Elysium Cards Guide
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A New Paradise Ekkehardt Mueller
A New Paradise Ekkehardt Mueller There is hardly a human being that does not long for peace, fulfillment, harmony, and happiness or, in other words, for some type of a paradise. The Greek talked about Elysium, the land of the blessed, in which good people would be able to live without worries. Germanic tribes dreamed about Valhalla, a splendid palace, where the warriors would feast on the flesh of boars and drink liquor. They would spent their days with sports, fighting, and hunting. Muslims are looking forward to a garden with abundant food to eat, wine to drink, and noble virgins to serve them. Many have tried or are still trying to create a paradise of their own on this earth. In any case, many yearn for complete satisfaction and perfect bliss. The first two chapters of Scripture talk about a paradise that humanity has lost, the last two chapters about a paradise which we may gain. I. Time and Place of the New Paradise • Rev. 20-21 After the Millennium, when Satan and his followers will be destroyed, a new heaven and a new earth will be created (Rev. 21:1). • Rev. 21:1-2 The new paradise will be found on planet earth, probably because it was here that the drama of redemption unfolded, and it was here that Jesus had lived and had been crucified. II. The Features of the New Paradise 1. The City (Rev. 21:10-27) The New Jerusalem reminds us of the garden of Eden and the temple, and it replaces both. In addition, it is found in stark contrast to the great, but wicked city Babylon (Rev 18:10, 21). -
Death and the Afterlife in Homer
Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different. -
David Kowalczyk / 4 Poems Psychopomp Except for a Long Gray
David Kowalczyk / 4 Poems Psychopomp Except for a long gray ponytail, this word is completely bald. This word has silver skin and the sparkling eyes of a mink. Its voice is a dulcet baritone. It has a spectacularly soothing smile. It was born in Clare Day, Wyoming to Peter Pan and Queen Victoria during the Time of the Forlorn Iguanas. Unthirlable This thick-lipped word was born in Hog Jaw, Alabama to Paracelsus and Hyapatia of Alexandria. It has the soul of a buzzard and the brains of a platypus. It has the eyes of an elf and the smile of a jack rabbit. This good-looking word is somewhat of an enigma. It spends its mornings playing canasta with ghosts. This word has a wobbly heart. Whimling This word pours Glenfiddich scotch over its breakfast cereal. Its brain is made of grits and jowls. This word believes the moon is a fat, dumb angel. This word’s face is made of green cheese. This word was born during the Year of the Ostentatious Nephrologists in Magazine, Arkansas to William Randolph Hearst and Judy Garland. Ylem This word is as clear and cold as Minnesota in March. It has the liver of a saint, and the heart of a mermaid. This word is a wild blue rose. Its voice is rich and resonant. Its heart holds no room for neither hope nor fear. Its face is free as the dawn This word makes only simple promises. It always tells people, “Living is my hobby.” David Kowalczyk lives and writes in Oakfield, New York. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
With Seamus Heaney in Elysium
MONTAGE Sarah Ruden (2008, the first by a woman), With Seamus Heaney and Barry Powell (2016). In 2011, A.T. Reyes published C.S. Lewis’s Lost Aeneid (book 1 and most of book 2, in rhymed alexan- in Elysium drines). Each has its appeal, each its ad- herents. Let a thousand Aeneids bloom, I A new translation from the Aeneid say, for to read the poem in the Englished versions of some of by richard f. thoMaS our age’s best poets Aeneid Book VI: A New is to be doubly en- Verse Translation, by riched. There has Seamus Heaney, Litt.D. n the fall of 2002, in those war-dark- lightning striking in a clear sky. At the time been no compa- ’98 (Farrar, Straus and ened days when Seamus Heaney was still of the seminar, Heaney was still living with rable period in the Giroux, $25) among us at Harvard (then as Emerson the poem, first published as “Jupiter and the 600 years since the I Poet in Residence), he generously agreed Thunder” in The Irish Times of November 17 of first English (Middle Scots, actually) trans- to come to a session of my freshman semi- that year. He would continue to do so until it lation by Gavin Douglas, written in 1523, nar on poetic translation. For two hours he was published as “Anything Can Happen, af- published in 1553. Others followed until joined in discussions of the Horace trans- ter Horace Odes 1.34” in District and Circle (2006), Dryden’s great Aeneis of 1697 silenced trans- lations by some of the 12 entranced 18-year with Horace made new: “Anything can hap- lators throughout the eighteenth century olds, some now published poets and writ- pen, the tallest towers | Be overturned.” and into the nineteenth. -
Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Underworld." In Oxford Classical Dictionary. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/123 For more information, please contact [email protected]. Underworld Radcliffe G. Edmonds III In Oxford Classical Dictionary, in Oxford Research Encyclopedia of Classics. (Oxford University Press. April 2019). http://dx.doi.org/10.1093/acrefore/9780199381135.013.8062 Summary Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. -
HESPERIDES and HEROES: a NOTE on the THREE-FIGURE RELIEFS 77 Knife, That This Is a Moment of Dark Foreboding
HESPERIDESAND HEROES: A NOTE ON THE THREE-FIGURERELIEFS (PLATES 11-14) flflHOUGH not a scrap of the original reliefs has been found, Thompson's attri- bution to the Altar of the Twelve Gods of the four famous three-figure reliefs known to us from Roman copies is one of the more important results of the Agora excavations for the history of Athenian sculpture in the late 5th century.1 The dating and interpretation of these reliefs is also vitally related to the history of other monu- ments of the Agora. I should like, therefore, to suggest a modification of Thompson's views on these points. Before Thompson's discovery that the dimensions of the reliefs admirably filled the spaces flanking the east and west entrances in the parapet surrounding the altar (P1. 12, b), the originals had generally been attributed to a choregic monument. This was because two of the reliefs, the Orpheus and Peliad reliefs (P1. 12, d, e), are notably tragic in their impact, including the elements of irony and reversal of fortune which we commonly associate with Attic tragedy. The two others, Herakles, Theseus and Peirithoos in the underworld (P1. 12, a, c) and Herakles in the Garden of the Hesperides (P1. 11, a-d), could also well be drawn from the subjects of tragedies performed in Athens.2 In order to interpret the last two in the same spirit as the first two, however, it was necessary to resort to the subtle language of literary interpretation rather than to the simpler language of art. No one could doubt, on looking at the Peliad with the " ' The Altar of Pity in the Athenian Agora," Hesperia, XXI, 1952, pp. -
Two Cases of the Golden Age: the Hesiodic Utopia and the Platonic Ideal State
TWO CASES OF THE GOLDEN AGE: THE HESIODIC UTOPIA AND THE PLATONIC IDEAL STATE A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÜNEŞ VEZİR IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF PHILOSOPHY SEPTEMBER 2019 Approval of the Graduate School of Social Sciences Assoc. Prof. Dr. Sadettin Kirazcı Director (Acting) I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Halil Turan Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Prof. Dr. Halil Turan Supervisor Examining Committee Members Assoc. Prof. Dr. Barış Parkan (METU, PHIL) Prof. Dr. Halil Turan (METU, PHIL) Assist. Prof. Dr. Refik Güremen (Mimar Sinan Fine Arts Uni., PHIL) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Güneş Vezir Signature : iii ABSTRACT TWO CASES OF THE GOLDEN AGE: THE HESIODIC UTOPIA AND THE PLATONIC IDEAL STATE Vezir, Güneş MA, Department of Philosophy Supervisor: Prof. Dr. Halil Turan September 2019, 119 pages This study was prepared to give information about the Golden Age myth, and in this regard, to illustrate for what purposes and in which ways the myth is used by Hesiod and Plato and the interaction and similarities between these thinkers. -
After Life in Roman Paganism
With the Compliments of YALE UNIVERSITY LIBRARY NEW HAVEN, CONN., U.S.A. AFTER LIFE IN ROMAN PAGANISM YALE UNIVERSITY MRS. HEPSA ELY SILLIMAN MEMORIAL LECTURES SILLIMAN MEMORIAL LECTURES PUBLISHED BY YALE UNIVERSITY PRESS ELECTEICITY AND MATTEE. By JOSEPH JOHN THOMSON, D.Sc., LL.D., PH.D., F.E.S., Fellow of Trinity College and Cavendish Professor of Ex perimental Physics, Cambridge University. (Fourth printing.) THE INTEGEATIVE ACTION OF THE NEEVOUS SYSTEM. By CHARLES S. SHERRINGTON, D.Sc., M.D., HON. LL.D. TOR., F.E.S., Holt Professor of Physiology, University of Liverpool. (Sixth printing.) EADIOACTIVE TEANSFOEMATIONS. By ERNEST RUTHERFORD, D.Sc., LL.D., F.E.S., Macdonald Professor of Physics, McGill University. (Second printing.) EXPEEIMENTAL AND THEOEETICAL APPLICATIONS OF THEE- MODYNAMICS TO CHEMISTEY. By DR. WALTER NERNST, Professor and Director of the Institute of Physical Chemistry in the University of Berlin. PEOBLEMS OF GENETICS. By WILLIAM BATESON, M.A., F.E.S., Director of the John Innes Horticultural Institution, Merton Park, Surrey, Eng land. (Second printing.) STELLAE MOTIONS. With Special Eeference to Motions Determined by Means of the Spectrograph. By WILLIAM WALLACE CAMPBELL, Sc.D., LL.D., Director of the Lick Observatory, University of California. (Second printing.} THEOEIES OF SOLUTIONS. By SVANTE ARRHENIUS, PH.D., Sc.D., M.D., Director of the Physico-Chemical Department of the Nobel Institute, Stockholm, Sweden. (Third printing.) IEEITABILITY. A Physiological Analysis of the General Effect of Stimuli in Living Substances. By MAX VERWORN, M.D., PH.D., Professor at Bonn Physiological Institute. (Second printing.) PEOBLEMS OF AMEEICAN GEOLOGY. By WILLIAM NORTH RICE, FRANK D. -
Syncretic Santa Muerte: Holy Death and Religious Bricolage
