Bibliography

Total Page:16

File Type:pdf, Size:1020Kb

Bibliography BIBLIOGRAPHY Text Editions Aelian (Aelius). On the Characteristics of Animals, 3 vols, translated and edited by A.F. Schofi eld. Cambridge: Harvard University Press, 1958–59; original title De Natura Animalium, 17 books. Aitareya Brahmana. The Aitareya Brahmanam of the Rigveda, containing the earliest speculations of the Brahmans on the meaning of the sacrifi cial prayers, and on the origin, performance and sense of the rites of the Vedic religion, 2 vols, edited and translated by M. Haug. Delhi: Bharatiya, 1976, 1977; reprint of Bombay, 1863. Alberuni. Alberuni’s India, an account of the religion, philosophy, literature of India about 1030 A.D., translated by E.C. Sachau. London: Routledge and Kegan Paul, 1910; reprint of 1888; original title Kitab fi Tahqiq ma lil-Hind. Barbosa. The Book of Duarte Barbosa: An Account of the Countries Bordering on the Indian Ocean and Their Inhabitants, Written by Duarte Barbosa and Completed About the Year 1518 A.D., 2 vols., translated and edited by M. Longworth Dames. New Delhi: American Embassy School, 2002; reprint of London: Hakluyt Society, 1918. Bharavi. Bharavi’s poem Kiratarjuniya or Arjuna’s Combat with the Kirata, translated by C. Cappeller. Harvard Oriental Series 15. Cambridge: Harvard University, 1912. Charaka Samhita. Caraka samhita: traité fondamental de la médicine ayurvédique, translated by J. Papin. Paris: Almora, 2006. Columella. Lucius Junius Moderatus Columella on agriculture, translated by E.S. Foster and E.H. Heffner. Loeb Classical Library 407. London: Heinemann, 1968. De Clavijo. Narrative of the embassy of Ruy Gonzales de Clavijo to the court of Timour at Samarcand, A.D. 1403–1406. London: Hakluyt Society, 1859. Herakles. Mythologike Bibliotheke Apollodoron, vol. 2, E Genealogia Theon kai Eroon. Athens: Panagiote Demoylea, 1996. In Greek. Herodotus. The histories of Herodotus, 2 vols, translated by G. Rawlinson. Everyman’s Library 405. London: Dent, 1964. Jatakas. The Jataka or stories of the Buddha’s former births, 7 vols, translated by various hands, edited by E.B. Cowell. Lancaster: Pali Text Society, 1957; reprint of Cambridge: Cambridge University Press, 1895–1913. Mahabharata. The Mahabharata, translated and edited by J.A.B. van Buitenen. Chicago: University of Chicago Press, 1973–2004. Matsya Purana. The Matsya Purana, translated by the taluqdar of Oudh, edited by S. Vidyarnava. The sacred books of the Hindus 17, 1–2. New York: AMS Press, 1974; reprint of Allahabad: Panini Offi ce, 1916–1917. Nakula. Asvasastram by Nakula with coloured illustrations, translated and edited by S. Gopalan. Tanjore Saraswati Mahal Series 56. Tanjore, 1952. Nilakantha. The Elephant Lore of the Hindus: The Elephant-Sport (Matangalila) of Nilakantha, translated by F. Edgerton. New Delhi: Motilal Banarsidass, 1985. Panini. Panini’s Grammatik, hergestellt, übersetzt, erläutert und mit verschiedenen Indices versehen von O. Böhtlingk. Hildesheim: Georg Olms, 1964; reprint of Leipzig: Haessel, 1887. Patimokkha. The Buddhist Monastic Code I. The Patimokkha Rules, translated and explained by Thanissaro Bhikku. Valley Center: Metta Forest Monastery, 1994. Pliny the Elder. The natural history of Pliny, 5 vols, translated by J. Bostock and H.T. Riley. Bohn’s Classical Library. London: Henry G. Bohn, 1855. 