Can Music and Dance Change Public Opinion?
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The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970
Revolution and Reconciliation: The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970 David P. Cline A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for a degree of doctor of philosophy in the Department of History. Chapel Hill 2010 Approved by: Advisor: Jacquelyn Dowd Hall Reader: W. Fitzhugh Brundage Reader: William H. Chafe Reader: Laurie F. Maffly-Kipp Reader: Heather A. Williams © 2010 David P. Cline ALL RIGHTS RESERVED ii ABSTRACT DAVID P. CLINE: Revolution and Reconciliation: The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970 (Under the direction of Jacquelyn Dowd Hall) The Student Interracial Ministry (SIM) was a seminary-based, nationally influential Protestant civil rights organization based in the Social Gospel and Student Christian Movement traditions. This dissertation uses SIM’s history to explore the role of liberal Protestants in the popular revolutions of the 1960s. Entirely student-led and always ecumenical in scope, SIM began in 1960 with the tactic of placing black assistant pastors in white churches and whites in black churches with the goal of achieving racial reconciliation. In its later years, before it disbanded in mid-1968, SIM moved away from church structures, engaging directly in political and economic movements, inner-city ministry and development projects, and college and seminary teaching. In each of these areas, SIM participants attempted to live out German theologian Dietrich Bonhoeffer's exhortation to “bring the church into the world.” Revolution and Reconciliation demonstrates that the civil rights movement, in both its “classic” phase from the mid-1950s to the mid-1960s and its longer phase stretching over most of the twentieth century, was imbued with religious faith and its expression. -
Case 1:16-Cv-02725-DLC Document 87 Filed 09/08/17 Page 1 of 66
Case 1:16-cv-02725-DLC Document 87 Filed 09/08/17 Page 1 of 66 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -------------------------------------- X : WE SHALL OVERCOME FOUNDATION and : 16cv2725(DLC) BUTLER FILMS, LLC, on behalf of : themselves and all others similarly : OPINION AND ORDER situated, : : Plaintiffs, : : -v- : : THE RICHMOND ORGANIZATION, INC. (TRO : INC.) and LUDLOW MUSIC, INC., : : Defendants. : : -------------------------------------- X APPEARANCES: For the Plaintiffs: Mark C. Rifkin Randall S. Newman Gloria K. Melwani Wolf Haldenstein Adler Freeman & Herz LLP 270 Madison Ave, 10th Floor New York, NY 10016 For the Defendants: Paul LiCalsi Ofer Reger Robins Kaplan LLC 601 Lexington Ave, Suite 3400 New York, NY 10022 DENISE COTE, District Judge: The defendants The Richmond Organization, Inc. (“TRO”) and its subsidiary and imprint Ludlow Music, Inc. (“Ludlow”) (collectively, the “Defendants”) possess two copyrights in the musical composition “We Shall Overcome” (the “Song” or the Case 1:16-cv-02725-DLC Document 87 Filed 09/08/17 Page 2 of 66 “Copyrighted Song”), registered as a derivative work with the Copyright Office in 1960 and 1963. In this litigation, the plaintiffs We Shall Overcome Foundation (“WSOF”) and Butler Films, LLC (“Butler”) (collectively, the “Plaintiffs”) challenge through a putative class action the validity of the Defendants’ copyrights in the Song. The Plaintiffs have filed a motion for partial summary judgment in which they principally argue that the lyrics and melody in the first verse and its identical fifth verse (“Verse 1/5”) of the Song are not sufficiently original to qualify for copyright registration as a derivative work.1 For the reasons that follow, that portion of the Plaintiffs’ motion for summary judgment is granted. -
We Shall Overcome”
"Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that." Dr. Martin Luther King, Jr. ACTIVITIES MARTIN LUTHER KING JR. MARTIN KING LUTHER MONDAY, JANUARY 19, 2015 2015 STATE OF WEST VIRGINIA STATE 2015 COMMEMORATION & CELEBRATION & CELEBRATION COMMEMORATION SPONSORED BY Dr. Christina King Farris is the eldest sister of Dr. Martin Luther King, Jr. and the only living member of the family of origin. Dr. Farris recently retired as the oldest member of the faculty at Spelman College in Atlanta College where she graduated in the same year her brother Martin graduated from Morehouse College. This greeting is an exclusive to the 2015 State MLK Celebration in tribute to West Virginia’s recognition of Dr. King’s birthday as a State holiday before it became a National holiday. To Governor Earl Ray Tomblin and Dr. Carolyn Stuart, Executive Director of the Herbert Henderson Office of Minority Affairs, I bring greetings to the Martin Luther King Jr., State Holiday Commission and the people of the “Mountain State” of West Virginia, where “Mountaineers are always free”. I was surprised and pleased to learn that West Virginia led the nation in declaring Dr. King’s Birthday a State Holiday before it became a national holiday. I understand that this was the result of House Bill 1368 initiated by Delegates Booker Stephens and Ernest Moore which established the King Holiday as a State Celebration in 1982—four years before it was officially declared a national holiday in 1986. I pray that God’s richest blessing be with all who diligently work for justice, equality, and peace in pursuit of my brother’s vision of the “beloved community.” Dr. -
