DOCSLIB.ORG

ONCE UPON a TIME...IN HOLLYWOOD the Writer-Director—Spoiler Free Quentin Tarantino Chats About the Creative Process on His Latest Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ONCE UPON a TIME...IN HOLLYWOOD the Writer-Director—Spoiler Free Quentin Tarantino Chats About the Creative Process on His Latest Film Touch Each Picture to Read the Story BLACK LIST TALES The Second Life of Ben Haskins Matt Kic and Mike Sorce’s sci-fi script Issue 38 Cover: garners the pair acclaim—and a deal Illustration by with Netflix. Michael Koelsch By Danny Munso Letter from INK TALES the Publisher Gunning for Hits Contributors Music-industry vet Jeff Rougvie releases his first comic about the record business’ Masthead biggest hitmaker, who just happens to be a former hitman. Art and By Danny Munso Photo Credits RETRO Heathers Daniel Waters revisits his first feature screenplay 30 years after it f--ked the film industry with a chainsaw ever so gently. Plus, exclusive—read Waters’ first draft! By Jeremy Smith q TV DVR’D Chernobyl Craig Mazin on his acclaimed HBO miniseries that delves into the tragedy and toll of the infamous Russian nuclear disaster. Plus, read the episode scripts! By Danny Munso TV DVR’D The Boys: The Showrunner Creator Eric Kripke on wrangling Garth Ennis’ wild comic book into Amazon’s new superhero series. By Claude Chung TV DVR’D The Boys: The Director Dan Trachtenberg shares the ins and outs of helming the pilot for Amazon’s superhero twist. By Claude Chung COVER STORY: ONCE UPON A TIME...IN HOLLYWOOD The Writer-Director—Spoiler Free Quentin Tarantino chats about the creative process on his latest film. By Jeff Goldsmith q COVER STORY: ONCE UPON A TIME...IN HOLLYWOOD The Writer-Director—Spoilers & All Quentin Tarantino reveals the whys and wherefores behind some of his film’s most important scenes. By Jeff Goldsmith COVER STORY: ONCE UPON A TIME...IN HOLLYWOOD The Cinematographer Three-time Oscar winner Robert Richardson on the challenges of lensing Quentin Tarantino’s latest tale. By Jeff Goldsmith COVER STORY: ONCE UPON A TIME...IN HOLLYWOOD The Editor Fred Raskin chops up his third Quentin Tarantino film, with fantastic results. By Jeff Goldsmith COVER STORY: ONCE UPON A TIME...IN HOLLYWOOD The Music Supervisor Tinseltown longtimer Mary Ramos on being the go-to collaborator for Quentin Tarantino’s eclectic cinematic sounds. By Jeff Goldsmith q RETRO Inglourious Basterds Enjoy an in-depth 2009 interview with Tarantino about his instant classic. By Jeff Goldsmith LOST SCENES Inglourious Basterds To celebrate the film’s 10th anniversary, we look at how some key scenes were changed to make it a cinema gem. By Jeff Goldsmith OFF THE SHELF F. Screenwriter, past WGA president and novelist Howard A. Rodman takes us down an awesome rabbit-hole to honor the pulp criminal mastermind Fantômas. Plus, read his unproduced screenplay. By Jeremy Smith NOVEL IDEA The Chain A riveting thriller about a kidnapping ring that forces parents to become kid- nappers themselves turns author Adrian McKinty into an overnight sensation. By Jeremy Smith q INSIGHTS Being John Woo The famed action director reflects on his rousing iconic filmsThe Killer and Hard Boiled—and a little bit of Face/Off for good measure. By Jeff Goldsmith CURRENT CINEMA After the Wedding Writer-director Bart Freundlich on the emotional complexities that make up his remake of the 2006 Danish Oscar nom. By Danny Munso CURRENT CINEMA Fast & Furious Presents: Hobbs & Shaw Co-writers Chris Morgan and Drew Pearce find the character within the crazy stunts and share how the spinoff takes the frenetic franchise further. By David Somerset CURRENT CINEMA Spider-Man: Far from Home Scribes Chris McKenna and Erik Sommers swing into a post-Endgame world with the webslinger and a motley collection of friends and foes. By Jeremy Smith q CURRENT CINEMA Toy Story 4 Screenwriter Stephany Folsom on the personal tragedy and story decisions that helped shape Pixar’s bold and brilliant sequel. By Danny Munso AGGREGATE Wild & Crazy Guys Film journalist Nick de Semlyen’s new book dives deep into classic comedies of the 1980s and ’90s and the stars who fueled them. Plus, read an excerpt about the making of Groundhog Day. AGGREGATE Deadwood: The Movie Watch as the cast and crew share their memories of making HBO’s iconic TV show—and jumping back in for the network’s feature-length flick. PODCAST ROUNDUP Hear top writers, directors, actors and producers discuss their films in our Q&A screening series..
