The Man Who Fooled Houdini
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The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Ray Goulet by David Goodsell
Heart and Soul a Collector! Ray Goulet By David Goodsell The wonderful things about a personal tour of Ray Goulet’s Mini Magic Musuem are the stories, the personal details about who previously owned the items and how Ray came to acquire them. Ray showed me three coin wands from the late 1800s. “I got these about 15 years ago from the estate of John Brown Cook, a great amateur magician who lived in New York City. He was great friends with Vernon, Carlyle, Slydini, and everyone else in New York. Cook was very wealthy and owned two Mercedes automobiles, with vanity plates that said Mr. Cook and Mrs. Cook.” Holding the wands in what can only be described as “with affection,” Ray continued. “All three are the same,” he told me, “but one is nickel plated, the second brass and the third a kind of gray, treated metal with black tips. I am familiar with Brema’s work and am pretty sure they were made by him. This looks like his work. These wands used 1800s half dollars, and look, the original half dollars are still in them – 1867, and 1889.” That is the icing on the collector’s cake! Turning toward the huge Houdini Master Mystifier “Bur- ied Alive” poster on the south wall, Ray rested his hand on the post of an upright frame holding well over a dozen small frames of glass, tilted in opposition, zig-zagging down the center of the frame. On top of the frame was a top hat. Picking up a goblet containing several coins, Ray explained how it worked. -
Rare Posters • Ephemera • Photographs • Apparatus • Postcards & More!
PO Box 1078 • yardley, pa 19067-3434 RARE POSTERS • EPHEMERA • PHOTOGRAPHS • APPARATUS • POSTCARDS & MORE! Haversat cover 2018.indd 1 2/6/18 8:02 PM Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION AuctionSaturday, N Februaryovember 15, 201 23-24,4 -11:00 A M2018 Sign-up to bid at: www.haversatewing.com Active bidding on all lots begins at 11:00 AM EST-Friday February 23, 2018 First lot closes Saturday, February 24, at 5:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM APPARATUS AND EQUIPMENT 1. Abbott’s Wonder Cylinder - A heavy chrome tube can be shown unprepared. Four silks are stuffed into the tube and left with their tops sticking out the top of the tube. At the magician’s command the silks vanish although the audience can see them till the last instant. Circa 1944. Very good. $40-50 ~Lot 1~ 2. Abbott-Reidel Lot - Lot includes two effects. Case of the Mysterious Zombie - This red lacquered chest allows the performer to cause a zombie ball to rise from within the confines of the box. Chest only. Supply your own Zombie ball and silk. Abbott’s Magic Co., 1986. Mint. Haunted Card Rise Chest - Any number ~Lot 2~ of selected cards rise from a decorated wooden box. Chosen cards actually push the lid up as they rise. Produced by Clint ~Lot 3~ Reidel. Mint. $40-50 3. Antique Change Bag - Early 20th century nickel-plated change bag with maroon velvet bag and tassel. -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Abbott Downloads Over 1100 Downloads
2013 ABBOTT DOWNLOADS OVER 1100 DOWNLOADS Thank you for taking the time to download this catalog. We have organized the downloads as they are on the website – Access Point Worldwide, Books, Manuscripts, Workshop Plans, Tops Magazines, Free With Purchase. Clicking on a link will take you directly to that category. Greg Bordner Abbott Magic Company 5/3/2013 Contents ACCESS POINT WORLDWIDE ............................................................................................................ 4 ABBOTT DOWNLOADABLE BOOKS ............................................................................................... 19 ABBOTT DOWNLOADABLE MANUSCRIPTS ................................................................................ 23 ABBOTT DOWNLOADABLE WORKSHOP PLANS ....................................................................... 26 ABBOTT DOWNLOADABLE TOPS MAGAZINES ......................................................................... 30 ABBOTT DOWNLOADABLE INSTRUCTIONS .............................................................................. 32 ABBOTT FREE DOWNLOADS ........................................................................................................... 50 ACCESS POINT WORLDWIDE The latest downloads from around the world – Downloads range in price 100 percent Commercial Volume 1 - Comedy Stand Up 100 percent Commercial Volume 2 - Mentalism 100 percent Commercial Volume 3 - Closeup Magic 21 by Shin Lim, Donald Carlson & Jose Morales video 24Seven Vol. 1 by John Carey and RSVP Magic video 24Seven Vol. -
