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Continue This article is about the original 1985 charity song. For other purposes, see We Are the World (disambiguation). 1985 USA for Africa song We Are the WorldSingle by USA for Africa From the album We Are the WorldB-sideGraceReleasedMarch 7, 1985 (1985-03-07)Recorded28, 1985 (1985-01-28)StudioA-M Recording Studios (Los Angeles, Los Angeles, Los Angeles, Los Angeles, Los Angeles, California) Genre Pop Gospel Length 7:02 (album version) 6:22 (single version) LabelColumbiaCBSongwriter (s) Producer (s) quincy jones Michael Omartian Michael Jackson singles chronology Of Girl You're So Together (1984) We're the World (1985) I Just Can't (1987) We Are The World on YouTube World is a charity single originally recorded by the US supergroup Africa in 1985. It was written by Lionel Richie and Michael Jackson and produced by quincy Jones and Michael Omartian for the album We Are the World. With sales of over 20 million copies, it is the eighth best-selling physical single of all time. After 1984 Band Aid in 1984 Do they know it's Christmas? A project in the UK, the idea of creating an American single benefit for African hunger relief came from activist , who, along with fundraiser Ken Cragen, was instrumental in bringing vision to reality. Several musicians contacted the couple before Jackson and Richie were commissioned to write the song. The duo completed writing We Are the World seven weeks after the release of Do They Know It's Christmas? and one night before the first recording session of the song, On January 21, 1985. The historic event brought together some of the most famous artists in the music industry at the time. The song was released on March 7, 1985, as the album's first single. A worldwide commercial success, topped the music charts around the world and becoming the fastest-selling American pop single in history. The first single certified as multi-platinum, We Are the World received a four-fold platinum certification from the American Recording Industry Association. Awarded numerous awards, including three Grammy Awards, one American Music Award, and a People's Choice Award - the song was promoted with critical music video, VHS, a special edition of the magazine, a simultaneous edition, and several books, posters and shirts. Promotion and merchandise contributed to the success of We Are the World and raised more than $63 million (equivalent to $147 million today) for humanitarian aid in Africa and the United States. After the devastation caused by the 7.0 M magnitude earthquake in Haiti on January 12, 2010, a remake of the song of another star line-up of singers was recorded on February 1, 2010. Titled We Are The World 25 for Haiti, it was released as a single on February 12, 2010, and comes from a record helped by survivors in the poor In March 2020, Ritchie proposed a third remake to deliver a message of global solidarity during the COVID-19 pandemic and raise funds for relief efforts. The background and writing of Michael Jackson in 1984, a few months before he and Lionel Richie completed writing We Are the World before writing We Are the World, American artist and public figure Harry Belafonte thought for a while that the song would be recorded by the most famous artists in the music industry at the time. He planned to donate the proceeds to a new organization called United Support for Artists for Africa (USA for Africa). The non-profit foundation will feed and free starving people in Africa, particularly in Ethiopia, where about one million people died during the country's famine in 1983-1985. The idea followed band Aid's Do They Know It's Christmas? in the UK, which Belafonte heard about. (nb 1) He also planned to allocate money to help eradicate hunger in the United States. Entertainment manager and fellow fundraiser Ken Kragen contacted Belafonte, who asked singers Lionel Richie and -clients Of Kragen to take part in Belafonte's music activities. Kragen and the two musicians agreed to help with Belafonte's mission, and in turn enlisted Stevie Wonder's collaboration to add more name values to their project. Jones was called up to co-produce the song, taking time out from his work on The Color Purple. Jones also called Michael Jackson, who had just released a commercially successful thriller album and had completed a tour with his brothers. Jones was a key figure in the production and recording of We Are the World. Jackson showed Richie that he not only wanted to write off the song, but also take part in its writing. To begin with, We Are the World was to be written by Jackson, Richie, and Wonder. Because Wonder had limited time to work on the project, due to writing songs from The Woman in Red, Jackson and Richie began writing We Are the World themselves. They started creating the song at Hayvenhurst, the Home of the Jackson family in Encino. During the week, they worked on lyrics and melodies in Jackson's bedroom every night. They knew they needed a song that would be easy to sing and memorable. The couple wanted to create an anthem. Jackson's older sister La Toy watched two works on the song, and later claimed that Richie had written only a few lines for the track. She said her younger brother wrote 99% of the texts, but he never felt the need to talk about it. La Toya also commented on the song's creation in an interview with the American news magazine People. I would enter the room while they were writing, and it would be very quiet, which is strange, Michael is usually very cheerful when he's working. It was very emotional for them. Bob Geldof Ritchie recorded two tunes for We Are the World, which Jackson took, adding music and lyrics to the song on the same day. Jackson said: I love working fast. I went ahead without even Lionel knowing I couldn't wait. I went in and out that night with the song completed- drums, piano, strings, and lyrics for the choir . Jackson then presented his demo to Richie and Jones, who were shocked; they didn't expect the pop star to see the structure of the song so quickly. Jackson and Ritchie's next meetings were non-factional; The pair did not produce any additional vocals and got no work. It was not until the night of January 21, 1985 that Richie and Jackson completed the lyrics and the melody of We Are the World within two and a half hours, one night before the first recording of the song. Recording sessions by , studio icon, and sweatshirt provided to all participants at the ASM Studios in Hollywood, California on January 28, 1985, the first night of the recording, January 22, 1985, had a tight security at hand as Richie, Jackson, Wonder and Jones began work on We Are the World at the Kenny Rogers' Live Recording Studio. The studio, on Beverly Boulevard in Los Angeles, was filled with musicians, technicians, video groups, retinue, assistants and organizers when the musicians entered. Waiting for them with their instruments set up were the session musicians that Jones hired to lay down backing tracks: John JR Robinson on drums, Louis Johnson on bass, and pianist . (These three first played together on Don't Stop 'Til You Get Enough production of Jones for Jackson.) Richie sat down at the piano to teach all the songs. When it came time to roll the tape, JR cleared