Load more

Recommended publications
  • The Storyworld Dynamics of Supernatural
    PRODUCTIONS / MARKETS / STRATEGIES ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL FLORENT FAVARD Name Florent Favard the series with an analysis of its writing, production and Academic centre IECA, Université de Lorraine reception contexts, and divides the long-running series into E-mail address [email protected] four eras, each defined by a specific showrunner. It starts by exploring the context of the series’ creation, before KEYWORDS cataloguing the shifting dynamics of the storyworld during Storyworld; narratology; writing; ethos; showrunner. the four eras: the ‘stealth teleological’ approach of series creator Eric Kripke; the complex reconfigurations of the Sera Gamble era; the ‘mythology reboot’ of the Jeremy ABSTRACT Carver era; and the ever-increasing stakes and expansionist This paper explores the narrative dynamics of the fantasy dynamics of the Andrew Dabb era. The aim of this paper television series Supernatural (2005-) in order to better is to show how ‘periodising’ a long-running series by using understand how this particular program has become a close-reading and studying the dynamics of a storyworld backbone of The CW network. Combining formal and can expand and complete analysis focused on audiences contextual narratologies, it blends a close-reading of and the genesis of the text. 19 SERIES VOLUME IV, Nº 2, WINTER 2018: 19-26 DOI https://doi.org/10.6092/issn.2421-454X/8164 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X INVESTIGATING THE CW PRODUCTIONS / MARKETS / STRATEGIES > FLORENT FAVARD ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL The Apocalypse has just been averted.
    [Show full text]
  • Read Doc > Revolution TV Series
    7HGHXQ8UH98T / Kindle < Revolution TV Series - Unabridged Guide Revolution TV Series - Unabridged Guide Filesize: 3.39 MB Reviews This is actually the best book i actually have go through right up until now. It generally will not price an excessive amount of. I discovered this book from my dad and i suggested this book to understand. (Norma Carroll) DISCLAIMER | DMCA 3WH6M1VPVEKQ Doc # Revolution TV Series - Unabridged Guide REVOLUTION TV SERIES - UNABRIDGED GUIDE Tebbo. Paperback. Book Condition: New. Paperback. 40 pages. Dimensions: 8.7in. x 5.8in. x 0.2in.Complete, Unabridged Guide to Revolution (TV series). Get the information you need--fast! This comprehensive guide oers a thorough view of key knowledge and detailed insight. Its all you need. Heres part of the content - you would like to know it all Delve into this book today! . : The series focuses on the Matheson family, who possess a special flash drive that is the key to not only finding out what happened fieen years ago, but also a possible way to reverse its eects. It was such a great premise for a series that it was just that feeling of the misery that youd feel if you had a chance to be part of that and didnt take advantage of it. In the summer of 2012, NBC had a voting campaign on Revolutions Facebook page where visitors could vote for which American city should have an advance screening of the series pilot in early September. Verne Gay of the Newsday however gave the premiere a neutral review saying Theres an almost overwhelming been-there-seen-that feel to the pilot, which doesnt really oer any suggestion of well, you havent seen this.
    [Show full text]
  • A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
    1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels.
