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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
A Study of Louisiana French in Lafayette Parish. Lorene Marie Bernard Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1933 A Study of Louisiana French in Lafayette Parish. Lorene Marie Bernard Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the French and Francophone Language and Literature Commons Recommended Citation Bernard, Lorene Marie, "A Study of Louisiana French in Lafayette Parish." (1933). LSU Historical Dissertations and Theses. 8175. https://digitalcommons.lsu.edu/gradschool_disstheses/8175 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the masterTs and doctorfs degrees and deposited in the Louisiana State University Library are available for inspection* Use of any thesis is limited by the rights of the author. Bibliographical references may be noted* but passages may not be copied unless the author has given permission# Credit must be given in subsequent written or published work. A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above restrictions. LOUISIANA STATE UNIVERSITY LIBRARY 1 1 9 -a A STUDY OF .LOUISIANA FRENCH IN LAF/lYETTE PARISH A THESIS SUBMITTED TO THE FACULTY OF THE LOUISIANA STa TE UNITORS TY AND AGRICULTURAL AND MEDICAL COLLET IN PARTIAL FULFILMENT OB1 THE REQUIREMENTS FOR DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF FRENCH BY LOREBE MARIE BERNARD LAFAYETTE, LOUISIANA JUNE 19S3. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
A L'ombre Des Fleurs : Analyse Diagnostic Des
INSTITUT NATIONAL AGRONOMIQUE ECOLE SUPERIEURE D'AGRONOMIE TROPICALE PARIS-GRIGNON (CNEARC) UNIVERSITE DE NANTERRE - PARIS X· ORSTOM MEMOIRE Présentépar Pierre GASSELIN A 1'ombre des fleurs Analyse diagnostic des systèmes agraires passés et actuels de la région nord-est de Quito (Equateur) pour l'obtention du diplôme d'Etudes Approfondies « Géographie etpratiques du développement» de l'INA-PG et du Diplôme d'Ingénieur en Agronomie Tropicale du CNEARC spécialisation « Economie du développement» Maîtres de stage: Michel PORTAIS et Thierry RUF Enseignant responsable: Marcel MAZOYER Mémoire soutenu à Paris, le 6 septembre 1996. REMERCIEMENTS Je voudrais ici remercier tous ceux qui m'ont aidé à réaliser ce travail, et en particulier: ichel PORTAIS et Thierry RUF pour leur accueil, leur aide financière et Mleur encadrement sans lesquels je n'aurais pas pu poursuivre cette étude. es enquétés et enquétées, tous acteurs plus ou moins anonymes des Lprofondes métamorphoses qui secouent l'agriculture de la région de Quito. Je remercie tout particulièrement ceux qui m'ont accordé leur confiance en me donnant accès à des informations confidentielles. Tatiana GOmez pour son aide dans la numérisation des cartes, travail aussi long que fastidieux. écile Boulangeot pour notre cooPération aussi fructueuse pour l'un que Cpour l'autre. INTRODuc-rION 1 1- PRESENTATION DE LA ZONE D'ETUDE 2 1-1 AU CŒUR DU COULOIR INTERANDIN 2 1-1-1 LE CADRE NATIONAL. 2 \-2-2 LA REGION NORD-EST DE QUITO 2 1-2 DES PAYSAGES CONTRASTES••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• J 1-2-1 LES RELIEFS 3 1-2-2 LA VEGETATION 4 1-2-3 L'EROSION 4 1-2-4 DES PAYSAGES TRAVAILLES 4 1-3 DES CLiMAS EQUATORIAUX TEMPERES PAR L. -
The Penguin Book of Card Games
PENGUIN BOOKS The Penguin Book of Card Games A former language-teacher and technical journalist, David Parlett began freelancing in 1975 as a games inventor and author of books on games, a field in which he has built up an impressive international reputation. He is an accredited consultant on gaming terminology to the Oxford English Dictionary and regularly advises on the staging of card games in films and television productions. His many books include The Oxford History of Board Games, The Oxford History of Card Games, The Penguin Book of Word Games, The Penguin Book of Card Games and the The Penguin Book of Patience. His board game Hare and Tortoise has been in print since 1974, was the first ever winner of the prestigious German Game of the Year Award in 1979, and has recently appeared in a new edition. His website at http://www.davpar.com is a rich source of information about games and other interests. David Parlett is a native of south London, where he still resides with his wife Barbara. The Penguin Book of Card Games David Parlett PENGUIN BOOKS PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia) Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia -
Morgan Le Fay's Ultimate Treason Revealed
CORE Metadata, citation and similar papers at core.ac.uk Provided by Lehigh University: Lehigh Preserve Lehigh University Lehigh Preserve Theses and Dissertations 1993 Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The veils of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks Ann Maureen Cavanaugh Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Recommended Citation Cavanaugh, Ann Maureen, "Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The eiv ls of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks" (1993). Theses and Dissertations. Paper 201. This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. UH R: Cavanaugh,. nn Maureen T~TLE:, valon Revisited: Morgan La Fayus Ultimate I Treason Revealedaac ""'l DATE: October 10,1993 Avalon Revisited: Morgan Ie Fay's Ultimate Treason Revealed and 'The Veils of Wretched Love': uncovering sister Leopolda's Hidden Truths in Louise Erdrich's Love Medicine and Tracks by Ann Maureen Cavanaugh A Thesis Presented to the Graduate and Research Committee of Lehigh University in candidacy for the Degree of Master of Arts in the Department of English Lehigh university October 1993 "Yet in every winter's heart there is a quivering spring, and behind the veil of each night there is a smiling dawn. Now my despair has turned into hope." (Kahlil Gibran) Thanks Dad, Mom, Gr~ndmom, Bert, steen, Andrea, and Maurice for your loving support. -
Or, Instructions How to Play at Billiards, Trucks, Bowls, and Chess, 2Nd Ed
University of Calgary PRISM: University of Calgary's Digital Repository Alberta Gambling Research Institute Alberta Gambling Research Institute 1680 The compleat gamester : or, instructions how to play at billiards, trucks, bowls, and chess, 2nd ed. Printed for Henry Brome http://hdl.handle.net/1880/547 book Downloaded from PRISM: https://prism.ucalgary.ca 'r-SSSBseflB ^ wCOMPL^ v'. -"^^arrr-Fs^Y AT^ *;i?l *i;v •tfi -OR,' •"-..•; INSTRUCTIONS How to play at BlLLURDSiffltCKS, BOWLS, **d CHESS. Together with-all dinner of ufual tod moft Gentile GAM u s either GO • ' or To which' is Added, P F RACING, COCK-RGHTING. •-# T, Primed for Htwy Brtmt i» the Weft-end of St. P**lf> -, 1 *••'.'' v, to *; > f. VVa& oncc rcfoIvS to have let this enfuirafr J 1 ^j • •eatife to have ftcpt naktd ?' into the World, without fo • <>. * much as the leaft rag of an - *• i Epiftle to defend it a little from the cold welconi it may meet with in its travails; but knowing that not only 01^ ftom expeifls but neccffity requires it, give me leave to fhow you the motives indu- cing to thisf prefent public*^ tion. It .is not (He affure you) any private intereft of my own that caus'd me to ad- A 4 ven- >""""""•'•. ~ • , -"-- - - T-T ryqp The Epiftle to the Header. *The Sfijlte to the Header. venture on this fubjec\ but other he would unbend his the delight &; benefit of eve- mind, and give it liberty to ry individual perfon^Delight ftray into fome more pleafant 7 ^ I to fuqh who will pafs away walks, than the rmry heavy their fpare minuts in harmlefs ways of his ownfowr, will* recreation if not abus'd ? and ful refolutions. -
Games & Puzzles Magazine (Series 1 1972
