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T-Iourglass O 8 at 2154
HIGH TIDE LOW TIDE 7-27-69 7-27-69 5 8 at 0330 o £> at 1006 4 5 at 1606 t-IOURGlASS o 8 at 2154 J\.. .. ', I ~~.!,.I;~ ... "':,~ !! KWAJALEIP, ISLAl'JlJS Saturday, July 26, 1969 I, VOL 9, No 8458 L Moon Rocks, Soil Go on Display ost Massachusetts Residents For Select Audience of Scientists Want red to Retain Seat (UPI) -- Most Massachusetts residents SPACE CENTER, HOUSTON (UPI) -- Pampered with all the tender care technology can _apparently feel Sen Edward M Kennedy muster, the Moon rocks and s011 Apollo 11 brought home go on d1splay today for "'" ",,~;" should retain his seat in the Senate a select aud1ence of scientists ~ Initial response from other parts of The first v1ewing--through glass portholes in a special vacuum chamber - was ~ the country to his plea for advice ap eagerly awa1ted by SC1ent1sts who were chosen to analyze them to try to deter peared, however, to be more widely di m1ne the or1g1n of the Moon and perhaps the Universe vided "It's very frustratlng," said Jeff Warner, a geologist who works at the Moon Boston's three da1ly newspapers, the Isolatlon BUlldlng at the Space Center Record American, Globe and Feral Tra "The flrst box came at noon yesterday, veler, reported telephone calls "~2_to and we won't get to look at it unt11 10 Administration Talks 1" in favor of Kennedy am tOllorrow (today)" The Spr1ngfield Union reported less 1he long-awal ted Moon samples--t',o Tough to Business than three hours after the Senator's boxes \"1 th more than 50 pounds of Moon nationally televised speech, they had rock and dlrt--arrlved -
Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Perkins, Anthony (1932-1992) by Tina Gianoulis
Perkins, Anthony (1932-1992) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com The life and career of actor Anthony Perkins seems almost like a movie script from the times in which he lived. One of the dark, vulnerable anti-heroes who gained popularity during Hollywood's "post-golden" era, Perkins began his career as a teen heartthrob and ended it unable to escape the role of villain. In his personal life, he often seemed as tortured as the troubled characters he played on film, hiding--and perhaps despising--his true nature while desperately seeking happiness and "normality." Perkins was born on April 4, 1932 in New York City, the only child of actor Osgood Perkins and Janet Esseltyn Rane. His father died when he was only five, and Perkins was reared by his strong-willed and possibly abusive mother. He followed his father into the theater, joining Actors Equity at the age of fifteen and working backstage until he got his first acting roles in summer stock productions of popular plays like Junior Miss and My Sister Eileen. He continued to hone his acting skills while attending Rollins College in Florida, performing in such classics as Harvey and The Importance of Being Earnest. Perkins was an unhappy young man, and the theater provided escape from his loneliness and depression. "There was nothing about me I wanted to be," he told Mark Goodman in a People Weekly interview. "But I felt happy being somebody else." During his late teens, Perkins went to Hollywood and landed his first film role in the 1953 George Cukor production, The Actress, in which he appeared with Spencer Tracy. -
The Relevance of Tennessee Williams for the 21St- Century Actress
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par. -
'N' Roll: the Rolling Stones in Film
it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested. -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 2-24-1969 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1969). Winona Daily News. 843. https://openriver.winona.edu/winonadailynews/843 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Continued Cloudy Read By More WifrY Occasional Than 90,000 Snow, Drizzle People Every Day Surgery on Ike Said Successful' PROMISES 70 CONSULT EUROPEAN ALLIES Reported 'Resting Nixon: Will Talk With Soviets Comfortably as BRUSSELS (AP) - President;.concern to the Atlantic allies: because we recognize that the mined to listen with a new at- Nixon had discussed with Bel- Can Be Expected' Nixon told America's European the new dispute , between the chances for successful negotia- tentiveness to its NATO part- gian officials the latest chill in WASHINGTON (AP) - For- Earlier thus morning a team allies today that he later will British and French govern- tions depend on our unity." ners," he declared, "not only British-French relations, he re- mer President Dwight D. Eisen- of Army doctors had pro- "enter into negotiations with the ments, and the possibility of an He went on- because they have a right to be plied: "I don't have any infor- nounced the 2 hour, 20 minute Soviet Union on a wide range ef East-West confrontation in Ber- ea ut b se we want nation on that." ' hower is "resting as comfortably "I realize that this course has * fd j ffBdl as can be expected," Walter operation fo>r removal of an in- issues," and he promised to con- lin. -
Policy Radio!