    [Show full text]
  • The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • REL Revolution USO Tour 10.22.13
    FOR IMMEDIATE RELEASE Media Contact: October 22, 2013 Oname Thompson Office (703) 908-6471 [email protected] Stars of Warner Bros.’ Revolution Volunteer with the USO and Support Military Community in San Antonio Actors Billy Burke, Tracy Spiridakos, Giancarlo Esposito, David Lyons and Elizabeth Mitchell Extend Gratitude to Troops and their Families on Morale Boosting USO Visit Twitter Pitch: @the_USO @NBCRevolution tour feat. @Billy_Burke, @TrSpiridakos, @Quiethandfilms, David Lyons & Elizabeth Mitchell visits San Antonio ARLINGTON, VA (Oct. 22, 2013) – Stars from Warner Bros. hit series Revolution volunteered with the USO on Saturday, October 19, and delivered smiles, hugs and support to troops and military families stationed in San Antonio, Texas. Currently on location in Austin filming season two of the epic, swashbuckling TV drama, actors Billy Burke, Tracy Spiridakos, Giancarlo Esposito, David Lyons and Elizabeth Mitchell paid a USO visit to Lackland Air Force Base and Fort Sam Houston, where they shared special moments with service members and their families, posing for photos and signing autographs. ***Link to USO photos below*** DETAILS: • As part of the USO experience, the group met with hundreds of military families stationed in and around San Antonio, Texas. • This trip marked the first USO experience for each of the Revolution castmates. • From J.J. Abrams’ Bad Robot Productions and Supernatural‘s Eric Kripke, Revolution is a post- apocalyptic sci-fi drama series that centers around one family’s struggle to survive 15 years after a mysterious worldwide blackout. Created by Eric Kripke and executive produced by Kripke, Abrams, Bryan Burk, Rockne S. O’Bannon and Jon Favreau, the series airs Wednesdays at 8/7c on NBC.
    [Show full text]
  • Supernatural Free Download Supernatural Australia Before Being Aired
    FREE SUPERNATURAL PDF Larissa Ione,Alexandra Ivy,Jacquelyn B. Frank,G. A. Aiken | 354 pages | 02 Sep 2011 | Kensington Publishing | 9781420109887 | English | New York, United States Supernatural (American TV series) - Wikipedia Alas, all good things must come to an end. Fortunately, a plan is in motion. Billie, the Supernatural incarnation of Death, is priming Lucifer's half- human son, Jack Kline, to defeat God, with Supernatural Winchesters by his side. How will God Supernatural defeated? Supernatural will happen Supernatural Sam and Dean? She literally has an entire book on the subject. All Death has revealed so far is that Jack, Sam and Dean will all play a vital role in saving the universe from God's wrathful, destructive whims. After all, he's the only character capable of going toe-to-toe with the creator Supernatural all things. This is Sam and Dean's story, so the Winchesters need to have a significant hand in the final battle, but they probably won't be Supernatural only Supernatural helping Jack save the day. Michael, in the body of Adam Milligan, has returned from The Cage, surely setting up a father-son Supernatural. Their likely strategy will be to carve out an opening for Jack to strike the finishing blow, bombarding Chuck with everything they have just so the nephilim can get Supernatural enough to his target. None of it will be enough to kill God, but it Supernatural make enough of a dent to Supernatural Jack's approach. Both Winchester brothers have acknowledged their hunter lifestyle can Supernatural end one way, and in Dean's own words, that's "Butch and Supernatural style, going down fighting.
    [Show full text]
  • Return of The
    Return of the Mac Lucas Till stars in the reboot of “MacGyver,” premiering September 23, on CBS. FALL 2016 FALL “Conviction” ABC Mon., Oct. 3, 10 p.m. PLUG IN TO Right after finishing her two-season run as “Marvel’s Agent Carter,” Hayley Atwell – again sporting a flawless THESE FALL PREMIERES American accent for a British actress – BY JAY BOBBIN returns to ABC as a smart but wayward lawyer and member of a former first family who avoids doing jail time by joining a district attorney (“CSI: NY” alum Eddie Cahill) in his crusade to overturn apparent wrongful convictions … and possibly set things straight with her relatives in the process. “American Housewife” ABC Tues., Oct. 11, 8:30 p.m. Following several seasons of lending reliable support to the stars of “Mike & Molly,” Katy Mixon gets the “Designated Survivor” ABC showcase role in this sitcom, which Wed., Sept. 21, 10 p.m. originally was titled “The Second Fattest If Kiefer Sutherland wanted an effective series follow-up to “24,” he’s found it, based Housewife in Westport” – indicating on the riveting early footage of this drama. The show takes its title from the term used that her character isn’t in step with the for the member of a presidential cabinet who stays behind during the State of the Connecticut town’s largely “perfect” Union Address, should anything happen to the others … and it does here, making female residents, but the sweetly candid Sutherland’s Secretary of Housing and Urban Development the new and immediate wife and mom is boldly content to have chief executive.
