DOCSLIB.ORG

Popol Vuh Gratis Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

POPOL VUH GRATIS Auteur: W. Cordan Aantal pagina's: 226 pagina's Verschijningsdatum: 2001-04-07 Uitgever: Ankh-Hermes EAN: 9789020248562 Taal: nl Link: Download hier Popol Vuh (band) Cordan Uitgever Ankh-Hermes. Vertaling Vertaald door R. Overige kenmerken Extra groot lettertype Nee Gewicht g Verpakking breedte mm Verpakking hoogte 25 cm Verpakking lengte mm. Toon meer Toon minder. Reviews Schrijf een review. Bindwijze: Hardcover. Alleen tweedehands. Op voorraad. Nu besteld, dinsdag in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. In winkelwagen Op verlanglijstje. Bestellen en betalen via bol. Andere verkopers 3. Anderen bekeken ook. Popol Vuh 1. De Maya Kalender en de transformatie van het bewustzijn 2. Symbolen van de Inca, Maya en Azteken 4. De Grijze Jager 2 - De brandende brug Popol Vuh 0. Het Tibetaans dodenboek 5. Het Gilgamesj-epos 4. Bekijk de hele lijst. Over de serie Grote klassieken Ook in de moderne tijd van smartphones en internet zijn de grote denkers relevant. Friedrich Nietzsche Aldus sprak Zarathoestra 15, Richard Wilhelm I Tjing 35, Popol Vuh beïnvloedde veel andere Europese bands met hun unieke zachte en fijne instrumentatie, die zijn inspiratie haalde uit Tibet , Afrika en oud Amerika. Ze creëerden psychedelische klanken en worden door sommige aanzien als de voorlopers van de hedendaagse wereldmuziek en ook van new age muziek. Florian Fricke overleed in München op 29 december , en daarmee hield de groep op te bestaan. Uit Wikipedia, de vrije encyclopedie. Categorie : Duitse rockband. Naamruimten Artikel Overleg. Popol Vuh Pension, San Salvador Het is echter in een enkel geval mogelijk dat door omstandigheden de bezorging vertraagd is. The second part is concerned solely with the Quichés. The classification in the Popol Vuh embraces four cultural horizons, three prehistoric and one historic. Contemporary archaeologists first of all Michael D. Coe have found depictions of characters and episodes from Popol Vuh on Mayan ceramics and other art objects e. Hunahpú proclaims the tenet of the soul's immortality before Plato taught his doctrines, when the Greek mythology created by Homer and Hesiod did not yet exist. They are an epitome of religious laws or articles of faith that are still in force and which were given to man by Deity before the Old World had the Hammurabi Code. September um Uhr bearbeitet. Most of the Maya books were destroyed by zealous priests during the colonial era: the Popol Vuh survived by chance and the original is … Without leaving Maya territory, in Honduras we find a coexistence in the same country and the same moment of time of indigenous tribes belonging to the historic period Chortís and to the prehistoric Sumos , according to the classifications of the Popol Vuh, while others Hicaques and Payas hold intermediate positions. In dit boek hebben de Maya's hun scheppingsverhaal, sagen en daden opgetekend. The Popol Vuh is a sacred Maya text which narrates the Maya creation myths and describes the early Maya dynasties. Das Popol Vuh hat seinen Ursprung wahrscheinlich in uralten Überlieferungen, die im gesamten Maya-Kulturraum verbreitet waren und in Maya-Schrift aufgeschrieben wurden. He also provides