the room of non-musicians, and backing tracks were recorded. The We Are the World vocal guide was then recorded by Richie and Jackson, mixed with instrumental tracks, and duplicated on a tape for each of the guest performers. The guide was recorded on the sixth take, as quincy Jones felt there was too much thought in previous versions. After working on a vocal guide, Jackson and Jones began to think about alternatives for the line There is a chance we do we kill ourselves: the couple were concerned that the last part of the line would be considered a reference to suicide. When the band listened to the choir play, Ritchie stated that the last part of the line should be changed to We save our own lives, his fellow musicians agreed. Producer Jones also proposed changing the former part of the line. One thing we don't want to do, especially with this group, is look like we're patting ourselves on the back. So it's really, There's a choice, we Around 1:30 a.m., four musicians finished the night by finishing a chorus of melodic vocalizations, including the sound of sha-lum sha-lin-gay. Jones told the group that they shouldn't have added else to the tape. If we get too good, someone is going to start playing on the radio, he announced. On January 24, 1985, after a day of rest, Jones sent a vocal guide to Richie and Jackson to all the artists who would participate in the recording of We Are the World. There was a letter from Jones to My fellow artists in the package, and I can't express how important it is not to let this material out of your hands. Please don't make copies, and return this tape on the night of 28. In the future, when your children ask, What did Mom and Dad do to fight the world's hunger?, you can proudly say that it was your contribution. Back of the We Are the World sweaters, autographed by Michael Jackson and Lionel Richie Ken Kragen, presided over a production meeting in a bungalow near Sunset Boulevard on January 25, 1985. There, Kragen and his team discussed where the recordings with a supergroup of musicians should take place. He said: The most damaging part of the information is where we do it. If it comes out somewhere, we will have a chaotic situation that could completely destroy the project. The moment Prince, Michael Jackson, Bob Dylan - I guarantee you! - pulls up and sees the crowd around this studio, he will never come . On the same night, the associate producer and vocal arranger of quincy Jones, Tom Bachler, was assigned to match each solo line with the right voice. Bachler said, It's like a vocal arrangement in an ideal world. Jones disagreed, saying the task was like putting a watermelon in a bottle of Coke. The next evening Lionel Richie held a choreographic session at home, where it was decided who would stand where. The last night of the recording took place on January 28, 1985 in the recording studio of the ASM in Hollywood. Michael Jackson arrived at 8 p.m., before the other artists, to record his solo section and record the vocal choir himself. He was subsequently joined by other U.S. African artists, including Ray Charles, Billy Joel, , Cyndi Lauper, and Tina Turner. Also present were Jackson's five siblings: Jackie, La Toya, Marlon, Randy and Tito. Many of the participants came directly from the American Music Award ceremony, which took place on the same night. Guest musician Prince, who would have a role in which he and Michael Jackson sang to each other, was not present at the recording. The reason for his absence varied. One newspaper claimed that the prince did not want to record with others Another report from We Are the World showed that the musician did not want to participate in the session because organizer Bob Geldof called it a crawl. Prince, however, donated the exclusive track 4 Tears In Your Eyes for the album We Are the World. Eddie Murphy asked Wonder to take part, but Murphy turned him down because he was busy recording Party All the Time. Murphy later said that after he realized he felt like an idiot. In total, more than 45 of America's best musicians took part in the recording, and another 50 had to be finished. At the entrance to the recording studio, the musicians were greeted by a sign with a sign pressed against the door, which read, Please check your ego at the door. They were also greeted by Stevie Wonder, who proclaimed that if the record was not completed at once, he and Ray Charles, two blind, would drive everyone home. I think what is happening in Africa is a crime of historic proportions ... You enter one of the corrugated iron huts and you see meningitis and malaria and typhoid buzzing in the air. And you see corpses lying side by side with the living... In some camps you see 15 bags of flour for 27,500 people. And that's what we're here for. Bob Geldof addressing his U.S. counterparts for African musicians during a recording session of We Are the World on January 28, 1985. Each of the performers took his position around 10:30 p.m. and began to sing. It took several hours before Stevie Wonder announced that he would like to replace the line in Swahili with a sha-lum sha-lin-gay sound. At this point, Waylon Jennings left the recording studio for a short time, when some offered to sing the song in Swahili. A heated debate ensued, during which several artists also rejected the proposal. The sound of sha-lum sha-lin-gay also clashed with the opposition and was subsequently removed from the song. Jennings returned to the studio and took part in the recording, which bears his name at the end of the credits. In the end, the participants decided to do something meaningful in English. They decided to wash a new line One World, Our Children, which was enjoyed by most of the participants. In the early hours of the morning, two Ethiopian women, guests of Stevie Wonder, were taken to a recording studio, and it was decided that some of the proceeds would be used to help those affected by the recent famine in Ethiopia. They thanked the singers on behalf of their country, bringing several artists to tears before being led out of the hall. Wonder tried to lighten the mood by joking that recording the session gave him the opportunity to see fellow blind musician Ray Charles. We just kind of bumped into each other! Solo parties the song was recorded without any problems. The final version of We Are the World was completed at 8 a.m. The music and vocal arrangements of We Are the World Structuring We Are the World are said to create a sense of constant surprise and emotional build-up. Problems with playing this file? See the media report. We are the world of first-person sing, allowing the audience to internalize the message by singing the word we are together. It was described as a call to human compassion. The first lines in the song's recurring chorus proclaim, We are the world, we are children, we are the ones who make a brighter day, so let's start giving. We Are the World begins with Lionel Richie, Stevie Wonder, Paul Simon, Kenny Rogers, James Ingram, Tina Turner and Billy Joel singing the first verse. Michael Jackson and Diana Ross follow him, completing the first choir together. Dionne Warwick, Willie Nelson and Al Jarreau sing the second verse before Bruce Springsteen, Kenny Loggins, Steve Perry and Daryl Hall