Max-Malini-By-David-Ben-Courtesy
BY DAVID BEN LE C CIR C HE MAGI T COURTESY OF COURTESY 44 GENII Malini. Max Malini. For many of us, particularly those of my generation who were introduced to Malini through the pages of the Stars of Magic and the works of Dai Vernon, the name Malini conjur- ers up the image of a bold, brash, itinerant magician—the last of the mountebanks—who performed parlor magic and close-up magic par excellence. With an abundance of audacity, broken-English, and a guttural voice with an Eastern-European accent, Malini toured the world, performing for the rich and famous. Even more intriguing, Malini had few confidants and what we know of him, and his work, is primar- ily from the previously mentioned works, par- ticularly those associated with Vernon and, in more recent years, from Charlie Miller and his protégé, John Thompson. OCTOBER 2012 45 MY OWN INTEREST AND UNDERSTANDING of Malini, however, took a seismic shift when I embarked on the journey that is Dai Vernon: A Biography. Vernon, of course, acknowledged Malini as being of the utmost influence. Malini was the “M” in the “J.K.L. and M,” the four per- formers—Jarrow, Keane, Leipzig, and Malini—who had a profound effect on Vernon’s development and his understanding of what constituted magic—ele- gant sleight-of-hand performed naturally but with lasting impact. As I sourced material for the Vernon biography I came a sizeable file on Malini and his magic. Hopefully, one across thousands of letters by and about Vernon, his influ- day, someone will write a book about Malini. -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
193 145 7806 Howard Thurston's CARD TRICKS
PRICE 25 CENTS IN STORAGE Ohio 793.85 T545c 193 145 7806 et BHT Howard Thurston's CARD TRICKS Being a fin de sitcle manual on the Art of Conjuring with Cards, including, among many hitherto unpublished novel and unique experiments, a comprehensive description of THE CONTINUOUS FRONT- AND BACK HAND PALM WITH CARDS AND THE SENSATIONAL NEW RISING CARD TRICK as presented by the Author in the leading Vaudeville Theatres of the World, including the PaUcs Theatre1, London, for six consecutive months. 'jfortje*ti\>e Illustrations COLUMBUS PUBLIC LIBRARY" COLUMBUS AND OHIO DIVISION <MIM>mu- COPYRIGHT, 1903, BY HENRY J. WEHMAN, PREFACE. IN presenting to my magical confreres and the pub lic in general this contribution to the already ex tensive literature on Conjuring and Card Tricks, I would point out that I can make no excuse for the raison d'etre of this book beyond the fact that I have been led to believe that a strictly ORIGINAL TREATISE, embracing the very latest sleights with playing-cards, combined with descriptions of many new and hitherto unknown non-sleight-of-hand card tricks, would meet with approbation from amateurs and professionals alike, taking into con sideration the ever-increasing popularity of the Magician's Art. HOWARD THURSTON. PALACE THEATRE, LONDON, January, 1901. O L.L. •3 CONTENTS. CHAPTER I. A FEW INCIDENTS IN THE LIFE OF HOWARD THURSTON, PREMIER CARD MANIPULATOR OF THE WORLD, ....... I CHAPTER II. INDISPENSABLE SLEIGHTS, 10 CHAPTER III. THE CONTINUOUS FRONT- AND BACK-HAND PALM, WITH CARDS AND TRICKS IN CONNECTION THEREWITH, 19 CHAPTER IV. -
By Tom Ewing