the standards of natural law and ethics contained in religious morality of a utilitarian character, based on the conservation of the individual, family, and society, and the principle of authority and economic security for the well-being of humanity. Heb 4 dagen verbleven in het Intercontinental. Ruime kamer, goed onderhouden kamer en algemeen zeer verzorgd hotel. Ontbijtbuffet is uitgebreid ruime keuze fruit, warme gerechten en broodspecialiteiten Ruime slaapkamers met heerlijke bedden! Erg goed geslapen! Het ontbijt is uitgebreid en zeer goed! Sfeer in het hotel en het personeel zijn ook beide erg goed! De badkamer is erg modern en van alle gemakken Geweldige service, en zeer attente staf, maar geen wifi in de kamers, alleen in de publieke ruimte. Er is wel internet beschikbaar in de kamers via een kabel - maar daar heb je toch wel heel weinig aan met een iPad Schrijf je beoordeling. Deel je beste reisfoto. Krijg snel antwoord. Niet de juiste accommodatie voor jou? Alle accommodaties bekijken. Is dit uw Tripadvisor-vermelding? Claim uw vermelding. Veelgestelde vragen over Popol Vuh. Welke populaire attracties liggen er in de buurt van Popol Vuh? E-mailadres of telefoonnummer Wachtwoord Account vergeten? Bekijk meer van Popol Vuh op Facebook. Account vergeten? Niet nu. Bewerkingen voorstellen. Other members and guests during the next two decades included Daniel Fichelscher and Robert Eliscu. The band took its name from the Popol Vuh, a manuscript containing the mythology of the Post-Classic Quiché Maya kingdom of highland Guatemala. [KRAUTROCK Popol Vuh ASH-RA TEMPEL Cosmic Courier DIE KOSMISCHEN KURIERE T-Shirt Hierop is meer te lezen over welke cookies wij plaatsen en waarom en welke mogelijke '3rd-party' cookies er bij kunnen komen. Terug naar boven. Kleiner weergeven Groter weergeven Hoog contrast. NL Nederlands English. Muziekweb hoofdmenu. Zoeken in de bijzondere collectie: klassieke lp's Sluiten. Popol Vuh. Externe links. Biografie bron: wikipedia Popol Vuh is een Duitse experimentele rockgroep, opgericht door Florian Fricke in Alle songtitels van deze artiest weergeven. We are an Advertising Agency. Get in touch. Like So Many Others. Our Services. Content Creation. Paid Advertising. Popol Vuh is een Duitse experimentele rockgroep , opgericht door Florian Fricke in In het begin was Popol Vuh een van de vroege krautrockgroepen en creëerde vroege elektronische muziek , zoals te horen op het album Affenstunde. Geleidelijk evolueerde de muziek, en werden allerhande instrumenten erbij betrokken: blaasinstrumenten, percussie en snaren, zowel elektronisch als akoestisch. Dit resulteerde in een mystieke aura die de muziek spiritueel en introspectief maakte. https://files8.webydo.com/9583609/UploadedFiles/4ED52F8E-F07C-154A-28E7-BDBC33BC82E0.pdf https://files8.webydo.com/9582792/UploadedFiles/592FFDD1-22A4-CBFA-6DDD-517E883ADA0B.pdf https://files8.webydo.com/9583563/UploadedFiles/5C6DA14A-BD3F-D959-4CA7-FA20CA554C73.pdf https://files8.webydo.com/9584646/UploadedFiles/A0F604AE-E363-031F-70A8-E72E4C112AD2.pdf https://files8.webydo.com/9582983/UploadedFiles/86CB78D7-2FC2-6441-93C3-004DA587E498.pdf https://files8.webydo.com/9583233/UploadedFiles/5EA02ADE-A4B1-7794-72FE-B14B037F7377.pdf.
Recommended publications
  • Fitzcarraldo