pass through the second chorus. This structuring of the song is said to create a sense of constant surprise and emotional build-up. We Are the World concludes with Bob Dylan and Ray Charles singing the full chorus of Wonder and Springsteen, as well as promotional libs from Charles and Ingram. The best musician in the United States of Africa Stevie Wonder was a soloist. Conductor: quincy Jones Soloists (in order of appearance) - Lionel Richie - Stevie Wonder, Paul Simon, Kenny Rogers, James Ingram, Tina Turner, Billy Joel, Michael Jackson, Diana Ross, Dionne Warwick, Willie Nelson, Al Jarro, Bruce Springsteen and Kenny Loggin Steve Perry, Daryl Hall, Huey Lewis, Cyndi Lauper, Kim Carnes, Bob Dylan, Ray Charles Choir (in alphabetical order) - Bob Geldof , Jackie Jackson, La Toya Jackson, Marlon Jackson, Randy Jackson, Tito Jackson, Waylon Jennings, Bette Midler, John Oates, Jeffrey Osborne, Sisters-pointers Programming - Ian Underwood - synthesizers, programming - Paulinho da Costa - drums - Louis Johnson - synthesizer bass - Michael Omartian - keyboards - Released on March 7, 1985, We Are the World released as a single in both 7-inch and 12-inch formats. The song was the only one released from the album We Are the World, and became a worldwide chart. In the United States, it was a number one hit on the RBC singles chart, the Hot Adult Contemporary Tracks and the , where it remained for a month. The single debuted at number 21 on the Hot 100, the highest record since Michael Jackson's Thriller charted 20 years earlier. It took four weeks for the song to top the top spot, half the time it usually takes a single to reach its chart peak. On the Hot 100, the song moved from 21 to 5 to 2, followed by number 1. We Are the World could have previously reached the top of the Hot 100 chart, were it not for the success of One More Night by Phil Collins, who received considerable support from both pop and rock listeners. We Are the World also charted on Billboard Top Rock Tracks and Hot Country Singles, where it peaked at number 27 and 76, respectively. The song became the first single since The Beatles' Let It Be, entering Billboard's top 5 within two weeks of its release. Outside the United States, the single reached number one in Australia, France, Ireland, Italy, New York, the Netherlands, Norway, Sweden, Switzerland and the United Kingdom. The song peaked in 2nd place in only two countries: Germany and Austria. The single was also commercially successful, with the original batch of 800,000 We Are the World recordings sold out within three days of its release. The record became the fastest-selling American pop single in history. One of the Tower Records stores on Sunset Boulevard in West Hollywood sold 1,000 copies in two days. Store worker Richard Petitpas commented: Single number one sells between 100 and 125 copies a week. It's absolutely unheard of.' By the end of 1985, We Are the World became the best-selling single of the year. Five years later, it was announced that the song was the biggest single of the 1980s. (nb 2) The song was the first multi-platinum-certified single; she received a 4× certification by the American Recording Industry Association. We Are the World is estimated to have global sales of 20 million. Despite the song's commercial success, the song We Are the World received mixed reviews from journalists, music critics and the public at the time. American journalist Greil Marcus thinks the song sounds like a Pepsi jingle. He wrote: ... constant repetition There's a choice that we make conferring with the brand name Pepsi Choice of the new generation in a way that on the part Michael Jackson and Lionel Richie are certainly not intentional, and even more definitely outside the serendipity area. Marcus added, In the area of contextualization, We Are the World says less about Ethiopia than Pepsi, and the true result is likely to be less that some Ethiopian people will live, or in any case live a little longer than they might have, than Pepsi will get the catchphrase of their ad campaign performed free by Ray Charles, Stevie Wonder, Bruce Springsteen, and everything else. Professor and activist Reba Garofalo agreed and opined that the line We save our own lives was an unpleasant element of self-indulgence. He argued that U.S. artists for Africa proclaimed their own salvation to sing about a problem they will never face on behalf of a people most of them will never face. Stephen Holden of The New York Times, by contrast, praised the phrase There is a choice we make, we save our own lives. He noted that the line took on an additional emotional dimension when it was sung by people with a superstar of mysticism. Holden said the song was an artistic triumph that goes beyond its official character. He noted that unlike Band Aid's Do They Know It's Christmas, the vocals on We Are the World were artfully intertwined and emphasized the individuality of each singer. Holden concluded that We Are the World was a simple, eloquent ballad and a fully realized pop statement that would sound great even if it wasn't recorded by the stars. The song proved popular among both young and old listeners. The audience enjoyed hearing a supergroup of musicians singing together on the same track, and felt satisfied with the purchase of records, knowing that the money would go to a good cause. People reported that they bought more than one copy of the single, some bought up to five copies of the album. According to Bruce Springsteen's music critic and biographer Dave Marsh, We Are the World has not received widespread recognition in the rock music community. The author admitted that the song was despised for what it was not: rock recording, criticism of the political policy that created hunger, a way of figuring out how and why hunger occurs, an all- encompassing representation of the entire spectrum of popular music after Presley. Marsh testified that he felt some of the criticisms were correct, while others were stupid. He argued that despite the sentimentality of the song, We Are the World was a large-scale pop event with serious political overtones. The song We Are the World was recognized with several awards after its release. At the 1986 Grammy Awards, the song and its accompanying music team won four awards: Record of the Year, Song of the Year, Best Pop Performance or a band with a vocal and best music video, short form. The music video won two awards at the 1985 MTV Video Music Awards. He collected awards for best group video and audience selection. In 1986, the People's Choice Awards won the We are the World award for Favorite New Song. In the same year, the American Music Awards named We Are the World Song of the Year and awarded the organizer Harry Belafonte the Gratitude award. With his award, Belafonte thanked Ken Kragen, quincy Jones and two artists who, without their great gift, would not have inspired us as much as we were inspired by Mr. Lionel Richie and Mr. Michael Jackson. After the performance, most of the participants of the United States reunited on stage, closing the ceremony We Are the World. A mother from Columbia, Missouri, bought two copies of We Are the World, stating, The record is excellent regardless of whether it is for some reason or not. It's fun trying