Transcript: Wake up Happy with Ken Kragen
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The Big Interview Episode Number: 217 Episode Title: Kenny Rogers Description: He's Now a Member of the Country Music Hall of Fame
1 The Big Interview Episode Number: 217 Episode Title: Kenny Rogers Description: He's now a member of the Country Music Hall Of Fame. And that's where Kenny Rogers opened up to Dan Rather about his illustrious career ACT ONE KENNY ROGERS (SINGING) You got to know when to hold ‘em… DAN RATHER (VOICE OVER) TONIGHT ON THE BIG INTERVIEW RATHER Define Kenny Rogers' music for me? ROGERS I'm a country singer with a lot of other musical influences. ROGERS (SINGING) And she believes in me… RATHER (VOICE OVER) KENNY ROGERS HAS LED A LIFE OF LETTING THE CHIPS FALL WHERE THEY MAY- ROGERS (as The Gambler) Make it five thousand RATHER (VOICE OVER) - MORE OFTEN THAN NOT HITTING THE JACKPOT. ROGERS (SINGING) You picked a fine time to leave me Lucille 2 Four hungry children, crops in the field RATHER (VOICE OVER) HIS SONGS ARE CLASSIC... HIS DUETS ARE MAGIC... KENNY ROGERS & DOLLY PARTON (SINGING) Islands in the stream That is what we are No one in between… RATHER (VOICE OVER) BUT TONIGHT YOU’LL MEET THE MAN BEHIND THE FAMOUS VOICE AND DISCOVER THERE’S A LOT MORE TO KENNY ROGERS THAN MEETS THE EYE. RATHER How'd you get into photography? ROGERS I have a new category for any psychiatrists out there; I'm an impulsive obsessive. ROGERS (SINGING) Promise me son, not to do the things I’ve done… RATHER (VOICE OVER) AN ARTIST WITH MANY MUSES - KENNY ROGERS - TONIGHT ON THE BIG INTERVIEW. ACT TWO KENNY ROGERS (SINGING) On a warm summer’s evenin’ On a train bound for nowhere I met with a gambler We were both too tired to sleep So we took turns a-starin’.. -
7Th National A&E Journalism Awards
2014 SEVENTH ANNUAL Quincy Jones The Visionary Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Nancy O’Dell The Luminary Award LOS ANGELES PRESS CLUB 7TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2013 and 2014, Honorary Awards for 2014 4773 Hollywood Boulevard Los Angeles, California 90027 Phone: (323) 669-8081 LOS ANGELES PRESS CLUB’S Fax: (310) 464-3577 E-mail: [email protected] Website: www.lapressclub.org The Visionary Award For Humanitarian Work PRESS CLUB OFFICERS QUINCY JONES PRESIDENT: Robert Kovacik NBC4 SoCal In conversation with Robert Kovacik VICE PRESIDENT: Patt Morrison Los Angeles Times/KPCC Introduced by Tina Sinatra TREASURER: Anthony Palazzo Bloomberg News Greg Gorman SECRETARY: Christina Villacorte Freelance The Luminary Award PUBLISHER: Gloria Zuurveen Pace News For Career Achievement EXECUTIVE DIRECTOR: Diana Ljungaeus N ANCY O’DELL International Journalist PRESIDENT EMERITUS: Jill Stewart Entertainment Tonight LA Weekly Introduced by Brad Bessey BOARD MEMBERS Barbara Gasser Hollywood Foreign Press Association Gabriel Kahn, USC Annenberg Fernando Mexia, Spanish EFE News Service Tony Pierce, Academy of Motion Picture Arts and Sciences Your hosts: Adam J. Rose, Huffington Post Robert Kovacik, Dan Lauria and Carolina Sarassa, MundoFox Valerie Azlynn 43 NOMINATIONS Ben Sullivan, ScienceBlog.com LOS ANGELES PRESS CLUB 2014 NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Brain Watt, KPCC HARONOR Y BOARD MEMBERS Alex Ben Block MORE NOMINATIONS Ted Johnson Will Lewis THAN ANY OTHER ENTERTAINMENT ADVISORY BOARD ORGANIZATION Eli Broad Ramona Ripston Sunday, November 23, 2014 Rick J. Caruso Hon. -
Memories and Reflections: USA for Africa's Experiences and Practices
1 J Memories and Reflections: 1 J -, i J USA for Africa's Experiences and Practices: The First 20 Years An Institution's Journey Using Oral History Tradition Table of Contents Table of Contents ........................................................................................................... 2 The Famine in Africa: A Defining Moment ............................................................... 3 Making THE Song: We are the World, We are the Children .................................. .4 Hands Across America (HANDS) ............................................................................... 6 USA For Africa - The Organization and the Journey To Provide Support.. ......... 7 "Centrifugal Pressures" .......................................................................................... 11 Two Office Locations ........................................................................................... 11 Establishing an Organizational Identity ........................................................... 12 Expanding the Capacity of the Program Staff ................................................. 15 Field Travel ........................................................................................................... 15 Proposal Review Process .................................................................................... 16 PROGRAM AREAS ................................................................................................. 18 Health Assistance Grants ................................................................................... -
