DOCSLIB.ORG

Arharb @Allege From

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Arharb @Allege From aa. fiarharb ! allege FROM THE CONSTANTIUS Sor uocu ts of Hma rd E sta blish e d by Profe ssor E . A . Univ e rsity for th e purch nse of Gre e k a nd La tin books th e stud e nt c assics or of A ra bic , ( l ) books, or of books ill uztn ting or e : . a inin e a ch Gre e k La tin or pl g , , ra bi b ” W i A c ooks. ll, date d Adsgeulah Br e ceros it no n and seiner Ze ge sse . Zur Einiiìhrang in das Verstì ndnìs des Zeitaltm0iwros. He r a n e ge ge b e n Prof. l G mnasium in a Dire ktor des Kònig . y M rburg. Se chste Anrlsge . itnn Qu o qui lou t. non n u h istoria . soste t e orumtsmporun. 17 Corn. Nsp. Att. E in Heft Anme rkunge n mr !l on Sch ulge broush ist ge sonde rt e rschie nen. G r tne r s e l a s c a n n R. a e V r g b u hh dlu g ma n B sidsr He r eyf . n B W. Gob li s h s r g s r str s h s 26. M e ine n lie be n Fre unde n Julius Sander , Pr ofe ssor smMe lanoh th on— Gymnu iumin Witte nbe rg Dr . Anton Kuth e , e i n zuge g e t. de 6. A V orre zur ufl age . D a due Wohlw olle n de r Sch ulmiinner meine r Auswa hl e n ist a e ich v de r Cice r obrie fe tr n ge blie be , so gl ub on mit Auenahme w e ite re n Ànde runge n , ti n e n a se e n zu diir fe n Ich ma ch o nur auf mi gu g , b h . e ne n me k n e n in eine m e son e e n e e e sc ie ne n A r u g ( b d r H ft r h ), so ie auf die P a r a h r & e v w p e n on F r. P &t z o l t a uf M6ch te da s B dchlein a uch fe rne r die Le ktiìr e 0 1 ’ a uf unse re n Gymnasie n un se ine mTe ile fòrde rn ! M a r b u r g i. H. r i r i h F e d c Aly. I h n a l t. ' . a d Att I 6 su i s l . , 1 , Att cu è 1 n I! 9 i a n o s o s o s 7 I 16 . n n . a o v 0 0 o o 3 9 2_ 1 IV 0 . , h n d K s p ite l l ì l . Wìì r e d e r He r r sc a ft de a D r e ih u nds 54— ( ) o o 0 o o o 69 In a l h t. n E i nl e i tu g. D Z e ital te r Cice r os 1 . a s . l e r m e ne n r s n e e die nse e Die Ku tur d od r V òlke , in be so d r u r e s be mh t a uf de m a e de r e is i e n r e i de utsche n Volk , Ertr g g t g A b t, we lche r in de n Schrift und Kunstwe rke n de s grie chisch-r òmisch e u e e t E in e e n ie se s mutte rlich e n Alte rtums nie de rg l gt is . Aufg b d m e sc e ns und isse nsc a e und e Bode ns, a us de d ut h Ku t W h ft j j s e n m an e n a e n die fruchtbarste und nachhaltig te Anr gu g e pf g h b , wurde v on unbe re che nbare n Fe lge n be gle ite t se in und nach me nschiich e mErme sse n e in Ze italte r de r schlimmste n Ba rbare i an n s s a e das V e rstìiudnis de r fur nse e h e r fffihre . E i t d h r u r s i die 0 rdi un e ige ne Kultur grundle ge nde n Zeitabschnitte , ow e W g g de r le ite nde n Pe rsònlichke ite n e ine notwe ndige V ora usse tznng n e iste sbildnn bis de n fur j e de n, de r die Ge schichte u se r r Ge g zu s l e n ill Wurze ln ihre s Dase in ve rfo g w . s sind imG n e e i se h e sc ie e n e a e e V òlke r E ru d zw r v r h d g rt t , e e n a ne n w ir n e e an e lle n n un Ròmr in d r B h och h ut w de ln, H e d e . Ohne Zwe ife l habe n nur die (ibe rsch w e nglich re ich begabte n amme n e llas as o e sse n r i e n e n un St vo H d V rr cht b ese , de d cht d d bilde nde n Kunst die We ge zu e rschlie fse n und die Zie le zu we ise n ; Roms Eige nart glitnzte a uf de n Ge hie te n de s re ale n e e ns a e n e s im e ic e de r I e ale sic mit de r a e L b , w hr d R h d h Aufg b ' b tl die von e llas e m an e n n B ildnn stofie ve r e gn gte , H pf g e gs zu a i n un a re n e s le e fibe r lie fe rn rbe te d sp te G ch cht rn zu . Schon in de r Name nge bung