Signature and Name of Invigilator OMR Sheet No. : ...... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. PAPER - III (In words) D 1615 HINDUSTANI MUSIC (VOCAL/ Time : 2½ hours] INSTRUMENTAL) [Maximum Marks : 150 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 75 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð this page. 2. This paper consists of seventy five multiple-choice type of 2. §â ÂýàÙ-Âæ ×𢠿ãæÚU Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. 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D-1615 !D-1615-PAPER-III! 1 P.T.O. HINDUSTANI MUSIC (VOCAL & INSTRUMENTAL) PAPER - III
Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory.
1. Which of the following phrase belongs to Razakhani Gat ? (1) Da Dir Da Ra Da (2) Dir Da Dir Da Ra Da (3) Da Dir Dir Dir Da- R,Da -R Da (4) Dir Da Ra Da Ra Dir
2. Match the following : (a) Mehbub Khan (i) Bhindi Bazar Gharana (b) Khadim Hussain Khan (ii) Sahaswan Gharana (c) Nisar Hussain Khan (iii) Atrouli Gharana (d) Aman Ali Khan (iv) Agra Gharana Code : (a) (b) (c) (d) (1) (ii) (i) (iii) (iv) (2) (iii) (iv) (ii) (i) (3) (i) (ii) (iv) (iii) (4) (iv) (iii) (i) (ii)
3. Match the following : (a) Masit Khan (i) Sarangi (b) Amir Khan (ii) Been (c) Dabir Khan (iii) Sarod (d) Bundu Khan (iv) Sitar Codes : (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2) (i) (ii) (iii) (iv) (3) (ii) (iv) (i) (iii) (4) (iv) (ii) (i) (iii)
D-1615 !D-1615-PAPER-III! 2 Paper-III çãÎéSÌæÙè â´»èÌ (»æØÙ / ßæÎÙ) ÂýàÙ-Âæ - III
ÙæðÅU Ñ §â ÂýàÙ-Âæ ×ð´ ¿ãæÚU (75) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð
1. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ-âè SßÚUæßÜè ÚUÁæ¹æÙè »Ì ·¤è ãñ? (1) ÇUæ çÇUÚU ÇUæ ÚUæ ÇUæ (2) çÇUÚU ÇUæ çÇUÚU ÇUæ ÚUæ ÇUæ (3) ÇUæ çÇUÚU çÇUÚU çÇUÚU ÇUæ- ÚU,ÇUæ -ÚU ÇUæ (4) çÇUÚU ÇUæ ÚUæ ÇUæ ÚUæ çÇUÚU
2. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) ×ãÕêÕ ¹æÙ (i) çÖ´ÇUè ÕæÁæÚU æÚUæÙæ (b) ¹æçÎ× ãéâñÙ ¹æÙ (ii) âãâßæÙ æÚUæÙæ (c) çÙâæÚU ãéâñÙ ¹æÙ (iii) ¥ÌÚUæñÜè æÚUæÙæ (d) ¥×Ù ¥Üè ¹æÙ (iv) ¥æ»ÚUæ æÚUæÙæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (i) (iii) (iv) (2) (iii) (iv) (ii) (i) (3) (i) (ii) (iv) (iii) (4) (iv) (iii) (i) (ii)
3. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) ×âèÌ ¹æÙ (i) âæÚ´U»è (b) ¥æ×èÚU ¹æÙ (ii) ÕèÙ (c) ÎÕèÚU ¹æÙ (iii) âÚUæðÎ (d) ÕéÎé ¹æÙ (iv) çâÌæÚU ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2) (i) (ii) (iii) (iv) (3) (ii) (iv) (i) (iii) (4) (iv) (ii) (i) (iii)
D-1615 !D-1615-PAPER-III! 3 Paper-III 4. Choose the correct sequence : (1) Gulam Abbas, Faiaz Khan, D.T. Joshi (2) Latafat Hussain Khan, Nisar Hussain Khan, Amir Khan (3) Gulam Mustafa Khan, Mustaq Hussain Khan, Rajab Ali Khan (4) Natthu Khan, Rashid Khan, Amir Khan
5. Who is not the Sarod player of the following ? (1) Buddhadev Das Gupta (2) Amjad Ali Khan (3) Ilias Khan (4) Umar Khan
6. Choose the correct code : Assertion (A) : Marwa is a Sandhiprakash Raga. Reason (R) : In Marwa Re is Komal and Dha is Suddha. Code : (1) Both (A) and (R) are correct (2) Both (A) and (R) are wrong (3) (A) is correct but (R) is wrong (4) (A) is wrong but (R) is correct
7. Misri Singh was famous for : (1) Rabab player (2) Sursingar player (3) Rudra Vina player (4) Vichitra Vina player
8. Which Raga does not belongs to Kalyan Thata ? (1) Shyam Kalyan (2) Suddha Kalyan (3) Kedar (4) Bihag
9. Which folk song is not belongs to Bengal ? (1) Sari Gan (2) Jhumur Gan (3) Bihu (4) Jari Gan
10. Who introduced the instrument Vichitra Vina to the Indian Music ? (1) Abdul Aziz Khan (2) Abdul Karim Khan (3) Jafar Khan (4) Umrao Khan
D-1615 !D-1615-PAPER-III! 4 Paper-III 4. âãè ·ý¤× ¿éÙð´ Ñ (1) »éÜæ× ¥Õæâ, Èñ¤Øæ$Á ¹æÙ, ÇUè.ÅUè. Áæðàæè (2) ÜÌæ$È¤Ì ãéâñÙ ¹æÙ, çÙâæÚU ãéâñÙ ¹æÙ, ¥æ×èÚU ¹æÙ (3) »éÜæ× ×éSÌæ$È¤æ ¹æÙ, ×éSÌæ·¤ ãéâñÙ ¹æÙ, ÚU$ÁÕ ¥Üè ¹æÙ (4) ÙÍé ¹æÙ, ÚUæçàæÎ ¹æÙ, ¥æ×èÚU ¹æÙ
5. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ âÚUæðÎ ßæη¤ Ùãè´ ãñ? (1) ÕéhÎðß Îæâ »éÌæ (2) ¥×ÁÎ ¥Üè ¹æÙ (3) §çÜØæâ ¹æÙ (4) ©×ÚU ¹æÙ
