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Norse Mythology and Saga: Bibliography Norse Mythology
Norse Mythology and Saga: Bibliography Norse Mythology Acker, Paul, and Carolyne Larrington, eds. The Poetic Edda: Essays on Old Norse Mythology. New York: Routledge, 2002. Print. Routledge Medieval Casebooks. Anderson, Sarah M, and Karen Swenson, eds. Cold Counsel: Women in Old Norse Literature and Mythology: A Collection of Essays. New York ; London: Routledge, 2002. Print. Auden, W. H, and Paul Beekman Taylor, trans. Norse Poems. London: Athlone Press, 1981. Print. Chance, Jane, ed. Tolkien and the Invention of Myth: A Reader. Lexington: University Press of Kentucky, 2004. Print. Davidson, Hilda Roderick Ellis. Scandinavian Mythology. London ; New York: Hamlyn, 1969. Print. Jochens, Jenny. Old Norse Images of Women. Philadelphia: University of Pennsylvania Press, 1996. Print. Middle Ages Series. Larrington, Carolyne, tran. The Poetic Edda. Oxford ; New York: Oxford University Press, 2008. Print. Oxford World’s Classics. Lindow, John. Handbook of Norse Mythology. Santa Barbara, Calif: ABC-CLIO, 2001. Print. Handbooks of World Mythology. Tolkien, J. R. R. The Legend of Sigurd and G . Ed. Christopher Tolkien. Boston: Houghton Mifflin Harcourt, 2009. Print. Sagas Andersson, Theodore Murdock. The Growth of the Medieval Icelandic Sagas (1180-1280). Ithaca, N.Y: Cornell University Press, 2006. Print. ---. The Icelandic Family Saga; an Analytic Reading. Cambridge: Harvard University Press, 1967. Print. Harvard Studies in Comparative Literature 28. Johnston, George, tran. The Saga of Gisli. London: Dent, 1973. Print. Magnusson, agnus, and Hermann P lsson, trans. Baltimore: Penguin Books, 1960. Print. Byock, Jesse L. Feud in the Icelandic Saga. Berkeley ; London: University of California Press, 1982. Print. Byock, Jesse L, and Russell Gilbert Poole, trans. G etti . -
Cambridge University Press 978-1-108-47044-5 — Jorge Luis Borges in Context Edited by Robin Fiddian Index More Information
Cambridge University Press 978-1-108-47044-5 — Jorge Luis Borges in Context Edited by Robin Fiddian Index More Information Index ‘A Rafael Cansinos Assens’ (poem), 175 Asociación Amigos del Arte, 93, 95, 97 Abramowicz, Maurice, 33, 94 Aspectos de la poesía gauchesca (essays), 79 Acevedo de Borges, Leonor (Borges’s mother), Atlas (poetry and stories), 51, 54–55, 112 26–27 28 31 32–33 254 ʿ ā ī ī , , , , At˙˙t r, Far d al-D n Adrogué (stories), 43 overview of, 222–226, 260 Aira, César, 130–131, 133–135 Conference of the Birds, The and, 219, Aleph, The (stories), 234 222–223, 225 ‘Aleph, The’ (story), 29, 30, 61, 205, 232 Auster, Paul, 7, 246 Alfonsín, Raúl, 47, 51–52 author Alighieri, Dante. See Dante collective identity of, 115, 144, 150, 168, Amorím, Enrique, 21–22 221–222, 248–249 Anglo-Saxon, 7, 32, 102, 166, 244, 246 figure of, 5, 30, 72, 232, 248 anti-Semitism, 63, 120, 143, 199. See also Nazism unique identity of, 31, 141–142, 153–154 Antología poética argentina (anthology), 118 ‘Autobiographical Essay, An’ (essay), 201, 246 ‘Approach to Al-Mu’tasim, The’ (story), 225 avant-garde Argentina Argentine, heyday of, 28, 68, 89, 92–97, centenary of, 83, 85, 95, 181 107, 183 cultural context of, 6, 96, 100, 103, 109–110, 134 Argentine, decline of, 46, 54, 117, 184, 234 desaparecidos of, 16, 46, 52, 60, 65, 111 international, 22, 94, 95, 133, 253, 261 dictatorship of, 15–16, 111–112, 117, 238, 241 Spanish, 6, 28, 92–93, 166, 173–178 language of, 13, 145, 196 tango and, 110 literary tradition of, 77–78, 99–104, 130–135 ‘Avatars of the Tortoise’ (essay), 159 national identity and, 12–13, 72–73 ‘Avelino Arredondo’ (story), 23–24 politics of, 6, 43–48, 51–56, 111–112 ‘Averroës’ Search’ (story), 215 religion and, 195–197 See also Buenos Aires; Malvinas, Islas Babel (biblical city), 12–13, 85, 206–208 ‘Argentine Writer and Tradition, The’ (essay) Banda Oriental, the, 18–24 Argentina and, 132–133, 135, 245 barbarism. -