to identify different artists. It was a good feeling knowing that I was helping someone in need. The track with the vinyl single We Are the World (USA for Africa) - 7:14 Grace ( quincy Jones) - 4:56 Marketing and promotion of We Are the World promoted with music video, videotape and several other items available to the public, including books, posters, shirts and buttons. All proceeds from the sale of official goods for the United States went directly to the Starving Relief Fund. All products sell well; A videotape titled We Are the World: The Video Event documented the song's creation and became the ninth best-selling home video of 1985. All elements of the video were produced by Howard G. Malley and Craig B. Golein along with April Lee Grebb as production manager. The clip showed a recording of We Are the World and drew criticism from some. Michael Jackson joked before the shoot: 'People will know it's me as soon as they see the socks. Try to take footage of Bruce Springsteen's socks and see if anyone knows who they belong to. The song was also promoted by a special edition of the American magazine Life. The publication was the only media outlet allowed in the recording studio of the ASM on the night of January 28, 1985. All other press organizations were prohibited from reporting and during the recording of We Are the World during the recording. Life ran the cover of the recording session in the April 1985 edition of the monthly magazine. On the U.S. cover, seven members of the band Mercury for Africa include Bob Dylan, Bruce Springsteen, Cyndi Lauper, Lionel Richie, Michael Jackson, Tina Turner and Willie Nelson. Inside the magazine were pictures of participants We are the world, working and taking breaks. We Are the World received a worldwide radio broadcast in the form of simultaneous broadcasting in the same year. After spinning songs on their local stations, Georgia radio disc jockeys, Bob Wolff and Don Briscar came up with the idea for a worldwide simultaneous. They called hundreds of radio and satellite stations to take part. On the morning of April 5, 1985 (Good Friday of the same year) at 15:50 GMT, more than 8,000 radio stations simultaneously broadcast the song around the world. During the broadcast of the song hundreds of people sing along on the steps of St. Patrick's Cathedral in New York. A year later, on March 28, 1986 (Good Friday of the same year), the simultaneous broadcasting of We Are the World was repeated by more than 6,000 radio stations around the world. The song We Are the World received further promotion and coverage on May 25, 1986, when it was played during a major charity event that took place throughout the United States. Hands All Over America by the United States for the next Africa project was an event in which millions of people formed a human chain throughout the United States. The event was held to draw attention to hunger and homelessness in the United States. We Are the World co-writer Michael Jackson wanted his song to become the official theme of the event. Other U.S. board members for Africa outvoted it, and instead it was decided that a new song would be created and released for the event, titled Hands Across America. When the song was released, the new song did not achieve the level of success that We Are the World did, and the decision to use it as an official theme for the event led to Jackson, who co-owned the publishing rights to We Are the World, resigned from the U.S. Board of Directors for Africa. Four months after the release of We Are the World, the United States spent nearly $10.8 million on Africa (equivalent to $25 million today). Most of the money came from record sales in the United States. Members of the public also donated almost $1.3 million over the same time period. In May 1985, U.S. for Africa officials estimated that they sold between $45 million and $47 million of official merchandise worldwide. Organizer Ken Kragen announced that they would not distribute all the money at once. Instead, he said the fund would seek a long-term solution to Africa's problems. We could go out and hold it all in one shot. Maybe we'd save a few lives in the short term, but that would be like putting a Band-Aid over a serious wound. Kragen noted that experts predicted that it would take at least 10 to 20 years to make a minor change in Africa's long-term problems. In June 1985, Africa's first U.S. cargo plane carrying food, medicine and clothing went to Ethiopia and Sudan. He stopped on his way to where 15,000 T-shirts were added to the cargo. Included Included Supplies were high-protein cookies, high-protein vitamins, medications, tents, blankets and refrigeration equipment. Harry Belafonte, representing U.S. musicians in Africa, visited Sudan the same month. The trip was his last stop on a tour of Africa, in four countries. Tanzanian Prime Minister Salim Ahmed Salim greeted Belafonte and praised him, telling him, I personally and the people of Tanzania are touched by this great example of human solidarity. The warplane, which dropped food during the Ethiopian famine of 1984-1985 a year after the release of We Are the World, organizers noted that $44.5 million had been raised for the U.S. for Africa's humanitarian fund. They said they were confident they would meet the original target of $50 million (equivalent to $117 million in 2020). By October 1986, it had been revealed that their $50 million target had been met and exceeded; CBS Records USA for Africa has a $2.5 million check for Africa, bringing the total to $51.2 million. Since its release, We Are the World has raised more than $63 million (equivalent to $147 million today) for humanitarian reasons. Ninety percent of the money was promised to African aid, both long-term and short term. The long-term initiative included efforts in birth control and food production. The remaining 10 percent of the funds went to programs on hunger and homelessness in the United States. More than 70 reconstruction and development projects have been launched from the African Fund in seven African countries. Such projects include assistance in agriculture, fisheries, water management, production and reforestation. Training programmes have also been developed in African countries in Mozambique, Senegal, Chad, Mauritania, Burkina Faso and Mali. Elias Kiefle Maraim Bene, an Ethiopian survivor who is asked about his memory of Michael Jackson after his death, recalls: I will never forget Michael Jackson, because his contribution to the song We are the World has greatly influenced my life. I am now 50 years old, but 25 years ago I lived in Addis Ababa, Ethiopia, which at the time was suffering from prolonged drought and famine. It was a terrible situation. Many people fell ill and many others died. In total, about a million people died of hunger. In 1984, Michael Jackson, along with a number of other leading musicians, made the song We Are the World to raise money for Africa. We got a lot of help from all over the world, and I was one of those who directly benefited from it. Wheat flour, which was distributed to victims of hunger, was different from the usual cereal that we bought at the market. We are special bread from it. Locals named bread after the great great and he became known as Michael