Subjectivity, Automobility, and the Cold-War State
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Conservative Women's Activism from Anticommunism to the New Christian Right
Hollins University Hollins Digital Commons Undergraduate Honors Theses Honors Theses 2021 Mothers, Morals, and Godly Motivations: Conservative Women’s Activism from Anticommunism to the New Christian Right Kaitlyn C. Phillips Follow this and additional works at: https://digitalcommons.hollins.edu/ughonors Part of the United States History Commons, and the Women's History Commons MOTHERS, MORALS, AND GODLY MOTIVATIONS: CONSERVATIVE WOMEN’S ACTIVISM FROM ANTICOMMUNISM TO THE NEW CHRISTIAN RIGHT A thesis submitted in partial fulfillment of the degree of Bachelor of Arts Department of History Hollins University May 2021 By Kaitlyn C. Phillips TABLE OF CONTENTS INTRODUCTION: 1 CHAPTER ONE: The Minute Women: Anticommunist Women, Domesticity and Conservative Unity 8 CHAPTER TWO: Phyllis Schlafly: The Privileged Status of Women and Idealized National Identity 20 CHAPTER THREE: Beverly LaHaye: The Evangelical Essentials and Women in the New Christian Right 35 CONCLUSION: 51 BIBLIOGRAPHY: 55 ii ACKNOWLEDGEMENTS To start, I want to thank Dr. Nunez for her guidance, care, and wisdom throughout this thesis process and my entire time at Hollins. Your kindness and sense of humor have brightened my days countless times, and when I think of myself as a potential scholar, I hope to be as thoughtful, knowledgeable, and passionate as you are. Additionally, I want to thank Dr. Florio and Dr. Coogan for their time, knowledge, and support. You have helped me in numerous ways and I am incredibly grateful for you both. I want to thank my father, Steven Phillips, for being just as big of a history nerd as I am. Lastly, I want to remember my grandfather Donald Bruaw, who showed me how to love history. -
Shock Therapy: the United States Anti-Communist Psychological Campaign in Fourth Republic France
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Shock Therapy: The United States Anti- Communist Psychological Campaign in Fourth Republic France Susan M. Perlman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES SHOCK THERAPY: THE UNITED STATES ANTI-COMMUNIST PSYCHOLOGICAL CAMPAIGN IN FOURTH REPUBLIC FRANCE By SUSAN M. PERLMAN A Thesis submitted to the Department of International Affairs in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of Susan M. Perlman, defended on February 10, 2006. ______________________________ Max Paul Friedman Professor Directing Thesis ______________________________ Lee Metcalf Committee Member ______________________________ Michael Creswell Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii For my husband Todd, without whose love and support this would not have been possible, and for my parents Jim and Sandy McCall, who always encouraged me to go the extra mile. iii ACKNOWLEDGEMENTS I would like to thank Professor Max Paul Friedman for agreeing to supervise this thesis. Dr. Friedman inspired me to write about U.S. foreign policy and provided me with the encouragement and guidance I needed to undertake and complete this endeavor. Moreover, he has been a true mentor, and has made my time at Florida State the most rewarding of my academic life. In addition, I would like to thank Professor Michael Creswell, who graciously agreed to preview portions of this text on numerous occasions. -
The File on Robert Siodmak in Hollywood: 1941-1951
The File on Robert Siodmak in Hollywood: 1941-1951 by J. Greco ISBN: 1-58112-081-8 DISSERTATION.COM 1999 Copyright © 1999 Joseph Greco All rights reserved. ISBN: 1-58112-081-8 Dissertation.com USA • 1999 www.dissertation.com/library/1120818a.htm TABLE OF CONTENTS INTRODUCTION PRONOUNCED SEE-ODD-MACK ______________________ 4 CHAPTER ONE GETTING YOUR OWN WAY IN HOLLYWOOD __________ 7 CHAPTER TWO I NEVER PROMISE THEM A GOOD PICTURE ...ONLY A BETTER ONE THAN THEY EXPECTED ______ 25 CHRISTMAS HOLIDAY _____________________________ 25 THE SUSPECT _____________________________________ 49 THE STRANGE AFFAIR OF UNCLE HARRY ___________ 59 THE SPIRAL STAIRCASE ___________________________ 74 THE KILLERS _____________________________________ 86 CRY OF THE CITY_________________________________ 100 CRISS CROSS _____________________________________ 116 THE FILE ON THELMA JORDON ___________________ 132 CHAPTER THREE HOLLYWOOD? A SORT OF ANARCHY _______________ 162 AFTERWORD THE FILE ON ROBERT SIODMAK___________________ 179 THE COMPLETE ROBERT SIODMAK FILMOGRAPHY_ 185 BIBLIOGRAPHY __________________________________ 214 iii INTRODUCTION PRONOUNCED SEE-ODD-MACK Making a film is a matter of cooperation. If you look at the final credits, which nobody reads except for insiders, then you are surprised to see how many colleagues you had who took care of all the details. Everyone says, ‘I made the film’ and doesn’t realize that in the case of a success all branches of film making contributed to it. The director, of course, has everything under control. —Robert Siodmak, November 1971 A book on Robert Siodmak needs an introduction. Although he worked ten years in Hollywood, 1941 to 1951, and made 23 movies, many of them widely popular thrillers and crime melo- dramas, which critics today regard as classics of film noir, his name never became etched into the collective consciousness. -