The Enigmas of Borges, and the Enigma of Borges
THE ENIGMAS OF BORGES, AND THE ENIGMA OF BORGES Peter Gyngell, B.A. Thesis submitted to Cardiff University in partial fulfilment of the requirements for the degree of Doctor of Philosophy March 2012 ii ACKNOWLEDGEMENTS My thanks go to my grandson, Brad, currently a student of engineering, who made me write this thesis; to my wife, Jean, whose patience during the last four years has been inexhaustible; and to my supervisor, Dr Richard Gwyn, whose gentle guidance and encouragement have been of incalculable value. Peter Gyngell March 26, 2012 iii CONTENTS PREFACE 1 INTRODUCTION 2 PART 1: THE ENIGMAS OF BORGES CHAPTER 1: BORGES AND HUMOUR 23 CHAPTER 2: BORGES AND HIS OBSESSION WITH DEATH 85 CHAPTER 3: BORGES AND HIS PRECIOUS GIFT OF DOUBT 130 CHAPTER 4: BORGES AND HUMILITY 179 PART 2: THE ENIGMA OF BORGES CHAPTER 5: SOME LECTURES AND FICTIONS 209 CHAPTER 6: SOME ESSAYS AND REVIEWS 246 SUMMARY 282 POSTSCRIPT 291 BIBLIOGRAPHY 292 1 PREFACE A number of the quoted texts were published originally in English; I have no Spanish, and the remaining texts are quoted in translation. Where possible, translations of Borges’ fictions will be taken from The Aleph and Other Stories 1933-1969 [Borges, 1971]; they are limited in number but, because of the involvement of Borges and Norman Thomas di Giovanni, they are taken to have the greater authority; in the opinion of Emir Rodriguez Monegal, a close friend of Borges, these translations are ‘the best one can ask for’ [461]; furthermore, this book contains Borges’ ‘Autobiographical Essay’, together with his Commentaries on each story. -
Introduction
Cambridge University Press 978-0-521-19339-9 - The Cambridge Companion to Jorge Luis Borges Edited by Edwin Williamson Excerpt More information EDWIN WILLIAMSON Introduction Jorge Luis Borges was one of the great writers of the twentieth century and the most infl uential author in the Spanish language of modern times. He had a seminal infl uence on Latin American literature and a lasting impact on literary fi ction in many other languages. Although a poet and essayist, he was best known for his fi cciones – short stories or prose texts whose brevity condensed mental play into reverberating images and situations. Rejecting the constraints of psychological or social realism, Borges encour- aged writers to accept fi ction as a self-conscious artifact, susceptible to fan- tasy and to overtly intellectual, and even philosophical, concerns. Borges challenged the supremacy of the novel in the hierarchy of modern literature: he favored modes of storytelling which had long preceded the novel – fable, epic, parable, and folktale – as well as subgenres such as thrillers, science fi ction, and detective stories. He also blurred generic categories by bringing book reviews, scholarly essays, and footnotes within the bounds of fi ction. Even metaphysics and theology, he famously observed, could be regarded as branches of the literature of fantasy. Borges’s interest in metaphysics and literary ideas fostered the impres- sion that his work belonged in a kind of literary utopia, divorced from per- sonal experience or historical reality. This impression was underscored by the blindness which affl icted him a few years before he became famous, and which lent him the aura of an otherworldly, sightless bard. -
The Boreal Borges