tritt de r tie fe Unte rschie d be ide r l e una s a e n e e n a e r e lle ne si Vok r ch rf tg g . W hre nd d H ch an de r bis in die Hunde rte ste ige nde n Za hl se ine r oft sinuige n Einze l namn e i ne e r m e e rfre ut, b ze ch t d nuchte rne Rò e r Mann und Fran nach Sippe und Fa milie ; nur beiliiufig wird de r e inze lne a ls finfte r se c s e te mit ine m a n f , h te r, ach r Spr òfsling ode r e de re n ni ssa e n e n o name n c a a isi o as n i cht g d V r h r kte r e rt . D rt gilt d I d A Lu e n…“ B riefs Cioe ros. l y . m 1 2 E inle itnng. iduum e sch òne un ann in m v , d r d gute M , se e har onische Aus il n als das n ie l de r e n c e i ie ist nu b du g E dz M s hh t ; h r r das Ga nze , ie amilie i e r e a e ac e e m ksi ts d F , die S pp , de St t g ht t, d rfic ch los e ie ni in de r e inze lne aufge opfe rt wird. D art r g rt die Kò g Phan asie zunìl c st im e ie e de re li iòse n s e ll n n t , h G b t r g Vor t u ge , de re n ge niale Sch òpfunge n noch he ute le be nsfrisch in Kunst und Dich n luh n e i l s n tu g b e ; hi r ge b e te t de r kuh e Ve r ta d, de r in de r Glitte r we lt nur durftige Abstraktione n ge sta tte t und anise r de mzwe i kò fi e u a n s de r ac e l nic s in e lasse n h at was fuhl e u p g J u N hw t ht h t r , de e e n e àrme n ma ar t in anis n ick lnn H rz rw g. D e e org che E tw e g de r n n i n n bilde de n u d d chte nde Ku st, w ie sie ke in Volk de r Erde ie se ll mme n e i e le h a e in n s in d r Vo ko h t r bt t, e Kuh h e it Wis e nschaft e la i n e l e di h t n lich r Spe ku t o , w ch e òchs e n Frage n de r Me schhe it aus e ige ne r Kraft zu be antworte n sich v e rmafs ; abe r auch e ine Un st nbilde nd n i fahigke it sta c e r We ishe it u d Zucht, d e das hoch b e gabte Volk im inne rste n Ma rke ze r stòrte und e s de n v e r a e e n ic ie e n a a e n zum an e e is a in cht t N htgr ch (B rb r ) R b pr g b, e eis e e l s s c un n e e e n s e im s G t d r S b t u ht d U tr u , de r e r t Ke e chon in e r I e al e s a l de s lis e n i e n sse us n d d g t t t re ch Ody he rvortre te .
Load more

Recommended publications
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 Si Tantus Amor Belli Tibi, Roma, Nefandi. Love and Strife in Lucan's Bellum Civile Giulio Celotto Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES SI TANTUS AMOR BELLI TIBI, ROMA, NEFANDI. LOVE AND STRIFE IN LUCAN’S BELLUM CIVILE By GIULIO CELOTTO A Dissertation submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 Giulio Celotto defended this dissertation on February 28, 2017. The members of the supervisory committee were: Tim Stover Professor Directing Dissertation David Levenson University Representative Laurel Fulkerson Committee Member Francis Cairns Committee Member The Graduate School has verified and approved the above5na ed co ittee e bers, and certifies that the dissertation has been appro0ed in accordance 1ith uni0ersity require ents. ii ACKNOWLEDGEMENTS The co pletion of this dissertation could not ha0e been possible 1ithout the help and the participation of a nu ber of people. It is a great pleasure to be able to ac3no1ledge the here. I a ost grateful to y super0isor, Professor Ti Sto0er, for his guidance and dedication throughout the entire ti e of y research. I 1ish to e6tend y than3s to the other Co ittee e bers, Professors Laurel Ful3erson, Francis Cairns, and Da0id Le0enson, for their ad0ice at e0ery stage of y research. I 1ould li3e to e6press y deepest gratitude to Professor Andre1 7issos, 1ho read the entire anuscript at a later stage, and offered any helpful suggestions and criticis s.