    [Show full text]
  • CHAPTER 1 INTRODUCTION This Chapterexplains About the Background of the Study, Previous of the Study, Research Focus, Problem Of
    CHAPTER 1 INTRODUCTION This chapterexplains about the background of the study, previous of the study, research focus, problem of the study, objective of the study, theoretical framework, significance of the study, operational definition, and frame of discussion. A. Background of the Study Slang is confidential informal English spoken which created and used by a particular community. Yule described, Slang or „colloquial speech‟ are words or phrases that are used instead of more everyday terms among younger speakers and other groups with special interests. Slang mostly used by younger speakers, although there are older speakers used it for their communication. Younger speakers give effect toward the forming of slang.1 They create new word in their communication, so only can be understood by their community, so many younger is interested in using slang as their conversation. Slang includes the variation of language that has some special treatment. It is unique, the form of slang can be word that is different from the ordinary word. It can be humorous, the user of slang can make speech more casual and playful, and it may not always be suitable for polite company. And it can be interesting, it makes the user of slang do not feel bored using slang language for 1Yule, George, 2006, The Study of Language, page.211,3rded, Cambridge: University Press 1 2 daily life because it is fun and can be the characteristic of a particular group or community. Slang is informal English spoken that is used in the informal situation and place. It can be in the store, mall, café, school, home, and so on.
    [Show full text]
  • From the Workshop of JJ Abrams
    CHAPTER SIX From the Workshop of J. J. Abrams: Bad Robot, Networked Collaboration, and Promotional Authorship Leora Hadas University of Nottingham Whether ‘New golden age’ (Leopold, 2013) or ‘Peak TV’ (Paskin, 2015) – whatever glowing accolades cultural commentators now choose to use, all describe television in the United States as going from strength to strength. For a sustained number of years now, critics and popular opinion alike has celebrated a qualitative transformation in the output of an industry that has struggled for years to shed the image of a ‘vast wasteland’ (Minow, 1961). In critical and academic circles alike, credit for these exciting developments and the transformation of US television has tended to focus on a specific feature of the contemporary industry: the figure of the showrunner, television’s new auteur (Martin, 2013). The emergence of the showrunner-as-auteur has provided US television with a crucial source of cultural legitimacy, one traceable back to Bourdieu’s concept of the ‘“charisma” ideology’ (1980, p. 262) at work in judgements of artistic value. Shyon Baumann (2007) has analysed how film found legitimation as How to cite this book chapter: Hadas, L. 2017. From the Workshop of J. J. Abrams: Bad Robot, Networked Collaboration, and Promotional Authorship. In: Graham, J. and Gandini, A. (eds.). Collaborative Production in the Creative Industries. Pp. 87–103. London: University of Westminster Press. DOI: https://doi.org/10.16997/book4.f. License: CC-BY- NC-ND 4.0 88 Collaborative Production in the Creative Industries an art form in the 1960s through the celebration of autonomous film artists.
