Why Did Kodak Go Bankrupt?
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George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
165Th Historic Preservation Meeting Notes (Pdf)
September SRB Meeting Notes – Jennifer Walkowski LE ROY DOWNTOWN HISTORIC DISTRICT Sponsor: Le Roy Business Council Funding: Preserve NY Grant POS: 1811-1963 SLIDE 1: Intro The Le Roy Downtown Historic District is significant as a highly intact collection of residential and commercial buildings that reflect the evolution of the primary traffic artery through Le Roy, demonstrating its growth from frontier settlement to a bustling community in the twentieth-century. The Le Roy Downtown Historic District is eligible under Criterion C in the area of Architecture and Criterion A in the areas of Commercial and Social History. Main Street anchored early commercial and residential development in the Village of Le Roy, and it remains the primary thoroughfare and commercial corridor of the town. The district contains a variety of buildings that reflect the evolution of popular architectural styles from the early nineteenth through the mid-twentieth century. SLIDE 2: Map Early settlement in Le Roy clustered toward the eastern end of the historic district, nearest to Oatka Creek, which powered the mills that drove the town’s early industry. Commercial development started adjacent to these early mills, while residential settlement spread in a linear pattern along what became known as Main Street. Because the Main Street corridor remained a 1 primary focus of investment and development as the village evolved and flourished in the nineteenth and twentieth centuries, buildings in the district represent a wide variety of eras, from the earliest settlement before the Village of Le Roy was officially organized to the automobile-centric recent past. SLIDE 3: Historic photos The period of significance for the Le Roy Downtown Historic District extends from 1811 to 1963, the construction dates of the oldest and newest contributing buildings in the district. -
Summer 2018 Bulletin
CELEBRATING OUR 147TH YEAR OF SERVICE KEHILATH JESHURUN BULLETIN Volume LXXXVIII, Number 4 June 22, 2018 9 Tammuz 5778 CALL Y OUR MOTHER by Rabbi Chaim Steinmetz ate in his career, South Central Bell the most spiritual man needs to eat a and groaning Telephone Company asked the nourishing lunch. and possibly LUniversity of Alabama football But katnut hamochin becomes a in pain. The coach Bear Bryant to do a TV commercial. problem when it monopolizes your “victim” had In it, Bryant would tell the audience how consciousness. It’s easy to fixate on the been put there he encourages his young football recruits details and lose sight of the big picture. by Dr. Batson to call home. The script called for Coach Minding the mundane can rapidly devolve and Professor Darley Bryant to end the commercial in his tough, into small mindedness. to see if the seminarians would play the gruff voice and say: “Have you called your A classic example of this is the role of the Good Samaritan - or pass him mama today?” instinctive response to hurry. by…… On the day of the filming, Coach On April 10, 1971, The New York Of the 40, a total of 16 stopped to help. Bryant ad-libbed the ending, and with an Times reported about two academics at Twenty-four did not swerve from their emotional voice said: “Have you called Princeton: path. One even stepped over the “victim” your mama today? I sure wish I could call Prof. John M. Darley, who teaches to get through the doorway he had mine.” psychology at the university, and C. -
Listed on the National Register of Historic Places
' ' ' f www.nysparks.com/shpo OR www.nysparks.state.ny.us/shpo ~ t .li<fi/_~y National Register Sources of Preservation Assistance Investment Tax Credit Certified Local Government Archeology Environmental Review Technical Assistance Online Resources Territory Maps Site Map Contact New York State Historic Preservation Office Peebles Island, PO Box 189, Waterford, New York 12188-0189 (518) 237-8643 .:}rJ--7~ .3 • SH1A1y <J'1SlzA-YL - fi'La,;, J4 ~rf-e- /JJ/j, J;;- ~J'~ ~ .f#D ,j/''Tlc;:.- - ~~Or ?v11 /J-;~1-J~~ -(}s"P!O C-oy;;?~ Pbrt-- t2dl,/n ~I./ p GIJ - 11.-f-u;~~cJ~ clj'Q~lr/ fx:. - J.-/ SJT£? /no/''2-.n 17f s ~ (J}L_ I ;v 7l/2- fk o c J: S'S d ,./ J_( S 77~ f - l:f P17Jrf- ((VL r€I/'<;~ //Vt {fy./ fi/ I f\/Vcj l (/ [I//' I !'I ;l-1£- Jkirl!J'rl I!/ ui,_ e /LP ./-M-t3 If_ [ co ;,J J7?Ur ~ cvJ ) I www .nysparks.com/shpo OR www .nysparks.state.ny.us/shpo National Register Sources of Preservation Assistance Investment Tax Credit Certified Local Government Archeology Environmental Review Technical Assistance Online Resources Territory Maps Site Map Contact New York State Historic Preservation Office Peebles Island, PO Box 189, Waterford, New York 12188-0189 (518) 237-8643 /f;J __1-, ~¢>,TION ·Jt~ ,~.~~ J;t~ b ·c ~ ill u. Kl 0 ::0 New York State Office of Parks, Recreation and Historic Preservation (f//flv'I {IJ,u-- u.~ .....~ Historic Preservation Field Services Bureau ,- / ~ NEW YORK STATE ~ Peebles Island, PO Box 189, Waterford, New York 12188-0189 518-237-8643 Bernadette Castro February 1, 2005 Commissioner ~/_. -