    [Show full text]
  • Thebaid 2: Oedipus Descendants of Cadmus
    Thebaid 2: Oedipus Descendants of Cadmus Cadmus = Harmonia Aristaeus = Autonoe Ino Semele Agave = Echion Pentheus Actaeon Polydorus (?) Autonoe = Aristaeus Actaeon Polydorus (?) • Aristaeus • Son of Apollo and Cyrene • Actaeon • While hunting he saw Artemis bathing • Artemis set his own hounds on him • Polydorus • Either brother or son of Autonoe • King of Cadmeia after Pentheus • Jean-Baptiste-Camile Corot ca. 1850 Giuseppe Cesari, ca. 1600 House of Cadmus Hyrieus Cadmus = Harmonia Dirce = Lycus Nycteus Autonoe = Aristaeus Zeus = Antiope Nycteis = Polydorus Zethus Amphion Labdacus Laius Tragedy of Antiope • Polydorus: • king of Thebes after Pentheus • m. Nycteis, sister of Antiope • Polydorus died before Labdacus was of age. • Labdacus • Child king after Polydorus • Regency of Nycteus, Lycus Thebes • Laius • Child king as well… second regency of Lycus • Zethus and Amphion • Sons of Antiope by Zeus • Jealousy of Dirce • Antiope imprisoned • Zethus and Amphion raised by shepherds Zethus and Amphion • Returned to Thebes: • Killed Lycus • Tied Dirce to a wild bull • Fortified the city • Renamed it Thebes • Zethus and his family died of illness Death of Dirce • The Farnese Bull • 2nd cent. BC • Asinius Pollio, owner • 1546: • Baths of Caracalla • Cardinal Farnese • Pope Paul III Farnese Bull Amphion • Taught the lyre by Hermes • First to establish an altar to Hermes • Married Niobe, daughter of Tantalus • They had six sons and six daughters • Boasted she was better than Leto • Apollo and Artemis slew every child • Amphion died of a broken heart Niobe Jacques Louis David, 1775 Cadmus = Harmonia Aristeus =Autonoe Ino Semele Agave = Echion Nycteis = Polydorus Pentheus Labdacus Menoecius Laius = Iocaste Creon Oedipus Laius • Laius and Iocaste • Childless, asked Delphi for advice: • “Lord of Thebes famous for horses, do not sow a furrow of children against the will of the gods; for if you beget a son, that child will kill you, [20] and all your house shall wade through blood.” (Euripides Phoenissae) • Accidentally, they had a son anyway.
    [Show full text]
  • Greek Religious Thought from Homer to the Age of Alexander
    'The Library of Greek Thought GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER Edited by ERNEST BARKER, M.A., D.Litt., LL.D. Principal of King's College, University of London tl<s } prop Lt=. GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER BY F. M. CORNFORD, M.A. Fellow and Lecturer of Trinity College, Cambridge MCMXXIII LONDON AND TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON tf CO. HOTTO (E f- k> ) loUr\ P. DOTTO/U TALKS ) f^op Lt=. 7 yt All rights reserved f PRINTED IN GREAT BRITAIN TO WALTER DE LA MARE INTRODUCTION The purpose of this book is to let the English reader see for himself what the Greeks, from Homer to Aristotle, thought about the world, the gods and their relations to man, the nature and destiny of the soul, and the significance of human life. The form of presentation is prescribed by the plan of the series. The book is to be a compilation of extracts from the Greek authors, selected, so far as possible, without prejudice and translated with such honesty as a translation may have. This plan has the merit of isolating the actual thought of the Greeks in this period from all the constructions put upon it by later ages, except in so far as the choice of extracts must be governed by some scheme in the compiler's mind, which is itself determined by the limits of his knowledge and by other personal factors. In the book itself it is clearly his business to reduce the influence of these factors to the lowest point; but in the introduction it is no less his business to forewarn the reader against some of the consequences.
    [Show full text]
  • Abstracts ASCS 37
    Abstracts ASCS 37 Drunk with Blood: The Role of Platonic Baccheia in Lucan and Statius Eva Anagnostou-Laoutides Monash University [email protected] This paper argues that Lucan and Statius employed the motif of getting drunk with blood influenced by Plato’s use of inebriation as a means of transcending reason and transforming one’s consciousness. In his Dialogues Plato notably presents Socrates’ philosophic frenzy as Dionysian inebriation (Symp. 218b; cf. Phdr. 249e). In their epics, lamenting the disastrous Roman civil wars, Lucan and Statius employ drunkenness as a metaphor for political ambition, describing their protagonists as fighting in a Bacchic arena, like wild animals getting drunk with blood. The paper starts with the popularity of Plato and Platonist authors, such as Plutarch, under the Roman Empire when withstanding tyranny and dying virtuously became anew a topic of philosophical debate (Roskam 2002; Desmond 2011: 61-8). Lucan and Statius’ familiarity with the Platonic corpus (Tracy 2011: 10) further implies that both authors appreciated the similarities between Plato’s politically volatile period and the reign of Nero who led to Lucan’s premature death. Yet, death offers according to Plato, an ideal situation where, devoid of our bodily substance, we are urged to think about virtue (Resp. 3.386b-10.610a-b; 611d-c). Statius explores this idea when relating the adventures of Amphiaraus, Apollo’s priest, in Thebaid, bk8: lured by a false ideal of manhood Amphiaraus, now a devotee of Bacchus, kills many before being transported to the Underworld alive. Despite having followed an erroneous spiritual path (cf.