6. âãè ·ê¤ÅU ·¤æð ¿éÙð´ Ñ ¥çÖ·¤ÍÙ (A) : ×æÚUßæ °·¤ â´çÏÂý·¤æàæ ÚUæ» ãñÐ ·¤æÚUæ (R) : ×æÚUßæ ×ð´ ÚðU ·¤æð×Ü ãñ ¥æñÚU Ïæ àæéh ãñÐ ·ê¤ÅU Ñ (1) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´ (2) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ãñ´ (3) (A) âãè ãñ ÂÚUÌé (R) »ÜÌ ãñ (4) (A) »ÜÌ ãñ ÂÚUÌé (R) âãè ãñ
7. ç×dè çâ´ã ç·¤â·ð¤ çÜ° Âýçâh Íð? (1) ÚUÕæÕ ßæη¤ (2) âéÚUçâ´»æÚU ßæη¤ (3) L¤Îý ßèææ ßæη¤ (4) çßç¿æ ßèææ ßæη¤
8. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙâæ ÚUæ» ·¤ËØææ ÍæÅU âð Ùãè´ ãñ? (1) àØæ× ·¤ËØææ (2) àæéh ·¤ËØææ (3) ·ð¤ÎæÚU (4) çÕãæ»
9. ·¤æñÙ-âæ Üæð·¤ »èÌ Õ´»æÜ ·¤æ Ùãè´ ãñ? (1) âæÚUè »æÙ (2) Ûæé×éÚU »æÙ (3) çÕãé (4) ÁæÚUè »æÙ
10. ÖæÚUÌèØ â´»èÌ ×ð´ Òçßç¿æ ßèææÓ ßæl ·¤è àæéL¤¥æÌ ç·¤âÙð ç·¤Øæ? (1) ¥ÎéÜ ¥$ÁèÁ ¹æÙ (2) ¥ÎéÜ ·¤ÚUè× ¹æÙ (3) Áæ$ȤÚU ¹æÙ (4) ©×ÚUæß ¹æÙ
D-1615 !D-1615-PAPER-III! 5 Paper-III 11. Who was the disciple of Enayat Khan ? (1) Radhika Mohan Maitra (2) Ravi Shankar (3) Bimal Mukherjee (4) Birendra Kishore Roy Choudhury
12. Which book of the following is written by Swami Prajnanananda ? (1) The Story of Indian Music (2) The History of Indian Music (3) Music of India (4) Universal History of Music
13. How many melas are there regarding classification of raga in Raga Tarangini ? (1) 18 (2) 20 (3) 16 (4) 12
14. Chatusra Jati Triputa Tala is equivalent to : (1) Rupak (2) Teental (3) Kaharwa (4) Chautal
15. Which pairs of the following is not correctly matched ? (1) Puriya - Sohini (2) Desh - Tilak Kamod (3) Marwa - Barwa (4) Kedar - Kamod
16. Which one is the layakari of Kuaad Laya ? (1) 7/4 (2) 5/4 (3) 4/5 (4) 3/2
17. Which raga of the following is not a variety of Kalyan ? (1) Yaman Kalyan (2) Gorakh Kalyan (3) Shyam Kalyan (4) Suddha Kalyan
18. Name of an artiste belonging to Kirana Gharana : (1) Suresh Babu Mane (2) Bhatkhande (3) Dilip Chandra Vedi (4) Krishna Rao Shankar Pandit
19. Assertion (A) : The instrument Sursingar was introduced by Jafar Khan. Reason (R) : Jafar Khan did not know to play Rabab. Code : (1) Both (A) and (R) are correct (2) Both (A) and (R) are incorrect (3) (A) is correct but (R) is not correct (4) (A) is incorrect but (R) is correct
D-1615 !D-1615-PAPER-III! 6 Paper-III 11. §ÙæØÌ ¹æÙ ·ð¤ çàæcØ ·¤æñÙ Íð? (1) ÚUæçÏ·¤æ ×æðãÙ ×ñæØ (2) ÚUçß àæ´·¤ÚU (3) çÕ×Ü ×é¹Áèü (4) çÕÚðUÎý ç·¤àææðÚU ÚUæòØ ¿æñÏÚUè
12. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ-âè ÂéSÌ·¤ Sßæ×è ÂýææÙæÙ´Î mæÚUæ çÜ¹è »§ü ãñ? (1) çÎ SÅUæðÚUè ¥æòȤ §çÇUØÙ ØêçÁ·¤ (2) çÎ çãSÅþUè ¥æòȤ §çÇUØÙ ØêçÁ·¤ (3) ØêçÁ·¤ ¥æòȤ §çÇUØæ (4) ØêçÙßâüÜ çãSÅþUè ¥æòȤ ØêçÁ·¤
13. ÚUæ» ÌÚ´Uç»Ùè ×ð´ ÚUæ» ·ð¤ ß»èü·¤ÚUæ ·ð¤ â´Õ´Ï ×ð´ ç·¤ÌÙð ×ðÜ ãñ´? (1) 18 (2) 20 (3) 16 (4) 12
14. ¿Ìéd ÁæÌè çæÂéÅU ÌæÜ ç·¤â·ð¤ â×·¤ÿæ ãñ? (1) M¤Â·¤ (2) ÌèÙÌæÜ (3) ·¤ãÚUßæ (4) ¿æñÌæÜ
15. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ-âæ ÁæðǸæ âé×ðçÜÌ Ùãè´ ãñ? (1) ÂéçÚUØæ - âæðçãÙè (2) Îðàæ - çÌÜ·¤ ·¤æ×æðÎ (3) ×æÚUßæ - ÕÚUßæ (4) ·ð¤ÎæÚU - ·¤æ×æðÎ
16. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ ·é¤¥æÇU ÜØ ·¤æ ÜØ·¤æÚUè ãñ? (1) 7/4 (2) 5/4 (3) 4/5 (4) 3/2
17. ·¤æñÙ-âæ ÚUæ» ·¤ËØææ ·¤æ Âý·¤æÚU Ùãè´ ãñ´? (1) Ø×Ù ·¤ËØææ (2) »æðÚU¹ ·¤ËØææ (3) àØæ× ·¤ËØææ (4) àæéh ·¤ËØææ
18. ç·¤ÚUæÙæ æÚUæÙæ âð â´Õ´çÏÌ ·¤Üæ·¤æÚU ·¤æ Ùæ× ãñ Ñ (1) âéÚðUàæ ÕæÕê ×æÙð (2) Öæ̹´ÇðU (3) çÎÜè ¿Îý ßðÎè (4) ·ë¤cæÚUæß àæ´·¤ÚU ´çÇUÌ
19. ¥çÖ·¤ÍÙ (A) : âéÚUçâ´»æÚU ßæl Ø´æ ·¤è àæéL¤¥æÌ Áæ$ȤÚU ¹æÙ mæÚUæ ·¤è »§ü ÍèÐ ·¤æÚUæ (R) : Áæ$ȤÚU ¹æÙ ÚUÕæÕ ÕÁæÙæ Ùãè´ ÁæÙÌð ÍðÐ ·ê¤ÅU Ñ (1) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´ (2) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ãñ´ (3) (A) âãè ãñ ÂÚUÌé (R) »ÜÌ ãñ (4) (A) »ÜÌ ãñ ÂÚUÌé (R) âãè ãñ
D-1615 !D-1615-PAPER-III! 7 Paper-III 20. Choose the correct code : Assertion (A) : Ustad Mustaq Ali Khan belongs to Jaipur Senia Gharana. Reason (R) : Ustad Mustaq Ali Khan used to stay in Jaipur. Code : (1) Both (A) and (R) are true (2) Both (A) and (R) are false (3) (A) is true but (R) is false (4) (A) is false but (R) is true
21. The famous Alia Fattu was : (1) Ali Ahmed Khan and Fate Ali Khan (2) Barkat Ali Khan and Fate Singh (3) Ali Baksh Khan and Fate Ali Khan (4) Aman Ali Khan and Fate Ali Khan
