'I Got to Grieve for My Father in Front of 20,000 People.'
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Dickins' Sony Deal Opens New Chapter by Ajax Scott Rob Dickins Bas Teame Former Rival Sony Music Three Months After Leaving Warn
Dickins' Sony deal opens new chapter by Ajax Scott later building a team of up to 20. Rob Dickins bas teame Instant Karma will sign around five rA, ^ threeformer months rival Sony after Music leaving warner ri likelyartists to a be year, from most the UKof orwhom Ireland. are hisMusic music to launchindustry the career. next stage of Dickins says he will not specifically S Dickins' new record label Instant goclose chasing to expiring. after those Tm notacts. going If they to with the hasfirst got single off torelease a fiying under start the handling partnership Interscope - My releasesName Is inby the US UK they'reare interested going to in call," being he part says. of that therapper single, Eminem released - enjoying next Monday a huge initial(March shipout. 29), have Around been 220.000 ordered unitsby of months of negotiations between runningDickins, Warner's who spent UK ninepublishing years theretaiiefsVwhile Top 40 of the the Airplay track waschart. yesterday "Ifs appealing (Sunday) right on acrosscourse theto move board," into says Dickins, his lawyer Tony Russell arm before moving to head its Polydor head of radio promotionl" TU.Ruth ..U.._ Parrish. A V.UK promo visit will inelude wasand afinaliy list of whittled would-be down backers to Sony that New partners: Dickins (second isrecord in no company hurry toin 1983,issue addsrecords. he im_ rrShady LPes - thiswhich week debuted on The at Bignumber Breakfast twoThe in and the CD:UK.States earlierThe this (l-r)left) Sony in New Music York Worldwide last week with "Ifs really not important when the onth - follows on April 12. -
Books Added to the Collection: July 2014
Books Added to the Collection: July 2014 - August 2016 *To search for items, please press Ctrl + F and enter the title in the search box at the top right hand corner or at the bottom of the screen. LEGEND : BK - Book; AL - Adult Library; YPL - Children Library; AV - Audiobooks; FIC - Fiction; ANF - Adult Non-Fiction; Bio - Biography/Autobiography; ER - Early Reader; CFIC - Picture Books; CC - Chapter Books; TOD - Toddlers; COO - Cookbook; JFIC - Junior Fiction; JNF - Junior Non Fiction; POE -Children's Poetry; TRA - Travel Guide Type Location Collection Call No Title AV AL ANF CD 153.3 GIL Big magic : Creative living / Elizabeth Gilbert. AV AL ANF CD 153.3 GRA Originals : How non-conformists move the world / Adam Grant. Irrationally yours : On missing socks, pick up lines, and other existential puzzles / Dan AV AL ANF CD 153.4 ARI Ariely. Think like a freak : The authors of Freakonomics offer to retrain your brain /Steven D. AV AL ANF CD 153.43 LEV Levitt and Stephen J. Dubner. AV AL ANF CD 153.8 DWE Mindset : The new psychology of success / Carol S. Dweck. The geography of genius : A search for the world's most creative places, from Ancient AV AL ANF CD 153.98 WEI Athens to Silicon Valley / Eric Weiner. AV AL ANF CD 158 BRO Rising strong / Brene Brown. AV AL ANF CD 158 DUH Smarter faster better : The secrets of prodctivity in life and business / Charles Duhigg. AV AL ANF CD 158.1 URY Getting to yes with yourself and other worthy opponents / William Ury. 10% happier : How I tamed the voice in my head, reduced stress without losing my edge, AV AL ANF CD 158.12 HAR and found self-help that actually works - a true story / Dan Harris. -
Vide O Clipe: Forças E Sensações No Caos
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO Vide o clipe: forças e sensações no caos Autor: Pamela Zacharias Sanches Oda Orientador: Prof. Dr. Antonio Carlos Rodrigues de Amorim Este exemplar corresponde à redação final da Dissertação defendida por Pamela Zacharias Sanches Oda e aprovada pela Comissão Julgadora. Data: 15 / 02 / 2011 2011 ii iii Ao Lucas, Meu amor, amigo e companheiro, que possibilitou através de seu incentivo, de seu olhar crítico e de sua imensa paciência a concretização deste trabalho. iv AGRADECIMENTOS Agradecer é estar em estado de graça. Assim me sinto ao traçar as últimas linhas dessa dissertação. Nesse momento, rememoro todo o trajeto do mestrado e percebo que o que me trouxe aqui se iniciou bem antes da escrita do projeto, bem antes de fazer minha inscrição para o processo seletivo. O início de tudo está em um tempo não situável e deve-se a tantos corpos que não haveria espaço para agradecê-los nestas páginas. Por isso o estado de graça, a gratidão ampla e imensurável por estar onde estou e poder deixar um registro de um pedacinho de minha vida no mundo, mesmo que perdido entre as estantes de uma biblioteca acadêmica. Isso porque este texto é apenas a materialidade simbólica de tudo o que este trabalho me trouxe e vai além, muito além do que ele apresenta. Agradeço, portanto, ao prof. dr. Antônio Carlos de Amorim, por ter se interessado em me orientar e ter me possibilitado tantos encontros teóricos e principalmente humanos; ao grupo de pesquisa OLHO e, em especial ,ao Humor -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Flagstaff Men's Fashion Unless the New Car You Lust After Is a BMW 7-Series