436 bibliography al-Qazwînî. Ajaib al-Makhluqat. Merveilles des choses créées et les curiosités des choses existantes. Ms 2178 folio 274a. Paris: Bibliothèque Nationale. Rigveda. Der Rig-veda aus dem Sanskrit ins Deutsche übersetzt und mit einem laufenden Kom- mentar versehen von Karl Friedrich Geldner, 3 vols. Harvard Oriental series 33–35. Cambridge: Harvard University Press, 1978; reprint of 1951. Shatapatha Brahmana. The Sathapatha Brahmana in the Kanviya recension, edited by W. Caland, revised by R. Vira, 3 vols. Delhi: Motilal Banarsidass, 1983; reprint of Lahore: Punjab Sanskrit Book Depot, 1926. Shukhasaptati. Das Papageienbuch, edited by W. Morgenroth. München: Winkler-Verlag, 1969. Sushruta Samhita. An English translation of the Sushruta Samhita based on original Sanskrit text, 3 vols, translated and edited by K. Bhishagratna. Chowkhambha Sanskrit Stud- ies 30. Varanasi: Chowkhamba Sanskrit Studies Offi ce, 1981; reprint of Calcutta, 1907–1916. Suttavibhanga of the Vinaya Pithaka. The Book of the Discipline, 3 vols, translated by I.B. Horner. Lancaster: Pali Text Society, 1938–40. Taittiriya Brahmana. The Taittiriya Brahmana: with the commentary of Bhatta Bhaskara Misra, 4 vols, edited by M. Sastri. Delhi: Motilal Banarsidass, 1985; reprint of Mysore: Government of Mysore State, 1911. Valmiki. The Ramayana of Valmiki, translated by H.P. Shastri. London: Shanti Sadan, 1962. Published Sources Agrawal, D.P., S.K. Gupta, and S. Kusumgar. “Tata Institute Radiocarbon Date List IX.” Radiocarbon 13, 2 (1971): 442–449. Agrawala, V.S. India as known to Panini. Varanasi: Prithvi Prakashan, 2nd edition, 1963. Al-Ani, Falah K. Camel: Management and Diseases. Amman: Dar Ammar Book Publisher, 2004. Anderson, K. Nine Man-eaters and One Rogue. London: Allen and Unwin, 1955. Ardeleanu-Jansen, A. “Aspekte der plastischen Kunst der Harappa-Kultur.” In Vergessene Städte am Indus. Frühe Kulturen in Pakistan vom 8. bis 2. Jahrtausend, edited by Ph. Von Zabern. Mainz am Rhein: Von Zabern Verlag, 1987. Arundhati, P. Royal life in Manasollasa. New Delhi: Sundeep Prakashan, 1994. ——. Games and pastimes in Manasollasa. New Delhi: Sharada, 2004. Aryan, K.C. Hanuman In Art and Mythology. Delhi: Rekha Prakashan, 1975; revised as Hanuman: Art, Mythology & Folklore, 1994. Asher, F.M., ed. Art of India: Prehistory to the Present. New Delhi: Encyclopedia Britan- nica India, 2003. Asian Rhino Specialist Group 1996. “Dicerorhinus sumatrensis. Rhinoceros sondaicus. Rhinoc- eros unicornis.” In: 2007 IUCN Red List of Threatened Species, internet <www.iucnredlist .org>, downloaded on 14 February 2008. Astour, M.C. “Overland trade routes in ancient Western Asia.” In: Civilizations of the Ancient Near East, vol. 1, edited by J.M. Sasson. London: Hendrickson, 1995. Athanassopoulou, S., and Y. Tzedakis. The Bull in the Mediterranean World; Myths & Cults. Barcelona 14 November 2002–6 March 2003, Athens Benaki Museum 19 March–7 June 2003. Athens: Hellenic Ministry of Culture, 2003. Atre, S. “The Harappan riddle of ‘unicorn’.” BDCRI 44 (1985): 1–10. ——. The Archetypal Mother: A systematic Approach to Harappan Religion. Pune: Ravish, 1987. ——. “Harappan seal motifs and the animal retinue.” BDCRI 49 (1990): 43–51..
