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The 20Th Century S Heavy Metal Producers

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The 20Th Century S Heavy Metal Producers B-uppsats LITH-ITN/YH-PR--06/001--SE Svenska Hårdrocksproducenter på 2000-talet Susanne Renegård 2006-01-24 Department of Science and Technology Institutionen för teknik och naturvetenskap Linköpings Universitet Linköpings Universitet SE-601 74 Norrköping, Sweden 601 74 Norrköping LITH-ITN/YH-PR--06/001--SE Svenska Hårdrocksproducenter på 2000-talet Examensarbete utfört i musikproduktion vid Linköpings Tekniska Högskola, Campus Norrköping Susanne Renegård Handledare Stefan Lindman Handledare Janne Stark Examinator Tommie Nyström Norrköping 2006-01-24 Datum Avdelning, Institution Date Division, Department Institutionen för teknik och naturvetenskap 2006-01-24 Department of Science and Technology Språk Rapporttyp ISBN Language Report category _____________________________________________________ x Svenska/Swedish Examensarbete ISRN LITH-ITN/YH-PR--06/001--SE Engelska/English x B-uppsats _________________________________________________________________ C-uppsats Serietitel och serienummer ISSN D-uppsats Title of series, numbering ___________________________________ _ ________________ _ ________________ URL för elektronisk version Titel Title Svenska Hårdrocksproducenter på 2000-talet Författare Author Susanne Renegård Sammanfattning Abstract Detta examensprojekt på 7 poäng innefattar olika frågeställnignar om hur man arbetar som musikproducent inom hårdrocksgenren på 2000-talet i Sverige. Nyckelord Keyword Musikproduktion, Sound, Arbetstekniker Upphovsrätt Detta dokument hålls tillgängligt på Internet – eller dess framtida ersättare – under en längre tid från publiceringsdatum under förutsättning att inga extra- ordinära omständigheter uppstår. Tillgång till dokumentet innebär tillstånd för var och en att läsa, ladda ner, skriva ut enstaka kopior för enskilt bruk och att använda det oförändrat för ickekommersiell forskning och för undervisning. Överföring av upphovsrätten vid en senare tidpunkt kan inte upphäva detta tillstånd. All annan användning av dokumentet kräver upphovsmannens medgivande. För att garantera äktheten, säkerheten och tillgängligheten finns det lösningar av teknisk och administrativ art. Upphovsmannens ideella rätt innefattar rätt att bli nämnd som upphovsman i den omfattning som god sed kräver vid användning av dokumentet på ovan beskrivna sätt samt skydd mot att dokumentet ändras eller presenteras i sådan form eller i sådant sammanhang som är kränkande för upphovsmannens litterära eller konstnärliga anseende eller egenart. För ytterligare information om Linköping University Electronic Press se förlagets hemsida http://www.ep.liu.se/ Copyright The publishers will keep this document online on the Internet - or its possible replacement - for a considerable time from the date of publication barring exceptional circumstances. The online availability of the document implies a permanent permission for anyone to read, to download, to print out single copies for your own use and to use it unchanged for any non-commercial research and educational purpose. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional on the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about the Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its WWW home page: http://www.ep.liu.se/ © Susanne Renegård Linköpings Universitet Campus Norrköping ITN, MP2, Ht-05 Svenska Hårdrocksproducenter på 2000-talet Examensprojekt 2005 Författare: Susanne Renegård Handledare: Janne Stark, Stefan Lindman Examinator: Tommie Nyström Opponent: Ann-Marie Öhman Musikproducentprogrammet Examensprojekt Susanne Renegård Linköpings Universitet MP2, TNXB08 2006-01-18 Sammanfattning Detta examensprojekt innehåller olika frågeställningar gällande hur några av Sveriges främsta hårdrocksproducenter arbetar. Eftersom hårdrock är Sveriges andra största musikgenre när man talar om den svenska musikexporten idag1, måste det finnas något unikt med de producenter som arbetar med denna genre i Sverige, bortsett från att vi har bra artister, musiker och låtskrivare här. Är det samarbetet mellan artist och producent som gör att en skiva låter bra, eller kanske är det den nya digitala teknikens förtjänst att det går bra för svensk hårdrock? Detta är några av de frågor som kommer att behandlas i projektet. Projektet kommer även att innehålla intervjuer med olika hårdrocksproducenter i Sverige och deras syn på de frågeställningar projektet inkluderar, vilket vidare resulterar i en analys av intervjuerna och producenternas sound. Dessa analyser kommer att vara kopplade till en framställning av viktiga saker man bör ta i beaktande vid musikproduktion av hårdrock. Utifrån detta kommer jag vidare att försöka svara på de frågeställningar examensprojektet omfattar. Till exempel vad som är specifikt med svenska hårdrocksproducenter och deras sound idag. Jag kommer även att försöka framställa en hypotes om varför hårdrock kan vara Sveriges näst bäst säljande genre gällande svensk musikexport. 