22. The following phrases belongs to which raga ?
Ma’ Pa, Ga Ma Dha Pa, Ga Ma Pa, Ga Ma Ra Sa. (1) Shyam Kalyan (2) Kamod (3) Hamir (4) None of the above
23. Fathers name of Bade Gulam Ali Khan is : (1) Kale Khan (2) Ali Baksh Khan (3) Fateh Ali Khan (4) Ali Ahmed Khan
24. Sudarshanacharya Shastri was a disciple of : (1) Enayat Khan (2) Nihal Sen (3) Amir Sen (4) Amrit Sen
25. Who used three tumbas in Sitar ? (1) Ravi Shankar (2) Abdul Halim Zafar Khan (3) Balram Pathak (4) Amrit Sen
26. Name the notation system of western music which is similar to the Hindusthani Music notation system : (1) Cheve Notation (2) Staff Notation (3) Neumes Notation (4) Solfa Notation
D-1615 !D-1615-PAPER-III! 8 Paper-III 20. âãè ·ê¤ÅU ¿éÙð´ Ñ ¥çÖ·¤ÍÙ (A) : ©SÌæÎ ×éSÌæ$·¤ ¥Üè ¹æÙ ÁØÂéÚU âðçÙØæ æÚUæÙð âð ãñ´Ð ·¤æÚUæ (R) : ©SÌæÎ ×éSÌæ$·¤ ¥Üè ¹æÙ ÁØÂéÚU ×ð´ð ÚUãÌð ÍðÐ ·ê¤ÅU Ñ (1) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´ (2) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ãñ´ (3) (A) âãè ãñ ÂÚUÌé (R) »ÜÌ ãñ (4) (A) »ÜÌ ãñ ÂÚUÌé (R) âãè ãñ
21. Âýçâh ¥æçÜØæ Ȥæé Íð Ñ (1) ¥Üè ¥ã×Î ¹æÙ ¥æñÚU ȤÌð ¥Üè ¹æÙ (2) ÕÚU·¤Ì ¥Üè ¹æÙ ¥æñÚU ȤÌð çâ´ã (3) ¥Üè Õàæ ¹æÙ ¥æñÚU ȤÌð ¥Üè ¹æÙ (4) ¥×æÙ ¥Üè ¹æÙ ¥æñÚU ȤÌð ¥Üè ¹æÙ
22. çÙÙçÜç¹Ì SßÚUæßÜè ç·¤â ÚUæ» âð ãñ? ¼’Ë Âæ, »æ ×æ Ïæ Âæ, »æ ×æ Âæ, »æ ×æ ÚUæ âæ (1) àØæ× ·¤ËØææ (2) ·¤æ×æðÎ (3) ãç×ÚU (4) ©ÂØéüÌ ×ð´ âð ·¤æð§ü Ùãè´
23. ÕÇðU »éÜæ× ¥Üè ¹æÙ ·ð¤ çÂÌæ ·¤æ Ùæ× Øæ ãñ? (1) ·¤æÜð ¹æÙ (2) ¥Üè Õàæ ¹æÙ (3) ȤÌðã ¥Üè ¹æÙ (4) ¥Üè ¥ã×Î ¹æÙ
24. âéÎàæüÙæ¿æØü àææSæè ç·¤â·ð¤ çàæcØ Íð? (1) §ÙæØÌ ¹æÙ (2) çÙãæÜ âðÙ (3) ¥æ×èÚU âðÙ (4) ¥×ëÌ âðÙ
25. çâÌæÚU ×ð´ ÌèÙ Ìé´Õæ ·¤æ ÂýØæð» ·¤æñÙ ·¤ÚUÌð Íð? (1) ÚUçß àæ´·¤ÚU (2) ¥ÎéÜ ãÜè× Áæ$ȤÚU ¹æÙ (3) ÕÜÚUæ× ÂæÆU·¤ (4) ¥×ëÌ âðÙ
26. Âçà¿×è â´»èÌ ·¤æ ·¤æñÙ-âæ ÙæðÅðUàæÙ çâSÅU× çãÎéSÌæÙè â´»èÌ ·ð¤ ÙæðÅðUàæÙ çâSÅU× ·ð¤ â×æÙ ãñ? (1) ¿èß ÙæðÅðUàæÙ (2) SÅUæȤ ÙæðÅðUàæÙ (3) Øê×ðâ ÙæðÅðUàæÙ (4) âæðËȤæ ÙæðÅðUàæÙ
D-1615 !D-1615-PAPER-III! 9 Paper-III 27. Rag Nanda falls under which category ? (1) Suddha Raga (2) Chhayalag Raga (3) Sankirna Raga (4) Vikrit Raga
28. A great music composer was a disciple of Pt. Girija Shankar Chakrabarty : (1) Salil Chowdhury (2) S.D. Burman (3) Anil Bagchi (4) R.D. Burman
29. Which of the following aspect of Indian Classical Music speak of its greatness ? (1) Secularity (2) Equalitarianism (3) Profundity (4) Accessibility
30. What form is synonymous to Opera ? (1) Chorus (2) Ballet (3) Orchestra (4) Geeti Natya
31. Assertion (A) : It is not essential for a good composer to compose music having with the knowledge of proportion, symmetry, harmony, balancing, variety, stability, intricacy and emotional value. Reason (R) : Any musician without having these can be a composer. Codes : (1) (A) is correct (R) is incorrect (2) (A) is incorrect (R) is correct (3) (A) and (R) both are incorrect (4) (A) and (R) both are correct