Recommended publications
  • The Peacock Cult in Asia
    The Peacock Cult in Asia By P. T h a n k a p p a n N a ir Contents Introduction ( 1 ) Origin of the first Peacock (2) Grand Moghul of the Bird Kingdom (3) How did the Peacock get hundred eye-designs (4) Peacock meat~a table delicacy (5) Peacock in Sculptures & Numismatics (6) Peacock’s place in history (7) Peacock in Sanskrit literature (8) Peacock in Aesthetics & Fine Art (9) Peacock’s place in Indian Folklore (10) Peacock worship in India (11) Peacock worship in Persia & other lands Conclusion Introduction Doubts were entertained about India’s wisdom when Peacock was adopted as her National Bird. There is no difference of opinion among scholars that the original habitat of the peacock is India,or more pre­ cisely Southern India. We have the authority of the Bible* to show that the peacock was one of the Commodities5 that India exported to the Holy Land in ancient times. This splendid bird had reached Athens by 450 B.C. and had been kept in the island of Samos earlier still. The peacock bridged the cultural gap between the Aryans who were * I Kings 10:22 For the king had at sea a navy of Thar,-shish with the navy of Hiram: once in three years came the navy of Thar’-shish bringing gold, and silver,ivory, and apes,and peacocks. II Chronicles 9: 21 For the King’s ships went to Tarshish with the servants of Hu,-ram: every three years once came the ships of Tarshish bringing gold, and silver,ivory,and apes,and peacocks.
    [Show full text]
  • OLD FLORIDA BOOK SHOP, INC. Rare Books, Antique Maps and Vintage Magazines Since 1978
    William Chrisant & Sons' OLD FLORIDA BOOK SHOP, INC. Rare books, antique maps and vintage magazines since 1978. FABA, ABAA & ILAB Facebook | Twitter | Instagram oldfloridabookshop.com Catalogue of Sanskrit & related studies, primarily from the estate of Columbia & U. Pennsylvania Professor Royal W. Weiler. Please direct inquiries to [email protected] We accept major credit cards, checks and wire transfers*. Institutions billed upon request. We ship and insure all items through USPS Priority Mail. Postage varies by weight with a $10 threshold. William Chrisant & Sons' Old Florida Book Shop, Inc. Bank of America domestic wire routing number: 026 009 593 to account: 8981 0117 0656 International (SWIFT): BofAUS3N to account 8981 0117 0656 1. Travels from India to England Comprehending a Visit to the Burman Empire and Journey through Persia, Asia Minor, European Turkey, &c. James Edward Alexander. London: Parbury, Allen, and Co., 1827. 1st Edition. xv, [2], 301 pp. Wide margins; 2 maps; 14 lithographic plates 5 of which are hand-colored. Late nineteenth century rebacking in matching mauve morocco with wide cloth to gutters & gouge to front cover. Marbled edges and endpapers. A handsome copy in a sturdy binding. Bound without half title & errata. 4to (8.75 x 10.8 inches). 3168. $1,650.00 2. L'Inde. Maurice Percheron et M.-R. Percheron Teston. Paris: Fernand Nathan, 1947. 160 pp. Half red morocco over grey marbled paper. Gilt particulars to spine; gilt decorations and pronounced raised bands to spine. Decorative endpapers. Two stamps to rear pastedown, otherwise, a nice clean copy without further markings. 8vo. 3717. $60.00 3.