Magical Treasures of Philadelphia by Tom Ewing n behalf of the vibrant magic community Hosting this national convention is also noth- in Philadelphia, welcome to the many ing new to the city as we have done so on Onational convention attendees to our city. four other occasions—1931, 1968, 1972, and We have a rich political history as the site of 1976. We can also boast five National S.A.M. the First and Second Continental Congresses Presidents and two Deans of the Society with during the American Revolution. It was here, close ties to the city. too, that the Declaration of Independence was drafted and adopted, and from 1790- In mid-1700s, Philadelphian Jacob Meyer be- 1800 we served as the nation’s capital. It was gan performing magic and eventually adopt- also the home of Benjamin Franklin, Betsy ed the stage name Philadelphus Philadelphia Ross, and other notables. and rose to fame here and abroad. He trav- eled extensively throughout Europe and per- We have a rich magic history stretching back formed before the Empress Catharine and Sultan to those early colonial days up to the present. Mustapha the Third at Constantinople. Also in the late 1700s, conjurors such as should be more on theaters and buildings or Hymen Saunders, Signor Falconi, and John people. Since people are far more interesting, Rannie performed at local taverns and public I went with human treasures. Of course, I had houses in the city. to throw in some buildings and theaters, too. It was also here that Von Kempelen’s chess- Magic Shops playing automaton, “The Turk,” spent its final and last days. -
Vernon Lecture Magic Castle April 1, 1977 L&L
Dai Vernon Lecture at the Magic Castle, April 1 st , 1977 (DVD from L&L Publishing as part of the 2012 commemorative set) Transcription and Notes by Roberto Giobbi, June 2011/February 2012 G = general remarks TH = theory T = technique S = subtlety E = effect A = anecdote P = presentation Category Content Comment G Tape starts without introduction. DV sits at the table in the “Parlour of Prestidigitation” “Be natural” is one of Dai Vernon’s most of the Magic Castle. misunderstood credos. By watching this and He says that in order to fool people you have to be natural and not use fancy moves, other lectures carefully it is easier to understand which are just exhibition of dexterity, not magic. than if reading the books, one of the few advantages of video. E/T Does vanish of a large ball (used as loads) by apparently transferring it from the right This double vanish is wonderful. I’ve never seen hand to his left hand and using the wand as protection. Repeats, but really places ball anybody except DV do this. The timing on the in left hand, then uses Silent Mora wand spin to vanish. This looks impossible, wand spin is incredible – it looks like real magic. absolutely beautiful. This is explained only briefly. E/T Shows a ball vanish used by Nate Leipzig , were a ball is pushed down into the left fist using the right thumb, and when the right hand moves away, it surreptitiously catches the ball falling from the hand – similar dynamics to the wand spin vanish just shown. -
Harry Houdini and Howard Thurston Were So Popular That the Era Became Known As the Golden Age of Magic
Illusions The Art of Magic Large Print Exhibition Text This exhibition is organized by the McCord Museum in Montreal. All of the framed posters on view are from the McCord’s Allan Slaight Collection. Lead La Fondation Emmanuelle Gattuso Supporters The Slaight Foundation Exhibition Overview There are 9 sections in this exhibition, including a retail shop. Visitors will enter Section 1, upon turning right, after passing through the entrance. Enter / Exit Section 1 Content: Exhibition title wall with 1 photograph and partnership recognition, and 2 posters on the wall. Environment: shared thoroughfare with exhibition exit. Section 2 Content: 9 posters on the wall, 1 projected film with ambient audio, and 1 table case containing 4 objects Environment: darkened gallery setting with no seating. Section 3 Content: 9 posters on the wall. Environment: standard gallery setting with no seating. Section 4 Content: 9 posters on the wall. Environment: standard gallery setting with bench seating. Section 5 Content: 8 posters on the wall, 1 short film with ambient audio, 1 table case containing 9 objects, and an interactive activity station with seating. Environment: standard gallery setting with no seating. Section 6 Content: 7 posters on the wall. Environment: standard gallery setting with no seating. Section 7 Content: 6 posters on the wall. Environment: standard gallery setting with no seating. Section 8 Content: 7 posters on the wall, 2 projected silent films, 1 table case containing 15 objects, and a free-standing object. Environment: standard gallery setting with dim lighting. No available seating. Section 9 (Retail Shop) Visitors must enter through the retail shop to exit the exhibition.