32. How many Thatas are originally prevalent in Hindustani Music ? (1) 72 (2) 36 (3) 32 (4) 10
33. Ma Ni Pa Ni Ma Pa, Ga Ma Ni Pa, Ga Ma Re Sa, Ma Ga Ma Pa. These swaras belongs to : (1) Nayaki Kanada (2) Abogi Kanada (3) Suha Kanada (4) Sahana Kanada
34. Jayjayanti is a Raga of ______. (1) Sankirna Raga (2) Paramela Prabeshak Raga (3) Chhayalag Raga (4) Suddha Raga
35. Identify the Tala of 10 beats, which has 6 Dhins in a Aavartan ? (1) Sooltal (2) Chautal (3) Jhampa (4) Jhaptal
36. In which Raga Bageswari and Rageswari both Ragas are used : (1) Gunji Kanada (2) Khamaj Gunji (3) Mal Gunji (4) Palash Gunji
D-1615 !D-1615-PAPER-III! 10 Paper-III 27. ÒÚUæ» Ù´ÎÓ, ç·¤â æðæè ·ð¤ ¥Ì»üÌ ¥æÌæ ãñ? (1) àæéh ÚUæ» (2) ÀUæØæÜ» ÚUæ» (3) â´·¤èæü ÚUæ» (4) çß·ë¤Ì ÚUæ»
28. ·¤æñÙ âð ×ãæÙ â´»èÌ·¤æÚU ´. ç»çÚUÁæ àæ´·¤ÚU ¿·ý¤ßÌèü ·ð¤ çàæcØ Íð? (1) âÜèÜ ¿æñÏÚUè (2) °â.ÇUè. Õ×üÙ (3) ¥çÙÜ Õæ¿è (4) ¥æÚU.ÇUè. Õ×üÙ
29. ÖæÚUÌèØ àææSæèØ â´»èÌ ·ð¤ ç·¤â ÂãÜê ×𴠧ⷤè ×çã×æ ·¤è ¥çÖÃØçÌ ãñ? (1) âðØêÜçÚUÅUè (2) §ßçÜÅðUçÚUØçÙ× (3) ÂýæðÈ´¤çÇUÅUè (4) °âðâðçÕçÜÅUè
30. ·¤æñÙ-âè çßÏæ ¥æðÂðÚUæ ·¤æ ÂØæüØ ãñ? (1) ·¤æðÚUâ (2) ÕñÜð (3) ¥æòÚU·ð¤SÅþUæ (4) »èçÌ ÙæÅ÷UØ
31. ¥çÖ·¤ÍÙ (A) : °·¤ ¥ÀðU â´»èÌ·¤æÚU ·ð¤ çÜ° Øã ¥æßàØ·¤ Ùãè´ ãñ ç·¤ ßã ÂýæðÂæðàæüÙ, çâ×ðÅþUè, ãæ×üÙè, ÕñÜð´çâ´», ßðÚUæ§ÅUè, SÅðUçÕçÜÅUè, §´ÅþUè·ð¤âè ¥æñÚU §×æðàæÙÜ ßñËØê ·¤æ ææÙ ãæðÙð ÂÚU ãè â´»èÌ ·¤è ÚU¿Ùæ ·¤Úð´UÐ ·¤æÚUæ (R) : §Ù âÕ·¤æ ææÙ Ùãè´ ÚU¹Ùð ßæÜæ â´»èÌæ Öè â´»èÌ·¤æÚU ÕÙ â·¤Ìæ ãñÐ ·ê¤ÅU Ñ (1) (A) âãè ãñ (R) »ÜÌ ãñ (2) (A) »ÜÌ ãñ (R) âãè ãñ (3) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ã´ñ (4) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´
32. çãÎéSÌæÙè â´»èÌ ×ð´ ×êÜ M¤Â âð ç·¤ÌÙð ÍæÅU Âý¿çÜÌ ãñ´? (1) 72 (2) 36 (3) 32 (4) 10
33. ×æ çÙ Âæ çÙ ×æ Âæ, »æ ×æ çÙ Âæ, »æ ×æ ÚðU âæ, ×æ »æ ×æ Âæ SßÚUæßÜè ç·¤ââð â´Õ´çÏÌ ãñ? (1) ÙæØ·¤è ·¤æÙæÇUæ (2) ¥æÕæð»è ·¤æÙæÇUæ (3) âéãæ ·¤æÙæÇUæ (4) âãæÙæ ·¤æÙæÇUæ
34. ÁØÁØ´Ìè ç·¤â æðæè ·¤æ ÚUæ» ãñ? (1) â´·¤èæü ÚUæ» (2) ÂÚU×ðÜæ Âýßðàæ·¤ ÚUæ» (3) ÀUæØæÜ» ÚUæ» (4) àæéh ÚUæ»
35. 10 ×æææ ·¤è ÌæÜ, çÁâ·ð¤ °·¤ ¥æßÌüÙ ×ð´, 6 ÕæÚU çÏ´ ·¤æ ÂýØæð» ç·¤Øæ »Øæ ãñ Ñ (1) âêÜÌæÜ (2) ¿æñÌæÜ (3) Ûæ´Âæ (4) ÛæÂÌæÜ
36. ç·¤â ÚUæ» ×ð´ Õæ»ðàßÚUè ¥æñÚU ÚUæ»ðàßÚUè ÎæðÙæð´ ÚUæ»æð´ ·¤æ ÂýØæð» ç·¤Øæ ÁæÌæ ãñ? (1) »é´Áè ·¤æÙæÇUæ (2) ¹×Á »é´Áè (3) ×æÜ »é´Áè (4) ÂÜæàæ »é´Áè
D-1615 !D-1615-PAPER-III! 11 Paper-III 37. How many Shlokas are mentioned in Natya Shastra ? (1) 4720 (2) 4723 (3) 4726 (4) 4730
38. In the following names who was a Sarangi player ? (1) Hussain Khan (2) Bundu Khan (3) Jafar Khan (4) Fida Khan