    [Show full text]
  • Sreenivasarao's Blogs HOME ABOUT THIS WORDPRESS.COM SITE IS the BEE's KNEES
    sreenivasarao's blogs HOME ABOUT THIS WORDPRESS.COM SITE IS THE BEE'S KNEES ← Music of India – a brief outline – Part fifteen Music of India – a brief outline – Part Seventeen → Music of India – a brief outline – Part sixteen Continued from Part Fifteen – Lakshana Granthas– Continued Part Sixteen (of 22 ) – Lakshana Granthas – Continued Pages 8. Sangita-ratnakara by Sarangadeva About Archives January 2016 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 February 2015 January 2014 December 2013 Sarangadeva’s Sangita-ratnakara (first half of 13th century) is of particular importance, because it was written November 2013 just before influence of the Muslim conquest began to assert itself on Indian culture. The Music discussed in Sangita-ratnakara is free from Persian influence. Sangita-ratnakara therefore marks the stage at which the October 2013 ‘integrated’ Music of India was before it branched into North-South Music traditions. October 2012 It is clear that by the time of Sarangadeva, the Music of India had moved far away from Marga or Gandharva, as September 2012 also from the system based on Jatis (class of melodies) and two parent scales. By his time, many new August 2012 conventions had entered into the main stream; and the concept of Ragas that had taken firm roots was wielding considerable authority. Sarangadeva brought together various strands of the past music traditions, defined almost 267 Ragas, established a sound theoretical basis for music and provided a model for the later Categories musicology (Samgita Shastra). Abhinavagupta (3) Sarangadeva’s emphasis was on the ever changing nature of music, the expanding role of regional (Desi) Agama (6) influences on it, and the increasing complexity of musical material that needed to be systemised time and again.
    [Show full text]
  • The Wrestler's Body: Identity and Ideology in North India
    The Wrestler’s Body Identity and Ideology in North India Joseph S. Alter UNIVERSITY OF CALIFORNIA PRESS Berkeley · Los Angeles · Oxford © 1992 The Regents of the University of California For my parents Robert Copley Alter Mary Ellen Stewart Alter Preferred Citation: Alter, Joseph S. The Wrestler's Body: Identity and Ideology in North India. Berkeley: University of California Press, c1992 1992. http://ark.cdlib.org/ark:/13030/ft6n39p104/ 2 Contents • Note on Translation • Preface • 1. Search and Research • 2. The Akhara: Where Earth Is Turned Into Gold • 3. Gurus and Chelas: The Alchemy of Discipleship • 4. The Patron and the Wrestler • 5. The Discipline of the Wrestler’s Body • 6. Nag Panchami: Snakes, Sex, and Semen • 7. Wrestling Tournaments and the Body’s Recreation • 8. Hanuman: Shakti, Bhakti, and Brahmacharya • 9. The Sannyasi and the Wrestler • 10. Utopian Somatics and Nationalist Discourse • 11. The Individual Re-Formed • Plates • The Nature of Wrestling Nationalism • Glossary 3 Note on Translation I have made every effort to ensure that the translation of material from Hindi to English is as accurate as possible. All translations are my own. In citing classical Sanskrit texts I have referenced the chapter and verse of the original source and have also cited the secondary source of the translated material. All other citations are quoted verbatim even when the English usage is idiosyncratic and not consistent with the prose style or spelling conventions employed in the main text. A translation of single words or short phrases appears in the first instance of use and sometimes again if the same word or phrase is used subsequently much later in the text.
    [Show full text]
  • Pahari Paintings from the Eva and Konrad Seitz Collection
    PAHARI PAINTINGS FROM THE EVA AND KONRAD SEITZ COLLECTION francesca galloway ww.francescagalloway.com 1 2 Pahari paintings, meaning paintings from the hills, come from the in Jammu, and Chamba had returned to their non-naturalistic Rajput roots mountainous regions of northern India once known as the Punjab Hills but and were illustrating traditional Hindu texts such as the Ramayana (cat. 2), the which now form the present day states of Jammu and Kashmir, Himachal Rasamanjari and Ragamalas (cat. 1) in brilliantly assured fashion, dependent Pradesh and Uttarakhand. They include some of the most brilliant as well as again on line and colour with their figures set against conceptual renderings the most lyrically beautiful of all Indian painting styles. of architecture and landscape. Such a style had spread throughout most of the Pahari region in the early 18th century. In the 17th and 18th centuries this area was divided into over 30 kingdoms, some of moderate size, but others very small. The kingdoms were established in Although much of the hill region formed strongholds for the worship of Shiva the fertile valleys of the rivers that eventually flowed into the plains – the Ravi, and the Devi, and paintings and manuscripts reflected this (e.g. cats. 12, 13), the Beas, Sutlej, and the Jumna and Ganges and their tributaries – and divided spread of Vaishnavism and, especially the worship of Krishna, induced patrons from each other by high mountains. The Himalayas to the north-east formed to commission illustrated versions of Vaishnava texts, such as the Bhagavata the almost impenetrable barrier between these little kingdoms and Tibet.