Bread. It was soft and delicious. When you've been through these difficult times, you'll never forget events like this. If you talk to anyone who was in Addis Ababa at the time they will all know that Michael Bread and I know I will remember him for the rest of my life. The famous live performances of We Are the World were performed live by members of the U.S. Africa group several times, both together and individually. One of the first such performances took place in 1985, during the concert of rock music Live Aid, which ended with the performance of more than 100 musicians. Harry Belafonte and Lionel Richie unexpectedly performed live. Michael Jackson would have joined the artists but worked around the clock in the studio on a project he made a major commitment, according to his press agent Norman Winter. In January 1993, the inauguration of U.S. President-elect Bill Clinton was held. The event was organized by Clinton's Hollywood friends at the Lincoln Memorial and attracted hundreds of thousands of people. Among the musicians were Aretha Franklin, LL Cool J, Michael Bolton and Tony Bennett. Said Jones: I have never seen so many great performers come together with such love and dedication. The celebration included a rendition of We Are the World, in which Clinton, his daughter Chelsea and his wife Hillary sang the song along with the U.S. for African Kenny Rogers, Diana Ross and Michael Jackson. Edward Rothstein of The New York Times commented on the event, saying, The most enduring image may be that Mr. Clinton is singing along to We Are the World, the first president to seek, in vain, hipness. As a prelude to Heal the World, We Are the World was performed as an interlude during Michael Jackson's two tours, the Dangerous World Tour from 1992 to 1993 and the HIStory World Tour from 1996 to 1997. Jackson will briefly perform the song with the choir at the 2006 World Music Awards in London, in his last live public appearance. Jackson had planned to use the song for his This Is It comeback concerts at the O2 Arena in London from 2009 to 2010, but the show was canceled due to his sudden death. Michael Jackson died in June 2009 after a cardiac arrest. His memorial service took place a few days later, on 7 July, and was reportedly watched by more than three billion people. The finale of the event featured group performances of Jackson's anthems We Are the World and Heal the World. Singalong We Are the World was directed by Darryl Finnesi, who has worked with Jackson since the late 1980s. After the performance, We re-entered the U.S. charts for the first time since its release in 1985. The song debuted at number 50 on the Billboard Hot Digital Songs chart. 25 for Haiti Main articles: We Are World 25 for Haiti, We Are World 25 for Haiti (YouTube edition), and Somos El Mundo 25 Por Haiti One of the hundreds of thousands of people who were injured in the devastating earthquake in Haiti on January 12, 2010, Haiti was struck by an earthquake of magnitude 7.0, the strongest earthquake in the country in more than 200 years. The epicenter of the quake was near the Haitian capital, Port-au-Prince. More than 230,000 civilians have been confirmed dead by the Haitian Government as a because of the disaster and some 300,000 have been injured. Approximately 1.2 million people have been left homeless and there have been reports that the lack of temporary shelter could lead to an outbreak. To raise money for earthquake victims, a new version of the celebrity We Are the World was recorded on February 1, 2010 and released on February 12, 2010. More than 75 musicians were involved in the remake, which was recorded in the same studio as the 1985 original. The new version includes revised lyrics as well as a rap piece related to Haiti. Michael Jackson's younger sister Janet duetd with her late brother on the track, at the request of their mother Katherine. In the video and on the track, Michael Jackson's archival material is used from the original 1985 recording. This version is also infamous for the way Wicklef sings at the end of the song, oscillating his voice in a way that sounds like the San Francisco Chronicle's musical author called it: I don't like the cross between the fire siren and the Wyclef sound that gives itself a hernia. On February 20, 2010, no celebrity remake, We Are The World 25 for Haiti (YouTube edition), was posted on the video sharing site YouTube. Internet personality and singer Lisa Lavie conceived and organized an online collaboration of 57 unsigned or independent YouTube musicians geographically distributed around the world. Lavie's 2010 YouTube version, the cover of the 1985 original, excludes the rap segment and minimizes the auto-tune that characterizes the 2010 celebrity remake. Another remake of the 2010 original is the Spanish-language Somos El Mundo. It was written by Emilio Estefan and his wife Gloria Estefan and produced by Emilio, quincy Jones and Univision Communications, which financed the project. American Idol Version May 17, 2020, as part of the season finale of The Eighteenth Season of American Idol, Richie, along with 11 top finalists, fellow judges Katy Perry and Luke Bryan, and eleven past Idol contestants (Scotty McCreary, Lauren Alain, Fantasia, Jordyn Sparks, Kellie Pickler, Katherine McPhee, Ruben Studdard, Laine Hardy, and Phillip Phillips) performed a new version of the song in response to the COVID-19 pandemic. The performance featured sweeping footage of the iconic landmarks of the United States with the faces of contestants superimposed. The legacy of We Are the World was recognized as a politically important song that carried international attention to Africa, which was simply unprecedented. He is credited with creating a climate in which musicians from all over the world felt a penchant for following him. According to Stephen Holden of The New York Times, since the release of We Are the World it has been noted that popular music has made a movement to create songs that address humanitarian issues. We Are the World also influenced the undermining of the way music is produced and meaningful, showing that musically and racially diverse musicians can work together productively and creatively. Ebony described the January 28 recording of quincy Jones assembling a multiracial band as an important moment in world music that showed that we can change the world. We Are the World, along with Live Aid and Farm Aid, demonstrated that rock music has become not just entertainment, but a political and social movement. As the journalist Robert Palmer noted, such songs and events had the opportunity to reach people around the world, send them a message, and then get results. Since the release of the single We Are the World and the single Band Aid, which influenced him, numerous songs have been recorded in a similar way, with the intention of helping victims of natural disasters around the world. One such example is a supergroup of Latin American musicians, announced as Hermanos del Tercer Mundo, or Third World Brothers. Among the supergroup of 62 musicians were Julio Iglesias, Jose Feliciano and Sergio Mendes. Their anti-hunger song was recorded in the same studio as We Are the World. Half of the profits from the charity single were promised by the US