Multicultural Cold War: Liberal Anti-Totalitarianism And
MULTICULTURAL COLD WAR: LIBERAL ANTI-TOTALITARIANISM AND NATIONAL IDENTITY IN THE UNITED STATES AND CANADA, 1935-1971 by Gregory Smolynec Department of History Duke University Date: April 24, 2007 Approved: ___________________________ John Herd Thompson, Supervisor ___________________________ Warren Lerner ___________________________ Susan Thorne ___________________________ Suzanne Shanahan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2007 ABSTRACT MULTICULTURAL COLD WAR: LIBERAL ANTI-TOTALITARIANISM AND NATIONAL IDENTITY IN THE UNITED STATES AND CANADA, 1935-1971 by Gregory Smolynec Department of History Duke University Date: April 24, 2007 Approved: ___________________________ John Herd Thompson, Supervisor ___________________________ Warren Lerner ___________________________ Susan Thorne ___________________________ Suzanne Shanahan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor in the Department of History in the Graduate School of Duke University 2007 Copyright by Gregory Smolynec 2007 Abstract In Cold War North America, liberal intellectuals constructed the Canadian and American national identities in contrast to totalitarianism. Theorists of totalitarianism described Nazi Germany and the Soviet Union as monolithic societies marked by absolutism and intolerance toward societal differences. In response, many intellectuals imagined Canada and the -
U.S. Government Films, 1971 Supplement; a Catalog of Audiovisual Materials for Rent and Sale by the National Audiovisual Center
DOCUMENT RESUME ED 067 129 LI 003 876 TITLE U.S. Government Films, 1971 Supplement; A Catalog of Audiovisual Materials for Rent and Sale by the National Audiovisual Center. INSTITUTIOJ National Audiovisual Center, Washington, D.C. PUB DATE 71 NOTE 152p.;(1840 References) National Archives Publication # 72-17 L.- EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS Agriculture; Audiovisual Centers; Auto Mechanics; Biographies; Business; *Catalogs; Education; Electricity; Electronics; *Films; *Filmstrips; *Government Publications; health; Human Relations; National Defense; Philosophy; Physical Fitness; Safety; Sciences; Social Sciences; Technology; Woodworking IDENTIFIERS *National Audiovisual Center ABSTRACT The first edition of the National Audiovisual Center sales catalog (LI 003875) is updated by this supplement. Changes in price and order number as well as deletions from the 1969 edition, are noted in this 1971 version. Purchase and rental information for the sound filers and silent filmstrips is provided. The broad subject categories are: agriculture, automotive, aviation, biography, business, education and culture, electricity, electronics; health and medical, human relations, machining, marine, national security, philosophy. safety, physical fitness, science, social science, technical, and woodworking. The following information is provided for each tilM: title, length, type (black and white or color, sound or silent), order number, price and a brief annotation. Indexes by title and by subject are provided. (S,r) FILMED FROM BEST AVAILABLE COPY cr- I c\J A LU A U. S. Government Films 1971 Supplement A Catalog of Motion Pictures and Filmstrips for Rent and Sale by the National Audiovisual Center 411 II C ,ANON AL Al/,, 44;k4Y.- 6% SCRIPII1 .Z- -1°0 x. -
Totalitarian Dynamics, Colonial History, and Modernity: the US South After the Civil War
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral. -
Dewey's Cultural Theory and Psychology When the History Of
Dewey’s Cultural Theory and Psychology When the history of Cultural Psychology is being discussed one often encounters the names of Lazarus, Steinthal, and Wundt in Germany, Rivers and Bartlett in Britain, and Vygotsky in the former Soviet Union. Missing from mention is the name of the American John Dewey. This is understandable since he did not explicitly formulate a theory of culture and psychology but, nonetheless, the theme runs throughout his numerous publications. It is this that I shall endeavor to encapsulate and, in the process, reveal Dewey’s anticipation and rejection of evolutionary psychology. Such a task is impossible to do justice to in a limited space but I hope that I may at least offer some signposts to where the mind of this seminal thinker may be mined. In his eightieth year, while reflecting back upon his psychological theorizing, Dewey (1939a) noted that the traditional, mentalistic psychology was being transformed by biology and cultural anthropology. Human experience (experience meaning here “participation in