    [Show full text]
  • College Theme of the Year 2019
    COLLEGE THEME OF THE YEAR 2019 “ICT Enable Teaching” Page 1 of 67 VISION: To build a center of global excellence in Ayurveda education, by preserving, propagating and developing the Indian systems of medicine through quality teaching, training, patient care and research. MISSION: Tapping the hidden potentials of the young minds by inculcating unconventional techniques backed up with a relentless efforts and persuasions. The college aims at transforming the world of Ayurveda through quality education, selfless service, profitless motto, so that the commitment to excellence is achieved. OBJECTIVE: To propagate and profess Ayurveda as the best system of medicine globally To encourage innovation in teaching and training To promote research activities To find a cure for the incurable in the true tradition of Ayurveda To explore the magical formulae of folklore medicine Page 2 of 67 FORWARD We are proud to state that we stood at the top of AYUSH sector with both NAAC & NABH accreditations. Being constituent unit of KLE Academy of Higher Education & Research, it is great moment to be Third Rank in All India Swacchata Ranking Conducted by MHRD Govt of India and to be one among top 100 Indian Universities. Commitment and the dedication of entire staff of KLE AYURWORLD deserve applaud. Progress is a continuous and dynamic process. Pacing with quality and progress is a big challenge. After remarkable attainment of progress we may need to compete with self otherwise there will be stagnation. KLE AYURWORLD is marching ahead with dynamism and quality. It attained several golden mile stones in the year 2018. To quote few, launching of scientific journal ‘Indian Journal of Ayurveda & Research’ initiation of activities towards establishment of ‘Centre for Integrative Health’ introduction of newer teaching methodologies such as ‘Activity based learning, Edutainment’ etc.
    [Show full text]
  • Social Anthropology of Orissa: a Critique
    International Journal of Cross-Cultural Studies Vol. 2 No. 1 (June, 2016) ISSN: 0975-1173 www.mukpublications.com Social Anthropology of Orissa: A Critique Nava Kishor Das Anthropological Survey of India India ABSTRACT Orissa is meeting place of three cultures, Indo-Aryan, Dravidian, and Munda and three ethno- linguistic sections. There are both indigenous and immigrant components of the Brahmans, Karna, who resemble like the Khatriyas, and others. The theory that Orissa did not have a viable Kshatriya varna has been critically considered by the historian -anthropologists. We will also see endogenous and exogenous processes of state formation. The Tribespeople had generally a two-tier structure of authority- village chief level and at the cluster of villages (pidha). Third tier of authority was raja in some places. Brahminism remained a major religion of Orissa throughout ages, though Jainism and Buddhism had their periods of ascendancy. There is evidence when Buddhism showed tendencies to merge into Hinduism, particularly into Saivism and Saktism. Buddhism did not completely die out, its elements entered into the Brahmanical sects. The historians see Hinduisation process intimately associated with the process of conversion, associated with the expansion of the Jagannatha cult, which co-existed with many traditions, and which led to building of Hindu temples in parts of tribal western Orissa. We notice the co-existence of Hinduisation/ peasantisation/ Kshatriyaisation/ Oriyaisation, all operating variously through colonisation. In Orissa, according to Kulke it was continuous process of ‘assimilation’ and partial integration. The tribe -Hindu caste intermingling is epitomised in the Jagannatha worship, which is today at the centre of Brahminic ritual and culture, even though the regional tradition of Orissa remaining tribal in origin.
