”—Ted Shawn (1915) Alvin Ailey, would leave a lasting impression on the Slyde, hip-hop from Rennie Harris, and world premiere dance world. -
Announcement of the Winners of the Fedora Prizes
Press release ANNOUNCEMENT OF THE June 2018 WINNERS OF THE FEDORA PRIZES June 7th, 2018 - Award Ceremony The Award Ceremony of the 4th edition of the FEDORA Prizes took place on June 7th, 2018 at the Bayerisches Staatsballett in Munich. FEDORA is a non-profit organization, which supports every year opera and ballet co-productions of excellence that involve emerging artists of different nationalities and backgrounds. Seven Stones, a new opera co-production led by the Aix-en-Provence Festival, won the FEDORA – GENERALI Prize for Opera 2018 (€150,000) and A Quiet Evening of Dance, a new ballet co-production of Sadler’s Wells in London won the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018 (€100,000). For the first time, also two symbolic Prizes were awarded: ToThe True Story of King Kong, an interdisciplinary opera co-production lead by Theater Magdeburg, for obtaining the highest number of public votes on the new FEDORA Platform and to A Quiet Evening of Dance for managing the most successful crowdfunding campaign. Seven Stones A Quiet Evening of DancE Festival d’Aix-en-Provence Sadler’s Wells Composer: Ondřej Adámek Choreographer: William Forsythe Librettist: Sigurjón B Sigurðsson Dancers: Rauf Yasit, Brigel Gjoka, Jill Johnson, Christopher Stage Director & Choreographer: Eric Oberdorff Roman, Riley Watts, Parvaneh Scharafali, Ander Zabala © Rights reserved © Sadler’s Wells Seven Stones is a highly creative, non-traditional and A new production by ground-breaking choreographer William accessible opera from young Czech composer Ondřej Forsythe, A Quiet Evening of Dance features a range of Adámek and Icelandic poet Sjón (also lyricist for the singer choreography, from the sparse and analytic to baroque- Björk). -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
Nobel Week Stockholm 2018 – Detailed Information for the Media
Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel -
Russia Uncovered: Moscow & St Petersburg
For Expert Advice Call A unique occasion deserves a unique experience. 01722 744 695 https://www.weekendalacarte.co.uk/special-occasion-holidays/destinations/russia/russia-uncovered/ Russia Uncovered: Moscow & St Petersburg Break available: May - September 7 Night Break Highlights With private tours from start to finish you will come away from this holiday having explored two of its greatest cities; St ● Private Hermitage tour with exclusive early access avoiding Petersburg, the Venice of the North, and the Capital Moscow with the queues the dramatic Kremlin at its heart with a day in the countryside at ● Private tour of Peter Paul Fortress with the Romanov family the "Russian Vatican". Experience and contrast the aristocratic tombs beauty of St Petersburg and the confident modern city of Moscow ● Private tour of the beautiful Peterhof Palace with its with as many of the Palaces, Museums and cultural delights as fountains, returning by Hydrofoil you wish as we can tailor-make all our breaks to you. With the ● Private Tour of Catherine's & Paul's palaces with traditional Bolshoi Ballet based in Moscow and the Mariinsky in St Russian tasting menu lunch Petersburg add in a world class ballet performance and you will ● Private River and Canal Floodlight Night Tour to see St indeed come home full to the brim with cultural wonders. This Petersburg Palaces & Cathederals ● private tour allows you to beat the queues into all the historic Private Moscow city floodlight tour ● Private Kremlin tour and visit the Diamond fund sites, to have exclusive early access to the Hermitage so you ● Visit the amazing Moscow Metro with private guide can enjoy its treasures without the crowds, and the ability to ● Visit the Russian Vatican, Sergiev Posad with private guide go at your own pace. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England