1 GAMES & PUZZLES MAGAZINE (SERIES 1 1972-1981) INDEX Preliminary Notes [DIP] Diplomacy - Don Turnbull 1-10 [DIP] Diplomacy - Alan Calhamer 37-48 G&P included many series, and where a game [DRA] Draughts - 'Will o' the Wisp' 19-30 reference relates to a series, a code in square brackets [FAN] Fantasy Games - 'Warlock' 79-81 is added. [FIG] Figures (Mathematics) - Many authors 19-71 The table below lists the series in alphabetical order [FO] Forum (Reader's letters) 1-81 [GV] Gamesview (Game reviews) 6-81 with the code shown in the left hand column. [GGW] Great Games of the World - David Patrick 6-12 Principal authors are listed together with the first and [GO] Go - Francis Roads 1-12 last issue numbers. Small breaks in publication of a [GO] Go - John Tilley 13-24 series are not noted. Not all codes are required in the [GO] Go - Stuart Dowsey 31-43 body of the index. [GO] Go, annotated game - Francis Roads 69-74 Book reviews were initially included under [MAN] Mancala - Ian Lenox-Smith 26-29 Gamesview, but under Bookview later. To distinguish [MW] Miniature Warfare - John Tunstill 1-6 book reviews from game reviews all are coded as [BV]. [OTC] On the Cards - David Parlett 29-73 [PG] Parade Ground (Wargames) - Nicky Palmer 51-81 References to the Forum series (Reader's letters - [PB] Pieces and Bits - Gyles Brandreth 1-19 Code [FO]) are restricted to letters judged to [PEN] Pentominoes - David Parlett 9-17 contribute relevant information. [PLA] Platform - Authors named in Index 64-71 Where index entries refer consecutively to a particular [PR] Playroom 43-81 game the code is given just once at the end of the [POK] Poker - Henry Fleming 6-12 issue numbers which are not separated by spaces. -
Bloodsworn of Cormyr
Bloodsworn of Cormyr Introduction The Bloodsworn Lair This dungeon lies within the Thunder Peaks mountains of eastern Cormyr, in the Forgotten Realms. It is presented as a location to be explored, rather than a quest to be completed, though gossip is included with which to bait your characters. It is intended for first tier characters (levels 1-4) but threat levels vary considerably throughout. Background The Bloodsworn Tribe of the Thunder Peaks mountains has thrived under the leadership of their undead goblin master, King Tharaktu – a winged vampire spawn – who has led them for many generations. Tharaktu was already a goblin boss of notable power before his dramatic change, and he has steadily grown in influence ever since. Under his leadership, the Bloodsworn tribe has grown in strength and numbers, expanding its hunting grounds to encompass all settled lands bordering the Thunder Peaks. Structure The Bloodsworn lair is presented as five distinct areas, each of which may be used as a standalone location: The Roost lies high in the mountains. A goblin outcast lives here, but few other creatures. There's little else to be found, but true spelunkers will locate an alternative means of entering the Bloodsworn lair. The Den is situated at the entrance to the Bloodsworn lair. It is home to the tribe's wolf riders, and its wolves. They are led by a goblin wolf shaman. The Nest is home to goblin and rodent alike, with large numbers of both to be found. They are led by a goblin rat shaman with an imp familiar. The Core is home to the tribe's most ferocious warriors, its weapon makers, and numerous other goblins. -
Stories of Fairies Ebook, Epub
STORIES OF FAIRIES PDF, EPUB, EBOOK Anna Lester,Teri Gower | 48 pages | 26 May 2006 | Usborne Publishing Ltd | 9780746069547 | English | London, United Kingdom Stories of Fairies PDF Book Print Cite. The word has been overused to describe a supernatural being. Baobhan Sith A Scottish version of a female vampire or a succubus. It was this tradition as household spirits, that the elves were later given in Germanic and Celtic folklore traditions. They were often identify with pwca of Welsh tradition. Here, she foretold the defeat of the Fomorians. Both the Lady of the Fountain and the Lady of the Lake were thought to be originally goddesses of the water. They often sit outside any rational explanation and this is why they end up discarded. He was the According to legend, the abducted human children are given to the devil or used to strengthen fairy stock. Details if other :. We can only imagine the distress and anguish of parents looking for a child or family member. Email address. Mary Miller rated it liked it Feb 19, They were RED. I have encountered a gnome in my garden. The Fool is to be especially