    [Show full text]
  • UNIVERSITY. OFMYSORE Estd.1916 Vishwavidyanilaya Karyasoudha Crawford Hall, Mysuru- 570 005 No.AC.6/32/2018-19 Dated: I I" July 2018
    Telephone No.2419677/2419361 e-mail: [email protected] Fax:0821-2419363/2419301 ~ www.uni-mysore.ac.in UNIVERSITY. OFMYSORE Estd.1916 Vishwavidyanilaya Karyasoudha Crawford Hall, Mysuru- 570 005 No.AC.6/32/2018-19 Dated: i i" July 2018 NOTIFICATION Sub: Revision of Syllabus relating to M.Dance and M.Music from the academic year 2018-19 Ref: l.Decision of the Board of Studies in Fine Arts (CB) held on 18-12-2017. 2. Decisionof the Faculty of Arts Meeting held on 20.04.2018. 3. Decision of the Academic Council Meeting held on 19.06.2018. ***** The Board of Studies in Fine Arts (CB)which met on is" December 2017 has recommended to revise the Syllabus of M.Dance and M.Music from the academic year 2018-19. The Faculty of Arts and the Academic Council at their Meetings held on zo" April 2018 and is" June 2018 respectively have also approved the above said proposal and the same is hereby notified. The contents may be downloaded from the University Website i.e., www.uni- mysore.ac.in \-\,~ Deputy Registrar(Academic) I Draft Approved by the Registrar r' ~ To: 1. The Registrar (Evaluation), University of Mysore, Mysuru. 2. The Dean, Faculty of Arts, Department of Studies in English, Manasagangotri, Mysuru. 3. The Principal, Fine arts College, Manasagangotri, Mysuru. 4. The Chairman, Board of Studies in Fine Arts (CB) Fine arts College, Manasagangotri, Mysuru- With a request to observe the contents uploaded in the University website with regard to the above proposals if any discrepancies inform to the Academic section.
    [Show full text]
  • The Plus Aug'20
    IGEN ROOTED AND FREE ISSUE #09 THE PLUS AUG’20 Don' t be let down “ “ by hurdles, till you hit your target. CONTENTS Tap the page number to skip Introduction p 2 Concept Note: Ice Water in the Veins p 6 In Conversation With p 9 From Reader’s Pen p 16 Saga of Determination p 20 Indic Sports p 24 Post COVID World: Future of Sports p 29 Career In Sports p 31 CREATIVE EDITOR: AYUSHEE CHAUDHARY Evolution and History [email protected] p 35 CREATIVE DESIGNER: Top Sport Movies MUNMUN AGGARWAL p 39 [email protected] Letters of the Past CONTENT CONTRIBUTORS: AYUSHEE CHAUDHARY p 41 VIKAS SRIVASTAVA NISHTHA NARANG This Day, That Year MEHAK GUPTA p 43 GUEST CONTRIBUTORS: Subscribe The Plus MANU BHAKER p 45 Olympics Gold Medallist ANIKA AGARWAL, Teenspiration The Plus reader, Bangalore p 46 Introduction Hello, our young readers! We are excited to welcome you onboard to yet another edition of ‘The Plus’. This month we have tried to explore the world of Sports. Games and sports have been one of the most constant and crucial entities of a person’s life. ‘All work and no play, makes Jack a dull boy’, is a saying we have all grown up with. The statement holds its essence in the fact that sports keep you not just physically healthy but also nurture your emotional and mental well-being. In this issue, you will know about India’s journey into the world of sports, presence of games since the ancient times, some inspiring stories of young and old from the sports world , think about the future of sports post corona, career possibilities if you are a sports enthusiast, movies to get you the right motivation and more.