Dan Akroyd We Are the World
Dan akroyd we are the world Continue This article is about the original 1985 charity song. For other purposes, see We Are the World (disambiguation). 1985 USA for Africa song We Are the WorldSingle by USA for Africa From the album We Are the WorldB-sideGraceReleasedMarch 7, 1985 (1985-03-07)Recorded28, 1985 (1985-01-28)StudioA-M Recording Studios (Los Angeles, Los Angeles, Los Angeles, Los Angeles, Los Angeles, California) Genre Pop Gospel Length 7:02 (album version) 6:22 (single version) LabelColumbiaCBSongwriter (s) Lionel Richie Michael Jackson Producer (s) quincy jones Michael Omartian Michael Jackson singles chronology Of Girl You're So Together (1984) We're the World (1985) I Just Can't Stop Loving You (1987) We Are The World on YouTube World is a charity single originally recorded by the US supergroup Africa in 1985. It was written by Lionel Richie and Michael Jackson and produced by quincy Jones and Michael Omartian for the album We Are the World. With sales of over 20 million copies, it is the eighth best-selling physical single of all time. After 1984 Band Aid in 1984 Do they know it's Christmas? A project in the UK, the idea of creating an American single benefit for African hunger relief came from activist Harry Belafonte, who, along with fundraiser Ken Cragen, was instrumental in bringing vision to reality. Several musicians contacted the couple before Jackson and Richie were commissioned to write the song. The duo completed writing We Are the World seven weeks after the release of Do They Know It's Christmas? and one night before the first recording session of the song, On January 21, 1985. -
An Historical Overview of Philanthropy in Rock
HEEDING THE CALL: AN HISTORICAL OVERVIEW OF PHILANTHROPY IN ROCK By JI HOON LEE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Ji Hoon Lee 2 To everyone who nurtured my intellectual curiosity, academic interests, and sense of scholarship throughout my lifetime, making this dissertation possible 3 ACKNOWLEDGMENTS I thank my chair, Dr. William McKeen, and members of my supervisory committee for their mentoring and my family for their loving encouragement, which motivated me to complete my dissertation. They have guided me with motivation, encouragement, and words of wisdom. I am eternally grateful for their support and help throughout this journey. Thank you for everything. Sometimes, something happens to us, and the words “destiny” and “fate” seem to accurately describe the strange occurrence. For me, Live Aid—the cross-continental mega charity rock concert and one of the main subjects explored in my study—was one of those magic moments. I still vividly remember the day of the concert, July 13, 1985; it was an eye-opening revelation that ultimately led me to become a rock and roll enthusiast, and to say that the concert changed my life is still a vast understatement. I had heard the music of Duran Duran, Judas Priest, Black Sabbath, Madonna, and Bob Dylan, but I had never seen any of them perform. However, the concert was not just about the music but about saving people’s lives in Ethiopia, dying from hunger and famine. -
Quincy Jones the Press Club’S Visionary Award | by Ted Johnson
2014 VISIONARY AWARD THE Q FACTOR A LIFETIME OF LEADERSHIP AND ACTIVISM EARNS QUINCY JONES THE PRESS CLUB’S VISIONARY AWARD | BY TED JOHNSON South Central to South Africa to meet Nelson he recent documentary Keep Mandela On Keepin’ On tells the story Below, left: We Are the PGBJMJOHZFBSPMEKB[[HSFBU World Clark Terry as he mentors a Tyoung blind jazz pianist, Justin Kaufin. Below: Quincy Jones 5FSSZTĕSTUTUVEFOUXBTBUIFOZFBS having a disco moment PME2VJODZ+POFT XIPBUJTBMTPPOF of the flm’s producers. Not only does the project recognize the importance of legacy in the jazz world, it refects one of Jones’ most famous quotes: “Imagine what a har- monious world it could be if every single person, both young and old, shared a little of what he is good at doing.” Over the decades Jones has shared a lot of what he is good at doing, from creat- ing hit records to producing “We Are the World,” which raised more than $63 mil- Quincy Jones with Lionel Hampton in the rear, Art Farmer, left, Walter WIlliams, right, 1950 lion. He has continued his eforts through his foundation with support for global children’s issues, civil rights, debt relief, malaria eradication and clean water, as well as calling attention to crises in disaster zones such as post-Katrina New Orleans “I’ve worked with the best, and I’ve and post-earthquake Haiti. never tried to chase celebrity,” Jones wrote Tis unmatched career of philanthropy in Q: Te Autobiography of Quincy Jones. and activism has earned Jones the Los “We just happened to stumble into each Angeles Press Club’s Visionary Award, other.” which he will accept tonight at the seventh Born in Chicago and raised in Seattle, annual National Arts & Entertainment Jones started pursuing music classes in Journalism Awards. -
Can Music and Dance Change Public Opinion?