    Fitzcarraldo

    Nuvole in viaggio. Esperienze di luoghi nel cinema rassegna cinematografica a cura di Luciano Morbiato e Simonetta Zanon mercoledì 9 novembre 2011 Fitzcarraldo Regia e sceneggiatura: Werner Herzog; fotografia: Thomas Mauch (secondo operatore: Rainer Klausmann); montaggio: Beate Mainka-Jellinghaus; direttore di prod.: Walter Saxer; suono: Petra Mantoudis, Dagoberto Juarez; scenografia: Henning von Gierke; costumi: Gisela Storch; effetti speciali: Miguel Vásquez; musica: Florian Fricke (Popol Vuh), Richard Strauss, Giuseppe Verdi, Ruggero Leoncavallo, Giacomo Meyerbeer, Jules Massenet, Giacomo Puccini, Vincenzo Bellini, reg. originali di Enrico Caruso; interpreti (e personaggi): Klaus Kinski (Brian Sweeney Fitzgerald “Fitzcarraldo”), Claudia Cardinale (Molly), José Lewgoy (Don Aquilino), Paul Hittscher (capitano), Huerequeque, Miguel Angel Fuentes (Cholo), Rui Polanah, Milton Nascimento, Peter Berling (direttore dell’Opera di Manaus) … Filarmonica Veneta diretta da Giorgio Croci, la regìa teatrale al Teatro Amazones di Manaus è di Werner Schroeter; sulla nave suona la Orquesta Sinfonica del Repertorio di Lima, diretta da Manuel Cuadros Barr; produzione: Lucki Stepeti e W.H. per Werner Herzog Filmproduktion; coproduzione: Zweites Deutsches Fernsehen (ZDF), Pro-jekt im Filmverlag; luoghi delle riprese: Iquitos, Rio Camisea (Perù), Manaus e Iquitos (Brasile); durata: 157’; anno: 1982; origine: Germania. Filmografia di Werner Herzog (Monaco di Baviera 1942) Segni di vita, 1968; Fata Morgana, 1970; Anche i nani hanno cominciato da piccoli, 1970; Paese del silenzio e dell’oscurità, 1971; Aguirre, furore di Dio, 1972; L’enigma di Kaspar Hauser, 1974; Cuore di vetro, 1976; La ballata di Stroszek, 1976; Nosferatu, il principe della notte, 1979; Woyzeck, 1979; Fitzcarraldo, 1982; Dove sognano le formiche verdi, 1984; Cobra verde, 1987; Grido di pietra, 1991; Kinski, il mio nemico più caro, 1999; Invincibile, 2001; Kalachakra.
  • L'invention Musicale Face À La Nature Dans Grizzly Man, the Wild

    L'invention Musicale Face À La Nature Dans Grizzly Man, the Wild

    Document generated on 09/28/2021 12:13 a.m. Revue musicale OICRM L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville Ce que le cinéma nous apprend de la musique Article abstract Volume 5, Number 1, 2018 When German filmmaker Werner Herzog directs or produces three documentaries on the creation and recording of the music of three of his films URI: https://id.erudit.org/iderudit/1044446ar between 2005 and 2011, he performs a double gesture of revelation and DOI: https://doi.org/10.7202/1044446ar incarnation: the notes become visible through the body of the musicians. In doing so, Herzog reveals his poetic art: musical forms respond to nature, so See table of contents present in his films; nature is seen as an instrument of harmony while music becomes a power of estrangement, getting our perceptions out of tune; and by giving us access to both the infigurable – the moral being – and the material body made of flesh and bone, the music opens a path to the heart of the world. Publisher(s) Observatoire interdisciplinaire de création et recherche en musique (OICRM) ISSN 2368-7061 (digital) Explore this journal Cite this article Deville, V. (2018). L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog. Revue musicale OICRM, 5(1), 103–120. https://doi.org/10.7202/1044446ar Tous droits réservés © Revue musicale OICRM, 2018 This document is protected by copyright law.
  • Krautrock and the West German Counterculture

    Krautrock and the West German Counterculture

    “Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre.
  • Popol Vuh Aguirre Flac

    Popol Vuh Aguirre Flac

    Popol vuh aguirre flac Find a Popol Vuh - Aguirre first pressing or reissue. Complete your Popol Vuh collection. Shop Vinyl and CDs. Popol Vuh - Aguirre. Electronic, Rock. Popol Vuh - Aguirre. Title: Popol Vuh - Aguirre. Singer: Popol Vuh. Album name: Aguirre. Size: mb. Genre: Electronic. Category, Artist, Title (Format), Label, Category, Country, Year. CEL /, Popol Vuh, In The Gardens Of Pharao / Aguirre (2xLP, Comp), Celestial. (Avant-garde, Modern Classical, Contemporary) Alberto Ginastera – Popol Vuh; Cantata para America Koln - Stefan Asbury, Ensemble S) , FLAC (image+.cue) lossless MB. Popol Vuh - Aguirre [OST] [Mp3 Kbps]: MB. Pioneers of German "krautrock" music, Popol Vuh was the creature of Florian Fricke (). The first album "Affenstunde" () is an. Popol Vuh - In the Gardens of Pharao/Aguirre (). Segundo flac + covers + 5% Popol Vuh - Gesang der Gesänge (). Popol Vuh's Affenstunde and Deuter's D were strong influences. free Bandcamp app, plus high-quality download in MP3, FLAC and more. Plays Popol Vuh by Valerio Cosi, released 20 June 1. Aguirre (In B Major: Stars Aligning) 2. Hosianna Mantra 3. Vuh 4. streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Popol Vuh é uma banda que admiro muito, o primeiro disco do grupo que álbuns o Hosianna Mantra, Affenstunde, Tantric Song, Aguirre e Nosferatu. E Bandeiras ( brazilian, superb hard/psychedelic pop-rock) Flac. For German avant gardists Popol Vuh, it's practically impossible. "Aguirre I" features peals of artificial choir sound, played by Fricke on a. MP3; FLAC; WAV Excerpts from their soundtrack to Aguirre, The Wrath Of God are used in the Haswell & Hecker re-composition featured here, .
  • The History of Rock Music: 1966-1969