    [Show full text]
  • The Paley Center for Media Announces the 8Th Annual Paleyfest Ny
    THE PALEY CENTER FOR MEDIA ANNOUNCES THE 8TH ANNUAL PALEYFEST NY The 2020 Schedule to Showcase Cast and Creative Team Discussions from Television’s Most Acclaimed and Hottest Shows Including: All American, The Boys, Eli Roth’s History of Horror, Full Frontal with Samantha Bee, 20th Anniversary of Girlfriends, A Million Little Things, Rick and Morty, Supernatural, and The Undoing Talent Lineup Includes: Jensen Ackles, Samantha Bee, Susanne Bier, Alexander Calvert, Sarah Chalke, Misha Collins, Chace Crawford, Taye Diggs, Tracee Ellis Ross, Daniel Ezra, Karen Fukuhara, Hugh Grant, Dan Harmon, Nicole Kidman, Romany Malco, Allison Miller, Jared Padalecki, Chris Parnell, Eli Roth, Quentin Tarantino, Karl Urban, and Persia White Citi Returns as the Official Card and an Official Sponsor and Verizon Joins as an Official Sponsor Initial Slate of Programming Premieres on the Paley Channel on Verizon Media’s Yahoo Entertainment this Friday, October 23 at 8:00 pm EST/5:00 pm PST, with Additional Releases on Monday, October 26 at 8:00 pm EST/5:00 pm PST, and Tuesday, October 27 at 8:00 pm EST/5:00 pm PST Citi Cardmembers and Paley Center Members Can Preview Programs Beginning Today at 10:00 am EST/7:00 am PST Paley Center Members Have the Opportunity to Preview the Premiere Episode of The Undoing, a New Episode from Eli Roth’s History of Horror, and a Special Teaser from an Upcoming Episode of Supernatural New York, NY, October 20, 2020 – The Paley Center for Media announced today the start of the 8th annual PaleyFest NY. The premier television festival features some of the most acclaimed and hottest television shows and biggest stars, delighting fans with exclusive behind-the-scenes scoops, hilarious anecdotes, and breaking news stories.
    [Show full text]
  • °O~ !,$Smc1d00036 ~ °O~O Rn ~ 12 NEAL MORITZ and NEAL H
    ~~., ~.ut~awi..,...r~ ~~.r~i( ~u~aeRIC~CNAo CaED is 1 KINSELLA WEITZMAN ISER KUMP & ALDISERT LLP ounh• nt ~ os n~^a!~c ~ DALE F. KINSELLA(SBN 063370) 2 [email protected] !~~T 1 '7 SUANN C. MACISAAC(SBN 205659) ~~1~ Sherri t~. O 3 [email protected] C:aRer, txec~uve .;;;;ceo/~ter;~ 808 Wilshire Boulevard, 3rd Floor By Marra Guadian, Q~,~~;y 4 Santa Monica, California 90401 Telephone: 310.566.9800 5 Facsimile: 310.566.9850 6 Attorneys for R~a~r~ti~~:;~Teal Moritz and Neal H. Moritz, Inc. 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA a a a 9 COUNTY OF LOS ANGELES, WEST DISTRICT N w 10 .. o A ~ ~ 11 `~ °o~ !,$SMC1d00036 ~ °o~o rn ~ 12 NEAL MORITZ and NEAL H. MORITZ, Case No. m Qo INC., ~ °~ r~ 13 COMPLAINT FOR: x~ >~~Q°~ 14 Plaintiffs, (1) BREACH OF ORAL CONTRACT; r~ ~ U H mQo U VS. (2) BREACH OF IMPLIED CONTRACT 7 ~z~ 15 ~ =o ff (ALTERNATIVE); ~ ~~~ 16 ~ ~z~~- L7NIVERSAL CITY STUDIOS, LLC, a (3) PROMISSORY FRAUD ~o Q m 17 Belaware limited liability company, FFSO ~ 00 ~w PRODUCTIONS LLC, a Delaware limited ~ ~ a 18 liability company, and DOES 1 through 50, DEMAND FOR JURY TRIAL a inclusive, 19 Defendants. 20 Deadline 21 22 23 24 25 26 27 28 10054.00001/601657 COMPLAINT 1 Plaintiffs Neal Moritz and Neal H. Moritz, Inc. (collectively, "Plaintiffs" or "Moritz"), by 2 and through their attorneys of record, allege the following causes of action against Defendants 3 Universal City Studios, LLC, FFSO Productions LLC (collectively, "Defendants" or "Universal") 4 I I and Does 1-50: 5 INTRODUCTION 6 1.
    [Show full text]