activities,” and “of doings and undergoings”) is what it is, he contended, because of its subjection to cultural agencies and intercommunication. In retrospect, he referred to the approach that he had been developing as “socio-biological psychology” and “biological- cultural psychology.” His intention, with these appellations, was to convey the idea that cultures stimulate innate tendencies and remake them; they promote and consolidate those tendencies into patterns of purposes that are fitted to the prevailing cultural conditions (Dewey, 1939/1989). According to Dewey the biological constitution of humans is common to the people of whatever grouping and, because of that, innate tendencies cannot be appealed to in accounting for the differences between groups. -
Conservative Protestants, Anti-Communism, and the Shaping of American Culture, 1945-1965 1
Responding to the Reds: Conservative Protestants, Anti-Communism, and the Shaping of American Culture, 1945-1965 1 ERIC R. CROUSE Responding to the development of communist regimes throughout the world and perceived communist “infiltration” in the United States, conservative Protestants, on many occasions, expressed their understanding of the threats that American society faced. The success that evangelist Billy Graham, religious editor Carl Henry, and FBI director J. Edgar Hoover had in presenting their anti-communist message to countless Americans suggests that conservative Protestantism played a meaningful role in the shaping of American cold-war culture. One way to understand this process better is to probe how conservative Protestants drew motivation and legitimation from dominant American expectations that were religious, anti-communist, and masculine. Of course, conservative Protestants were not alone in reinforcing these ideals, since many liberal Protestants, Catholics, and Jews likewise represented dominant American expectations. What sets conservative Protestants apart was the profusion of voices, in all regions of the nation, that upheld a more consistent and rigorous anti-communist message. American culture of the early Cold War period is striking for the uncritical acceptance of anti-communism.2 Communists usually found it impossible to hold public addresses, as was the case in Trenton, New Jersey, in 1947, when leaders attempted to speak at a public hall only to be attacked by an anti-communist mob determined to protect “The American Way” from the influence of “Commies,” “rats,” “bastards” and “Stalin- Historical Papers 2002: Canadian Society of Church History 98 Responding to the Reds lovers.”3 The Los Angeles Times warned, in 1949, of the demise of capital- ism and the creation of a communist America – “the United Soviet States of the American Republic (USSAR).”4 In a 1952 letter to the Washington Herald-Times, Robert Palmer urged mothers and fathers to drill the letters “D.B.A.C. -
Capitalism in the Classical and High Liberal Traditions*
CAPITALISM IN THE CLASSICAL AND HIGH LIBERAL TRADITIONS* By Samuel Freeman I. Essential Features of Liberalism Liberalism holds that there are certain individual liberties that are of fundamental political significance. These liberties are fundamental or basic in that they are preconditions on the pursuit of other social values, such as achieving economic efficiency, promoting the general welfare, and mod- erating the degree of inequality in the distribution of income and wealth. None of these liberties are absolute, but the reasons for limiting their exercise are to protect other basic liberties and maintain essential back- ground conditions for their effective exercise. For example, freedom of speech and expression can be limited when it imminently endangers others’ safety or the freedom of their person, but not because the ideas expressed are found to be offensive by vast majorities of people. Liberal basic liberties are also inalienable: they cannot be given up voluntarily or permanently transferred to anyone else, though some liberties are forfeit- able upon criminal conviction for serious crimes. No liberal government would enforce a contract in which a person sold himself into permanent servitude, or alienated his freedom to change religions, or legally bound himself to vote only as his employer insisted. An integral feature of a liberal constitution is the protection of the basic rights and liberties nec- essary to establish and maintain the equal civic status of citizens. What liberties do liberals generally find to have this extraordinary status? Liberals now would all agree that among the basic liberties are freedom of thought, expression, and inquiry, freedom of conscience and of association, freedom and security of the person, and free choice of occupation. -
Kurosawa Kiyoshi Profile Prepared by Richard Suchenski Articles Translated by Kendall Heitzman Profile