39. A certain cycle tune that indicates the beats, stress and cadences of the Tabla is : (1) Mukhra (2) Kayda (3) Upaj (4) Nagma
40. Which of the following term has drawn the line of demarcation between Nibaddha and Anibaddha forms of sangit ? (1) Laya (2) Matra (3) Chhanda (4) Taal
41. Maihar Band is established by : (1) Alauddin (2) Ali Akbar (3) Abul Fazal (4) Abdul Hafiz
42. Which of the following term means musicology ? (1) Scientific study of Music (2) Systematic study of Music as a fine arts (3) Historical and Theoretical investigation relating to music (4) Study of music as a field of research
43. Assertion (A) : The origin of the Ananda is from what has been called in the upanishads as Rasa. Reason (R) : All creatures enjoy the transcendental Rasa which is the source of all Ananda. Code : (1) (A) and (R) both are correct (2) (A) is incorrect and (R) is correct (3) (A) and (R) both are incorrect (4) (A) is correct and (R) is incorrect
44. With which song did Lata Mangeshkar do her first Hindi playback ? (1) Natai Chaitrachi Navalai (2) Pa Lagoon Kar Jori Re Shyam (3) Janani Janam Bhoomi (4) Main Khili khili Phulvari
D-1615 !D-1615-PAPER-III! 12 Paper-III 37. ÙæÅ÷UØ àææSæ ×ð´ ç·¤ÌÙð ÒàÜæð·¤æð´Ó ·¤æ ©ËÜð¹ ãñ? (1) 4720 (2) 4723 (3) 4726 (4) 4730
38. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ âæÚ´U»è ßæη¤ Íð? ? (1) ãéâñÙ ¹æÙ (2) Õé´Îé ¹æÙ (3) ÁæȤÚU ¹æÙ (4) çȤÎæ ¹æÙ
39. ÌæÕÜ ·ð¤ ÕèÅU, SÅþUðâ ¥æñÚU ·ñ¤ÇðUâðâ ·¤æð ÎàææüÙð ßæÜðð ·¤çÌÂØ ¥æßÌüÙ ÏéÙ ãñ´ Ñ (1) ×é¹Ç¸æ (2) ·¤ØÎæ (3) ©ÂÁ (4) Ù»×æ
40. çÙÙçÜç¹Ì ×ð´ âð ç·¤â Ìß Ùð â´»èÌ ·¤è ÒçÙÕhÓ ¥æñÚU Ò¥çÙÕhÓ çßÏæ ·ð¤ Õè¿ çßÖæÁÙ ÚðU¹æ ¹è´¿æ ãñ? (1) ÜØ (2) ×æææ (3) ÀUÎ (4) ÌæÜ
41. Ò×ñãUÚU Õñ´ÇUÓ ·ð¤ â´SÍæ·¤ ãñ Ñ (1) ¥Üæ©gèÙ (2) ¥Üè ¥·¤ÕÚU (3) ¥ÕéÜ È¤$ÁÜ (4) ¥ÎéÜ ãȤè$Á
42. çÙÙçÜç¹Ì ×ð´ âð ç·¤â·¤æ ¥Íü â´»èÌ àææSæ ãñ? (1) â´»èÌ ·¤æ ßñææçÙ·¤ ¥ØØÙ (2) ÜçÜÌ ·¤Üæ ·ð¤ M¤Â ×ð´ â´»èÌ ·¤æ âéÃØßçSÍÌ ¥ØØÙ (3) â´»èÌ âð â´Õ´çÏÌ °ðçÌãæçâ·¤ °ß´ âñhæ´çÌ·¤ ¥ßðáæ (4) àææðÏ ÿæðæ ·ð¤ M¤Â ×ð´ â´»èÌ ·¤æ ¥ØØÙ
43. ¥çÖ·¤ÍÙ (A) : Ò¥æÙÎÓ ·¤è ©Âçæ ©â Ìß âð ÕÌæ§ü »§ü ãñ çÁâð ©ÂçÙáÎæð´ ×ð´ ÚUâ ·¤ãæ »Øæ ãñÐ ·¤æÚUæ (R) : âÖè Âýææè Üæð·¤æðæÚU ÚUâ ·¤æ ¥æÙÎ ÜðÌð ãñ´ Áæð âÖè Ò¥æÙÎÓ ·¤æ dæðÌ ãñÐ ·ê¤ÅU Ñ (1) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´ (2) (A) »ÜÌ ãñ ¥æñÚU (R) âãè ãñ (3) (A) ¥æñÚU (R) ÎæðÙæð´ »ÜÌ ãñ´ (4) (A) âãè ãñ ¥æñÚU (R) »ÜÌ ãñ
44. ÜÌæ ×´»ðàæ·¤ÚU Ùð 緤⠻æÙð âð çãÎè Âæàßü»æØ·¤è ·¤è àæéL¤¥æÌ ·¤è? (1) ÙæÅUæ§ü ¿ñææ¿è ÙßæÜñ (2) Âæ Üæ»ê´ ·¤ÚU ÁæðÚUè ÚðU àØæ× (3) ÁÙçÙ ÁÙ× Öêç× (4) ×ñ´ ç¹Üè ç¹Üè Èé¤ÜßæÚUè
D-1615 !D-1615-PAPER-III! 13 Paper-III 45. Dr. A.P.J. Abdul Kalam used to play : (1) Nadeswaram (2) Veena (3) Sitar (4) Violin