avoided on the month of June. But be patient—you could be waiting hours just for one glimpse. I was so Surprised and excited i tried to grab it but it disappeared into my mirror, it was very quick. These antecedent of the bean nighe are the Irish goddess Morrigan and the Welsh goddess Modron. Escape the Present with These 24 Historical Romances. Maybe, I have seen this thing twice in our Bath room — it is very pretty and it kind a take one back- am I going nuts? This website does not share personal information with third- parties nor do we store any information about your visit to this blog other than to analyze and optimize your content and reading experience through the use of cookies. -
A Midsummer Night's Dream" Alexandra Larkin College of the Holy Cross, [email protected]
The Criterion Volume 2018 | Issue 1 Article 5 5-8-2018 Forgotten Fairies: Traditional English Folklore in "A Midsummer Night's Dream" Alexandra Larkin College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/criterion Part of the Comparative Literature Commons, Folklore Commons, Literature in English, British Isles Commons, and the Rhetoric and Composition Commons Recommended Citation Larkin, Alexandra (2018) "Forgotten Fairies: Traditional English Folklore in "A Midsummer Night's Dream"," The Criterion: Vol. 2018 : Iss. 1 , Article 5. Available at: https://crossworks.holycross.edu/criterion/vol2018/iss1/5 This Essay is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in The rC iterion by an authorized editor of CrossWorks. Ali Larkin 12/7/17 Shakespeare Forgotten Fairies: Traditional English Folklore in A Midsummer Night’s Dream One of the most popular sets of characters in Shakespeare’s comedy A Midsummer Night’s Dream is the powerful and mysterious fairies, whose magical antics drive the action of the play. Based in traditional English folklore, the fairies stand in contrast to the upper class Athenians and the Athenian peasant players. The play, which is set in Athens, follows in part the marital discord of Oberon and Titania, King and Queen of the Fairies and their servants, which reflects the aristocratic tendencies both of the Athenian court and the patrons of Shakespeare’s work. The two fairies rule over the woods outside of Athens, and yet their lives are extremely intertwined with those within the city. -
The Beauty, the Beast, and the Subverted Fairy Godmother Figure”
Sarah A. Brown “The Beauty, the Beast, and the Subverted Fairy Godmother Figure” Brigham Young University Brown 2 Abstract There are several adaptations of The Beauty and the Beast, but three in particular are intriguing because of their use of a dark female force. The goddess Diana in the film La Belle et la Bête (Cocteau), Bertha Mason in the novel Jane Eyre (Brontë), and Mrs. Bates in the film Psycho (Hitchcock) all qualify as subverted fairy godmothers in their respective tales because of their role as “other,” their exertion of the female gaze, and their ability to undermine the Belle and Beast figures’ ability to love. Though traditional fairy godmothers utilize magic to aid the protagonists, these adaptations incorporate nontraditional, subverted fairy godmothers to revolutionize the role of fairy godmothers and fairy tales in society. Keywords: Beauty, Beast, fairy godmother, fairy tale, La Belle et la Bête, Jane Eyre, Psycho, Gothic, adaptation Brown 3 The story of Beauty and the Beast could not exist without the element of magic. From the enchanted castle to the Beast himself, magic gives this tale a sense of mystery, wonder, and charm. Because of the many retellings of Beauty and the Beast, the source of these enchantments often differs. However, in the original version by Gabrielle-Suzanne Barbot de Villeneuve, the text never reveals the source of the enchantment. As a result, Belle—without any magical assistance—independently restores the Beast to his natural form with her proclamation of love. She alone has the power to break the Beast’s spell. Interestingly enough, this is not the case in subsequent adaptations and related films.