    [Show full text]
  • Bulfinch's Mythology
    Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • Katabasis and the Serpent in Aristophanes' Frogs, As Dionysus Is
    ORE Open Research Exeter TITLE Katabasis and the serpent AUTHORS Ogden, D JOURNAL Les Etudes Classiques DEPOSITED IN ORE 03 August 2016 This version available at http://hdl.handle.net/10871/22845 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Page 1 of 18 Katabasis and the Serpent1 In Aristophanes’ Frogs, as Dionysus is preparing to make his katabasis, Heracles explains to him what he can expect to encounter as he descends to and then penetrates the underworld. After Charon and his boat, he tells him: μετὰ τοῦτ’ ὄφεις καὶ θηρί’ ὄψει μυρία / δεινότατα. After this you will see snakes and most terrible beasts in myriads. Aristophanes Frogs 142-3 The ‘myriads’, whilst grammatically associated in the first instance with the ‘most terrible beasts,’ is presumably to be read with the ‘snakes’ too. A hundred of these snakes at any rate can be accounted for in the form of the ‘hundred-headed’ (ἑκατογκέφαλος) Echidna, the ‘Viper’, which, the underworld warden and keeper of Cerberus, Aeacus, subsequently tells Heracles, will tear at his innards, in punishment for his former theft of the dog.2 In Apuleius’ tale of Cupid and Psyche, Psyche is directed by Venus to the banks of the Styx: Dextra laevaque cautibus cavatis proserpunt ecce longa colla porrecti saevi dracones inconivae vigiliae luminibus addictis et in perpetuam lucem pupulis excubantibus.
    [Show full text]
  • [PDF]The Myths and Legends of Ancient Greece and Rome
    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
    [Show full text]
  • Sceleris Vestigia Nostri Zum Motiv Der Ursünde in Der Römischen Literatur Der Antike Und Der Spätantike
    DIPLOMARBEIT Titel der Diplomarbeit Sceleris vestigia nostri Zum Motiv der Ursünde in der römischen Literatur der Antike und der Spätantike Verfasser Michael Fröstl angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 337 Studienrichtung lt. Studienblatt: Klassische Philologie – Latein Betreuer: Univ. Prof. Dr. Kurt Smolak Sceleris vestigia nostri Zum Motiv der Ursünde in der römischen Literatur der Antike und der Spätantike Inhaltsverzeichnis 1. Zu Inhalt und Absicht dieser Arbeit ................................................................ 5 2. Methodische Vorbemerkungen ........................................................................ 7 3. Danksagung ................................................................................................... 11 4. Erster Hauptteil: Zum Motiv der Ursünde in der frühaugusteischen Literatur ......................... 12 4.1 Der junge Vergil – optimistisch, aber zu früh ......................................... 12 4.1.1 sceleris vestigia nostri – Verg. ecl. 4, 4–17 ...................................... 12 4.1.2 pauca tamen suberunt priscae vestigia fraudis Verg. ecl. 4, 31–33 ........................................................................... 30 4.2 Der junge Horaz: Trotzreaktion und Dichterstolz ................................... 36 4.2.1 sacer nepotibus cruor – Hor. epod. 7 ................................................ 36 4.2.2 inpia perdemus devoti sanguinis aetas Hor. epod. 16, 1–42.63–66 ..............................................................