46. The opening theme music of doordarshan was composed by : (1) Pt. Omkarnath Thakur (2) Ud. Amjad Ali Khan (3) Pt. Ravi Shankar (4) Ud. Bismillah Khan
47. Match the followings : (a) Ayodhyaprasad (i) Tabla (b) Sharan Rani (ii) Vocal (c) Allarakhha Khan (iii) Pakhawaj (d) Krishna Rao Shankar Pandit (iv) Sarod Code : (a) (b) (c) (d) (1) (iii) (ii) (iv) (i) (2) (ii) (iv) (iii) (i) (3) (iv) (i) (iii) (ii) (4) (iii) (iv) (i) (ii)
48. The Violinist was equally popular in Hindustani and Karnatic style : (1) Lalgudi G. Jayraman (2) Dr. N.S. Gopalakrishnan (3) A. Narmada (4) N. Ramani
49. Who is the youngest Indian singer to win a Filmfare award ? (1) Neeti Mohan (2) Ankit Tiwari (3) Arijit Singh (4) Nazia Hassan
50. Whose tabla can we hear in the famous chasing Basanti sequence in the film Sholay ? (1) Pt. Anokhe Lal Mishra (2) Ud. Zakeer Hussain (3) Pt. Samta Prasad (4) Ud. Ahmed Jan Thirakuwa
51. Ancient Tana with three swaras is called : (1) Archik (2) Gathik (3) Samik (4) Ritwik
D-1615 !D-1615-PAPER-III! 14 Paper-III 45. ÇUæò. °.Âè.Áð. ¥ÎéÜ ·¤Üæ× Øæ ÕÁæÌð Íð? (1) ÙæÎðàßÚU× (2) ßèææ (3) çâÌæÚU (4) ßæØçÜÙ
46. ÎêÚUÎàæüÙ ·ð¤ ¥æÚ´UçÖ·¤ Íè× ØêçÁ·¤ ·¤è ÚU¿Ùæ ç·¤âÙð ·¤è Íè? (1) ´. ¥æð´·¤æÚUÙæÍ ÆUæ·é¤ÚU (2) ©SÌæÎ ¥×ÁÎ ¥Üè ¹æÙ (3) ´. ÚUçß àæ´·¤ÚU (4) ©SÌæÎ çÕçS×ËÜæã ¹æÙ
47. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) ¥ØæðØæÂýâæÎ (i) ÌÕÜæ (b) àæÚUÙ ÚUæÙè (ii) »æØÙ (c) ¥ËÜæÚU¹æ ¹æÙ (iii) ¹æßÁ (d) ·ë¤cæÚUæß àæ´·¤ÚU ´çÇUÌ (iv) âÚUæðÎ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (ii) (iv) (i) (2) (ii) (iv) (iii) (i) (3) (iv) (i) (iii) (ii) (4) (iii) (iv) (i) (ii)
48. ·¤æñÙ-âð ßæØçÜÙ ßæη¤ çãÎéSÌæÙè ¥æñÚU ·¤ÙæüÅU·¤ ÎæðÙæð´ àæñçÜØæð´ ×ð´ â×æÙ M¤Â âð Üæð·¤çÂýØ Íð? (1) ÜæÜ»éÇUè Áè. ÁØÚU×Ù (2) ÇUæò. °Ù.°â. »æðÂæÜ·ë¤cæÙ (3) °. Ù×üÎæ (4) °Ù. ÚU×æÙè
49. çȤË×Èð¤ØÚU ÂéÚUS·¤æÚU ÁèÌÙð ßæÜð âÕâð ·¤× ©×ý ·ð¤ ÖæÚUÌèØ »æØ·¤ ·¤æñÙ ãñ´? (1) ÙèçÌ ×æðãÙ (2) ¥´ç·¤Ì çÌßæÚUè (3) ¥çÚUUÁèÌ çâ´ã (4) ÙæçÁØæ ãâÙ
50. ÒàææðÜðÓ çȤË× ×ð´ Õâ´Ìè ·¤æ ÂèÀUæ ·¤ÚUÙð ·ð¤ Âýçâh ÎëàØ ×ð´ ã×ð´ 緤ⷤæ ÌÕÜæ ßæÎÙ âéÙæ§ü ÂǸÌæ ãñ? (1) ´. ¥Ùæð¹ð ÜæÜ ç×ææ (2) ©SÌæÎ Áæ·¤èÚU ãéâñÙ (3) ´. âæÌæ ÂýâæÎ (4) ©SÌæÎ ¥ã×Î ÁæÙ çÍÚUæ·é¤ßæ
51. ÌèÙ SßÚUæð´ ßæÜð Âýæ¿èÙ ÌæÙ ·¤æð Øæ ·¤ãæ ÁæÌæ ãñ? (1) ¥æç¿ü·¤ (2) »æçÍ·¤ (3) âæç×·¤ (4) «¤çß·¤
D-1615 !D-1615-PAPER-III! 15 Paper-III 52. Match the following : (a) Electrophone (i) Trumpet (b) Aerophone (ii) Key-Board (c) Aerophone with reed (iii) Violin (d) Chordophone (iv) Clarinet Code : (a) (b) (c) (d) (1) (ii) (iv) (i) (iii) (2) (ii) (i) (iv) (iii) (3) (i) (iv) (ii) (iii) (4) (iv) (i) (iii) (ii)
53. A musical scale containing five notes is called : (1) Pentatonic Scale (2) Harmonic Minor Scale (3) Diatonic Scale (4) None of the above