    The History of Rock Music: 1966-1969

    The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Kosmische Musik 1969-72 (These are excerpts from my book "A History of Rock and Dance Music") Fundamentally, British rock recycled USA rock for a different kind of audience: the Beatles recycled it for a pop-oriented audience, progressive-rock (in all its neo-classical and jazz variations) recycled it for an intellectual audience. German rock, instead, invented a different kind of rock music. In fact, many German bands were not playing "rock" music at all. There is no question that the great era of German avant-rock was inspired by psychedelic music, but the German interpretation of psychedelic music had little to do with reproducing the effects of drugs: German musicians saw a relationship between psychedelic experiments and the German electronic avantgarde (such as Karlheinz Stockhausen), a relationship that, in retrospect, was already obvious in the USA's psychedelia, but that no one had articulated before. In 1968 three young musicians, Conrad Schnitzler, Hans-Joachim Roedelius and Klaus Schulze, founded the "Zodiak Free Arts Lab" in Berlin. This became the first venue for popular electronic music in Europe. That can be considered the moment when German musicians figured out that strategic relationship between psychedelic music and avantgarde music.
  • La Germania Cosmica

    La Germania Cosmica

    Ash ra tempel: Ash ra tempel (1971) Schwingungen (1972) Seven up (1973) Agitation free: Malesch (1972) 2nd (1973) Amon Duul: Yeti (1970) LaLa GermaniaGermania cosmicacosmica Bibliografia: Der Kosmische Musik Cope, Julian Krautrocksampler 1970-1974 Rizzi, Cesare The prog side of the moon Asbjornsen, Dag Erik Comics dreams at play Aprile, Al ; Majer, Luca La musica rock-progressiva europea Scaruffi, Piero Enciclopedia della musica new age Biblioteca Ospizio Febbraio 2016 Storia del rock vol. 3 Morley, Paul Metapop In memoria di Edgar Froese Introduzione Discografia Appare ancora oggi stupefacente come tra il 1970 e il 1974 un Tangerine dream: eterogeneo manipolo di giovani musicisti tedeschi (alcuni discepoli di Electronic meditation (1970) Karlheinz Stockhausen, altri con esperienze in gruppi beat, altri ancora Ultima Thule (1971) provenienti da ambienti politicizzati) abbiano potuto produrre in modo Alpha centauri (1971) indipendente dischi che a parte le normali differenze stilistiche e Zeit (1972) musicali sembrano comporre uno stesso dipinto, multiforme quanto si Atom (1973) vuole, ma fortemente omogeneo nei contenuti e negli obiettivi. E’ Phaedra (1974) come se il medesimo sogno avesse visitato le notti di Klaus Schulze, Florian Fricke, Manuel Gottsching, Edgar Froese, Achim Reichel, Rubicon (1975) istigandoli a tradurre in musica le identiche sensazioni e immagini, a Ricochet (1975) tratteggiare uno stesso paesaggio siderale, infinito e irraggiungibile ma Stratosfear (1976) al contempo così nitido da essere accessibile anche al semplice The anthology decades : the space years vol. 1 (2008) ascoltatore. Un aleph musicale formato da album quali Zeit, In der garten pharaos, Irrlicht o Schwingungen: ogni disco una nuova Klaus Schulze: pennellata sulla tela, una nuova sfumatura prima inespressa.
  • GERMAN SCENE Importantly, Macdonald Noted That a Lot Ofnew German Music Was in Germany Until It Found Critical Favour in the UK