1 Anders Hjelmtorp, Music Brigade och Sweden Music Export, Föreläsning på LiU 28/9-2005 1 Musikproducentprogrammet Examensprojekt Susanne Renegård Linköpings Universitet MP2, TNXB08 2006-01-18 Abstract This examination paper includes the subject matter the twentieth century’s heavy metal producers of Sweden. Since hard rock and heavy metal is the second largest selling music genre when it comes to Swedish music export2, it brings up a problematic question about what the music producers’ roll in this matter may be. Is there something unique about our Swedish producers that contribute to this great success of the Swedish heavy metal genre, or is it the artists, groups or songwriters that are the primary fact in this scenario? Or may it be the cooperation between artist/group and these Swedish music producers that makes a good selling album of heavy metal? These are some of the questions this project will include and that I will try to bring answers to. This project also contains interviews with different Swedish heavy metal producers and their views on different relations of music production and similar questionings. How they work, what the think about new music formats like for example mp3’s, etc. This will result in an analysis of both the interviews and the producers’ different types of sounds. Out of this I will try to figure out what makes Swedish heavy metal producers what they are today and why Swedish hard rock and heavy metal music are doing and selling well overseas. 2 Anders Hjelmtorp, From Music Brigade and Sweden Music Export, Lecture, Linköpings University 28/9-2005 2 Musikproducentprogrammet Examensprojekt Susanne Renegård Linköpings Universitet MP2, TNXB08 2006-01-18 Förord Detta examensprojekt omfattar en yrkeshögskoleexamen inom Musikproducent- programmet på Institutionen för Teknik och Naturvetenskap (ITN) på Linköpings Universitet. Först av allt vill jag säga att detta projekt har betytt mycket för mig som ivrig student i hopp om att en dag få arbeta som musikproducent med fokusering på den musikgenre och livsstil jag tycker bäst om, hårdrock, i alla dess olika former och uttryck. Jag hoppas att detta arbete skall kunna vara ett underlag för en fortsatt diskussion om hur man kan arbeta som musikproducent i ett land som Sverige, samt hur man i framtiden kommer att se på hårdrock som den undergroundkultur den är idag. Min förhoppning är att jag kunnat väcka en nyfikenhet till att även inom andra musikgenrer undersöka hur man arbetar som musikproducent med alltifrån musiker och artister till med vilken teknik man använder sig utav. Samt väcka ett intresse för att våga knyta kontakter med folk ute i en tuff och hård musikbransch. Man måste våga satsa på det man tror på och vill arbeta med. Jag vill passa på att tacka min handledare och Sveriges så kallade rockorakel, Janne Stark, för den hjälp jag fått på vägen. Jag vill även tacka min examinator Tommie Nyström för stöd och support vid handledningsmöten, samt även Stefan Lindman. Dessutom vill jag tacka Ann-Marie Öhman för opponering på mitt arbete, det är alltid roligt att få höra en jazzmusikers åsikter på hårdrock och allt vad det innebär. Jag vill även ge ett stort tack till alla de musikproducenter som blivit utsatta för inkräktande intervjuer och analyser på deras arbetsterritorium, samt till Johan Hargeby på Sound Pollution. Tack för att ni har tagit er tid till att svara på mina frågor. Ni har varit mycket hjälpsamma, tillmötesgående och enormt roliga att få träffa. Ett speciellt tack till Anders Theander på Roastinghouse för de album jag fick att referenslyssna på, de står fint i skivhyllan eller spelas på hög volym i Cd-spelaren. Slutligen och ej att förglömma, ett stort tack till de snälla människor som ställt upp med uppmuntran, tips, diskussioner och utlåning av diverse skivor. Ni är guld. 3 Musikproducentprogrammet Examensprojekt Susanne Renegård Linköpings Universitet MP2, TNXB08 2006-01-18 Innehållsförteckning Sammanfattning ......................................................................................................................... 1 Abstract .....................................................................................................................................
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