for Africa. The rest of the money was to be used for poor Latin American countries. Another notable example is the cover of The Deep Purple 1989 song Smoke on the Water by a supergroup of hard rock, prog rock and heavy metal musicians working together as Rock Aid Armenia to raise money for the victims of the devastating 1988 Armenian earthquake. The 20th anniversary of We Are the World was celebrated in 2005. Radio stations around the world paid tribute to the United States for the creation of Africa, while broadcasting a charity song. In addition to the simultaneous release, the highlight marked the release of two DVD discs titled We Are the World: The Story Behind the Song. Ken Kragen argued that the reason for the simultaneous release and DVD was not for the U.S. for Africa to praise itself for the good work, but to use it to make some more good ones (for the original) That's all we care about doing. Harry Belafonte also commented on the 20th anniversary of the song. He recognized that We are the world has stood the test of time; anybody old enough to remember that he could still at least hum along. The parodies of We are the world have been the subject of numerous parodies over the years. Notable examples include: the Philippine comedy film I Have Three Hands, released in September 1985, featured a parody of the clip at the end, where the characters perform a song called Maid in the Philippines. British satire television program Spitting Image aired a parody where puppet caricatures of celebrities sang the song We Are Afraid of Bob, in which they claim to be involved out of fear of Bob Geldof. Some of the puppets depict members of the U.S. Africa group, among other celebrities. Johnson and Tofte have released a parody called We Are Hearts, which suggests that worms choose to leave their underground homes when rain saturates the earth, only to be led on the sidewalk when they appear. In 1992, the sketch show In Living Color launched a parody of Career Aid, parodying the fact that many artists to show on We Are the World seemed to do so at a time when their own careers were struggling. Actor Jamie Foxx as Lionel Richie. The thirteenth episode of the third season of The Simpsons, Radio Bart, sees the people of Springfield, along with musician Sting, produce the charity single We're Sending Our Love Down the Well, based on We Are The World, to offer support to a boy who they believe was trapped. In the finale of the third season of the American television series 30 Rock, Kidney Now!, musicians including Clay Aiken, Elvis Costello, Mary J. Blige, Sheryl Crow, Beastie Boys (Mike D and Ad Rock), Steve Earle, Adam Levine, Sarah Bareils, Wyclef Jean, Nora Jones, Talib Kweli, Michael McDonald, Rhett Miller, Moby, Robert Randolph, Rachel Yamagata and Cyndi Lauper produced the charity single Sketch Saturday Night Live 2010. , with imitators vying to come together to record the single We Are the World 3: Raising Awareness of the 'We Are the World 2' Disaster. The final episode of the American late-night comedy talk show Chelsea Lately ended with celebrities including Dave Grohl, Sammy Hagar, Gwen Stefani and Fergie singing a parody version of the song, with lyrics altered to be a farewell to lead comedian Chelsea Handler. Controversial anti-LGBT church Westboro Baptist Church (WBC), known for its musical parodies, released a parody of We Are The World titled God Hates the World. In 2007, Warner Chappell Music unsuccessfully tried to prevent the WBC copyright infringement. The South Park episode, Put It Down, contains the title song played at the end of the episode, where it appears to be a parody of We Are The World. The Church of God (Restoration) in Greenville, Ohio recorded the cover in 2020, the lyrics changed slightly in accordance with the doctrine of the church (verse three, with the line that God turns stone into bread, was changed to refer to Christ giving live bread). Charts Chart (1985) Peakposition Australia (Kent Music Report)[29][106] 1 Austria (Ö3 Austria Top 40)[107] 2 Belgium ( 50 Flanders)[108] 1 Canada Top Singles (RPM)[109] 1 Canada Adult Contemporary (RPM)[110] 1 Denmark (Hitlisten)[111] 3 Finland (Suomen virallinen lista)[112] 1 France (SNEP)[113] 1 Germany (Official German Charts)[114] 2 Ireland (IRMA)[33] 1 Italy (FIMI)[34] 1 Netherlands ()[115] 1 New Zealand (Recorded Music NZ)[116] 1 Norway (VG-lista)[117] 1 Portugal (Associação Fonográfica Portuguesa)[118] 1 South African Chart[119] 1 Spain (AFYVE)[120] 1 Sweden ()[121] 1 Switzerland (Schweizer Hitparade)[122] 1 UK Singles (OCC)[123] 1 US Billboard Hot 100[124] 1 US Adult Contemporary (Billboard)[125] 1 US Billboard Hot Dance/Disco 12 Inch Singles Sales[126] 1 US Hot Country Songs (Billboard)[127] 76 US Hot R&B/Hip-Hop Songs (Billboard)[128] 1 US Mainstream Rock (Billboard)[129] 27 US Cash Box[130] 1 Chart (1985) Position Australia (Kent Music Report) 131 1 Canada (RPM) 132 23 New zealand (Recorded Music NZ) 133 1 South Africa (Springbok) 134 8 UK (Official Chart Company) » 135 135 1 U.S. Billboard Hot 100 Black Singles Chart 37 US Cash Box (139) 1 Chart (2018) U.S. Billboard Hot 100× x 140 221 Certification Region Certification Units/Selling Canada (Music Canada) Gold 7,750 (SNEP) (SNEP) (SNEP) (SNEP) SNEP) (143) Platinum 1,000,000 Italy (FIMI) 144 Gold 15000 Japan (RIAJ) 3× Platinum 300,000 New zealand (RMN) 0.000 UK (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) 147) Silver 250,000 United States (RIAA) 4× Platinum 8,000,000 sales figures based on certification-only delivery figures based on certification only See also music portal 1980s portal Food portal We Are One (global song of collaboration) Cantar data Based on certification only See also the music portal of the 1980s portal Food portal We Are One (global song about collaboration) Cantar , cantar's Chiquitita Music for the concert UNICEF Tears is not enough We Con World Notes - We The World will later be cited as the American response to Band Aid in Know them that it is Christmas. In 1997, Elton John received a version of Candle in the Wind - a tribute to Diana, Princess of Wales, later claimed the status of the best-selling pop single of all time. References to O'Connor, Rory (March 24, 2020). Lionel Richie plans a new one we are the world to raise funds against coronavirus. Smooth radio. Received on March 24, 2020. ^ ^ b c d e Taraborrelli, page 341 - Harden, Blaine (September 14, 1987). Ethiopia is again facing famine, asking for mass food aid. The Washington Post received the October 7, 2009. a b c d e f g h Holden, Stephen (February 27, 1985). Pop life; artists join the effort to fight hunger. The New York Times. Received on July 11, 2009. Taylor, Jonathan (March 17, 1985). Heart strike: We are a world spurred by lively sales and curiosity. Chicago Tribune. Received on October 7, 2009. a b c d e Taraborrelli, p. 342 - b c Campbell, page 109 - b Campbell, page 110 - Gunnar funkpost Christiansen (November 16, 2017). For 10 of JR's biggest hits. Slachlanz. Received on July 15, 2020. Breskin, page 2 - b c d e f h i j k Breskin, page 3 - Breskin, p. 5-6 - b We Are the World tune brings out the best of America's 46 stars. Jet. February 18, 1985. page 16. Received on July 11, 2009. Jackson we are the world. I'd like a prince. Cnn. December 