    GERMAN SCENE Importantly, Macdonald Noted That a Lot Ofnew German Music Was in Germany Until It Found Critical Favour in the UK

    278 THE AMBIENT CENTURY AMBIENCE IN THE ROCK ERA 279 was a comparison. 13y 1975 Oldfield had 1973). Moreover most writers accuse the eminent British musicologist Ian returned to form with an elaborate album of instnnnental timbres MacDonald ofinventing the label during the early 19705 when he wrote about featunng Celtic harp and bodhran, Greek synthesizers, Northum­ German music in the New lvlusical In fact during December of 1972 brian pipes and African drumming. As with Tubular Bells, Ommadawn featured MacDonald published three articles titled 'Germany , two Sally Oldfield 011 backing vocals but expanded the contributors to of them double broadsheet pages. In not one line did he mention the term brass, and the sound of uileann pipes courtesy of The Chieftains' 'krautrock'! Moloney. Even OldfIeld's brother Terry played the pan pipes. The African Instead MacDonald gave a jaw-droppingly accurate description of German drummers ofJabula came into their own on the finale of the nineteen- rock ofthe late 60s and early 70s. For openers he stated that in the UK there was minute 'Part One' would be heard again on Oldfield's 1978 doublc­ a total ofcontinental rock. Secondly, there was a strong album Incarltatiol1S. 1984 Oldfield was great folk-rock songs with spirit among Germany's youth since 1968. They disliked rich P\fwl,()-I'\ 111 er1elln Reilly such as 'To France' and that year he also scored Roland groups playing in their country and a lot of students demanded free entry. The film The Killing Fields. Yet his first success would not go away concept of 'the revolutionary head' was paramount, a concept which 'chal­ and in 1992 Warner Bros.
  • Transcript Werner Herzog and Jonathan Demme

    Transcript Werner Herzog and Jonathan Demme

    TRANSCRIPT A PINEWOOD DIALOGUE WITH WERNER HERZOG AND JONATHAN DEMME Werner Herzog and Jonathan Demme are two of the most accomplished and adventurous filmmakers in contemporary cinema. Emerging on the international scene in the 1970s, they have each made—and continue to make—a wide range of fiction and documentary features: Demme’s films include Silence of the Lambs, Philadelphia, and Neil Young: Heart of Gold, while Herzog’s include Aguirre: The Wrath of God, The Mystery of Kaspar Hauser, and Encounters at the End of the World. This lively conversation between Demme and Herzog celebrated the launch of the Moving Image Source (www.movingimagesource.us), a Museum website devoted to the history of film and media. A Pinewood Dialogue with Jonathan Demme compelled to say it again: I saw your new film, and Werner Herzog (June 5, 2008): Encounters at the End of the World, last night on the big screen, up at the Jacob Burns Film DAVID SCHWARTZ: Please welcome Jonathan Center, and it’s such a thrill to be seated here with Demme and Werner Herzog. (Applause) you—because you’ve made another, yet another brilliant masterpiece. Congratulations. It’s so JONATHAN DEMME: Hi everybody. You can see I extraordinary. (Applause) Amazing film, brought some research with me. I would like very amazing—of course—which is what we’ve much, if it’s okay with [Werner] to read a couple basically come to expect from you at this stage of paragraphs from a letter that was written by Roger the game. (Laughter) Ebert. Would that be alright? Leaping forward, he says, “Dear Werner: Without HERZOG: Yes.
  • AGUIRRE, WRATH of GOD (Aguirre, Der Zorn Gottes) Directed by Werner Herzog