THE Page 2 Steady as a rock for No Doubt Alu mjn »<jjh just could not wait Etcetera Writer Jl s rj | any longer to release their most However soon the ska boom hit and abandoned popular experimental album radio, No Doubt, and especially Gwen Stefani, we're not so crazy yet. easily forgotten. Stefani, recognized for her pink hair and 'cause that's Rolling Stone eccentric fashion sense, guided No Doubt to the top of the all our influ Magazine says charts with songs like "Don't Speak" and ")ust a GirJ" in ences. I about the album: 1996. Gwen also guided the likes of songwriter Moby and mean, we "The music on Rock rapper Eve to the top of the charts with the help of her dis grew up lis Steady is simple tinguishable vocals on "South Side" and "Let Me Blow Va tening to and propulsive, Mind.1' No Doubt has released their fifth album, Rock English ska which... forces the Steady, which proves to be a collection of eclectic, danceable and then reg songs to improve." tunes. - . gae and all And the songs defi Return of Saturn, released in 2(X)0, was an effort in which that stuff. nitely improve, with No Doubt wanted to prove that they were a band of talent And then the strong efforts of ed, maturi1 musicians. "A Simple Kind of Life," Gwen's we're from the entire band— attempt to deal with the crisis of turning 30, was, no doubt, Orange both the well a masterpiece written by Stefani. -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
OUR GUARANTEE You Must Be Satisfied with Any Item Purchased from This Catalog Or Return It Within 60 Days for a Full Refund
Edward R. Hamilton Bookseller Company • Falls Village, Connecticut February 26, 2016 These items are in limited supply and at these prices may sell out fast. DVD 1836234 ANCIENT 7623992 GIRL, MAKE YOUR MONEY 6545157 BERNSTEIN’S PROPHETS/JESUS’ SILENT GROW! A Sister’s Guide to ORCHESTRAL MUSIC: An Owner’s YEARS. Encounters with the Protecting Your Future and Enriching Manual. By David Hurwitz. In this Unexplained takes viewers on a journey Your Life. By G. Bridgforth & G. listener’s guide, and in conjunction through the greatest religious mysteries Perry-Mason. Delivers sister-to-sister with the accompanying 17-track audio of the ages. This set includes two advice on how to master the stock CD, Hurwitz presents all of Leonard investigations: Could Ancient Prophets market, grow your income, and start Bernstein’s significant concert works See the Future? and Jesus’ Silent Years: investing in your biggest asset—you. in a detailed but approachable way. Where Was Jesus All Those Years? 88 Book Club Edition. 244 pages. 131 pages. Amadeus. Paperbound. minutes SOLDon two DVDs. TLN. OU $7.95T Broadway. Orig. Pub. at $19.95 $2.95 Pub. at $24.99SOLD OU $2.95T 2719711 THE ECSTASY OF DEFEAT: 756810X YOUR INCREDIBLE CAT: 6410421 THE MAMMOTH BOOK OF Sports Reporting at Its Finest by the Understanding the Secret Powers ANTARCTIC JOURNEYS. Ed. by Jon Editors of The Onion. From painfully of Your Pet. By David Greene. E. Lewis. Collects a heart-pounding obvious steroid revelations to superstars Interweaves scientific studies, history, assortment of 32 true, first-hand who announce trades in over-the-top TV mythology, and the claims of accounts of death-defying expeditions specials, the world of sports often seems cat-owners and concludes that cats in the earth’s southernmost wilderness. -
Acid Anniversaries: New Album Reviews