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2013-05-31 The Boreal Borges Jonathan C. Williams Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Williams, Jonathan C., "The Boreal Borges" (2013). Theses and Dissertations. 3597. https://scholarsarchive.byu.edu/etd/3597 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Boreal Borges Jonathan C. Williams A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Steven Sondrup, Chair David Laraway Larry Peer Department of Humanities, Classics, and Comparative Literature Brigham Young University June 2013 Copyright © 2013 Jonathan C. Williams All Rights Reserved ABSTRACT The Boreal Borges Jonathan C. Williams Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts Jorge Luis Borges’s story “El Zahir” describes a moment where the protagonist finds rest from his monomania by reworking one of the central texts in Old Germanic myth, the story of Sigurd and Brynhild. The approach taken here by the protagonist is the paradigm used in this thesis for understanding Borges’s own strong readings of Old Germanic literature, specifically Old Scandinavian texts. In chapter one, a brief outline of the myth of Sigurd and Brynhild, with a particular emphasis on Gram, the sword that lied between them, is provided and juxtaposed with Borges’s own family history, focusing on the family’s storied military past. -
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HARSTAD / Max, Mischa & The Tet Offensive “Sometimes I think if David Foster Wallace had finally been able to write the novel he'd dreamed of, it would read something like Max, Mischa & The Tet Offensive. It's a sprawling novel of ideas and information and pop culture, but it is also a love story folded into a tale of political change. What a big gulp of history Harstad takes on, and brilliantly shows what it feels like to live through – the unseparateness of it. The eerie feeling of inevitability giving way to a new reality frame. This is also one of the best family dramas I've read in some time, because it remembers that a story is essential to family life. Who are we and what are we for? Harstad asks this question of his cast so many different ways the novel begins to feel, in its sprawling uncertain outcome, like it has the grainy flicker of life itself.” – JOHN FREEMAN (author/editor/critic) – 2 HARSTAD / Max, Mischa & The Tet Offensive "There are many ways to say this, but this is probably the simplest: Max, Mischa & The Tet Offensive is a great novel." – JO NESBØ (Author) – 3 HARSTAD / Max, Mischa & The Tet Offensive – Table of contents – Praise for MAX, MISCHA & THE TET OFFENSIVE ................................ 5 Foreign sales of novel ...................................................................... 6 Overview of novel.............................................................................. 7 Novel’s table of contents .................................................................. 8 Synopsis & samples pages ............................................................... -
Collected Fictions of Jorge Luis Borges
FICCIONES Jorge Luis Borges Translated by Andrew Hurley ALLEN LANE THE PENGUIN PRESS Published by the Penguin Group Contents A UNIVERSAL HISTORY OF INIQUITY (1935) Preface to the First Edition Preface to the 1954 Edition The Cruel Redeemer Lazarus Morell The Improbable Impostor Tom Castro The Widow Ching—Pirate Monk Eastman, Purveyor of Iniquities The Disinterested Killer Bill Harrigan The Uncivil Teacher of Court Etiquette --- Kôtsukéno Suké Hakim, the Masked Dyer of Merv Man on Pink Corner Etcetera Index of Sources FICTIONS (1944) THE GARDEN OF FORKING PATHS (1941) Foreword Tlön, Uqbar, Orbis Tertius Pierre Menard, Author of the Quixote The Circular Ruins The Lottery in Babylon A Survey of the Works of Herbert Quain The Library of Babel The Garden of Forking Paths ARTIFICES (1944) Foreword Funes, His Memory The Shape of the Sword The Theme of the Traitor and the Hero Death and the Compass The Secret Miracle Three Versions of Judas The End The Cult of the Phoenix The South THE ALEPH (1949) The Immortal The Dead Man The Theologians Story of the Warrior and the Captive Maiden A Biography of Tadeo Isidoro Cruz (1829-1874) Emma Zunz The House of Asterion The Other Death Deutsches Requiem Averroës' Search Ibn-Hakam al-Bokhari, Murdered in His Labyrinth The Two Kings and the Two Labyrinths The Wait The Man on the Threshold The Aleph Afterword THE MAKER (1960) Foreword: For Leopoldo Lugones The Maker Dreamtigers A Dialog About a Dialog Toenails Covered Mirrors Argumentum Ornithologicum The Captive The Mountebank Delia Elena San Marco A Dialog Between Dead Men The Plot A Problem The Yellow Rose The Witness Martín Fierro Mutations Parable of Cervantes and the Quixote Paradiso, XXXI, 108 Parable of the Palace Everything and Nothing Ragnarök Inferno, 1, 3 Borges and I MUSEUM On Exactitude in Science In Memoriam, J.F.K. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title De lo m?s lindo y de lo m?s pobre: Transnational Borges and Sandra Cisneros Permalink https://escholarship.org/uc/item/8h36f33x Author Harris, Audrey A. Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles De lo más lindo y de lo más pobre: Transnational Borges and Sandra Cisneros A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Audrey Harris 2016 © Copyright by Audrey Harris 2016 ABSTRACT OF THE DISSERTATION De lo más lindo y de lo más pobre: Transnational Borges and Sandra Cisneros by Audrey Harris Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2016 Professor Héctor Calderón, Chair This dissertation examines the influence of Argentine writer Jorge Luis Borges on the writings of twenty-first century Mexican American author Sandra Cisneros, as well as how reading her work helps us better understand overlooked elements of his writings, including marginality, gender roles, sexuality and the rights to self-definition, agency and self-expression of women and women writers. Though Cisneros is one of the most popular women writers in the United States, the first Chicana writer to be published by a major New York publishing house and an important influence for a new generation of writers, she has been dismissed by many critics as not a serious writer, or primarily a testimonial writer. By linking her writing with Borges, I present her as a United States descendent of the Latin American literary tradition that gained worldwide acclaim during the so-called Latin American literary boom of the 1960s. -
Collected Fictions of Jorge Luis Borges
FICCIONES Jorge Luis Borges Translated by Andrew Hurley ALLEN LANE THE PENGUIN PRESS Published by the Penguin Group Contents A UNIVERSAL HISTORY OF INIQUITY (1935) Preface to the First Edition Preface to the 1954 Edition The Cruel Redeemer Lazarus Morell The Improbable Impostor Tom Castro The Widow Ching—Pirate Monk Eastman, Purveyor of Iniquities The Disinterested Killer Bill Harrigan The Uncivil Teacher of Court Etiquette --- Kôtsukéno Suké Hakim, the Masked Dyer of Merv Man on Pink Corner Etcetera Index of Sources FICTIONS (1944) THE GARDEN OF FORKING PATHS (1941) Foreword Tlön, Uqbar, Orbis Tertius Pierre Menard, Author of the Quixote The Circular Ruins The Lottery in Babylon A Survey of the Works of Herbert Quain The Library of Babel The Garden of Forking Paths ARTIFICES (1944) Foreword Funes, His Memory The Shape of the Sword The Theme of the Traitor and the Hero Death and the Compass The Secret Miracle Three Versions of Judas The End The Cult of the Phoenix The South THE ALEPH (1949) The Immortal The Dead Man The Theologians Story of the Warrior and the Captive Maiden A Biography of Tadeo Isidoro Cruz (1829-1874) Emma Zunz The House of Asterion The Other Death Deutsches Requiem Averroës' Search Ibn-Hakam al-Bokhari, Murdered in His Labyrinth The Two Kings and the Two Labyrinths The Wait The Man on the Threshold The Aleph Afterword THE MAKER (1960) Foreword: For Leopoldo Lugones The Maker Dreamtigers A Dialog About a Dialog Toenails Covered Mirrors Argumentum Ornithologicum The Captive The Mountebank Delia Elena San Marco A Dialog Between Dead Men The Plot A Problem The Yellow Rose The Witness Martín Fierro Mutations Parable of Cervantes and the Quixote Paradiso, XXXI, 108 Parable of the Palace Everything and Nothing Ragnarök Inferno, 1, 3 Borges and I MUSEUM On Exactitude in Science In Memoriam, J.F.K.