The Big Interview Episode Number: 217 Episode Title: Kenny Rogers Description: He's Now a Member of the Country Music Hall of Fame
1 The Big Interview Episode Number: 217 Episode Title: Kenny Rogers Description: He's now a member of the Country Music Hall Of Fame. And that's where Kenny Rogers opened up to Dan Rather about his illustrious career ACT ONE KENNY ROGERS (SINGING) You got to know when to hold ‘em… DAN RATHER (VOICE OVER) TONIGHT ON THE BIG INTERVIEW RATHER Define Kenny Rogers' music for me? ROGERS I'm a country singer with a lot of other musical influences. ROGERS (SINGING) And she believes in me… RATHER (VOICE OVER) KENNY ROGERS HAS LED A LIFE OF LETTING THE CHIPS FALL WHERE THEY MAY- ROGERS (as The Gambler) Make it five thousand RATHER (VOICE OVER) - MORE OFTEN THAN NOT HITTING THE JACKPOT. ROGERS (SINGING) You picked a fine time to leave me Lucille 2 Four hungry children, crops in the field RATHER (VOICE OVER) HIS SONGS ARE CLASSIC... HIS DUETS ARE MAGIC... KENNY ROGERS & DOLLY PARTON (SINGING) Islands in the stream That is what we are No one in between… RATHER (VOICE OVER) BUT TONIGHT YOU’LL MEET THE MAN BEHIND THE FAMOUS VOICE AND DISCOVER THERE’S A LOT MORE TO KENNY ROGERS THAN MEETS THE EYE. RATHER How'd you get into photography? ROGERS I have a new category for any psychiatrists out there; I'm an impulsive obsessive. ROGERS (SINGING) Promise me son, not to do the things I’ve done… RATHER (VOICE OVER) AN ARTIST WITH MANY MUSES - KENNY ROGERS - TONIGHT ON THE BIG INTERVIEW. ACT TWO KENNY ROGERS (SINGING) On a warm summer’s evenin’ On a train bound for nowhere I met with a gambler We were both too tired to sleep So we took turns a-starin’.. -
2014 OAH Annual Meeting Program
INTRODUCING The American Historian A NEW OAH MAGAZINE The OAH is pleased to announce a The American Historian new magazine for all of our members. OrgA NIZATI O N O F AMEricA N HISTORIA NS The American Historian will cover the broad variety of needs and interests of our members, including primary and secondary teaching, professional development, research, recent schol- arship, public history, digital history, and contemporary debates about the past. We believe that it will educate and excite OAH members and the entire Race, Rights, and Relocation ALSO INSIDE U.S. history community. The Forgotten Debate of ‘76 p. 24 Labor, Gender, and Unrest in the Gilded Age p. 28 PLUS News, Reviews, and More We will be distributing a prototype issue of the magazine at our 2014 Annual Meeting in Atlanta. We hope you will pick up a copy. The American Historian will officially debut in the summer of 2014. Finally, we welcome your submis- sions. For information, please contact The American Historian’s acting editor, William Gillis, at [email protected]. APRIL 10 – 13 | HILTON ATLANTA • 1 We l c o m e Welcome to the 105th Annual Meeting of the Organization of American Historians! Meeting themes are rarely “ripped from the headlines” as if they were scripts from television’s Law and Order. However, the heated national debate over comprehensive immigration reform calls attention to American history’s perennial themes: the peopling of the United States and the great vitality derived from the diversity of the American population. “Crossing Borders,” then, seemed the appropriate choice to be the thematic focus of this year’s meeting. -
Toshi Reagon & Biglovely
Toshi Reagon & BIGLovely “Whether playing solo or with her band, [Toshi’s] fusion of styles and forms draws listeners in, embraces them and sets them off in a rapturous, hand-raising, foot-stomping delight.” -RighteousBabe.com About Toshi Reagon and BIGLovely Toshi Reagon is a versatile singer-songwriter-guitarist, drawing on the traditions of uniquely American music: rock, blues, R&B, country, folk, spirituals and funk. Born in Atlanta and raised in Washington DC, she comes from a musical—and political—family. Both her parents were civil rights activists in the 1960s, and founding members of The Freedom Singers, a folk group that toured the country to teach people about civil rights through song as part of the Student Nonviolent Coordinating Committee. Her mother, Bernice Johnson Reagon, is also a founder of the legendary a cappella group, Sweet Honey in the Rock. Toshi has been performing since she was 17 years old. Her career really launched when Lenny Kravitz chose her, straight out of college, to open for him on his first world tour. Some of Toshi’s proudest moments include playing for her godfather Pete Seeger’s 90th birthday celebration at Madison Square Garden, and performing with the Freedom Singers at the White House, in a tribute to the music of the civil rights movement. As a composer and producer, Toshi has created original scores for dance works, collaborated on two contemporary operas, served as producer on multiple albums, and has had her own work featured in films and TV soundtracks, including HBO and PBS programs. BIGLovely did its first performance as a band in 1996. -