Acid Anniversaries: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world January and February are usually quiet months for new music. So it is with 2017! New Year hangovers and Christmas overspending means most artists keep their shiny new records under wraps until the daffodils start to bloom. For the discerning listener though, there are still enough quality new releases to be found to make a trip to the local record store worthwhile. By JOHN BITTLES This week we’ll begin with what should already be considered a modern acid house classic, as Johannes Auvinen returns to his Tin Man alias with a stunning collection of instrumental grooves. If you delight in the sound of weeping 303s, soaring 808s, and/or funky 909s then tracking down a copy of Dripping Acid should be considered a must. In truth, it is no departure from his previous releases on Acid Test, containing as it does 6 separate 12inches of melancholy jams. Yet, as songs such as Oozing Acid, Underwater Acid, Undertow Acid and Viscocity Acid attest, mastering a specific sound is no bad thing. Take opener Flooding Acid for instance, which utilizes heart-wrenching 303s over sombre techno to mesmerising effect. Seriously, if your eyes don’t well up with tears at least once over the song’s ten minute running time you should probably check they still work. Whether you consider yourself an acid techno connoisseur or not, there are few finer experiences in life than finding yourself lost within a Tin Man groove. 9/10. -
Ben Hillier You Get Asked to Produce and Then You Have to Take Control of the Project in a Practical Sense
How do you feel about the distinction between producer and engineer? Ben Hillier You get asked to produce and then you have to take control of the project in a practical sense. Every album I do is different but the thing I always do the same Blur’s latest album Think Tank has enjoyed critical acclaim yet it’s creation did not follow a when I produce is finish it and get it done. That is your job. traditional course. ZENON SCHOEPE talks to the man who took it from London, to It is funny when you go in to a project not as the producer but end up as the producer, which is Marrakech, to Devon. effectively how it happened with this Blur album. Where did you start working on the project? We started working in 13 and the majority of the tracking was done there in two weeks at the end of EN ALMOST BECAME a professional him to edit. This combined with a good knowledge of 2001. Blur are great to work with because they do classical percussionist until sessions for Virgin sequencing got him working and then his clients regular and sensible hours. We had nine songs at the BClassics with Floating Earth recording led to realised he could engineer as well. end of that, some of which were finished, and then him assisting on a handful of sessions. In his own His move in to production started with Elbow’s first another two weeks in January-February by which point words he’d ‘caught the bug’. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
G \ Music Week UNI Lakes on Publishers In
FOR EVERYONE IN THE BUSINESS OF MUSIC K/W • -g \ music week UNI lakes on publishers in Europe BMG and Sony are understood to be to the outcome." ■ïiM'iiimiïM If Universal werecalled successful for a eut.in iow- "If you look at the factUniversal that collection says, tlesupporting with publishers Unh/ersal over Music songwriting in its bat- tibonA spokesman department for confirmed the EC's that compe- the toering the thelevel continental of the UK rate European -which ratehas eachsocieties record get and 9.2% see from what the the sale record of acrossroyalties continental paid on Europe.sales of records complaint had been received. "We tribunalstood at battle 8.5% ofsince 1991 the - BPI/MCPSthe major thatcompanies get that get, amount." there are not many firmedUniversal last week Music that International it bas made con- a careful examination and that is what thanrecord eSOm companies a year. could save more communityBut sources dismiss within talk the of apublishing "cartel". Commission,formai complaint accusi to ng thethe publishersEuropean royalty as percentage of dealer prlce. arguing. It is understoodthat Biem opérâtesthat Universal a cartel is Oneare queryingpublishing the sourceBiem cartel,says, when,"They -Biem through - of acting mechanical as a cartel. rights body an BO-page document delivered earii- writers'the UK, royaltieswhich opérâtes for record under sales a dif- in nessbecause without the payingmajor thecannot royalties do busi- and ofIFPI course, cartel. they These have two been cartels part ofhave the Tuesday,In a astatement UMI spokesman issued said,last déclinéser this summer; to comment. a Sony Althoughspokesman a férentBiem rate.mechanical But it does royalty affect rate the to roy-the thatnant Biemposition, is thusin contravention abusing its ofdomi- the done business for many years and International"We can confirm has that filed Universal a complaint Music ingBMG whether source to says make it isa stillformai consider- state- that,Treaty by Of insisting Rome.