    [Show full text]
  • Trends in Classics
    2014!·!VOLUME 6!· NUMBER 2 TRENDS IN CLASSICS EDITED BY Franco Montanari, Genova Antonios Rengakos, Thessaloniki SCIENTIFIC COMMITTEE Alberto Bernabé, Madrid Margarethe Billerbeck, Fribourg Claude Calame, EHESS, Paris Philip Hardie, Cambridge Stephen Harrison, Oxford Stephen Hinds, U of Washington, Seattle Richard Hunter, Cambridge Christina Kraus, Yale Giuseppe Mastromarco, Bari Gregory Nagy, Harvard Theodore D. Papanghelis, Thessaloniki Giusto Picone, Palermo Kurt Raaflaub, Brown University Bernhard Zimmermann, Freiburg Brought to you by | Staatsbibliothek zu Berlin Preussischer Kulturbesitz Authenticated Download Date | 11/7/14 11:19 PM ISSN 1866-7473 ∙ e-ISSN 1866-7481 All information regarding notes for contributors, subscriptions, Open access, back volumes and orders is available online at www.degruyter.com/tic Trends in Classics, a new journal and its accompanying series of Supplementary Volumes, will pub- lish innovative, interdisciplinary work which brings to the study of Greek and Latin texts the insights and methods of related disciplines such as narratology, intertextuality, reader-response criticism, and oral poetics. Trends in Classics will seek to publish research across the full range of classical antiquity. Submissions of manuscripts for the series and the journal are welcome to be sent directly to the editors: RESPONSIBLE EDITORS Prof. Franco Montanari, Università degli Studi di Genova, Italy. franco. [email protected], Prof. Antonios Rengakos, Aristotle University of Thessaloniki, Greece. [email protected] EDITORIAL
    [Show full text]
  • The Unity of the Seven Against Thebes
    The Unity of the "Seven Against Thebes" Otis, Brooks Greek, Roman and Byzantine Studies; Fall 1960; 3, 4; ProQuest pg. 153 The Unity of the Seven Against Thebes Brooks Otis THE OBVIOUS DIFFERENCE between the first (lines 1.-(52) and last (653-1004) parts of the Seven Against Thebes has been often discussed: yet the 'unity' or 'disunity' of the play is still in doubt. Two recent writers (Kitto, Harald Patzer)1 illustrate the persisting disagreement. Kitto sees in 655f the 'sudden revelation' of the 'other side of Eteocles, his hatred of his brother, his inability and his unwillingness to control his mood and fatalistic leap upon his doom.' Patzer sees in the same lines Eteocles' new understanding of what the gods ordain: the duel with Polynices, impious as in one sense it may be, is yet divinely decreed; he now sees he cannot evade it. Both reject the older communis opinio! (Wilamowitz, Mazon, Snell, Pohlenz, Schmid, Murray, Meautis) that interprets 653-719 as Eteocles' own fre~ decision to save the city and/or preserve his soldier's honor. In this article I want, first, to outline the present situation of criticism or scholarship on the play and to suggest the lines along which, in my view, a sane interpretation of its 'unity' is now pos­ sible. I One major milestone of modern cntIcIsm of the play was Solmsen's 1937 article on the "Erinys in Aischylos' Septem.m Solm- tH. D. F. Kitto: Grak Tragdy (1939) 51£; H. Patzer, "Die dramatische Handlung cler Siehm gegen Thehen," HSClPh 63 (1958) 97-119.
    [Show full text]
  • Continuation and Consistency in Pindar's Eighth Pythian
    Continuation and Consistency in Pindar’s Eighth Pythian Ode Two of the most vexing passages in the Pindaric corpus occur, one after another, in lines 55-69 of the Eighth Pythian Ode. The first difficulty lies in the conclusion to the ode’s central mythical exemplum (55-60), in which the poetic speaker describes an encounter with the hero Alcman during a journey to Delphi. The second involves the correct reading and interpretation of a prayer to Apollo: ὦναξ, ἑκόντι δ’ εὔχομαι νόῳ || κατά τιν’ ἁρμονίαν βλέπειν | ἀμφ’ ἕκαστον, ὅσα νέομαι (67-69). In this talk, I will offer a new solution to these interpretative cruces based on an analysis of the ode’s central themes of continuation and consistency. Scholarly confusion has surrounded the passages in question from the time of the scholiasts, who already demonstrate the same preoccupations as most modern scholars, particularly in regard to the meeting of the poet (or Aeginetan chorus, or victor) with Alcman (or Amphiaraus). While many have assumed that Pindar refers to a shrine of Alcman in or near Thebes (e.g. Gildersleeve 1885), more recent scholarship has tended to obscure the issue. Lefkowitz argues that the location of Alcman’s shrine is deliberately vague, and that γείτων and κτεάνων φύλαξ ἐμῶν (58) indicate only the friendliness of the encounter (1977). Hubbard, meanwhile, argues that the lines do not refer to Alcman at all, but rather to Amphiaraus and his Theban shrine (1993). Van ’t Wout combines the two arguments with the novel suggestion that Pindar describes a vision of Alcman experienced near Amphiaraus’ shrine (2006).
    [Show full text]