20, 1999. Received on July 11, 2009. Parks, Kyle (April 5, 1985). Only a bad album can topple Prince. An evening of independents. Received on July 11, 2009. Eddie Murphy on his return to the stand-up. Youtube. October 24, 2019. African aid. The Sunshine of Gainesville. January 30, 1985. Received on July 11, 2009. Taraborrelli, p. 343 and B. Davis, p. 174, b c d Breskin, page 6 - b c d Cagle, Jess (January 24, 1992). They were the world. Entertainment Weekly. Received on July 11, 2009. a b c d Breskin, p. 7 - a song by Michael Jackson and Lionel Richie earns millions for charity. Jet. April 8, 1985. Received on July 11, 2009. Braheny, page 18, b c d e f Bodus, Tom (March 29, 1985). The hunger-aid song sells well locally. Columbia Missouri. b c d e Marsh, page 518 - b c Taraborrelli, page 344 - b We are the world. Columbia Missouri. April 10, 1985. a b c George, p. 41 b c Campbell, p. 113 and b DeKnock, Jan (April 17, 1985). The world rules graphs. Ledger. Ultratop Singles Chart Archives. ultratop.be. received on September 29, 2009. b Irish Dating Chart - Search database. Irishcharts.ie archive from the original dated July 21, 2011. Received on July 31, 2011. a b Singoli - I Numeri Uno (1959-2006) (part 3: 1980-1990). It's the charts. Archive from the original dated March 3, 2016. Received on July 31, 2011. USA Africa - Dutch Top 40 Chart. top40.nl. received on July 31, 2011. Robert A. Bennett (December 29, 1985). Whoever dreamed that up?. The New York Times. Received on July 19, 2009. a b Worrell, Denise (March 25, 1985). Forty-five votes. It's time. Received on July 19, 2009. American Music Award nominees named. Los Angeles Daily News. January 4, 1986. Received on September 25, 2009. Stephen Holden (December 3, 1989). A pop virtuoso who can do it all. The New York Times. Received on July 19, 2009. Bitts, Ann (October 12, 1997). it's a hit why stop to stop Los Angeles Times. Received on August 8, 2009. Ruhlman, William. Bob Geldof's biography. Mtv. Archive from the original October 29, 2009. Received on July 19, 2009. Pareles, John (August 27, 1989). In pop, whose song is it, anyway?. The New York Times. Received on July 19, 2009. Edmund L. Andrews (June 5, 1995). Listen! Kinsey Jones has a new gig. The New York Times. Received on July 19, 2009. Popson, Tom (January 31, 1986). Pointers, Prince and Pavarotti in platinum parade. Chicago Tribune. Received on September 25, 2009. Anthony Breznikan (June 30, 2009). Many faces of Michael Jackson. USA today. Received on July 19, 2009. a b c d e f g Garofalo, p. 29 - a b Cocks, Jay (April 22, 1985). Strike Up the bandwagon We The World Raises Money, Spirits. It's time. Received on July 19, 2009. a b c d e Marsh, p. 519 - b c d e f Campbell, page 114-115 - MTV Video Music Awards 1985. Mtv. Received on July 21, 2009. DiPerio, Diana D. (September 16, 1985). MTV Video Awards. Daily colleges. Archive from the original on April 8, 2016. Received on July 21, 2009. Yes Utley, Richard (January 29, 1986). The awards are the honor of the year of charity. Daily colleges. Archive from the original on April 8, 2016. Received on July 19, 2009. a b c Campbell, 112, May, Clifford D. (June 27, 1985). Belafonte learns the answers not easily. Ledger. Received on July 19, 2009. The Associated Press. We are a world that will play around the world. The Associated Press. The Associated Press. Received on February 7, 2014. - Associated Press (April 6, 1985). Stations around the globe air We are the world. Associated Press via Los Angeles Times. The Associated Press. Received on January 11, 2019. Fifth Avenue Singalong supports relief efforts. The New York Times. April 6, 1985. Received on July 20, 2009. Hands. An evening of independents. May 23, 1986. Received on July 21, 2009. Hewett, Jenny (May 27, 1986). A 15-minute handshake for the US. The Sydney Morning Herald. Hungry songs arrived beyond expectations. The Spokane Chronicle. October 9, 1986. Received on July 21, 2009. John Steinbreder (November 25, 1985). Altruistic marketing. State. Received on July 21, 2009. Campbell, page 116 - b c d e Glave, Judie (May 17, 1985). U.S. For Africa, which has been preparing its first mission of mercy. Gainesville Sun. - b First profit records will go hungry. The New York Times. May 19, 1985. Received on July 21, 2009. The music group sends the materials. The New York Times. June 11, 1985. Received on July 21, 2009. Belafonte visits Sudan. Wilmington Morning Star. June 22, 1985. Received on July 21, 2009. The U.S. is approaching its goal for Africa. St. Petersburg Times. March 10, 1986. a b c d e Wilson, Jeff (October 9, 1986). We are the goal of passage in the world; States get Hands money. The Sunshine of Gainesville. Moments of sex, drugs and rock 'n' roll. Today. Received on July 21, 2009. a b c Pike, Douglas (April 28, 1985). USA for Africa: Hunger to share. Spokesman-review. Jackson's death: The reaction of global fans. BBC News. June 26, 2009. Michael Kutner (July 22, 1985). Help live. Daily colleges. Archive from the original on April 8, 2016. Received on July 22, 2009. Linder, Lee (July 14, 1985). Live Aid touches hearts, pockets. Gainesville Sun. received on July 22, 2009. Robert Palmer (July 15, 1985). Live Aid reunited the 60s. The New York Times. Received on July 22, 2009. Michael Jackson's project kept him from the concert. The New York Times. July 17, 1985. Received on July 22, 2009. a b c d Apple, R. W. (January 18, 1993). Great beginning; The inaugural week begins with pomp and populism. The New York Times. Received on July 21, 2009. Pareles, John (January 19, 1993). Musical Smorgasbord; 2 concert Gel Sounds of America. The New York Times. Received on July 21, 2009. Archery, Army (January 18, 1993). Jones says: Whoopi as a comic comes to the rescue - Entertainment News, Army Archer, Media. Different. Received on August 16, 2011. Edward Rothstein (February 14, 1993). Vox Pop, sound politics. The New York Times. Received on July 21, 2009. Singer Michael Jackson has died as a 50-year-old pop star preparing for a London tour return. Today.com. June 25, 2009. Received on June 25, 2009. Chris Harris (July 7, 2009). Who is Michael Jackson Memorial performer Shaheen Jafargoli?. Rolling Stone. Received on July 22, 2009. a b c Anderson, Kyle (July 8, 2009). Who Sang We World at the Michael Jackson Memorial?. Mtv. Received on July 22, 2009. a b Powers, Anna (July 7, 2009). Michael Jackson Memorial: We Are the World, Who Lovin' You are and the final performances . Los Angeles Times. Received on July 22, 2009. Trust, Gary (July 16, 2009). We are the world in the charts after Jackson's tribute. Reuters. Received on July 22, 2009. Magnitude 7.0 - Region of Haiti. U.S. Geological Survey. Archive from the original on January 15, 2010. Received on January 12, 2010. A strong earthquake off the coast of Haiti leads to the collapse of the hospital. The Daily Telegraph. London. January 12, 2010. Received on January 12, 2010. Haiti's earthquake death toll rises to 230,000. BBC News. February 11, 2010. Received on March 6, 2010. McLie, Dan (March 6, 2010). Purdue researchers saw the potential for a Haitian earthquake. Star of Indianapolis. Received on October 19, 2010. - b Duke Alan (February 2, 2010). Stars are going to record We Are the World. Cnn. Received