George Eastman at Home by Elizabeth Brayer
ROCHESTER HISTORY Edited by Ruth Rosenberg-Naparsteck City Historian Vol. LIi Winter, 1990 No.1 George Eastman by Elizabeth Brayer Above: George Eastman al/he age of three in 185 7. This miniature ambrolype in a case appears lo be the only surviving early childhood photograph of the person who set the world lo snapping pictures. Cover: George Eastman and an unidentified passenger in his handmade 4 1/2 horsepower Stanley Steamer l..ocomobile about 1900. An early president of the Automobile Club, Eastman "believed that automobiling is destined lo be a great benefit lo this country," and always had five or sir of the /ales/ models in his garage. The Stanley twins who made this "flying teapot, " as the press dubbed ii, also made photographic dry plates. They sold their dry plate business lo Eastman in 1904. ROCHESTER HISTORY, published quarterly by the Rochester Public Library. Address correspondence to City Historian, Rochester Public Library, 115 South Ave., Rochester, NY 14604. Subscriptions to the quarterly Rochester History are $6.00 per year by mail. $4.00 per year to people over 55 years of age and to non-profit institutions and libraries outside of Monroe County. $3.60 per year for orders of 50 or more copies. Foreign subscriptions $10.00. ~ROCHESTER PUBLIC LIBRARY 1989 US ISSN 0035-7413 2 Enstmnn's /rouse in Waterville, New York. On the 100th anniversary of Enslmnn 's birth tir e house was moved to tire grounds of George Eastman House of Plrotogrnplry (as ii wns then en lied.) Twenty-five yen rs later it wns moved to Genesee Country Museum . -
How Digital Cameras Capture Light
1 Open Your Shutters How Digital Cameras Capture Light Avery CirincioneLynch Eighth Grade Project Paper Hilltown Cooperative Charter School June 2014 2 Cover image courtesy of tumblr.com How Can I Develop This: Introduction Imagine you are walking into a dark room; at first you can't see anything, but as your pupils begin to dilate, you can start to see the details and colors of the room. Now imagine you are holding a film camera in a field of flowers on a sunny day; you focus on a beautiful flower and snap a picture. Once you develop it, it comes out just how you wanted it to so you hang it on your wall. Lastly, imagine you are standing over that same flower, but, this time after snapping the photograph, instead of having to developing it, you can just download it to a computer and print it out. All three of these scenarios are examples of capturing light. Our eyes use an optic nerve in the back of the eye that converts the image it senses into a set of electric signals and transmits it to the brain (Wikipedia, Eye). Film cameras use film; once the image is projected through the lens and on to the film, a chemical reaction occurs recording the light. Digital cameras use electronic sensors in the back of the camera to capture the light. Currently, there are two main types of sensors used for digital photography: the chargecoupled device (CCD) and complementary metaloxide semiconductor (CMOS) sensors. Both of these methods convert the intensity of the light at each pixel into binary form, so the picture can be displayed and saved as a digital file (Wikipedia, Image Sensor). -
Sol M. Linowitz Papers