    AGUIRRE, WRATH of GOD (Aguirre, Der Zorn Gottes) Directed by Werner Herzog

    AGUIRRE, WRATH OF GOD (Aguirre, der Zorn Gottes) Directed by Werner Herzog Now newly restored and back on the big screen from 7 June 2013 Opening at BFI Southbank, Curzon Soho, Filmhouse Edinburgh & selected cinemas nationwide 10 April 2013 – On 7 June 2013, the BFI brings back to the big screen, newly restored and in venues nationwide, Aguirre, Wrath of God (1972), the third feature and international breakthrough film of legendary German director Werner Herzog (more recently acclaimed for Grizzly Man, Rescue Dawn, Encounters at the End of the World). Shot entirely on location in the wild Amazonian jungle, Herzog’s ambitious film of doomed adventure and stunning, savage beauty remains one of his most extraordinary achievements. Herzog has described it as “a very personal film and still part of my life”. Aguirre will be a highlight of a two-month retrospective of the director’s work at BFI Southbank, running throughout June and July. A second Herzog masterpiece, The Enigma of Kaspar Hauser (1974), will follow with a UK cinema release on 5 July. The volatile German star Klaus Kinski, later described by Herzog as “probably the most difficult actor in the world to deal with”, was his inspired and only choice for the role of Don Lope de Aguirre, a power-crazy explorer in sixteenth-century South America who leads a band of conquistadors through the Amazon in search of El Dorado. Beset by the physical and mental challenges of the terrain – dangerous rapids, whirlpools, floods, starvation, mutiny, disease and deadly Indian snipers – the men begin to hallucinate and fantasize.
  • Werner Herzog

    Werner Herzog

    Prestakuntzaz autodidakta, 20 urterekin bere produkzio-etxea sortu zuen. Hurrengo urtean, bere lehenengo film laburra (Herakles) egiten hasi zen. Ondoren, bere lehen 15 01 2010 18.00 h 16 01 2010 20.15 h 29 01 2010 20.00 h 30 01 2010 18.00 h film luzea zuzendu zuen: Lebenszeichen (Bizi-seinaleak). Hortik aurrera, Herzogen Herakles, Rep. Federal de Alemania, 1962 Herz aus Glas (Corazón de cristal), Rep. Federal de Alemania, 1976 lana berezia da zinez; film luzeak eta dokumentalak, opera zuzendaritza, antzezpena eta gidoilari lanak uztartu zituen. D, G, Pr y Mn: Werner Herzog; F: Jaime Pacheco; M: Uwe Brandner; B/N, D: Werner Herzog; Pr: WH Filmproduktion; G: Werner Herzog, Herbert Bere filmografian, Werner Herzogek ez ditu bereizten fikziozko filmak genero 12 min, DVD, VOSE. Achternbusch; F: Jörg Schmidt-Reitwein; M: Popol Vuh, Studio der Freühen dokumentaletik; izan ere, biak ala biak uztartu izan ditu errealitate bakarra sortuz. Lebenszeichen (Signos de vida), Rep. Federal de Alemania, 1968 Musik; Mn: Beate Mainka-Jellinghaus; A: Josef Bierbichler, Stefan Güttler, Clemens Scheitz, Sonja Skiba; C, 97 min, 16 mm, VOSE. Azken horren froga da berak adierazi zuela Fitzcarraldo dela bere dokumentalik onena. D: Werner Herzog; Pr: Werner Herzog (WH) Filmproduktion; G: Werner Herzog, Fassbinder, Schlöndorff, eta Wendersekin batera «Zinema alemaniar berria» izeneko Achim von Arnim; F: Thomas Mauch; M: Stavros Xarhakos; Mn: Beate 05 02 2010 18.00 h 06 02 2010 20.00 h mugimenduaren sortzailea izaki, Werner Herzogek antiheroien aldeko joera argia Mainka-Jellinghaus; A: Peter Brogle, Wolfgang Reichmann, Athina erakutsi izan du: izaera bereziko pertsonaiak etsaitasunez betetako munduaren Zacharopoulou, Wolfgang von Ungern-Sternberg; B/N, 83 min, 16 mm, VOSE.
  • Mein Krautrocksampler

