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Download/Documents/204000/Amr340011976en.Pdf UC San Diego UC San Diego Electronic Theses and Dissertations Title The Open Graves of Latina/os: Representations of a Latinx Horror in Pinto Poetics, Border Gothic, and Homeless Encampments in Los Angeles Permalink https://escholarship.org/uc/item/7b07s8hw Author Cortes, Luis Alberto Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SAN DIEGO The Open Graves of Latina/os: Representations of a Latinx Horror in Pinto Poetics, Border Gothic, and Homeless Encampments in Los Angeles A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Luis Alberto Cortes Committee in charge: Professor Dennis Childs, Co-Chair Professor Sara Johnson, Co-Chair Professor Curtis Marez Professor Sal Nicolazzo Professor Rosaura Sanchez 2021 Copyright Luis Alberto Cortes, 2021 All rights reserved. The dissertation of Luis Alberto Cortes is approved, and it is acceptable in quality and form for publication on microfilm and electronically. University of California San Diego 2021 iii DEDICATION I would like to dedicate this work to my father and mother, Luis & Mayra Cortes for always believing in me. I would also like to thank my brother and sister, Edwin Giovanni and Cynthia Yareli Cortes, for inspiring me. Lastly, I would like to thank my life partner, Defne Sevil, for listening. I am immensely grateful to my dissertation committee members and professors who guided me in this process. In particular, I would like to thank Dr. Rosaura Sanchez, Dr. Dennis Childs, and Dr. Sara Johnson for their unwavering support. I would like to thank Dr. Curtis Marez and Dr. Sal Nicolazzo for their mentorship and compassion. Lastly, I would like to thank Dr. Fred Randel, Dr. William O’Brien, and Dr. Michael Davidson, for showing me that our life is poetry. iv EPIGRAPH Rest In Peace, Andres “Chito” Cortes May 16th, 1959 - April 14th, 2021 v TABLE OF CONTENTS DISSERTATION APPROVAL PAGE. ...................................................................................................... iii DEDICATION ............................................................................................................................................. iv EPIGRAPH ................................................................................................................................................... v TABLE OF CONTENTS ............................................................................................................................. vi VITA ........................................................................................................................................................... vii ABSTRACT OF THE DISSERTATION .................................................................................................. viii Introduction: In the Flesh .............................................................................................................................. 1 Chapter One: Howling Voices and Haunting Jaguars................................................................................. 17 Chapter Two: Entombed Voices ................................................................................................................. 43 Chapter Three: The Voice That Once Was A Woman ............................................................................... 86 Chapter Four: Voces del Infierno.............................................................................................................. 114 Conclusion: The Lives of Infamous Latina/os .......................................................................................... 136 Bibliography ............................................................................................................................................. 150 vi VITA Luis Alberto Cortes obtained his PhD in Literature at the University of California San Diego. His dissertation explores the genealogical modern inheritance of colonial mechanisms destroying bodies and epistemologies deemed expungable by dominant hegemonic culture. His honors thesis is on John Milton’s Paradise Lost and the patriarchal family structure represented within the poem, for which he was awarded Honors with Highest Distinction. In the doctoral program, Luis concentrated in 20th century American Literature, specifically Latinx & Chicanx literature. His educational background in both British and American Literature equips him to effectively engage in the discourse of a wide variety of Spanish, Anglophone, & Transatlantic literature and writing discursive fields. Luis Cortes is the son to formerly undocumented migrants, who themselves underwent the life-threatening US-Mexico desert border crossing, and a first-generation Chicano graduate. Luis has presented his work at The Society for the Study of the Multi-Ethnic Literatures of the United States (MELUS) Conference, and the UMass-Amherst Graduate History Association Conference. 2013 Bachelor of Arts, University of California San Diego 2018 Master of Arts, University of California San Diego 2021 Doctor of Philosophy, University of California San Diego vii ABSTRACT OF THE DISSERTATION The Open Graves of Latina/os: Representations of a Latinx Horror in Pinto Poetics, Border Gothic, and Homeless Encampments in Los Angeles by Luis Alberto Cortes Doctor of Philosophy in Literature University of California San Diego, 2021 Professor Dennis Childs, Co-Chair Professor Sara Johnson, Co-Chair This work centers on the necropolitical lived reality of Latinx people within the United States. Specifically, this work explores the conditions of death present at the US-Mexico border which migrants encounter, as well as the condition of social death that those undocumented migrants inhabit once within the United States. In this project, we examine the haunting voice that is encapsulated within literary texts emerging from or representative of necropolitical geographies; particularly, the US-Mexico border, the prison, and Los Angeles. Through a close reading of the literary texts, in conjunction with historical data which corresponds to the atrocities documented viii within the literature, this project focuses on the haunting present within Latinx texts concerned with the migrant, prisoner, and homeless experience. Ultimately, I argue that the work of Tobar, Salinas, Baca, Lucero, and Limón, demand a new reading practice and a new kind of reader; one attuned to the necropolitical realities experienced by Latinx people. What the new reader must understand, is that these necropolitical encounters are sanctioned and absolved by American imperialism and unfettered racialized & patriarchal capitalism. ix Introduction: In the Flesh “O’ Heinous Gods Who stand for LAW! to you i shall not bow” —raulrsalinas, “Declaration of a Free Soul” “There has to be a reason for all of this misery” —Graciela Limón, The River Flows North This work is concerned with the process of reclamation, and to that end you are now my accomplice. Together, we will testify, acknowledge, and explore the lives and deaths of Latinx people caused by the United States foreign and domestic economic policy. The Open Graves of Latina/os analyzes the horror produced by the legal sorcery which transfigures people, such as the homeless, the incarcerated, and the undocumented, into positions of death-in-life, social death, and biological annihilation.1 In particular, this project focuses on Latinx cultural production, such as novels, poems, images, films, and testimonies that represent this systematic process of dehumanization through terror.2 I trace this Latinx counter-discourse against power, generated both by authors who represent and survivors who testify about the legal creation of American necropolitical mechanisms of disarticulation through the late 20th and early 21st centuries. Stated simply, my work examines the texture of Latinx writing which takes as its focus American institutions which systematically kill our people. My work centers on a Latinx necropolitical literary undercurrent which resists the dominant hegemonic cultural institutions that transmutate the human into nonhuman in 1 Here, I am deploying Joan Dayan’s formulation of legal sorcery as, “the creation of an artificial person in law, whether the civil body, the legal slave, or the felon rendered dead in law, takes place in a world where the supernatural serves as the infallible mechanism of justice” (“Legal Slaves and Civil Bodies,” 3) 2 I am of course building on Dayan’s conception that “It is through law that persons, variously figured, gain or lose definition, become victims of prejudice or inheritors of privilege. And once outside the valuable discrimination of personhood, their claims become inconsequential” (The Law is a White Dog, xi) 1 maintenance of American domestic and foreign economic interests. Throughout this work, I demonstrate how authors represent the modern perpetuation of a Latinx subaltern in the United States and Latin America as sanctioned, absolved, and executed for the sake of capitalist profiteering, or American Imperialism.3 By American Imperialism, I am referring to the authoritarian regime which controls foreign subjects through capitalist coercion and military force abroad.4 United States judicial and legislative policy disproportionately target, kill, and disappear Latinx people, and this violence is transcribed in the language of legal text making and unmaking persons,
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