Sol M. Linowitz Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2007 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms008125 LC Online Catalog record: http://lccn.loc.gov/mm00084721 Prepared by Michael Spangler with the assistance of Thomas Bigley, Sherralyn McCoy, Ernest Emrich, Dan Oleksiw, and Pamela Watkins Collection Summary Title: Sol M. Linowitz Papers Span Dates: 1778-1999 Bulk Dates: (bulk 1946-1995) ID No.: MSS84721 Creator: Linowitz, Sol M., 1913-2005 Extent: 194,000 items ; 638 containers plus 16 oversize plus 3 classified ; 270.8 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Lawyer, businessman, diplomat, and consultant to United States presidents. Diaries, correspondence, speeches and writings, interviews, an oral history, organizational records, reports, photographs, printed matter, clippings, and travel files documenting Linowitz's career as an attorney, executive for Xerox Corporation, ambassador to the Organization of American States, co-negotiator of the Panama Canal treaties, and presidential representative to Middle East peace negotiations. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Begin, Menachem, 1913-1992--Correspondence. Bourne, Peter G., 1939- --Correspondence. Bunker, Ellsworth, 1894-1984--Correspondence. Bunker, Ellsworth, 1894-1984. Carlson, Chester Floyd, 1906-1968--Correspondence. -
Phase IA/B Archaeological Reconnaissance Survey
Phase 1A Cultural Resource Survey Inner Loop East Reconstruction Project City of Rochester, Monroe County New York by Nathan Montague, M.A. Douglas J. Perrelli, Ph.D., RPA Principal Investigator Reports of the Archaeological Survey, Volume 45, Number 3 Department of Anthropology, State University of New York at Buffalo February 2013 Prepared for: Stantec Consulting Services Inc 61 Commercial Street Rochester, NY 14614 i MANAGEMENT SUMMARY Project Name: Inner Loop East Reconstruction Project Phase of Survey: Phase 1A Cultural Resource Survey Location Information: Location: City of Rochester Minor Civil Division: 05540 County: Monroe County, New York Survey Area: The project area examined by this study is located along the Inner Loop from I-490 (East of Genesee River) to East Main Street. The project area encompasses 11 ha (27 ac). USGS 7.5 Minute Quadrangle: 1971 Rochester East, N.Y. Sensitivity Assessments: Precontact: An analysis of the distribution of previously recorded sites along with other background research data suggests that the project area has a high sensitivity for precontact archaeological sites. Sites have been found in the vicinity of the project area and along the Genesee River, which lies close to the west end of the project area. Site types expected to occur include villages, short-term camps, lithic scatters, and artifact find spots. Sensitivity may be degraded by modern land use including recent utility installations, commercial and residential development, parking lot and sidewalk construction, highway construction, and landscaping. Historic land use patterns indicate that most of the project area has been impacted by development. However, relatively undisturbed precontact deposits may remain in the project area, especially around the perimeter of the project area. -
Revolutionizing Communication Picture by Picture Sadie Korngold
The Digital Camera: Revolutionizing Communication Picture by Picture Sadie Korngold-Finkelstein and April Tong Senior Division Group Website Student Composed Website Words: 1199 words Media: 0:00 minutes Process Paper Word Count: 500 1 We chose the topic of how the digital camera revolutionized communication while thinking about the activities that interest us. We both enjoy photography and simultaneously use social media frequently. In the age of technology and cameras, social media is a primary way to communicate with your friends and spread news. At first we wanted to focus our project on the life of the first digital camera’s inventor, Steven Sasson, however, we shifted our project to the digital camera when we realized the bigger long term impacts. The photos everyone scrolls through on Instagram or Facebook are informing the public or their followers about current events or popular topics of the day. These photos were only made possible from the functions of the first digital camera which later transitioned into camera phones, and then smartphones. The majority of our research came from news articles and websites we found on the internet. We used many of The New York Times articles about the digital camera and Steven Sasson since it is a reliable source. In addition, we watched many interviews on Sasson from different sources, such as Kodak, about his process of creating the first digital camera. We aimed for finding sources from when the camera was released and the inventions to follow. For example, we used The New York Times archives to find articles from the day Kodak announced their bankruptcy and when the first camera phone was released. -
2010 George Eastman House Exhibitions