    Mein Krautrocksampler

    Krautrocksampler Interviews, Artikel und anderes extrahiert aus dem Internet und aufbereitet von Heinrich Unkenfuß Nur zum internen Gebrauch und zu wissenschaftlichen und Unterrichtszwecken. Hamburg, 13. 11. 2010 Inhaltsverzeichnis Ein Augen- und Ohrenflug zum letzten Himmel - Die Deutsche Rockszene um 1969 (von Marco Neumaier) 4 The German Invasion (by Mark Jenkins) 7 Krautrock (by Chris Parkin) 10 Rock In Deutschland - Gerhard Augustin Interview 12 An Interview With Julian Cope 17 Krautrock: The Music That Never Was 22 German Rock (SPIEGEL 1970) 25 Popmusik: Sp¨ates Wirtschaftswunder (SPIEGEL 1974) 27 Neger vom Dienst (SPIEGEL 1975) 29 Trance-Musik: Schamanen am Synthesizer (SPIEGEL 1975) 31 Zirpt lustig (SPIEGEL 1970) 34 Prinzip der Freude (SPIEGEL 1973) 36 The Mythos of Rolf-Ulrich Kaiser (1943-??) 38 Exhibitionisten an die Front (SPIEGEL 1969) 42 Communing With Chaos (by Edwin Pouncey) 44 Amon Du¨ul¨ II - Yeti Talks to Yogi 50 We Can Be Heroes (Amon Du¨ul¨ II) 57 Interview with John Weinzierl 60 Dave Anderson - The Bass-Odyssey Files 69 1 Kraut-Rock (Interview mit Chris Karrer) 74 Interview mit Tangerine Dream (1975) 77 Interview with Klaus Schulze 79 “I try to bring order into the chaos.” Klaus D. Mueller Interview 91 Die wahre Geschichte des Krautrock 96 Faust: Clear 102 The Sound of the Eighties 104 Faust and Foremost: Interview with Uwe Nettelbeck 107 Having a Smashing Time 110 Interview with Jochen Irmler 115 After The Deluge - Interview with Jean-Herv´eP´eron 117 Faust: Kings of the Stone Age 126 Faust - 30 Jahre Musik zwischen Bohrmaschine und Orgel 134 Hans Joachim Irmler: ‘Wir wollten die Hippies mal richtig erschrecken“’ 140 ” Can: They Have Ways of Making You Listen 145 An Interview With Holger Czukay (by Richie Unterberger) 151 An Interview With Holger Czukay (by Jason Gross) 155 D.A.M.O.
  • Print Irish Cinema Course2.Qxd

    Print Irish Cinema Course2.Qxd

    The German Film Festival 30 November to 9 December 2007 At the Irish Film Institute The German Film Festival introduction he irish film institute hosts a number of The Paulaner German Film festival offers a diverse foreign-language film festivals throughout range of new features and documentaries ranging T the year to promote film culture in Ireland: from our Opening Film Eight Miles High about the life The Paulaner German Film Festival is one of the of hippie nymph extraordinaire Uschi Obermaier who permanent fixtures in Ireland’s cinema calendar, became the embodiment of sexual freedom in 60s and reflects the healthy diversity of current German Germany; to the award-winning Four Minutes, a prison cinema. With recent films such as The Lives of Others drama featuring outstanding performances from and The Counterfeiters both at the forefront of art- Monica Bleibtreu and newcomer Hannah Herzsprung, house success, this year’s festival brings a new crop about the battle of wills between a female inmate of productions from a country whose film industry who is a young talented pianist - and her tutor. is showing us all how it's done. the paulaner german film festival 2007 Eight Miles High November 30 6.30 pm Aguirre, Wrath of God December 1 2.10 pm Losers and Winners December 1 2.10 pm Four Minutes December 1 6.30 pm The Enigma of Kaspar Hauser December 2 2.10 pm Just An Ordinary Life December 2 2.10 pm My Führer December 2 6.30 pm Full Metal Village December 3 6.30 pm Pool of Princesses December 4 6.30 pm Rage December 56.30 pm Shoppen Munich December 6 6.30 pm Nosferatu the Vampire December 8 2.10 pm My Best Fiend December 8 4.40 pm Fitzcarraldo December 9 2.00 pm Irish Film Institute 6 Eustace Street Temple Bar, Dublin 2 Many thanks to Iris Ordonez Box office: 01 679 3477 at German Films for her invaluable help.