    [Show full text]
  • War in Ancient India
    DELHI UNIVERSITY LIBRARY 7 DELHI UNIVERSITY LIBRARY a . n o . * > 8 Ac* No, ^ b { c l ^7 Datc °* please for loan This book should be returned on or before the date last stamped below. An overdue charge o f 5 PaU« will be collected for each day the book is kept overtime, J r - f j y i j «* *, ~ < f ■ :•~vr* ; S * --------1 t ____ i | / ( y \ O'?' " < / r , ■ / .... / Wa r in an cien t indIA. BY THE SAME AUTHOB Hindu Admiiflstrative Institutions. > Studies in Tamil Literature & History The Mauryan Polity. Do. a pamphlet in the Minerva series on Indian Government. Some Aspects of Vayu Puraiia. The Matsya Purana—a study. Bharadvaja&iksa. Silappadik&ram. The LalitS Cult. \/kulottunga Chola III (in Tamil). WAR IN ANCIENT INDIA BY V. R. RAMACHANDRA DIKSHITAR, m . a . University of Madras WITH A FOREWORD BY Lt.-Col. Dewan Bahadtjb Dr. A. LAKSIIMANASWAMI MUDALIAIi, M.D., LL.D., D.SC., F.R.C.O.G., F.A.C.S. Vice-Chanccllor, University of Madras MACMILLAN. AND CO. LIMITED MADRAS,'BOMBAY, CALCUTTA, LONDON 1941 FOREWORD I deem it a privilege to be given the opportunity of writing a foreword to this excellent publication, War . in 'Ancient India, at the request of the author, Mr. V. R. Ramachandra Dikshitar. Mi*. Dikshitar’s works have attracted the notice of scholars, both in the East and the West, and some of his classics like the Silappadikaram, have justly'won for him wide appreciation. In bringing out this monumental work on War in Ancient India, at this particular juncture, Mr.
    [Show full text]
  • A CRITICAL STUDY OP the NRTYA VINODA of MANASOLLASA
    Vll A CRITICAL STUDY OP THE NRTYA VINODA Of MANASOLLASA SYNOPSIS Indian literature abounds in a vast number of ancient and mediaeval works, some of which provide interesting insights into the history and development of the fundamentals and techniques of Indian dance. This is only expected considering that Indian dance, had achieved a high degree of stylization in technique, subtle 1y and‘beauty long ago and also, because it was an important art form inextricably woven into the social and religious life of the people. It was during the suzerainty of the Muslims and the British and the consequent political and social upheavels in the late mediaeval period, that these valuable literary works were pushed into the back­ ground. Once India's independence was restored, the urge to revive the rich heritage stored in these works came to the fore and it is as a result of this upsurge of interest that attempts were made to trace^the various manuscripts and bring them to light. So far, nearly five hundred manuscripts on dance, have been traced, according to the information provided in the Sanskrit Manuscripts catalogue. Of these, few have been published which are indeed very useful to scholars. It provides them with an easy access to their contents for purposes of viii undertaking research. In the present thesis an attempt is made to critically examine and interpret the portion relating to dance in one of the works of mediaeval India, that has been published in the G-aekwad Oriental Series. This work called the Manasollasa is an encyclopaedic text in Sanskrit, whxch was composed by the Yfestern Calukyan King Bhulokamalla Some^vara III in 1131 A.D.
    [Show full text]
  • Sarameyavinoda in Manasollasa: Dogs for Recreation and Hunting
    Full-length paper Asian Agri-History Vol. 14, No. 3, 2010 (273–283) 273 Sarameyavinoda in Manasollasa: Dogs for Recreation and Hunting Nalini Sadhale¹ and YL Nene2 1. “Ishavasya”, Udyog Sanskar B2, Nath Prangan, Garkheda Parisar, Aurangabad 431005, Maharashtra, India (email: [email protected]) 2. Asian Agri-History Foundation, Secunderabad 500009, India (email: [email protected]) Abstract The encyclopedic work of the Chaulukya King Someshvardeva (12th century AD) has 31 couplets on “dog as a source of recreation”. We have prepared this analytical article after translating the couplets in English. Though dog was never a pet animal with common folks, in ancient and medieval India its usefulness was well-appreciated. Manasollasa (happiness of mind), also known meter dealing with ‘dog as a source of as Abhilashitarthachintamani (abhilashita recreation’. This is one of the several royal artha-chintamani, a “thought-stone” yielding recreations described in this section. As a its possessor information on almost anything matter of fact the contents of the text under he desires), is ascribed to the Chalukya king question do not justify the title as dogs by Someshvardeva of the 12th century AD themselves are not described here as means (Shrigondkar, 1939). It is a well-known of independent recreation as the title would encyclopedic work in Sanskrit. In this suggest. Mrigaya or hunting is the main royal voluminous text, information on various topics recreation and dogs being especially useful of different branches of knowledge – for locating, attacking, and catching forest particularly of interest to the medieval kings animals, the author has devoted an of India – is culled together.
    [Show full text]