2010 George Eastman House Exhibitions What We're Collecting Now: Colorama The Family Photographed Curated by Jessica Johnston Curated by George Eastman House/Ryerson June 19–October 17 University Photographic Preservation & Collections Management students Jennie McInturff, Rick What We're Collecting Now: Art/Not-Art Slater, Jacob Stickann, Emily Wagner, and Andrew Curated by George Eastman House/Ryerson Youngman University Photographic Preservation & Collections September 5, 2009-July 18, 2010 Management students Jami Guthrie, Emily McKibbon, Loreto Pinochet, Paul Sergeant, D’arcy Where We Live White, and Soohyun Yang Curated by Alison Nordström, Todd Gustavson, July 24–October 24 Kathy Connor, Joseph R. Struble, Caroline Yeager, Jessica Johnston, and Jamie M. Allen Taking Aim: Unforgettable Rock ’n’ Roll October 3, 2009-February 14, 2010 Photographs Selected by Graham Nash October 30–January 30, 2011 How Do We Look Curated by Alison Nordström and Jessica Johnston All Shook Up: Hollywood and the Evolution of October 17, 2009-March 14, 2010 Rock ’n’ Roll Curated by Caroline Frick Page Roger Ballen: Photographs 1982–2009 October 30–January 16, 2011 Curated by Anthony Bannon February 27–June 6 Machines of Memory: Cameras from the Technology Collection Portrait Curated by Todd Gustavson Curated by Jamie M. Allen Ongoing February 27–October 17 The Remarkable George Eastman Persistent Shadow: Curated by Kathy Connor and Rick Hock Considering the Photographic Negative Ongoingz Curated by Jessica Johnston and Alison Nordström March 20–October -
ROCHESTER HI510RY Paying for the Dreams
ROCHESTER HI510RY Ruth Rosenberg-Naparsteck, Editor Vol. XLIX April, 1987 No.2 Paying for the Dreams A Short History of Banking in Rochester by Gerard Muhl Above: Young Thurlow Weed, a printer's assistant, was sent to Alba ny by Nathaniel Rochester and Elisha Strong to lobby for a charter for the Bank of Rochester, Rochester's first bank. He later recalled that the charter cost only $1000 while a New York bank paid $200,000. Cover: Industry and thrift were virtues encouraged by Charles Finney in his revivals in the 1830's. The Rochester Savings Bank was founded on these virtues. It did not accept large deposits, but encouraged the working man to save. (Courtesy of Rochester Community Savings Bank). ROCHESTER HIS10RY, published quarterly by the Rochester Public Library. Address correspondence to City Historian, Rochester Public Library, 115 South Ave., Rochester, NY14604. Subscriptions to the quarterly Rochester History are $6.00 per year by mail. $4.00 per year to people over 55 year.; of age and to non-profit institutions and libraries outside of Mon roe County. $3.60 per year for orders of 50 or more copies. © ROCHESTER PUBLIC LIBRARY 1987 US ISSN 0035-7413 The Rochester Savings Bank was founded in 1831. The bank building on West Main Street was impressive. Paying for The Dreams On July 4, 1812 Hamlet Scrantom moved into his newly built log home on lot number one in Nathaniel Rochester's hundred-acre tract and became the first resident of what would be incorporated as the vil lage of Rochesterville five years later in 1817. -
Summer 2018 Photo Notes
Park West PHOTO NOTES Camera Club Summer 2018 This Issue Volume 81 • Issue 10 Club News......................................2 - 23 Photography News......................24 - 39 Exhibits, Workshops, Etc………40 - 41 Schedule of Activities..................42 - 55 Complete Index...................................56 detailed listings on last page Summer 2018 www.ParkWestCameraClub.org !1 Park West Camera Club Committee Chairs The Park West Camera Club is an independent not-for- Archive Myrna Harrison-Changar profit corporation. Guests are always welcome at meet- 212 663 1422 [email protected] ings and activities. Competition John Brengelman The Park West Camera Club newsletter, Photo Notes, is 917-543-7957 [email protected] published every month by and for the members of the Hedy Klein 718 793 0246 [email protected] Park West Camera Club. Subscriptions are included with Club membership. Yearly subscriptions are avail- Field Trip Susan Sigrist able to non-members by e-mail at no charge. Printed 212 758 0036 [email protected] issues are available at PWCC meetings. Paul Grebanier 718 629 7164 [email protected] Submissions of full-length articles or smaller items of photographic or general interest are always accepted. Gallery Karen Corrigan The staff of Photo Notes reserves the right to edit any 212 674 2201 [email protected] submissions which are published. House Marty Smith Deadline for submissions is the first Monday of each 347 703 3905 [email protected] month. Membership Marlene Schonbrun Photo Notes is optimized for viewing