February 2, 2010. Gunderson, Edna (February 2, 2010). New voices unite for We Are the World. USA today. Received on February 3, 2010. Edna Gundersen (February 14, 2010). Kinsey Jones, Lionel Richie pass We are the world relay. USA today. Received on March 6, 2010. Josh Leves, CNN, YouTube Rock for Haiti (March 6, 2010); Josh Leves, CNN, YouTubers Do We Are the World (March 7, 2010); Rosemary Church, CNN International, We Are the World, Part 2, (March 20, 2010). Text transcripts of the programs on which CNN's video aired are on CNN SATURDAY MORNING NEWS (March 6, 2010), CNN NEWSROOM Archive March 13, 2010, on The Wayback Machine (March 6, 2010), and CNN SUNDAY MORNING (March 7, 2010). Kobo, Leila, 50 Latin stars gather to record 'Somos El Mundo', Billboard.com, February 22, 2010 (downloaded May 26, 2010). Stephen Holden (December 27, 1987). Pop for adults gathers a moment. The New York Times. Received on July 22, 2009. Black music. Black. November 2005. Received on July 22, 2009. b Palmer, Robert (December 26, 1985). Politics and cross-breeding were a trend. Spokesman-review. Latin stars sing for the hungry. Columbia Missouri. April 10, 1985. Smoke on the water, Rock Aid Armenia website. Received on July 20, 2016. b Lewis, Randy (January 28, 2005). Stations pay tribute to We are the world. Boston Globe. Received on July 22, 2009. Gangel, Jamie (February 5, 2005). We are a song of peace celebrating 20 years. Today.com. received on July 22, 2009. Spitting Image - We're Afraid of Bob - b c d Parker, Lyndsey (August 27, 2014). 7 best parodies of all time We are the world. Yahoo! Entertainment. Received on March 26, 2020. Jennifer Lopez plays Rihanna as SNL Mox We Are the World - Phelps We Are a World parody called Copyright Infringement. WIBW-TV. May 18, 2007. Received on March 26, 2020. David Kent (1993). Australian Chart Book 1970-1992. St Ives, NSW: Australian Chart Book. page 317. ISBN 0-646-11917-6. Austriancharts.at - USA for Africa - we are the world (in German). No 3 Austria Top 40. Ultratop.be - USA for Africa - we are the world (in Dutch). Ultratop 50. Top RPM Singles: Issue 0518. About/min. Library and Archives of Canada. Received on June 18, 2017. Top RPM Adult Contemporary: Issue 8321. About/min. Library and Archives of Canada. Received on June 18, 2017. Danish Charts Archive?. USA Africa: we are the world (in Finnish). Musiikkituottajat - IFPI Finland. Lescharts.com - USA for Africa - we are the world (in French). Les classement single. Offiziellecharts.de - usa for Africa - we are the world. GfK Entertainment Charts. Received on February 13, 2019. Nederlandse Top 40 - USA For Africa (in Dutch). Dutch Top 40. Charts.nz - the U.S. for Africa - we are the world. Top 40 singles. Norwegiancharts.com - USA for Africa - we are the world. VG list. TOP 20 TMP Portugal - number one in the 80s chart. John Samson. We are the world in the South African chart. Received on June 2, 2013. Fernando Salaverri (Sept. Salo Oxitos: Agno Agno, 1959-2002 (1st place). Spain: Author-SGAE Foundation. ISBN 84-8048-639-2. Swedishcharts.com - usa for Africa - we are the world. Singles Top 100. Swisscharts.com - USA for Africa - we are the world. Swiss singles chart. USA Africa: The history of the artist's chart. The official charts of the company. Received on June 18, 2017. U.S. History of Africa (Hot 100). Billboard. Received on June 18, 2017. U.S. History of Africa (Adult Contemporary). Billboard. Received on June 18, 2017. Billboard. April 20, 1985. US History Africa Charts (Hot Country Songs). Billboard. Received on June 18, 2017. USA for the history of the African chart (Hot songs of RCB/Hip-Hop). Billboard. Received on June 18, 2017. U.S. for Africa History Chart (Mainstream Rock). Billboard. Received on June 18, 2017. Cash Box Top Singles - 1985. A cash box. A cash box. Received on June 20, 2017. Kent (1993). page 437. Top 100 Singles of 1985. Ob/min. Tom. 43 No 16. December 28, 1985. Received on February 18, 2018. The best-selling singles of 1985 - The Official New York Music Chart. Recorded music by New zealand. Received on June 29, 2016. Top 20 hit singles in 1985. Received on December 26, 2018. Top 100 singles. Music week. London, England: Spotlight Publications: 10. January 18, 1986. Mowing, Peter. Top 100 singles: 1985. 1986 BPI Book of the Year (8th ed.). British phonographic industry. 48-49. ISBN 0-906154-07-3. Nielsen Business Media, Inc. (December 28, 1985). Best pop singles. Billboard. 97 (52): T-21. Received on January 29, 2015. Nielsen Business Media, Inc. (December 28, 1985). Best black singles. Billboard. 97 (52): T-26. Received on January 29, 2015. Cash Box Year-End Charts: 1985. A cash box. A cash box. Received on June 7, 2016. Billboard Hot 100 60th Anniversary Interactive Chart. Billboard. Received on December 10, 2018. Canadian Single Certificates - USA for Africa - We Are the World. Music Canada. Received on October 26, 2015. b U.S. Africa (in Finnish). Musiikkituottajat - IFPI Finland. Received on October 26, 2015. French Single Certificates - USA for Africa - We are the world (in French). InfoDisc. Received on October 26, 2015. Choose THE US FOR AFRICA and click OK. Italian Single Certificates - USA for Africa - We are the world (in Italian). Federazione Industria Musicale Italiana. Received on October 26, 2015. Select 2014 in the Anno drop-off menu. Choose We - The World in the Filtra field. Choose Singoli online under Sezione. Japanese Single Certificates - USA for Africa - We are the world (in Japanese). Association of Recording Companies of Japan. Archive from the original dated March 4, 2016. Received on October 26, 2015. New zealand one certification - USA for Africa - We are the world. Recorded music by New zealand. Extracted October 2015. British single certificates - THE USA for Africa - we are the world. British phonographic industry. Received on October 26, 2015. Select singles in the Format box. Choose silver in the certification area. Type We Are the World in the Search FOR THE BPI Awards area, and the US then click Enter. Association of Record Companies of America. Received on October 26, 2015. If you need to click Advanced, then click format, then select Single, and then click SEARCH. Braaney's bibliography, John (2006). Craft and business of songwriting. The writer's digest books. ISBN 1-58297-466-7. Breskin, David (2004). We Are the World: The Story Behind the Song Booklet. Image Entertainment, Inc. Campbell, Lisa (1993). Michael Jackson: King of Pop Branden. ISBN 0-8283-1957-X. Davis, Sharon (2006). Stevie Wonder: Rhythms of a miracle. Robson. ISBN 1- 86105-965-5. Garofalo, Hibee (1992). Rockin' Boat. South End Press. ISBN 0-89608-427-2. George, Nelson (2004). Michael Jackson: The final booklet of the collection. Sony BMG. Marsh, Dave (2004). Bruce Springsteen: Two Hearts. Routledge. ISBN 0-415-96928-X. Taraborrelli, J. Randy (2004). Magic and madness. Terra Alta, WV: Headline. ISBN 0- 330-42005-4. External Links Official U.S. Website for Africa Official Clip 1985 We Are the World on the official YouTube site for We Are the World 25 for Haiti Official Clip We Are World 25 for Haiti on YouTube Listen to the U.S. for Africa We Are the World on Last.fm sourced from dan aykroyd we are the world

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