GA 2010 24.Indd
_____________________________________ ____________________ ____________________ __________________________ ___________ ____________________ ____________________ __________________________ ___________ _ _ __________________ _ _ __________________ _ _ _________________ _ _ __________________ _ _ __________________ _ _ __________________ _ _ __________________ _ Its Heritage and Its Promise ___________________ _ ____________________ ____________________ ___________________Georgia: _ ____________________ ___________________ _ _______________________________________600 _ ____________________ _ _ __________________ _ _ __________________ _ _ __________________ _ _ __________________ 601 _ _ __________________ _ _ __________________ _ _ __________________ rst century, rst _ _ __________________ _ _ __________________ _ _ __________________ _ _ __________________ is was a time of Th _ _ __________________ Modern Georgia nal transformation nal _ _ __________________ _ _ _________________ _ _ __________________ Unit VII: ____________________ ________ __________ of the twenty-fi rst nine years _ _ _ __________________ _ _ __________________ is period saw the fi ciency to education. Georgia was once _ _ __________________ _ _ __________________ _ _ __________________ was movement e nonviolent met with massive _ _ __________________ _ _ __________________ metropolitan Atlanta’s population increased by almost 30 percent. increased by population metropolitan Atlanta’s Since 1950, metropolitan Atlanta has grown from a population of just from a population Since 1950, metropolitan Atlanta has grown _ _ __________________ _ _ __________________ under 1 million to almost 6 million, making it one of the fastest-growing under 1 million to _ _ __________________ _ _ __________________ cities in the United States. In just the fi States. cities in the United _ _ __________________ _ _ __________________ _ _ __________________ _ _ __________________ elds were Georgia born and raised. Th __________________________ ects of growth brought challenges. -
Excerpt from President Lyndon B. Johnson's Voting Rights Act Speech
Excerpt from Johnson’s Voting Rights Act Speech Excerpt from President Lyndon B. Johnson’s Voting Rights Act Speech, March 15, 1965 At times history and fate meet at a single time in a single place to shape a turning point in man’s unending search for freedom. So it was at Lexington and Concord. So it was a century ago at Appomattox. So it was last week in Selma, Alabama. There, long-suffering men and women peacefully protested the denial of their rights as Americans. Many were brutally assaulted. One good man, a man of God, was killed. There is no cause for pride in what has happened in Selma. There is no cause for self- satisfaction in the long denial of equal rights of millions of Americans. But there is cause for hope and for faith in our democracy in what is happening here tonight. This was the first nation in the history of the world to be founded with a purpose. The great phrases of that purpose still sound in every American heart, North and South: "All men are created equal"—“government by consent of the governed”—“give me liberty or give me death.” Well, those are not just clever words, or those are not just empty theories. In their name Americans have fought and died for two centuries, and tonight around the world they stand there as guardians of our liberty, risking their lives. To apply any other test—to deny a man his hopes because of his color or race, his religion or the place of his birth—is not only to do injustice, it is to deny America and to dishonor the dead who gave their lives for American freedom. -
How Nonviolent Warrior Feels on Firing Line in Rural Dixie
CHICAGO SUN-TIMES, Mon., May 20, 1963 STUDENTS7 ROLE IN RACIAL STRUGGLE How Nonviolent Warrior Feels On Firing Line In Rural Dixie Here is the second of two articles by strain of white hatred, threats, beatings, and the lawyer and the field hand and the Robert S. Bird of the New York Herald arrest, jail and even shootings? servant girls are all going to jail together. Tribune. His survey of Negroes' views Carver Neblett is 19 and a sophomore at Becomes Community Project on white America, described as "brilliant" Southern Illinois University, who has been "Then it is that we have become part of the by Walter Lippmann last week, has re on leave for more than a year. He was born community ourselves, and everybody is knit ceived widespread attention. into a sharecropper's family in rural Tennes together and the whole Negro group is ready see. The family moved north six years ago, to do anything—anything—to get their goal." By Robert S. Bird to Carbondale, 111., but he was not able to rid Carver was not able to express very well the Special from the New York Herald Tribune himself of the resentments he felt in growing quality of the peril which envelops such a up as a segregated Negro in the South. Snick-invaded rural Negro community like a I met Carver Neblett in about the same way When he was in his last year of high school chill miasma. But older and more mature you reach in and pull a number out of the hat. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.