Kurosawa Kiyoshi Profile prepared by Richard Suchenski Articles translated by Kendall Heitzman Profile Born in Kobe in 1955, Kurosawa Kiyoshi became interested in filmmaking as an elementary school student after he saw films by Italian horror filmmakers Mario Bava and Gorgio Ferroni. He formed a filmmaking club in high school and made his first Super 8mm short film, Rokkô, in 1973. Kurosawa continued making short 8mm films as a student at Rikkyô University, where he began to attend classes on cinema taught by Hasumi Shigehiko, the most important film critic and theorist of his era. Hasumi’s auteurist approach and deep admiration for American cinema of the 1950s deeply influenced a generation of Rikkyô students that, in addition to Kurosawa, included Suo Masayuki, Shiota Akihiko, Aoyama Shinji, and Shinozaki Makoto. While still a student, Kurosawa won a prize for his film Student Days at the Pia Film Festival in 1978. After presenting Vertigo College at Pia in 1980, he worked on Hasegawa Kazuhiko’s The Man Who Stole the Sun (1979) and Sômai Shinji’s Sailor Uniforms and Machine Guns (1981). Kurosawa was invited to join the Directors Company, an alternative to the major studios that offered creative freedom to young directors such as Hasegawa and Sômai. Under their auspices, he made his feature film debut with the pink film, The Kandagawa Wars, in 1983. Kurosawa next attempted to work directly for a major studio by directing a Nikkatsu Roman Porno entitled Seminar of Shyness, but the studio rejected the film, claiming that it lacked the requisite love interest. The film was eventually purchased from Nikkatsu and released as The Do-Re-Mi-Fa Girl in 1985, but the incident gave him a reputation as an idiosyncratic character and made securing funding for other studio projects difficult. -
The Cultural Cold War the CIA and the World of Arts and Letters
The Cultural Cold War The CIA and the World of Arts and Letters FRANCES STONOR SAUNDERS by Frances Stonor Saunders Originally published in the United Kingdom under the title Who Paid the Piper? by Granta Publications, 1999 Published in the United States by The New Press, New York, 2000 Distributed by W. W. Norton & Company, Inc., New York The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press oper- ates in the public interest rather than for private gain, and is committed to publishing, in in- novative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. The New Press, 450 West 41st Street, 6th floor. New York, NY 10036 www.thenewpres.com Printed in the United States of America ‘What fate or fortune led Thee down into this place, ere thy last day? Who is it that thy steps hath piloted?’ ‘Above there in the clear world on my way,’ I answered him, ‘lost in a vale of gloom, Before my age was full, I went astray.’ Dante’s Inferno, Canto XV I know that’s a secret, for it’s whispered everywhere. William Congreve, Love for Love Contents Acknowledgements .......................................................... v Introduction ....................................................................1 1 Exquisite Corpse ...........................................................5 2 Destiny’s Elect .............................................................20 3 Marxists at -
The Dewey-Trotsky Encounter in Politics and Praxis by Kevin S
In London Street: The Dewey-Trotsky Encounter in Politics and Praxis by Kevin S. Decker In London Street: The Dewey-Trotsky Encounter in Politics and Praxis by Kevin S. Decker English Abstract No one who has looked closely can fail to see a remarkable congruency between the synthesis of ideas that represents the culmination of classical pragmatism, on the one hand, and Marx’s early humanist program on the other. Despite this ground for potential commensurability, Trotsky and Dewey, while historical near-contemporaries, were fundamentally polar opposites; their contributions to “Their Morals and Ours,” Dewey and Trotsky found themselves on opposing theoretical positions with regard to the idea that, as one student of socialism claims, “as certainty about the future dissipates, ethics becomes necessary.” Despite the fact that one philosophized about civil society while the other acted in lieu of an established civil society, Dewey and Trotsky both recognized valid reasons for the crisis of public authority in Western liberalism. I argue that what unites the politics of Dewey with the early Marx, a view of praxis that demonstrates human intelligence as crystallized in social and technical practices, is precisely what Trotsky (and other Bolshevik leaders) abandoned in an effort to impose an over-intellectualized ideological framework on Russian society and culture. From this perspective, the Bolshevik experiment was bound to fail. The reasons for this entail lessons for how to address the “democratic deficit” in Western politics in general today. Resumen en español Nadie que haya mirado de cerca se puede dejar de ver una congruencia notable entre la síntesis de las ideas que representa la culminación del pragmatismo clásico, por un lado, y pronto programa humanista de Marx sobre el otro.