Policy Radio! By John Simson Music lovers who enjoy Pandora Internet radio may wonder why they can only skip six songs in an hour and then must wait to skip again. For that matter, why they can’t pick a specific song to hear—instead of creating a channel based upon that song? And why they can’t hear more than 4 songs by their favorite artist in a three-hour period? Congress created all of these limitations and restrictions when it passed legislation in 1995 and 1998 creating the first digital performance rights legislation in the United States. The legislation was a careful balancing act: Congress trying to balance the rights of creators: recording artists, record labels, songwriters and music publishers, along with a new category of content users “webcasters” and satellite radio services included then new services, like Pandora, that desired to stream music across cable wires, from satellites and over the Internet. Of course, for years broadcast radio has streamed music to the public from radio towers, and never had to pay recording artists or record labels for the right to play their music. But radio stations did have to pay songwriters and music publishers through ASCAP, BMI and SESAC (three organizations which represent those who own and compose music). After passage of this historic legislation, “new” services like Sirius and XM satellite radio (now merged as Sirius/XM), Yahoo and AOL Internet radio, and later Pandora and other Internet radio stations, had to pay a royalty to the recording artist as well as the songwriter. Background Music In the early 1990’s, recording artists and their record labels lobbied Congress to pass a comprehensive performance rights bill that included terrestrial radio. -
Printable Schedule
Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
Happy Together (The Turtles)
Happy Together (The Turtles) [Verse 1] For all my life Imagine me and you, I do I think about you day and night, it's [Pre-Chorus] only right Me and you and you and me To think about the girl you love and No matter how they toss the dice, it hold her tight had to be So happy together The only one for me is you, and you for me If I should call you up, invest a dime So happy together And you say you belong to me, and ease my mind [Bridge] Imagine how the world could be, so Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba- very fine ba-ba-ba So happy together Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba- ba-ba-ba [Chorus] I can't see me lovin' nobody but you [Pre-Chorus] For all my life Me and you, and you and me When you're with me, baby the skies'll No matter how they toss the dice, it be blue had to be For all my life The only one for me is you, and you for me [Pre-Chorus] So happy together Me and you, and you and me No matter how they toss the dice, it [Outro] had to be So happy together The only one for me is you, and you How is the weather for me So happy together So happy together We're happy together So happy together [Chorus] Happy together I can't see me lovin' nobody but you So happy together For all my life So happy together (ba-ba-ba-ba ba-ba- When you're with me, baby the skies'll ba-ba) be blue 77 "Happy Together" is a song by American rock band the Turtles from the album Happy Together (1967). -
Hpm Saved Images 05 02
SAVED IMAGES SAVED IMAGES hobbypopMUSEUM BOMBAY BIZARRE 143 INHALT SURREAL ESTATE 144 ALL IN ONE RHYTHMUS 156 EINE WICHTIGE MITTEILUNG DER KÜNSTLER 7 DER BRENNENDE DORNBUSCH 158 KLÄNGE hobbypopMUSEUM 8 RAVING GARDENS 160 hobbypopMUSEUM ON MAIN STREET Andrew Renton 10 VILLA ROMANA 170 DIGITALIA Dortmunder Kunstverein 22 TAKING THE AIR 174 GESAMTKUNSTSPIEL 20 Jahre hobbypopMUSEUM 46 Oriane Durand EARLY MOVIES 188 DIE KRIPPE 190 2018–2004 ZUR SCHATTIGEN PINIE 191 HOBBY POP PHOTO SHOP MUSEUM 52 INTELLIGENT DESIGN 192 ARENA 62 LE CRAZY HORSE 198 ITALO POP 64 GAMMA GAMMA 200 DIE BRÜCKE 66 EREMITAGE 208 DIE ÜBERTRAGUNG 72 OLYMPIA 210 HOTEL ANDERES UFER 74 NEO PSYCHICO 216 CUCURRUCUCÚ Speculative notes from Hermoupolis 87 ÄGYPTEN 222 Sam Watson GEPÄCKSTÜCK 333 228 BÜRO BUREAU 92 MYSTICA 230 THE BANDWAGON WUPPERTAL 98 ECHO / HXΩ 240 THE BANDWAGON PARIS 112 PROSIT NEUJAHR 250 A LETTER FROM PARIS Benjamin Thorel 118 FROHE WEIHNACHTEN 252 ANOTHER BANDWAGON 124 LES FRANGES 128 INDEX 2018–1998 254 FRINGES 129 DISKOGRAFIE / EDITIONEN / PUBLIKATIONEN 273 FRINGES II 134 FRINGES III 135 IMPRESSUM 286 hobbypopMUMBAI 136 hobbypopMUSEUM on Main Street Andrew Renton “Honey, I’ve been signifying. Whoa, whoa, whoa.” (‘I’m Not Signifiying’) It begins with an exile. Unfamiliar surroundings. No-one is quite at home, but you unpack your things to make sense of them as best you can. There are benefits to this exile. It offers a kind of freedom and a possibility for reinvention. An opportunity to be or play someone else. Or a refreshed version of yourself. Tuned up or down. The model, here, is the Rolling Stones, decamped to the South of France, recording in the basement of Keith Richards’ rented palace, Nellcôte, in Villefranche, on the coast.