54. An excessive fondness for music is called : (1) Graphomania (2) Melomania (3) Hypomania (4) Megalomania
55. The following notation belongs to which Raga ?
’ ’ Ma Dha Re& Sa& Ni Dha Pa Ma Ga Re Sa, Ma Pa Ga Ma Ni Dha Ni Sa& : (1) Bhatiyar - Bahar (2) Hindol - Hem (3) Vasant - Bahar (4) Nat - Vilawal
56. Sadiq Ali was a famous singer of : (1) Dhrupad (2) Kheyal (3) Hindi Tappa (4) Thumri
57. Which Shastra is called Pingal Shastra ? (1) Chhanda (2) Tal (3) Sangeet (4) Nritya
58. The following phrase belongs to which raga ? Ga Ma, Ga Ma Pa Ma Re Sa Re (1) Darbari Kanhara (2) Nayki Kanhara (3) Adana (4) Mian Ki Malhar
D-1615 !D-1615-PAPER-III! 16 Paper-III 52. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) §ÜðÅþUæðȤæðÙ (i) ÅþUÂðÅU (b) °ØÚUæðȤæðÙ (ii) ·¤è-ÕæðÇüU (c) °ØÚUæðȤæðÙ çßÎ ÚUèÇU (iii) ßæØçÜÙ (d) ·¤æòÇUæðüȤæðÙ (iv) ÜñçÚUÙðÅU ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iv) (i) (iii) (2) (ii) (i) (iv) (iii) (3) (i) (iv) (ii) (iii) (4) (iv) (i) (iii) (ii)
53. Âæ¡¿ ÙæðÅU ßæÜð ØêçÁ·¤Ü S·ð¤Ü ·¤æð Øæ ·¤ãæ ÁæÌæ ãñ? (1) ¥æñÇUß âÌ·¤ (2) ãæ×æðüçÙ·¤ ×æØÙÚUU S·ð¤Ü (3) ÇUæØÅUæðçÙ·¤ S·ð¤Ü (4) ©ÂØéüÌ ×ð´ âð ·¤æð§ü Ùãè´
54. â´»èÌ ·ð¤ ÂýçÌ ¥ØçÏ·¤ ¥æâçÌ ·¤æð Øæ ·¤ãæ ÁæÌæ ãñ? (1) »ýæȤæð×ðçÙØæ (2) ×ðÜæð×ðçÙØæ (3) ãæ§Âæð×ðçÙØæ (4) ×ð»æÜæð×ðçÙØæ
55. çÙÙçÜç¹Ì ÙæðÅðUàæÙ ç·¤â ÚUæ» âð â´Õ´çÏÌ ãñ? . ¼Ë’ Ïæ ¿UÕU â´æ çÙ Ïæ Âæ ¼Ë’ »æ ÚðU âæ, ×æ Âæ »æ ×æ çÙ Ïæ çÙ â´æ Ñ (1) ÖæçÅUØæÚU - ÕãæÚU (2) çãÇUæðÜ - ãð× (3) ßâÌ - ÕãæÚU (4) ÙÅU - çßÜæßÜ
56. âæçη¤ ¥Üè ç·¤â·ð¤ Âýçâh »æØ·¤ Íð? (1) ÏýéÂÎ (2) ¹ØæÜ (3) çãÎè ÅUÂæ (4) ÆéU×ÚUè
57. ç·¤â àææSæ ·¤æð ç´»Ü àææSæ ·¤ãæ ÁæÌæ ãñ? (1) ÀUÎ (2) ÌæÜ (3) â´»èÌ (4) ÙëØ
58. çÙÙçÜç¹Ì SßÚUæßÜè ç·¤â ÚUæ» ·¤æð ÎàææüÌè ãñ´? »æ ×æ, »æ ×æ Âæ ×æ ÚðU âæ ÚðU (1) ÎÚUßæÚUè ·¤ãǸæ (2) ÙæØ·¤è ·¤ãǸæ (3) ¥Ç¸æÙæ (4) ç×Øæ¡ ç·¤ ×ËãæÚU
D-1615 !D-1615-PAPER-III! 17 Paper-III 59. Time Theory of Raga has been mentioned in the text : (1) Siksha (2) Brihaddesi (3) Sangeet Ratnakar (4) Sangeet Makaranda
60. Musicological Texts written in Bengal : (a) Bhakti Ratnakar (b) Rag Tarangini (c) Geet Chandroday (d) Sangeetraj Code : (1) (a) and (b) (2) (a) and (c) (3) (b) and (c) (4) (c) and (d)
61. The name of Abbasuddin is connected with the musical form : (1) Folk song (2) Kirtan (3) Rabindrasangeet (4) Tappa
62. Choose odd one of the following : (1) Gaitri (2) Anustup (3) Brihati (4) Chachar
63. Which folk songs are not religious ? (a) Marfati (b) Dhamail (c) Tusu (d) Gambhira Code : (1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (d)
64. Which Raga does not belong to Asavari Thata ? (1) Kousik Kanada (2) Darbari Kanada (3) Nayaki Kanada (4) Adana
65. Match the following : (a) Prithula (i) Bani (b) Akshepiki (ii) Shruti (c) Phandadar (iii) Dhruva (d) Dayavati (iv) Geeti Code : (a) (b) (c) (d) (1) (ii) (iv) (i) (iii) (2) (iii) (i) (ii) (iv) (3) (i) (iii) (ii) (iv) (4) (iv) (iii) (i) (ii)
D-1615 !D-1615-PAPER-III! 18 Paper-III 59. ÒÚUæ»æð´ ·¤æ â×Ø çâhæ´ÌÓ ·¤æ ©ËÜð¹ ç·¤â ÂéSÌ·¤ ×ð´ ãñ? (1) çàæÿææ (2) Õëãgðàæè (3) â´»èÌ ÚUÙæ·¤ÚU (4) â´»èÌ ×·¤ÚUÎ
60. ·¤æñÙ-âè â´»èÌ àææSæèØ ÂéSÌ·ð´¤ Õ´»æÜ ×ð´ çÜ¹è »§Z? (a) ÖçÌ ÚUÙæ·¤ÚU (b) ÚUæ» ÌÚ´Uç»Ùè (c) »èÌ ¿ÎýæðÎØ (d) â´»èÌ ÚUæÁ ·ê¤ÅU Ñ (1) (a) ¥æñÚU (b) (2) (a) ¥æñÚU (c) (3) (b) ¥æñÚU (c) (4) (c) ¥æñÚU (d)
61. ¥ÕæâégèÙ ·¤æ Ùæ× ç·¤â â´»èÌ çßÏæ âð ÁéǸæ ãñ? (1) Üæð·¤ »èÌ (2) ·¤èÌüÙ (3) ÚUßèÎý â´»èÌ (4) ÅUÂæ
62. Õð×ðÜ ·¤æð ¿éÙð´ Ñ (1) »æØæè (2) ¥ÙécÅéU (3) ÕëãçÌ (4) ¿æ¿ÚU
63. ·¤æñÙ-âð Üæð·¤ »èÌ Ïæç×ü·¤ Üæð·¤ »èÌ Ùãè´ ãñ´? (a) ×æÈü¤Ìè (b) Ï×æ§Ü (c) ÅéUâé (d) »´ÖèÚUæ ·ê¤ÅU Ñ (1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (a) ¥æñÚU (d)
64. ·¤æñÙ-âæ ÚUæ» ¥âæßÚUè ÍæÅU âð â´Õ´çÏÌ Ùãè´ ãñ? (1) ·¤æñçàæ·¤ ·¤æÙǸæ (2) ÎÚUÕæÚUè ·¤æÙǸæ (3) ÙæØ·¤è ·¤æÙǸæ (4) ¥Ç¸æÙæ
65. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) ÂëÍéÜæ (i) ÕæÙè (b) ¥ÿæðç·¤è (ii) oýéçÌ (c) È´¤ÎæÎæÚU (iii) Ïýéß (d) ÎØæßÌè (iv) »èçÌ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iv) (i) (iii) (2) (iii) (i) (ii) (iv) (3) (i) (iii) (ii) (iv) (4) (iv) (iii) (i) (ii)
D-1615 !D-1615-PAPER-III! 19 Paper-III 66. Match the following : (a) Jab Chod Chali Lakhnow Nagari (i) Shori Mian (b) O Mian be Jane Bale (ii) Ekbal (c) Sare Jahan Se Accha (iii) Meerabai (d) Paoji Maine Ram Ratan Dhana (iv) Akhtar Piya Code : (a) (b) (c) (d) (1) (iv) (ii) (i) (iii) (2) (ii) (i) (iii) (iv) (3) (i) (iv) (iii) (ii) (4) (iv) (i) (ii) (iii)
67. Match the following : (a) Bidari (i) Style of playing (b) Baramasi (ii) A type of flute (c) Basuli (iii) A type of folk song (d) Baj (iv) Portion of Pada Code : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (ii) (i) (3) (i) (iv) (iii) (ii) (4) (iii) (iv) (i) (ii)
68. Choose odd one of the following : (1) Tiripa (2) Andolita (3) Kumudvati (4) Kampita
69. Which of the following is a Sarangi-player ? (1) Aruna Narayan Kalle (2) Bageshri Qumar (3) Sharan Rani (4) Laxmi Shankar
70. A note that is neither sharp nor flat is called : (1) Key note (2) Leading note (3) Natural note (4) Whole note
D-1615 !D-1615-PAPER-III! 20 Paper-III 66. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) ÁÕ ÀUæðǸ ¿Üè ܹ٪¤ Ù»ÚUè (i) àææðÚUè ç×Øæ´ (b) ¥æð ç×Øæ´ Õð ÁæÙð ßæÜð (ii) §·¤ÕæÜ (c) âæÚðU Áãæ¡ âð ¥ÀUæ (iii) ×èÚUæÕæ§ü (d) ÂæØæðÁè ×ñ´Ùð ÚUæ× ÚUÌÙ ÏÙ (iv) ¥ÌÚU çÂØæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iv) (ii) (i) (iii) (2) (ii) (i) (iii) (iv) (3) (i) (iv) (iii) (ii) (4) (iv) (i) (ii) (iii)
67. çÙÙçÜç¹Ì ·¤æð âé×ðçÜÌ ·¤Úð´U Ñ (a) çÕÎæÚUè (i) ßæÎÙ ·¤è àæñÜè (b) ÕæÚUã×æâè (ii) °·¤ Âý·¤æÚU ·¤è Õæ¡âéÚUè (c) ÕæâéÜè (iii) °·¤ Âý·¤æÚU ·¤æ Üæð·¤ »èÌ (d) ÕæÁ (iv) ÂÎ ·¤æ Öæ» ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (ii) (i) (3) (i) (iv) (iii) (ii) (4) (iii) (iv) (i) (ii)
68. Õð×ðÜ ·¤æð ¿éÙð´ Ñ (1) çÌçÚU (2) ¥æ´ÎæðçÜÌ (3) ·é¤×éÎßÌè (4) ·´¤çÂÌ
69. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ âæÚ´U»è-ßæçη¤æ ãñ? (1) ¥L¤ææ ÙæÚUæØæ ·¤ËÜð (2) Õæ»ðæè $·¤×ÚU (3) àæÚUæ ÚUæÙè (4) Üÿ×è àæ´·¤ÚU
70. °ðâæ ÙæðÅU Áæð Ù Ìæð àææÂü ãæðÌæ ãñ ¥æñÚU Ù ãè ÜñÅU, ©âð Øæ ·¤ãæ ÁæÌæ ãñ? (1) ·¤è ÙæðÅU (2) ÜèçÇ´U» ÙæðÅU (3) Ùñ¿éÚUÜ ÙæðÅU (4) ãæðÜ ÙæðÅU
D-1615 !D-1615-PAPER-III! 21 Paper-III 71. Who is the Guru of Radhika Mohan Maitra ? (1) Hafiz Ali Khan (2) Alauddin Khan (3) Ashiq Ali Khan (4) Ameer Khan
72. Who was the translator of Mankutuhal granth ? (1) Mirja Khan (2) Fakirullah (3) Capt. Willard (4) Dr. Hog
73. Interval of 7 shrutis is called : (1) Sadja - Madhyam Samvad (2) Sadja - Pancham Samvad (3) Sadja - Gandhar Samvad (4) Swara - Samvad
74. If frequency of Re is taken as 270 then Ma will be : (1) 300 (2) 320 (3) 340 (4) 360
75. To incorporate laya of 7 matras in 4 matras is called : (1) Biadi (2) Kuadi (3) Adi (4) Laykari
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D-1615 !D-1615-PAPER-III! 22 Paper-III 71. ÚUæçÏ·¤æ ×æðãÙ ×ñæ ·¤æ »éL¤ ·¤æ Ùæ× Øæ ã´ñ?
(1) ãæçȤÁ ¥Üè ¹æÙ (2) ¥Üæ©gèÙ ¹æÙ
(3) ¥æçàæ·¤ ¥Üè ¹æÙ (4) ¥æ×èÚU ¹æÙ
72. Ò×æÙ·é¤ÌêãÜÓ »ýÍ ·ð¤ ¥Ùéßæη¤ ·¤æñÙ Íð?
(1) ç×$Áæü ¹æÙ (2) Ȥ·¤èM¤ËÜæ (3) ·ñ¤ÅUÙ çßÜæÇüU (4) ÇUæò. ãæò»
73. 7 æéçÌØæ𴠷𤠥´ÌÚUæÜ ·¤æð Øæ ·¤ãæ ÁæÌæ ãñ´?
(1) áÇUÁæ - ×Ø× â´ßæÎ (2) áÇUÁæ - ´¿× â´ßæÎ
(3) áÇUÁæ »´ÏæÚU â´ßæÎ (4) SßÚU - â´ßæÎ
74. ØçÎ ÚðU ·¤è ¥æßëçæ ·¤æð 270 ·ð¤ M¤Â ×ð´ çÜØæ ÁæÌæ ãñ Ìæð ×æ Øæ ãæð»æ? (1) 300 (2) 320 (3) 340 (4) 360
75. 7 ×æææ¥æð´ ßæÜè ÜØ ·¤æð 4 ×æææ¥æð´ ßæÜè ÜØ ×ð´ â×æçßcÅU ·¤ÚUÙð ·¤æð Øæ ·¤ãæ ÁæÌæ ãñ?
(1) çÕ¥æÇUè (2) ·é¤¥æÇUè (3) ¥æÇUè (4) ÜØ·¤æÚUè
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D-1615 !D-1615-PAPER-III! 23 Paper-III Space For Rough Work
D-1615 !D-1615-PAPER-III! 24 Paper-III