9-12 Grade Teaching with Primary Sources Hub Performing Artists: Champions of Change Inquiry by Linda Lee Can music and dance change public opinion? A performance of “We Shall Overcome” at the Newport Folk Festival, July 1963, featured from left, Peter Yarrow, Mary Travers, Noel Paul Stookey (Peter, Paul & Mary), Joan Baez, Bob Dylan, The SNCC Freedom Singers (Bernice Johnson, Cordell Reagon, Rutha Harris, Charles Neblett), Pete Seeger and Theodore Bikel. John Byrne Cooke Library of Congress Magazine September/October 2014. http://www.loc.gov/lcm/pdf/LCM_2014_0910.pdf Supporting Questions 1. How did African American song take root as a means of spreading the message of equality in America? 2. How did the Civil Rights Movement employ music as a critical part in unifying America towards greater black equality? 3. How have modern African American musicians today both memorialized the successes of the past and perpetuated the continuing need for equality today? THIS WORK IS LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION NONCOMMERCIAL SHAREALIKE 4.0 INTERNATIONAL LICENSE 1 9-12 Grade Teaching with Primary Sources Hub Performing Artists: Champions of Change Inquiry by Linda Lee Can music and dance change public opinion? D2.His.16.9-12. Integrate evidence from multiple relevant historical sources and interpretations into a reasoned argument about the past. Inquiry Standard D2.Civ.14.9-12. Analyze historical, contemporary, and emerging means of changing societies, promoting the common good, and protecting rights. Staging the Observe - Reflect - Question: Examine the lyrics to Paul McCartney's song "Blackbird" and write Compelling down the words that seem important to you. -
Billboard Magazine
WorldMags.net REWINDING THE CHARTS Springsteen (left) and Dylan at the “We Are the World” recording session on Jan. 28, 1985 in Hollywood. On Dec. 20, 1984, Harry Belafonte placed a call to nonprof t Columbia, topped the Billboard Hot 100 in just its fourth week, ‘We Are The consultant/music manager Ken Kragen in hopes of staging a becoming the chart’s fastest-f ying No. 1 in nine years. It also concert to raise funds to f ght hunger in Africa — specif cally ruled the R&B/hip-hop, adult contemporary and dance charts. World’ Hit Ethiopia, where famine killed nearly 1 million in 198 3 and As impressive as the song’s chart performances were, it also 198 4. Kragen, who managed Lionel Richie and Kenny Rogers helped raise more than $75 million to f ght famine. Nearly I Big In 1985 at the time, thought a supergroup charity single would make three decades later, the USA for Africa foundation continues more of an impact. He initially planned to recruit a dozen to raise funds and awareness for multiple African causes. artists for the song, but industry response was so enthusiastic The week that “World” took over the Hot 100, Billboard (perhaps inspired by the success of 1984’s “Do They Know noted the song was touching not only consumers, but Capitol It’s Christmas?,” a similar charity single from British and Irish Hill , as the RIAA had mailed 12-inch copies of the single to stars) that 50 artists ended up in the group, dubbed USA for each member of Congress on March 29 .