religions Article Syncretic Santa Muerte: Holy Death and Religious Bricolage Kate Kingsbury 1,* and R. Andrew Chesnut 2 1 Anthropology Department, University of Alberta, Edmonton, AB T6G 2HV, Canada 2 School of World Studies, Virginia Commonwealth University, Richmond, VA 23284, USA; [email protected] * Correspondence: [email protected] Abstract: In this article, we trace the syncretic origins and development of the new religious move- ment centered on the Mexican folk saint of death, Santa Muerte. We explore how she was born of the syncretic association of the Spanish Catholic Grim Reapress and Pre-Columbian Indigenous thanatologies in the colonial era. Through further religious bricolage in the post-colony, we describe how as the new religious movement rapidly expanded it integrated elements of other religious traditions, namely Afro-Cuban Santeria and Palo Mayombe, New Age beliefs and practices, and even Wicca. In contrast to much of the Eurocentric scholarship on Santa Muerte, we posit that both the Skeleton Saint’s origins and contemporary devotional framework cannot be comprehended without considering the significant influence of Indigenous death deities who formed part of holistic ontologies that starkly contrasted with the dualistic absolutism of European Catholicism in which life and death were viewed as stark polarities. We also demonstrate how across time the liminal power of death as a supernatural female figure has proved especially appealing to marginalized Citation: Kingsbury, Kate, and R. socioeconomic groups. Andrew Chesnut. 2021. Syncretic Santa Muerte: Holy Death and Keywords: Santa Muerte; death; liminality; religion; syncretic; Mexico; Santeria; Palo Mayombe; Lat- Religious Bricolage. Religions 12: 220. inx https://doi.org/10.3390/rel12030220 Academic Editor: Malgorzata Oleszkiewicz-Peralba 1. -
Reading the Afterlife in the Renaissance a Theological Reading of Christopher Marlowe’S Doctor Faustus and William Shakespeare’S Hamlet
Faculté de philosophie, arts et lettres (FIAL) Reading the Afterlife in the Renaissance A Theological Reading of Christopher Marlowe’s Doctor Faustus and William Shakespeare’s Hamlet Mémoire réalisé par Asseline Sel Promoteur(s) Prof. Guido Latré Année académique 2016-2017 Master en langues et lettres modernes, orientation germaniques, à finalité approfondie Faculté de Philosophie, arts et lettres (FIAL) Reading the Afterlife in the Renaissance Theological Aspects of the Afterlife in Christopher Marlowe’s Doctor Faustus and William Shakespeare’s Hamlet Mémoire réalisé par Asseline Sel Promoteur(s) Prof. Guido Latré Année académique 2016-2017 Master en langues et lettres modernes, orientation germaniques, à finalité approfondie Acknowledgements I would like to thank everyone who made the writing of this dissertation possible, directly or indirectly. First of all, I would like to thank my supervisor, Professor Guido Latré, for his continuous support and his precious advice during the writing of this Master dissertation, as well as for his precious guidance during the entirety of my curriculum. While allowing me to work independently and to develop my own path of research and methodology, he was always available and ready to provide me with useful advice and sources, whenever I felt the necessity to ask for guidance. Secondly, I am indebted to Professor Dirk Delabastita for accepting to be the second reader of this dissertation. I am particularly indebted to Professor Michael Neills, Emeritus Professor of English at the University of Auckland, New Zealand, and Shakespearian scholar, for his willingness to provide assistance in obtaining sources. Finally, I must express my deep gratitude to my family and friends. -
A Reader in Comparative Indo-European Religion
2018 A READER IN COMPARATIVE INDO-EUROPEAN RELIGION Ranko Matasović Zagreb 2018 © This publication is intended primarily for the use of students of the University of Zagreb. It should not be copied or otherwise reproduced without a permission from the author. TABLE OF CONTENTS Abbreviations........................................................................................................................ Foreword............................................................................................................................... PART 1: Elements of the Proto-Indo-European religion...................................................... 1. Reconstruction of PIE religious vocabulary and phraseology................................... 2. Basic Religious terminology of PIE.......................................................................... 3. Elements of PIE mythology....................................................................................... PART II: A selection of texts Hittite....................................................................................................................................... Vedic........................................................................................................................................ Iranian....................................................................................................................................... Greek.......................................................................................................................................